Herbert Marshall Movies
British actor Herbert Marshall was born to a theatrical family, but initially had no intentions of a stage career himself. After graduating from St. Mary's College in Harrow, Marshall became an accounting clerk, turning to acting only when his job failed to interest him. With an equal lack of enthusiasm, Marshall joined a stock company in Brighton, making his stage debut in 1911; he ascended to stardom two years later in the evergreen stage farce, Brewster's Millions. Enlisting in the British Expeditionary Forces during World War I, Marshall was severely wounded and his leg was amputated. While this might normally have signalled the end of a theatrical career, Marshall was outfitted with a prosthesis and determined to make something of himself as an actor; he played a vast array of roles, his physical handicap slowing him down not one iota. In tandem with his first wife, actress Edna Best, Marshall worked on stage in a series of domestic comedies and dramas, then entered motion pictures with Mumsie (1927). His first talking film was the 1929 version of Somerset Maugham's The Letter, which he would eventually film twice, the first time in the role of the heroine's illicit lover, the second time (in 1940) as the cuckolded husband. With Ernst Lubitsch's frothy film Trouble in Paradise (1932), Marshall became a popular romantic lead. Easing gracefully into character parts, the actor continued working into the 1960s; he is probably best remembered for his portrayal of author Somerset Maugham in two separate films based on Maugham's works, The Moon and Sixpence (1942) and The Razor's Edge (1946). Alfred Hitchcock, who'd directed Marshall twice in films, showed the actor to good advantage on the Hitchcock TV series of the 1950s, casting Marshall in one episode as a washed-up matinee idol who wins a stage role on the basis of a totally fabricated life story. Marshall hardly needed to embroider on his real story of his life: he was married five times, and despite his gentlemanly demeanor managed to make occasional headlines thanks to his rambunctious social activities. ~ Hal Erickson, All Movie Guide- 1927
The great American character actress Pauline Frederick crossed the Big Pond to star in the British Mumsie. Ms. Frederick is the pivotal cog in this story of World War 1 espionage. A young gambler, who tries to stay out of the world conflict, ends up as a secret agent. He ends up betraying his country, much to the dismay of his beloved "Mumsie" (Ms. Frederick). In an emotionally hypercharged third act, Mumsie takes drastic measures to wipe clean the blot left by her traitorous son. Mumsie was based on a play by Edward Knoblock. ~ Hal Erickson, All Movie Guide
- Starring:
- Pauline Frederick, Nelson Keys, (more)
- 1928
One of the most controversial British films of the 1920s, Dawn is the story of World War 1 nurse and martyr Edith Cavell. Making a rare film appearance, Dame Sybil Thorndike stars as Cavell, who risked her life by rescuing British POWs from the Germans. Captured by the Kaiser's minions, Cavell was sentenced to be executed, an action that sparked an international outpouring of outrage, even from neutral nations. At the time Dawn was filmed, the world was at peace and the Germans were striving mightily to suppress their previous reputation as warmongers. Thanks to legal and political intervention, the film was heavily censored, then removed from distribution altogether (the official reason for the suppression was the film's startlingly brutal depiction of warfare). In 1939, with the threat of war once more looming over Britain, producer/director remade Dawn as Nurse Edith Cavell, with Anna Neagle in the starring role and with all the original film's anti-German sentiments intact. Both Dawn and its remake were based on a play by Reginald Berkeley. ~ Hal Erickson, All Movie Guide
- Starring:
- Marie Ault
- 1929
