Alan Marshall Movies

Director Paul Verhoeven (Showgirls, Total Recall) reunited many from his 1987 Robocop team for this $100-million science fiction adventure, adapted from Robert A. Heinlein's 1959 novel, originally serialized in The Magazine of Fantasy and Science Fiction (October-November, 1959). After graduation, Johnny Rico (Casper Van Dien) volunteers for the Mobile Infantry to do his Federal service -- but also to win over his girlfriend, Carmen Ibanez (Denise Richards), who has signed with the Fleet Academy to become a starship pilot. Johnny joins other boot-camp recruits -- Dizzy Flores (Dina Meyer), who has had a crush on Johnny since school, and Ace Levy (Jake Busey). Ace and Johnny become pals, and Johnny's abilities earn him the squad leader position. A training accident occurs on Johnny's watch, and he is about to resign when Earth is attacked by alien insects intent on eradicating all human life. Johnny's home, Buenos Aires, is no longer on the map. Horrified, he chooses to stay on and fight to destroy the insect threat. The Mobile Infantry travels to the planet Klendathu to battle the warrior bugs, a ruthless enemy with only one goal -- survival of their species no matter what. In the initial encounter, some 100,000 lives are lost. At a distant fort, Johnny's unit discovers that the bugs drain brains to acquire knowledge. Soon they are overwhelmed by an advancing arthropod army of immense proportions, attacking both in space and on the planet surface. The notion of human extinction becomes a possibility. For this $100-million production, some 300 artists and technicians combined models and miniatures with CGI effects to fashion a variety of creatures -- from breeder bugs to armored tanker bugs. The film employed hundreds of extras and has over 500 visual effects shots. Filming began 4/29/96 in California (LA and Long Beach, where Cal State's pyramid gym was used for the Jumpball game), New York, South Dakota, Wyoming (Casper, Hell's Half Acre), and Utah (an abandoned Wendover airstrip where the Enola Gay WWII bomber crew trained). At an abandoned airfield in Fountain Valley, California, an elaborate set was constructed to resemble a military boot camp of the future -- complete with an array of pup tents, gull-winged spaceships, hurdle obstacle course, and training facility buildings. Cinematography by Jost Vacano (Showgirls). Licensed products include Lewis Galoob Inc. toys. ~ Bhob Stewart, Rovi

In Cliffhanger, Sylvester Stallone plays Gabe Walker, a member of a mountain-climbing rescue team. Gabe is haunted by an incident from his past when he couldn't save the girlfriend of his best friend, Hal Tucker (Michael Rooker), from falling to her death. As the story begins, Gabe has left mountain-climbing rescue work and has set up business in Denver. He returns to the mountain rescue office to persuade his lover, Jessie (Janine Turner), to quit and come back to Denver with him. While he is begging Jessie to head out to Denver, things are happening in the skies overhead. A gang of professional crooks headed by psychotic Eric Qualen (John Lithgow) has hijacked a U.S. Treasury plane carrying millions of dollars. But the plane crashes, and the bad guys find themselves stranded on top of a mountain with the money (put into three cases) scattered around the wreckage and with no way to get down off the pinnacle to retrieve the cases. They put in a phony distress call that is received by the mountain rescue team. Gabe agrees to take part in one last rescue attempt, and they head up to help rescue the thieves. But Qualen has plans for the rescuers -- to force them to climb through the dangerous snow-covered peaks to find the three suitcases of cash. ~ Paul Brenner, Rovi

A tortured man finds himself caught in a middle-ground between hallucination and reality in this supernatural thriller, scripted by Bruce Joel Rubin of Ghost (1990) and My Life (1993).
Jacob Singer (Tim Robbins) is a soldier stationed in Vietnam who undergoes a traumatic experience on the battlefield - the nature of which is initially unclear. The film then moves into his post-Vietnam experience in 1970s New York, where he feels consistently traumatized, but can never quite remember exactly what happened to him in Southeast Asia or to free himself from his anxieties over the recent tragic death of his young son (Macaulay Culkin). Though well educated, Jacob works as a letter carrier for the U.S. Postal Service and has become romantically involved with one of his co-workers, Jezzie (Elizabeth Pena), after divorcing his wife. Soon, Jacob's tenuous hold on reality starts to slip as horrifying events befall him; he is nearly run over by a subway train, pursued by faceless demons in cars, and spots reptilian tails and horns protruding from the bodies of those he encounters. Jacob also suffers severe panic attacks related to the chaos that may be reality, or may exist only in his mind. He seeks counsel from Louis (Danny Aiello), a kindly chiropractor, as his ex-wife Sarah (Patricia Kalember), fellow Vietnam vet Paul (Pruitt Taylor Vince), and enigmatic stranger Michael (Matt Craven) all try to help the tortured soul. Jason Alexander, Ving Rhames and Eriq LaSalle highlight the supporting cast. ~ Mark Deming, Rovi

