E.G. Marshall Movies

The first of two efforts by Universal to launch an Ellery Queen TV series in the 1970s, Don't Look Behind You stars Peter Lawford as intellectual private eye Ellery Queen. Based on the novel Cat of Many Tales, the film finds Queen investigating a series of murders. The male victims were strangled with blue cords, the females with pink ones. In addition, the killer is working his (or her) way down the age scale, knocking off older people first. E.G. Marshall and Stefanie Powers are among the special guest suspects, while Harry Morgan is on hand as Ellery's police-inspector father. The best scene, involving a flooded apartment house, has very little to do with the mystery at hand. Originally telecast November 11, 1971 (after several months on the shelf), Ellery Queen: Don't Look Behind You failed to yield a weekly series; a 1975 "Ellery Queen" pilot film starring Jim Hutton was, however, more successful. ~ Hal Erickson, All Movie Guide

William Popper (Michael Sarrazin) is the son of a stockbroker and is thoroughly disenchanted with "the system." So much so that even though he can prove that he ran over a woman in his car entirely by accident, he accepts a sentence for manslaughter. His participation in some prison violence motivates him to attempt to escape, though he has only a week to go on his sentence. Having escaped, he and his old girlfriend (Barbara Hershey) make a run for Canada. The story is adapted from the novel The Pursuit of Happiness by Thomas Rogers. As William's starchy grandmother, Ruth White, notable for her work in To Kill a Mockingbird and Midnight Cowboy makes her last film appearance. ~ Clarke Fountain, All Movie Guide

Vanished earned a niche in video history as the first two-part TV movie. Based on Fletcher Knebel's novel, the story concerns the sudden disappearance of a top Presidential adviser. Grilled by the media, the President's press secretary (James Farentino) reveals very little, simply because he knows very little. But the chief executive himself (Richard Widmark) has more information than he's willing to make public; the FBI has proof that the vanished adviser was homosexual, and subject to blackmail. Based in part on the Lyndon Johnson/Walter Jenkins imbroglio of 1964, Vanished is given an aura of credibility via cameo appearances by Washington newscaster/journalists Chet Huntley, Herbert Kaplow and Martin Agronsky. The film was first telecast on two consecutive evenings: March 8 and 9 of 1971. ~ Hal Erickson, All Movie Guide

This bleak World War II action drama, directed by John Guillermin, concerns the Ludendorff Bridge at Remagen -- the last remaining span across the Rhine into Germany during the final days of the war in 1945. German General von Brock (Peter Van Eyck) is ordered to blow up the bridge rather than let it fall into American hands. Von Brock is reluctant to carry out the orders, however, because that would mean abandoning 50,000 soldiers to the on-coming Americans. Putting Major Paul Kreuger (Robert Vaughn) in charge, he tells him to try to hold the bridge as long as possible. Meanwhile, U.S. Brigadier General Skinner (E.G. Marshall) is trying to trap the retreating Germans by making a push to the Rhine. Leading the offensive is Major Barnes (Bradford Dillman), an officer held in contempt by most of the men. Platoon leader Lieutenant Phil Hartman (George Segal) takes a particular dislike to him. Hartman is also at odds with Sergeant Angela (Ben Gazzara), a scavenger who likes to steal from the corpses of dead German soldiers. As the Americans push onward to Remagen, the Germans step up their resistance. When the Americans reach Remagen, Krueger unsuccessfully attempts to blow up the bridge and throws all his soldiers into a full-assault on the Americans. Skinner orders that the American soldiers must push forward and take the bridge intact. In the face of heavy German opposition, Hartman and Angelo find that they must put aside their differences and fight for a common cause -- to take the bridge at all costs. ~ Paul Brenner, All Movie Guide

