E.G. Marshall Movies

Reconstructed using archival film and sound elements long thought to be extinct, this special cut of Superman II pieces together unseen footage shot by Richard Donner in order to present the most comprehensive version of what was to be the original cut of the blockbuster sequel. As initially planned, the first two films were to be filmed back-to-back using the same sets and actors to save on production costs. However, with a budget escalating out of control and Warner Bros. breathing down the producers' necks, the decision was made to drop any further filming on the sequel in order to finish the first movie and usher it into theaters. Of course, the first Superman was a wild success, so then it was just a matter of ramping up production again, though this time, Donner was not asked back. Instead, producers went with Richard Lester, who had served them well with his Three Musketeers films. Decisions were made to drop most of the key scenes that were already in the can, including all of the footage featuring Marlon Brando as Jor-El, the Man of Steel's father. After completion, the sequel found much success in theatrical and home-video box-office returns, though that didn't stop die-hard fans from speculating what Donner's cut would have looked like. Once the Internet was spawned, Warner Bros. saw interest grow more and more for this alternate version, even prompting the company to send cease and desist letters to individuals who had posted a re-edit of the film using deleted footage taken from an alternate TV version from the U.K. With the release of Superman Returns, the company saw this as a chance to finally deliver what people had wanted for years and enlisted Michael Thau to oversee the restoration process. Under the tutelage of Donner's notes, scripts, storyboards, and the director himself, the new version was delivered to home audiences in 2006, thereby not only giving people a look into what could have been, but giving a director an unprecedented chance to realize a vision long thought lost in the annals of movie history. ~ Jeremy Wheeler, Rovi

In this thriller, an aging cat burglar becomes a crusader embroiled in a deadly cat-and-mouse game involving murder and a government cover-up. Adapted by distinguished scenarist William Goldman from a novel by David Baldacci and featuring a powerful all-star cast, the story works at different levels, not only as a straight-forward thriller but also as an insightful look at the love between the old thief and his estranged daughter, a highly successful prosecuting attorney. The trouble begins when ex-con Luther Whitney (Clint Eastwood, who also directed) decides to pull off one last heist before retiring. Just as he finishes looting the vault of a well-fortified mansion, a drunken couple enters the adjoining bedroom apparently eager to start making love. But something goes awry and a violent tussle ensues that abruptly ends when gun-wielding men bust in and shoot down the woman. During the ensuing chaos, Luther slips out. Only later does the audience learn that the would-be lovers were U.S.-President Alan Richmond (Gene Hackman) and Christy Sullivan (Melora Hardin), the young wife of the President's biggest supporter Walter Sullivan (E.G. Marshall). As the investigation and cover-up begins, Luther, who has already been contacted by hard-boiled and suspicious detective Seth Frank (Ed Harris) begins to fear that he will be blamed for the killing and prepares to leave the country. He tries to see his daughter Kate (Laura Linney) to make peace with her for having been absent in prison during most of her life, but she rejects him. Luther goes to the airport, but just before he flies, he sees a press conference in which President Richmond, without so much as a twitch, goes on a tirade concerning his stand against violence. Something inside him snaps and he abruptly decides to stay and fight for justice. ~ Sandra Brennan, Rovi

In this made-for-television drama, a woman and her husband fight long and hard to make euthanasia legal, but when she is diagnosed with cancer, her viewpoint abruptly changes. ~ Sandra Brennan, Rovi

Originally a television mini-series, this drama chronicles the painful and lively reminiscences of a 100 year old woman. Much of the story centers on her tumultuous marriage to a Civil War vet. ~ Sandra Brennan, Rovi

NASA: Tribute -- Mercury, Gemini, Apollo, and Skylab provides a time capsule of America's first steps into space. These four NASA-produced films, The World Was There, Legacy of Gemini, Time of Apollo, and Four Rooms, Earth View, chronicle the space missions and offer an overview of the historical and revolutionary period of the 1960s and 1970s. The World Was There, a discussion of Project Mercury, the United States' first man-in-space program, is narrated by Alexander Scourby. Legacy of Gemini looks at the concept of two-man spacecraft. Time of Apollo, the story of the moon missions, is narrated by Burgess Meredith. Four Rooms, Earth View documents and discusses Skylab, America's first experimental space station. E.G. Marshall narrates the latter. ~ Betsy Boyd, Rovi

In this thriller, an American schoolteacher visits St. Petersburg, Russia and ends up entangled in a deadly plot to steal a valuable artifact. Much of the film was shot on location. ~ Sandra Brennan, Rovi

A shrewd politician, Abraham Lincoln had the intelligence, ambition, and principles to grow into his job as president. This is the first of four videos in the Lincoln series, which originally aired on PBS. Produced and directed by Peter W. Kunhardt, this program is narrated by renowned actor James Earl Jones, and features award-winning actor Jason Robards reading from letters, speeches, and diaries. Highlights include period photographs. The other three programs in the series are titled Lincoln: The Pivotal Year, 1863, Lincoln: I Want to Finish This Job, 1864, and Lincoln: Now He Belongs to the Ages, 1865. ~ Steve Blackburn, Rovi

By the third year of the Civil War, personal and national tragedy had worn down President Lincoln. However, he focused on his job tenaciously, having a strong sense of history. This is the third of four programs in the Lincoln series, which originally aired on PBS. Produced and directed by Peter W. Kunhardt, this program is narrated by renowned actor James Earl Jones and features award-winning actor Jason Robards reading from letters, speeches, and diaries. Highlights include period photographs. The other three programs in the series are titled Lincoln: The Making of a President, 1860-1862, Lincoln: The Pivotal Year, 1863, and Lincoln: Now He Belongs to the Ages, 1865. ~ Steve Blackburn, Rovi

Hoping to take advantage of a sale at the appliance store owned by his old pal Jake Bennett (Red Buttons), Cliff (Bill Cosby) ends up as peacemaker in a long-standing feud between Jake and another septugenarian named Stanley Rappaport (E.G. Marshall). Not only is Cliff's new power sander at stake, but so is the "Montague-Capulet" romance between Jake's daughter Cookie (Audrey Landers) and Stanley's son Jonathan (Ken Meseroll). Originally produced for Season Six of The Cosby Show, this episode marks the final appearance of Lisa Bonet as Denise Huxtable Kendall. ~ Hal Erickson, Rovi

This made-for-cable Civil War tale chronicles the famous naval battle between the Confederate Army's Merrimac and the Union's Monitor. ~ Jason Ankeny, Rovi