Paul Bates Movies

Controversial rap star Eminem makes his acting debut in this hard-edged urban drama, inspired in part by incidents from the musician's own life. Jimmy Smith (Eminem), known to his friends as Rabbit, is a young man trying to make his way out of the burned-out shell of inner-city Detroit. Rabbit's entire life has been a hard climb, and it certainly hasn't gotten any easier lately; Rabbit has just been dumped by his girlfriend, forcing him to move back in with his emotionally unstable mother, Stephanie (Kim Basinger), and he's getting along especially poorly with Stephanie's new boyfriend. Rabbit has a factory job that's tough, demeaning, and doesn't pay especially well, and he's convinced his skills as a rapper are his only real hope at a better life. Rabbit makes music with a crew of DJ's and MC's who call themselves Three One Third, among them his close friend Future (Mekhi Phifer), but his status as a white kid making music in a predominantly African-American community and culture is extremely intimidating, and after Rabbit freezes up in the midst of an MC battle, he's convinced he's missed his chance and that he's doomed to lead a marginal life as a factory rat for the rest of his days. With the help of his friends, and his new girlfriend Alex (Brittany Murphy), Rabbit struggles to work up the courage and the confidence to take one more shot at making his dream a reality. 8 Mile was shot on location in Detroit; the name refers to 8 Mile Road, a thoroughfare along the city's perimeter which effectively separates the middle-class suburban neighborhoods from the lower-class inner-city. ~ Mark Deming, All Movie Guide

As the gang digest the implications of Glory (Clare Kramer) being a hell-god rather than a garden-variety demon, Buffy (Sarah Michelle Gellar) lays another whopper on them. She reveals that Dawn (Michelle Trachtenberg) is "The Key" that Glory so desperately seeks. Although Dawn herself caught snippets of that knowledge two episodes earlier (see "Triangle"), she doesn't grasp its implications until Spike (James Marsters) helps her sneak into the magic shop and read up on her origins. Horrified to learn that she is not truly human but rather an ancient mystical force given mortal form and memories mere months ago, the distraught teen experiences a meltdown in the midst of Buffy's 20th birthday party. The Scoobies are unsure how to comfort her, so the Slayer goes into research mode while Willow (Alyson Hannigan) works on a sort of supernatural burglar alarm to protect Dawn. As Glory is off decimating the ranks of the Knights of Byzantium, Dawn continues to act out her feelings of alienation. She sneaks out to the hospital to commune with the unfortunates who have been driven mad by Glory's soul-draining touch and are therefore capable of seeing what Dawn truly is. Dawn soon runs into Ben (Charlie Weber), the handsome doctor who recently treated her mother and who unwillingly shares his body with Glory. Ben intuits that Dawn is The Key, but then Glory takes over his body and, failing to make the same realization, tries to pump Dawn for information. Buffy shows up and brawls with Glory, who is vanquished only when Willow and Tara (Amber Benson) slap her with a teleportation spell. Unfortunately, though, Dawn's memory of Ben transforming into Glory seems to have been erased, opening a vulnerability the hell-god will exploit in the subsequent episode "Spiral." Originally broadcast February 6, 2001, on the WB network, "Blood Ties" marked episode 91 of the cult-favorite series. ~ Brian J. Dillard, All Movie Guide

As Dawn (Michelle Trachtenberg) awaits her role as sacrificial victim for monstrous hell-god Glory (Clare Kramer), her slayer sister (Sarah Michelle Gellar) withdraws deeply into herself. Devastated by the shame of having allowed Dawn to be kidnapped (see "Spiral"), Buffy retreats into the safety of an illusory childhood in which she's safe with her long-estranged father, her now-deceased mother, and her mystically incarnated baby sister. Meanwhile, Glory battles for control with Ben (Charlie Weber), her unwilling host body. Ben's conscience and memories keep leaking into Glory's consciousness, leading her to pontificate about the misery of the human condition to the captive Dawn. Ben briefly manages to wrest full control from his demonic sibling. He attempts to free Dawn, but Glory promises him immortality if he'll stop fighting. He acquiesces, earning Dawn's disgust. Meanwhile, a firm but patient Willow (Alyson Hannigan) uses her magicks to wrench her way into Buffy's subconscious and give the Slayer a good talking-to. Buffy awakens from her catatonia, ready to save the day. That's when Giles (Anthony Stewart Head), recovering from his injuries, reveals that Glory's plan to break down the barrier between dimensions requires that Dawn's blood be spilled at a certain place and time; the barrier will remain open until all of Dawn's blood is spent. Originally broadcast May 15, 2001, on the WB network, "The Weight of the World" marked episode 99 of the cult-favorite series. This episode marked the first of several posthumous appearances by Buffy's mother, Joyce, played by Kristine Sutherland. The recently deceased Summers matriarch would feature in another of her daughter's hallucinations (see "Normal Again") and pop by for a beyond-the-grave chat with Dawn (see "Conversations With Dead People"). ~ Brian J. Dillard, All Movie Guide

An angel wonders if love can be Heaven on Earth in this family-themed romantic fantasy. Rev. Henry Biggs (Courtney B. Vance) is the pastor of a struggling Baptist church in a poor section of New York City. Biggs is devoted to serving his flock and his community, but things are not easy; membership is down, money is tight, the furnace is broken, and real estate mogul Joe Hamilton (Gregory Hines) wants to buy the property and put up condominiums. The strain is taking its toll on Biggs' marriage to his childhood sweetheart Julia (Whitney Houston), and in a moment of desperation, he prays to the Lord for help. The prayer is answered in the form of Dudley (Denzel Washington), an angel sent to earth to assist Biggs. The preacher doesn't believe that Dudley is a divine being, but he'll take any help he can get, while Julia, who thinks that Dudley is just another community volunteer, welcomes him into their home. However, Dudley is sidetracked in his earthly mission when he finds himself falling in love with Julia. Leading lady Whitney Houston takes the opportunity to sing several gospel numbers along the way. ~ Mark Deming, All Movie Guide