This exciting adventure provides an interesting look into the manufacture and trafficking of opium and heroin. The original story was written by Ian Fleming who died shortly before he was to pen the screenplay. The story is set in Iran and opens as an American undercover agent is murdered in the desert while attempting to buy opium. Two more agents are sent to Teheran to investigate the death and stop the powerful drug ring behind the smuggling. Once there, they run into the dead agent's girlfriend, who soon after suddenly disappears. Unfortunately, they cannot find her and so focus on their other job. To figure out where the drugs are going (and hopefully get a lead on the missing girl) they steal a bunch of opium and lace it with radioactive tracers so they can track it with Geiger counters. They then follow the drugs as they are slowly dispersed throughout Europe. After many twists, turns and blind alleys, the agents eventually succeed. This film was originally made for TV and contains cameos from many stars who worked for little pay because they strongly supported its anti-drug message. Those stars include Grace Kelly (who introduces the film) Omar Sharif, E.G. Marshall, Eli Wallach, Marcello Mastrioanni, and many more. ~ Sandra Brennan, All Movie Guide

In 1944, with Paris on the verge of Liberation by the allies, Adolph Hitler ordered that the City of Light be blown up and burned to the ground. General Dietrich Von Choltitz, after much rumination, decided that he didn't want to go down in history as the man who destroyed Paris. His refusal to follow Hitler's orders would make him a pariah in Germany for the rest of his life; nor was his gesture ever rewarded by the Allies. From this very human story in the midst of one of the most inhuman conflicts in history grew the screenplay (by Gore Vidal and Francis Ford Coppola) of the all-star, internationally produced Is Paris Burning? Whereas the earlier The Longest Day was able to support a castful of celebrities and brief subplot vignettes, Is Paris Burning? seems more weighted down than weighty. Still, a modern audience will have fun playing "spot the star" throughout the film, especially when those spotted stars include the likes of Gert Frobe (as Choltitz), Jean-Paul Belmondo, Alain Delon, Kirk Douglas (as Patton), Glenn Ford (as Bradley), Yves Montand, Simone Signoret, Robert Stack, and even Anthony Perkins as a wide-eyed GI. Filmed on a gargantuan scale, Is Paris Burning? was based on a book by Larry Collins and Dominique LaPierre. The film was lensed in black and white, save for the Technicolor finale (in the original road-show prints). ~ Hal Erickson, All Movie Guide

Henrik Isben's tragic meditation on love, betrayal, fear, and desperation come to life as never before in this powerful 1961 production detailing an ageing builder's struggle to maintain his crumbling career while reaching out for the love of a beautiful woman. E.G. Marshall and Lois Smith star. ~ Jason Buchanan, All Movie Guide

Compulsion is a compelling, stylish thriller, loosely based on the famous 1924 murder trial of thrill-killers Loeb and Leopold, two homosexual students who murdered a young boy to demonstrate their intellectual superiority. Artie Straus (Bradford Dillman) is a sadistic, mother-dominated bully. Judd Steiner (Dean Stockwell) is a submissive, introverted sissy. Having been raised by wealthy, arrogant families, both Artie and Judd consider themselves above conventional morality. Unfeeling and conceited, the boys, after the killing, take delight in offering to aid in finding the culprits. It is this arrogance which leads to their capture and prosecution for the murders. Jonathan Wilk (Orson Welles), playing a Clarence Darrow-like criminal defense attorney, takes on the case, and puts on a defense, without the cooperation of his clients, who will offer no explanation for what they have done. Bradford Dillman gives an outstanding performance, as does Dean Stockwell as the utterly unsympathetic murderers. Orson Welles is flamboyantly imposing as Wilk, who must use all his wits to try to save the boys from execution. Compulsion is a suspenseful courtroom drama, even though most viewers will know the outcome. Tautly directed by Richard Fleischer, the film is an outstanding, believable courtroom drama. ~ Linda Rasmussen, All Movie Guide