The Letter was the first film version of the Somerset Maugham play of the same name. Broadway star Jeanne Eagels plays the wife of Reginald Owen, the owner of a Malayan rubber plantation. The film opens with Eagels shooting a man (Herbert Marshall) to death; she explains that the man had tried to assault her. It is assumed that the subsequent trial will go well for Eagels, who has the advantage of wealth and social position. But Eagels' lawyer (O.P. Heggie) learns of the existence of a letter sent to the dead man in which Eagels declares her undying love--thereby proving that the killing was not justified. At great personal expense, the lawyer buys back the letter from the dead man's wife, a grim native woman. Only after Eagels is found not guilty does she reveal her indiscretion to her husband. She tries to convince him that she will be a faithful wife in the future, but suddenly pulls back and violently declares "With all my heart--I still love the man I killed!" The Letter was remade in 1940 (with considerable censorial alterations) starring Bette Davis as the murderess and Herbert Marshall--the victim in the 1929 version--as her cuckolded husband. ~ Hal Erickson, All Movie Guide
- Starring:
- Jeanne Eagels, O.P. Heggie, (more)
Alfred Hitchcock's second all-talkie thriller, Murder stars Herbert Marshall as pompous actor-manager Sir John Menier, a send-up of George DuMaurier. Summoned for jury duty, Sir John is one of 12 people who must decide the fate of Diana Baring (Norah Baring), a young actress on trial for murder. Though the girl is found guilty, Sir John believes that she's innocent and sets about to prove it on his own, exercising his actor's prerogative of adopting clever disguises in the course of his investigation. Along the way, he is obliged to entertain a pair of lower-class clods, Ted and Dulcie Markham (Edward Chapman and Phyllis Konstam), who help him stage an elaborate re-enactment of the crime. Based on Enter Sir John, a novel and play by Clemence Dane and Helen Simpson, Murder was simultaneously filmed in a German version, with Alfred Abel replacing Herbert Marshall. ~ Hal Erickson, All Movie Guide
- Starring:
- Herbert Marshall, Norah Baring, (more)
- 1931
In this drawing room drama, an impetuous heiress goes on a cruise and ends up marrying a Latin gigolo on a whim. Her father then dies, and as soon as her devoted husband discovers that the old man died destitute, he takes off. Now the girl must work; she gets a job as her father's best friend's wife's social secretary. The former socialite finds herself tormented by her boss's rotten daughter. Even so, when the mean young woman finds herself involved in a murder, it is the ex-socialite who tries to help her cover up the crime. Later the heroine's conniving ex-husband tries to blackmail her boss with the information. Trouble ensues. ~ Sandra Brennan, All Movie Guide
- Starring:
- Claudette Colbert, Herbert Marshall, (more)
- 1931
Based on a stage play by Edgar Wallace, The Calendar is set amongst Britain's horsey set. Herbert Marshall and his then-wife Edna Best star as a wealthy racehorse owner and his pretty trainer. After divesting Marshall of his millions, his mistress Anne Grey leaves him in favor of a younger, handsomer man. The hapless hero is then betrayed by his butler, who gets his master drunk and convinces him to throw the next race. Banned from the track by a jury of jockey's (the film's highlight), Marshall is afforded the opportunity to redeem himself and to settle old scores with those who've wronged him, thereby paving the way for a climactic clinch with his true love, Best. ~ Hal Erickson, All Movie Guide
- Starring:
- Herbert Marshall, Edna Best, (more)
- 1932
Marlene Dietrich stars as Helen Faraday, a German cabaret singer in the States whose husband, Ned, falls ill and his only hope is to receive expensive medical treatment at a clinic in Europe. Struggling to afford his care and to support their son Johnny, she works at a nightclub and succumbs to the advances of wealthy playboy Nick, whose gifts assist in her husband's recovery. Soon Ned recovers and returns, but when he discovers that Helen has been unfaithful, he divorces her, threatening to take their son. After running with little Johnny, she ends up a prostitute in New Orleans, where she is found by the detective hired by Ned. The boy is taken from her and Helen flees to Paris where she becomes a cabaret sensation. Upon witnessing a performance, Nick begins seeing her again and when the show moves to NYC, he secures a meeting between her and her ex -- who is finally made aware of the motivation behind her affair years before. This is the feature containing the well-known scenes where Dietrich performs stage numbers in an ape-suit and a white tuxedo (complete with top hat). ~ Kristie Hassen, All Movie Guide
