Larry Marshall Movies
- 2002
An upscale shopping mall is targeted by ruthless master thief Scalzetti (Eric Roberts). With a small but well-armed band of henchmen, Scalzetti storms the mall and takes all the Yuletide shoppers hostage. It is up to police lieutenant Cornelius Morgan (Dean Cain), recently suspended from the force, to outwit the villains and rescue the captives. A fleet of hyperactive go-karts figure into the finale of this made-for-cable thriller, which made its TBS network debut on December 1, 2002. ~ Hal Erickson, All Movie Guide
Susan Seidelman directed this loose adaptation of Fay Weldon's novel The Life and Loves of a She-Devil concerning the extreme revenge exacted by a dumpy housewife on her philandering husband. Mary Fisher (Meryl Streep) is a best-selling romance novelist of the manner of Danielle Steel or Jackie Collins. One night at a glamorous dinner party, Ruth (Roseanne Barr), the frumpy housewife of Bob (Ed Begley Jr.), accidentally spills wine over Mary's pink evening gown. Bob rushes to Mary's assistance, they look into each other's eyes, and it is lust at first sight. After a few clandestine interludes, Bob abandons his wife and his two smart-aleck kids to live with Mary at her palace by the seaside. As a result, Ruth goes into high gear to seek vengeance. She deposits her kids with Bob and then, with the help of a collection of other abused women -- including Ruth's mother (Sylvia Miles), nursing home attendant Hopper (Linda Hunt), and dim-witted secretary Olivia Honey (Maria Pitillo) -- she systematically sets out to destroy Bob's life. Bob calls Ruth a she-devil, and Ruth plays the role to the hilt; first she destroys his home life, then his career, then his freedom. And when he has nothing left, she proceeds to haunt and stalk him, bringing Bob to his knees. ~ Paul Brenner, All Movie Guide
- Starring:
- Meryl Streep, Roseanne, (more)
Combining electric song and dance performances with drama (both on and off screen), Francis Ford Coppola's The Cotton Club (1984) looks back to the 1920s-1930s peak of the legendary Harlem nightclub where only blacks performed and only whites could sit in the audience. Mixing historical figures with characters loosely based on actual people, Coppola and co-writers William Kennedy and The Godfather's Mario Puzo create a panorama of love, crime, and entertainment centered on the Club. Among them are cornet player Dixie Dwyer (Richard Gere, playing his own solos), who escapes psycho gangster "benefactor" Dutch Schultz (James Remar) for a George Raft-type Hollywood career as a gangster film star; Schultz's nubile mistress Vera Cicero (Diane Lane), who loves Dixie against her mercenary instincts; Cotton Club Mob owner Owney Madden (Bob Hoskins) and close associate Frenchy Demarge (Fred Gwynne); Vincent (Nicolas Cage), Dixie's no-good Mad Dog Coll-esque brother; Club tap star Sandman Williams (Gregory Hines), who woos ambitious light-skinned Club singer Lila Rose Oliver (Lonette McKee); and cameos by Charles "Honi" Coles and Cab Calloway impersonator Larry Marshall. Complementing the period story, Coppola evokes the style of '30s gangster movies and musicals through an array of old-fashioned devices like montages of headlines, songs and shoot-outs. Conceived by producer Robert Evans as his crowning achievement and directorial debut, Evans had to hand over the troubled production to Coppola, but the budget spiraled out of control as the script was repeatedly re-written throughout the chaotic shoot. By the time it was released, The Cotton Club's epic production story of power struggles, financial bloat, and even a murder overshadowed the "reunion" of The Godfather's creative team. Neither a Heaven's Gate-sized failure nor a wallet-saving hit like Coppola's Apocalypse Now, The Cotton Club got some favorable critical notices (although it drew fire for subordinating the African American stories). It did not, however, find a large enough audience to justify its expense and controversy, becoming another mark against 1970s "auteur" cinema in increasingly blockbuster-driven 1980s Hollywood. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Richard Gere, Gregory Hines, (more)
Roadie is a showbiz saga about the working slobs who make live pop-music performances happen. Texas good ol' boy Travis W. Redfish (pop singer Meat Loaf) drives a Shiner beer truck on his appointed rounds, but he becomes smitten with rock groupie Lola Bouillabase (Kaki Hunter), a "roadie" whose sole ambition in life is to bed her idol, Alice Cooper (playing himself). Travis' grizzled pappy, Corpus C. Redfish (Art Carney), feels disgusted by his son's lifestyle. After hearing that Cooper and his band are on tour, Lola sets out to catch up to them and offer her services, with Travis in pursuit. Along the way, they meet a number of pop-music stars -- Blondie, Asleep at the Wheel, Hank Williams Jr., Roy Orbison, and Ramblin' Jack Elliott -- who are all working on their own tours. Travis signs on, himself, as a groupie for a rock band, and is quickly dubbed "greatest roadie of all time," but he soon realizes that he must return to Texas for the wedding of his sister and his best friend. ~ Tom Wiener, All Movie Guide
- Starring:
- Meat Loaf, Kaki Hunter, (more)
The second Biblical epic to be turned into a musical by composer Andrew Lloyd Webber and lyricist Tim Rice, this box-office disappointment recounts the last week in the life of Jesus Christ in rock-opera format and from the surprising point of view of Christ's betrayer, Judas Iscariot. Carl Anderson stars as Judas, who has begun to believe that Jesus (Ted Neeley) has sold out and started buying into the mythology that's quickly springing up around him. Particularly disturbing to Judas is the relationship between Jesus and his friend Mary Magdalene (Yvonne Elliman), a prostitute. When Jesus throws a temper tantrum at the moneylenders in a temple, Judas determines to work with the Pharisees who want to put Jesus on trial as a false prophet. Following his success with the adaptation of Fiddler on the Roof (1971), director Norman Jewison experimented with a hippie-influenced sensibility on Jesus Christ Superstar (1973). Among such touches are depictions of the cast arriving via bus to mount the show, modern high-tech weaponry in the hands of the ancient Romans, and on-location filming in Israel. ~ Karl Williams, All Movie Guide
- Starring:
- Ted Neeley, Carl Anderson, (more)
A couple loves heroin as much as they love each other in Jerry Schatzberg's grim drug drama. After an illegal abortion at the behest of her faithless lover (Raul Julia), lost innocent Helen (Kitty Winn) finds solace with small-time crook Bobby (Al Pacino), a regular in Manhattan's "Needle Park." As Bobby shows her around his Upper West Side world, the two become inseparable. When Helen realizes that Bobby is a full-blown junkie, she joins him in addiction, and their downward spiral begins in earnest. Weathering overdoses, prostitution, betrayals, and a "panic" after a major bust, the pair manages to stick together, the habit sealing their fate. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Al Pacino, Kitty Winn, (more)