When Cecil B. DeMille was set to direct a re-make of his 1938 swashbuckler The Buccaneer and suddenly became ill, his son-in-law, Anthony Quinn, jumped into DeMille's jodhpurs. In this version, Yul Brynner plays the starring role of debonair pirate Jean Lafitte, who is contacted by General Andrew Jackson (Charlton Heston) to come to the aid of the United States when the British attack New Orleans during the War of 1812. Lafitte immediately falls in love with Annette Claiborne (Inger Stevens), the daughter of William Claiborne (E.G. Marshall), the first governor of Louisiana. ~ Paul Brenner, All Movie Guide

After a self-imposed, nine-year "retirement," former child star Shirley Temple returned to show business as host and occasional star of a series of monthly specials based on popular fairy tales. The first entry of Shirley Temple's Storybook, and one of the few to be broadcast live (most subsequent episodes were filmed), was a lavish adaptation of Beaumont's classic fable Beauty and the Beast, with Claire Bloom and Charlton Heston in the title roles. E.G. Marshall (who was to appear in several future Storybooks) is cast as the hapless merchant who, after thoughtlessly plucking a rose from the garden of a strange and forbidding castle, is ordered by the castle's beastly master (Heston) to give up one of his three daughters, lest he lose his own life. The merchant's oldest daughter, Beauty (Bloom), volunteers to remain at the Beast's castle for the rest of her life, never dreaming that her love and kindness will one day release her captor from the spell that imprisons him in his monstrous form. Although Shirley Temple does not appear in the play proper, she serves as host and narrator, and also sings the familiar Storybook theme song. "Beauty and the Beast" was originally telecast in color. ~ Hal Erickson, All Movie Guide

Mousy clerk Ronald Grimes (E.G. Marshall) begins receiving written predictions from a mail-order prophet named Christiani. Impulsively acting upon these predictions, Grimes discovers to his amazement that they all become true, and he ends up accumulating a great deal of wealth. Alas, the price that Grimes must pay for this streak of luck proves to be a daunting one indeed. This episode marks a reunion of sorts for E.G. Marshall and Jack Klugman, both of whom had previously co-starred in the 1957 film Twelve Angry Men. ~ Hal Erickson, All Movie Guide

A Puerto Rican youth is on trial for murder, accused of knifing his father to death. The twelve jurors retire to the jury room, having been admonished that the defendant is innocent until proven guilty beyond a reasonable doubt. Eleven of the jurors vote for conviction, each for reasons of his own. The sole holdout is Juror #8, played by Henry Fonda. As Fonda persuades the weary jurors to re-examine the evidence, we learn the backstory of each man. Juror #3 (Lee J. Cobb), a bullying self-made man, has estranged himself from his own son. Juror #7 (Jack Warden) has an ingrained mistrust of foreigners; so, to a lesser extent, does Juror #6 (Edward Binns). Jurors #10 (Ed Begley) and #11 (George Voskovec), so certain of the infallibility of the Law, assume that if the boy was arrested, he must be guilty. Juror #4 (E.G. Marshall) is an advocate of dispassionate deductive reasoning. Juror #5 (Jack Klugman), like the defendant a product of "the streets," hopes that his guilty vote will distance himself from his past. Juror #12 (Robert Webber), an advertising man, doesn't understand anything that he can't package and market. And Jurors #1 (Martin Balsam), #2 (John Fiedler) and #9 (Joseph Sweeney), anxious not to make waves, "go with the flow." The excruciatingly hot day drags into an even hotter night; still, Fonda chips away at the guilty verdict, insisting that his fellow jurors bear in mind those words "reasonable doubt." A pet project of Henry Fonda's, Twelve Angry Men was his only foray into film production; the actor's partner in this venture was Reginald Rose, who wrote the 1954 television play on which the film was based. Carried over from the TV version was director Sidney Lumet, here making his feature-film debut. A flop when it first came out (surprisingly, since it cost almost nothing to make), Twelve Angry Men holds up beautifully when seen today. It was remade for television in 1997 by director William Friedkin with Jack Lemmon and George C. Scott. ~ Hal Erickson, All Movie Guide