- Starring:
- Marlene Dietrich, Herbert Marshall, (more)
- 1932
In this romance, an impoverished Viennese aristocrat becomes a gigolo. While on the job, he encounters a Yankee widow who is terribly impressed by titled men. They get involved and she helps him start afresh. ~ Sandra Brennan, All Movie Guide
- Starring:
- Herbert Marshall, Sara Maritza, (more)
Ernst Lubitsch used Laszlo Aladar's play The Honest Finder as a springboard for one of his most delightful early-'30s Paramount confections. Herbert Marshall and Miriam Hopkins play Gaston and Lily, a pair of Parisian thieves, both disguised as nobility, who decide to rob lovely perfume company executive Mariette Colet (Kay Francis); Gaston gets a job as Mariette's confidential secretary, while Lily installs herself as the woman's typist. Love rears its head, forcing Gaston to choose between marriage to Mariette and a fast getaway with Lily. Filled with marvelous throwaway gags and sophisticated innuendo, Trouble in Paradise was described by one critic as "as close to perfection as anything I have ever seen in the movies." ~ Hal Erickson, All Movie Guide
- Starring:
- Miriam Hopkins, Kay Francis, (more)
- 1932
The racetrack provides the setting for this melodrama that centers upon the owner of a racehorse who is jilted by a conniving, money-grubbing young woman after his money runs out. Soon after leaving him, she marries the brother of the owner's lovely horsetrainer. At the same time, the owner's shady butler gets his grieving employer drunk and talks him into fixing the next race in order to restore his fortune. Fortunately, for the horse owner, things don't go as planned and at long last he finds true happiness. ~ Sandra Brennan, All Movie Guide
- 1932
This romance, based on a surprisingly sophisticated story by Winnie the Pooh author A.A. Milne, teams up Herbert Marshall with his then-wife Edna Best. Best is Mary Price, deserted by her husband when he leaves England to seek his fortune during the Boer War in 1900. Destitute and desperate, she meets aspiring author Michael Rowe (Marshall) at a museum. Rowe offers to share what little money he has with her and soon a romance develops. They agree to marry, in hopes that her husband has disappeared for good. And, as the years pass, it seems like he has. Rowe becomes a successful and respected writer and he and Mary raise a son, David (Frank Lawton). On the night that David becomes engaged to pretty society girl Romo (Elizabeth Allan), however, Price (D.A. Clarke-Smith) reappears, and while the young couple is away, Rowe has a fight with Price, who dies at the scene from a heart attack. Michael and Mary are interrogated, but Scotland Yard never makes the connection between Price and Mary, and the investigators assume that Michael was merely protecting himself from an intruder. While the couple is off the hook legally, they feel it is morally necessary to come clean about their past in front of David and his fiancée. David is more than willing to forgive his parents their sins, and Romo stands by them, too. What could have been a tiresome subject is brought to life by the talent of all involved -- not only the actors, but also writers Angus MacPhail, Robert Stevenson, and Lajos Biro, who brought Milne's story to the screen. Stevenson, incidentally, would become one of Britain's most respected directors, and MacPhail would frequently work with Alfred Hitchcock -- though apparently not on The Man Who Knew Too Much, which gave Best one of her best screen roles. ~ Janiss Garza, All Movie Guide
- Starring:
- Frank Lawton, Herbert Marshall, (more)
- 1933
A splashy journalist finds herself embroiled in international intrigue when she hooks up with a sneaky Russian correspondent who curries favor by saving a Secret Police official. ~ Sandra Brennan, All Movie Guide
- Starring:
- Lee Tracy, Benita Hume, (more)