CIA director Snyderburn (Joe Don Baker) talks former agent Leonard (Bill Cosby) into returning to the job in this failed Bond-style spy comedy. Leonard's mission is to stop the evil Medusa (Gloria Foster) from taking over the planet by controlling the behavior of the world's animals. The highlight of the film is when lobsters, fish, and frogs begin to attack the humans in a reversal of the food chain. Jane Fonda makes a brief appearance as she talks to Leonard while filming one of her exercise videos. ~ Dan Pavlides, Rovi

A pair of British lads, one gay and one socialist, chafe at the restrictions of boarding school life in this period piece, which was adapted from Julian Mitchell's novel and play of the same name and loosely based on the Burgess-Maclean spy scandal of the 1950s. In the 1930s, upper-class scions Tommy Judd (Colin Firth) and Guy Bennett (Rupert Everett) are both nearing the end of their careers at an unnamed public school that bears a striking resemblance to Eton. Tommy, a Marxist intellectual, refuses to participate actively in the school's rigid social hierarchy. But Guy, when not mooning after pretty boys, angles for a position next term as one of the "gods," or master prefects, of his house. When a faculty member stumbles onto the homosexual fumblings of a pair of students, one boy commits suicide and a scandal erupts. The administration and senior students do their best to ensure nothing of this sort ever sullies their reputation again. Considering that homosexual experimentation is rampant and that Guy has slept with most of the prefects in his house, the strict new rules leave a bad taste in his mouth. They also put a damper on his Wildean lifestyle, especially after he falls hopelessly in love with James Harcourt (Cary Elwes), a dreamy boy from one of the other houses. Things come to a head when autocratic prefect Fowler (Tristan Oliver) intercepts a letter from Guy to James and sentences Guy to a savage beating. By film's end, Guy's complicity in the power games of the British class system has been challenged, and his friend Tommy's communist dogma has made a lasting impression; a framing device portrays Guy as an elderly former spy living in exile in Soviet Moscow. Another Country was shot at Cambridge, Oxford, and Althorp Hall (Princess Diana's childhood home) after the producers were denied permission to shoot at Eton. Everett and Firth both appeared in the original London theater production alongside Kenneth Branagh and Daniel Day-Lewis; on-stage, it was actually Firth who played Guy. For a more factual account of the Burgess-Maclean affair, see the TV movie An Englishman Abroad. ~ Brian J. Dillard, Rovi

Inspired by Pink Floyd's album of the same name, Pink Floyd: The Wall is a dark, expressionistic musical, told from the point of view of Pink, a depressed rock musician. The film is structured around Pink's reflections on his life, all of which center on the building of "the wall." This wall is a metaphor for psychological isolation, a barrier Pink creates to distance himself from his pain. The foundations for this wall are lain in childhood, with the death of Pink's father leaving him to be raised by an overprotective mother and a repressive school system. He seeks freedom from this world through writing and music. However, even after he achieves success as a rock star, the wall continues to grow, with Pink feeling trapped by fame and wounded by his failed personal relationships. Lost in despair and self-loathing, he attempts to isolate himself from the world entirely. Director Alan Parker approaches this material in a highly stylized manner, mingling animation and dream-like sequences to suggest Pink's perception of the world. These techniques complement the almost constant music, which the film often uses in place of dialogue. Songs include "Another Brick in the Wall" and "Comfortably Numb". ~ Judd Blaise, Rovi

Fame is set at New York's High School of Performing Arts, where talented teens train for show-business careers. The film concentrates on five of the most gifted students: singer Irene Cara, actors Paul McCrane and Barry Miller, dancer Gene Anthony Ray, and musician Lee Currieri. More so than the subsequent TV series Fame, the film emphasizes the importance of keeping up one's academic achievements in this specialized school. The faculty includes no-nonsense English teacher Ann Meara, erudite musical instructor Albert Hague, and martinet dance teacher Debbie Allen. Of the film's cast, Ray, Currieri, Allen and Hague were carried over to the TV version of Fame, which premiered in 1981. The score for the film version of Fame was honored with an Academy Award. ~ Hal Erickson, All Movie Guide

Here's the basic "shtick" of Bugsy Malone: it's a gangster picture enacted by children. Acted out before scaled-down sets, the film details the career of Bugsy Malone (Scott Baio), who rises to the top of the criminal ladder in 1920s New York. Whenever gunfire is called for, the kiddie crooks substitute whipped cream for bullets. Paul Williams contributes several songs, which are performed by adult singers and lip-synched by the pint-sized actors. The cast includes John Cassisi as diminutive Capone clone Fat Sam, and then-13-year-old Jodie Foster as the sultry nightclub thrush Tallulah. ~ Hal Erickson, Rovi