- 1933
Based on a story by Bela and Samuel Spewack, Solitaire Man stars Herbert Marshall as Oliver Lane, a "diamond expert" (read: master jewel thief). During a plane flight across the English channel, Lane becomes aware that practically every member of his gang plans to double-cross him -- not that the crooks trust one another any more than they trust their boss. Even detective Wallace (Lionel Atwill), assigned to keep tabs on Lane, turns out to be a double-crossing scoundrel. Under the circumstances, Lane becomes the film's hero by default. Practically the only person worth caring about in the story is heroine Helen (Elizabeth Allen) -- and one has one's doubts about her. ~ Hal Erickson, All Movie Guide
- Starring:
- Herbert Marshall, May Robson, (more)
- 1933
Herbert Marshall and Edna Best, husband and wife in 1933, star in the British drama Faithful Hearts. Best plays the daughter of Marshall, who years earlier had run out on his family. When Edna re-enters Marshall's life, it causes him to reassess his values-and to end his engagement to his judgmental fiancee. When Faithful Hearts was released in the US, all the voices were redubbed by American actors; even Herbert Marshall, a fixture in Hollywood films since the dawn of the talkie era, was submitted to this electronic augmentation. Original titled The Faithful Heart (Americans must have more of everything!), the film was based on a play by Monckton Hoffe. ~ Hal Erickson, All Movie Guide
- Starring:
- Herbert Marshall, Edna Best, (more)
- 1934
Cecil B. DeMille's least characteristic sound feature, Four Frightened People is a character study about a quartet of castaways whose fates are permanently altered by spectacular circumstances. Four coastal steamer passengers jump ship when a deadly bubonic plague breaks out. They steal a lifeboat and land on a remote Malayan island. The frightened people are a wealthy, married rubber chemist (Herbert Marshall), a mousy schoolteacher (Claudette Colbert, with requisite eyeglasses), a tough news correspondent (William Gargan) and the supercilious wife of a British official (Mary Boland). As the four adapt themselves to the rigors of jungle life, the lady teacher sheds her glasses and becomes more attractive by the day--and is subsequently fought over by the two men in the party. Their native guide (Leo Carrillo) dead, the castaways are captured by hostile Islanders. The newsman dies, the chemist and the teacher are thrust together in peril, and the official's wife becomes the unofficial queen of the island thanks to her diplomatic skills. Upon rescue, the married chemist nobly parts with the schoolteacher, but eventually escapes his loveless marriage and is reunited with his new love--even as her young pupils look on in adolescent fascination. As entertaining as any of DeMille's "big" pictures, Four Frightened People did disappointing business, prompting DeMille to return to historical spectacles. ~ Hal Erickson, All Movie Guide
- Starring:
- Claudette Colbert, Herbert Marshall, (more)
- 1934
A few unique touches aside -- notably the opening costume-party scene, in which the revellers are dressed as insects -- Rip Tide is a standard-issue Norma Shearer soap opera. Shearer plays Mary, a footloose and fancy-free American heiress who weds British nobleman Lord Rexford (Herbert Marshall). Five years later, Rexford embarks upon a business trip to New York, while Mary, urged on by her fun-loving aunt, vacations on the Riviera. Here she is reacquainted with her ex-boyfriend Tommie (Robert Montgomery), whose drunken misbehavior causes scandal to befall them both. Refusing to hear Mary's side of the story, Rexford begins divorce proceedings, but a happy ending finally manifests itself after reels and reels of endless high-toned dialogue. Legendary stage star Mrs. Patrick Campbell makes her Hollywood film debut in Rip Tide as Shearer's all-knowing Aunt Hetty, while Walter Brennan and Bruce Bennett show up in microscopic bit roles. ~ Hal Erickson, All Movie Guide
- Starring:
- Norma Shearer, Robert Montgomery, (more)
- 1934
A W. Somerset Maugham novel was the source for the fair-to-middling Greta Garbo vehicle The Painted Veil. In a situation comparable to the plotlines of most of her silent films, Garbo is lovelessly married to Herbert Marshall, but carries a flaming torch for George Brent. (Also harking back to Garbo's silent days is the fact that neither one of the men in her life is particularly interesting!) Marshall, a brilliant physician, is compelled to go into the interior regions of China to quell a cholera epidemic. He knows that Garbo has been having an affair with politician Brent, and chivalrously gives her the choice of remaining with Brent or accompanying him. Fearing a scandal, Brent bids farewell to Garbo. Once they're in the midst of the epidemic, Garbo tirelessly works by her husband's side; eventually she falls in love with him for the first time. Seriously injured in a peasant uprising, Marshall hovers near death. Brent reappears, offering to take Garbo back with him. She refuses, electing to stay with her husband no matter what the future brings. Among the supporting players in The Painted Veil are Warner Oland and Keye Luke, one year away from their memorable pairing in Fox's Charlie Chan films. ~ Hal Erickson, All Movie Guide
- Starring:
- Greta Garbo, Herbert Marshall, (more)
- 1934
This story of espionage in World War I is based on a true story. Marthe McKenna (Madeleine Carroll) is a nurse from Belgium who uses her beauty and charm to serve her native land during the war. McKenna is able to ferret out secret information from German officers and pass it along to Allied intelligence officers with the help of fellow spy Stephan (Herbert Marshall). When the evil Commandant Oberaertz (Conrad Veidt) discovers what McKenna has been doing, she's sentenced to be executed, and Stephan must step in to save her. I Was a Spy was the first American sound feature for German actor Conrad Veidt, who electrified audiences with his performance in the silent classic Das Kabinett des Doktor Caligari; Veidt left his homeland when the Nazis began their rise to power, though ironically he was to play a number of Nazi villains during his stay in Hollywood. ~ Mark Deming, All Movie Guide
- Starring:
- Madeleine Carroll, Conrad Veidt, (more)
- 1934
Outcast Lady is a heavily censored version of Michael Arlen's once-notorious novel The Green Hat, previously filmed by Greta Garbo as A Woman of Affairs. Constance Bennett is Iris March, a woman cursed by her beauty, doomed to drive everyone around her -- including herself -- to destruction. When her new husband Boy Fenwick (Ralph Forbes) commits suicide on their wedding night, Iris, who's been unfaithful to him, is held responsible, especially when the reason for Fenwick's demise is kept a secret by his snobbish family (He had contacted syphilis in the Arlen original; in the film, he fears exposure of a previous prison term). Realizing that she has brought nothing but sorrow to the Fenwick family, Iris nobly steps into her fashionable touring car and smashes it into a tree. Oddly enough, Iris' death is amusing in retrospect, inasmuch as Constance Bennett would suffer a similar demise at the beginning of 1937's Topper, thereby allowing her to cavort through the rest of the picture as a ghost. ~ Hal Erickson, All Movie Guide
- Starring:
- Constance Bennett, Herbert Marshall, (more)
- 1935
MGM's The Flame Within was the second entry in the "psychiatric" film-cycle inaugurated by Paramount's Private Worlds. Ann Harding stars as female psychiatrist Mary White, who likes to think that she is personally above her patients' emotional problems. This proves not to be the case when Mary takes a more than professional interest in the plight of self-destructive alcoholic Jack Kerry (Louis Hayward). Also involved in this situation is Kerry's troubled fiancee Lillian Belton (Maureen O'Sullivan), who has twice attempted suicide out of love for the man. Thus, Mary's dilemma is compounded: she has fallen in love with Kerry herself, and where does that leave poor Lillian? A little shaky in terms of psychology, The Flame Within works best on a purely melodramatic level. ~ Hal Erickson, All Movie Guide
- Starring:
- Ann Harding, Herbert Marshall, (more)
- 1935
Samuel Goldwyn's The Dark Angel is a sumptuously produced soap opera with a poignant "Enoch Arden" style denouement. Fredric March, Merle Oberon and Herbert Marshall star respectively as Alan Trent, Kitty Vane and Gerald Shannon, friends since childhood. Though Gerald is deeply in love with Kitty, it is Alan who wins her hand in marriage. But before the wedding can take place, WW I intervenes, and both Alan and Gerald march off with their regiments. Blinded on the battlefield, Alan gallantly pretends to have been killed so that Kitty will not feel obligated to care for him. Eventually, however, she discovers that he's still alive, which leads to the film's most memorable scene, in which the proud Alan painstakingly arranges all the furniture and bric-and-brac in his room to make it seem as though he can still see. Though the film is set in the late teens and early '20s, Merle Oberon is garbed throughout in the latest 1935 fashions -- an endearingly anachronistic Sam Goldwyn trademark. Oscar nominations went to star Oberon and art director Richard Day, with the latter taking home the gold statuette. Adapted by Lillian Hellman and Mordaunt Sharp from a stage play by Guy Bolton (written pseudonymously as H. B. Treveleyen), The Dark Angel was previously filmed by Goldwyn in 1925. ~ Hal Erickson, All Movie Guide
- Starring:
- Fredric March, Merle Oberon, (more)
Margaret Sullavan graduates from a girl's orphanage to an usherette's job at a Budapest movie theatre. Bibulous millionaire Frank Morgan makes a play for Margaret, but she keeps him at arm's length by picking a name from the phone book and insists that that's the name of her husband. The man chosen at random is attorney Herbert Marshall, who can't understand why Morgan has taken a sudden interest in him. Morgan offers Marshall a huge contract in hopes that Margaret will be "exchanged", but the truth comes out to everyone's satisfaction. Adapted from a Ferenc Molnar play by Preston Sturges (who added a hilarious movie-within-a-movie in which the "stars" emote by speaking in one-syllable sentences), Good Fairy was remade as the Deanna Durbin vehicle I'll Be Yours (47). ~ Hal Erickson, All Movie Guide
- Starring:
- Margaret Sullavan, Herbert Marshall, (more)
- 1935
Based on Samson Raphaelson's stage play, Accent on Youth focuses on a May-December romance. Herbert Marshall (46 years old at the time) is a successful middle-aged playwright; Constance Cummings is his young secretary, who prefers the company of mature men. She sets her cap on marrying the playwright, while he fends off her attentions. By the time Marshall has grown fond enough of Constance to propose, she has changed her mind and fallen for a man her own age. Accent on Youth was remade as Mr. Music (50) and But Not For Me (59), with, respectively, 49-year-old Bing Crosby and 58-year-old Clark Gable as the "elderly" hero. ~ Hal Erickson, All Movie Guide
- Starring:
- Sylvia Sidney, Herbert Marshall, (more)
- 1936
Based on a novel by Netta Syrett, A Woman Rebels is the story of Pamela Thistlewaite (Katharine Hepburn), whose mission in life is to defy the restrictive and often hypocritical conventions of Victorian England. Refusing to conform to the status quo, Pamela lives alone, reads, and says whatever she wishes, and even -- horrors! -- takes a job. Her romantic dalliance with young Gerald (Van Heflin, in his film debut) results in an illegitimate daughter (Doris Dudley), whom Pamela raises as her niece until she decides it's high time to tell the truth in all matters. Faithful suitor Thomas Lane (Herbert Marshall) offers to make an "honest woman" of her, but Pamela refuses until she can stand on her own two feet financially. Fiercely independent to the last, she becomes the crusading editor of a pioneering pro-feminist magazine and an early champion of Women's Suffrage. It was hoped by RKO Radio that The Woman Rebels would restore the popularity of Katharine Hepburn, which thanks to a series of expensive failures had been flagging for the past two years. Though the film turned out to be a box-office loser (it posted a $220,000 deficit), in retrospect it can be regarded as an artistic triumph -- and a remarkably timely one at that. ~ Hal Erickson, All Movie Guide
- Starring:
- Katharine Hepburn, Herbert Marshall, (more)