This original HBO production documents, in dramatic form, the rivalry between Jackie Robinson, Satchel Paige and Josh Gibson to see who would be the first African-American to play Major League Baseball. Paige (played by Delroy Lindo) and Gibson (Mykelti Williamson) are more aggressive about seizing the opportunity that arose in the mid-'40s with the death of baseball commissioner Kenesaw Mountain Landis, who had publicly avowed that the color line in baseball would never be broken. Branch Rickey (Edward Herrmann), the owner of the Brooklyn Dodgers, is the first to seize that opportunity, sending his scouts to check out all the stars of the Negro Leagues. He narrows his choice down to Robinson, in part because of Paige's age (he was around 40) and Gibson's health (he behaved erratically in public, though it rarely affected his game). Rickey was looking for a player with the talent to compete in the big leagues and the character not to allow the inevitable harassment that would come his way to get to him. Robinson was signed in October 1945 and made his big-league debut in April 1947. Paige made it to the big leagues in 1948; Gibson died at the age of 36 in 1947 of a brain tumor. ~ Tom Wiener, All Movie Guide

"I'm gonna dance," Nomi Malone (Elizabeth Berkley) insists in the opening scene of Showgirls, and dance she does. In this quasi-update of All About Eve, Nomi is a drifter whose sole ambition is to headline the "Goddess" topless dance show at the Stardust in Las Vegas. Of course, even Nomi must pay her dues, and she does so at the Cheetah, grinding poles and lap dancing her way to a future. Fortunately, her roommate, Molly, works at the Stardust and invites Nomi to see the show, where she meets Crystal Conners (Gina Gershon, in the Bette Davis role), with whom she immediately forms a love/hate relationship. Nomi soon learns what she must do to get ahead, and the rest of the film documents her cat-like crawl up the showgirl ladder of success. Directed by Paul Verhoeven, (Robocop, Basic Instinct, The Fourth Man), Showgirls was conceived as the first big-budget "adult" film since 1977's Caligula, and the first such production to wear the NC-17 rating; its failure at the box-office discouraged further attempts at large-scale adult productions. ~ Dylan Wilcox, All Movie Guide

A divorced, thirtysomething private investigator has an early mid-life crisis and goes looking for love. As a detective, Ryan specializes in providing evidence of infidelity for spouses seeking grounds for divorce. He is assisted by his partners Vernon, a genius with technical gadgetry and Dean, his free-wheeling cameraman. Dean frequently gives Ryan a hard time about having no discernible love life. This constant razzing wears on the over-analytical Ryan and he employs a computer dating service and through them meets the lovely Tura an independent-minded girl who is as emotional as Ryan is rational. Still the detective falls deeply in love with her. Unfortunately, he is afraid to commit and she dumps him. She begins seeing others and this makes Ryan so jealous that he begins using his equipment to surveil her. This infuriates Tura and only makes matters worse in the long run. ~ Sandra Brennan, All Movie Guide

Two murders, one in Brooklyn and one in Manhattan, have both apparently been committed by a mentally retarded person. The established rules of jurisdiction governing the two boroughs -- and heated arguments amongst the investigating detectives over interrogation techniques -- make it difficult to exchange evidence and expedite a prosecution. Originally slated to air on February 17, 1993, this episode of Law & Order was not seen until March 3 of that year. ~ Hal Erickson, All Movie Guide

Stressed out LA detective John Berlin gets too near the edge following the destruction of his marriage and decides to leave the violence an un-ending hub-bub of the big city and take a job in the supposedly quiet northern tow of Eureka. Unfortunately, he isn't there long before he finds himself obsessed with pursuing a serial killer with a thing for blind young women. The case isn't new and Berlin's old-time buddy, Freddy Ross and his boys have spent the last six months investigating a string of seven murders. They have dubbed the case "Jennifer 8" because Berlin is positive that he knows the identity of the next victim. She is beautiful blind student Helena Robertson, the roommate of the latest victim. As he steps up his investigation, Berlin finds himself falling for Helena. Meanwhile, he has become so obsessed with finding the killer that pal Ross begins worrying that Berlin is having a breakdown and so goes with him on a late night surveillance of Helena's school. A tragedy ensues leaving Berlin to not only go it alone, but also to clear his own name. ~ Sandra Brennan, All Movie Guide

Joe Pesci stars as Louie Kritski, a heartless landlord who has been so negligent in keeping up his ghetto apartment that he is threatened with jail time. The judge gives him another option, which he accepts -- he must live in his rat-infested hell hole until he brings it up to liveable standards. The judge gives him 120 days, during which time Louie meets many of his tenants, including drug dealer Marlon (Ruben Blades). Over time, Louie grows more sympathetic with their problems and sees the results of his own greediness. Unfortunately, Louie's father, Big Lou Kritski (Vincent Gardenia), is the real owner of the property, and he resists his son's entreaties to spend money to clean up the place. Famed screenwriter Nora Ephron co-scripted the story with Sam Simon. ~ Michael Betzold, All Movie Guide

Brian De Palma's Hollywood sanitization of Tom Wolfe's scabrous satire stars Tom Hanks as Sherman McCoy, the "master of the universe," a shallow Wall Street investor who makes millions while enjoying the good life and the sexual favors of Maria Ruskin (Melanie Griffith), a Southern belle golddigger. Sherman and Maria are driving back to Maria's apartment from the airport when Maria takes a wrong turn on the expressway and the two find themselves in the South Bronx. She sees a black youth approaching Sherman's car and Maria, frightened, guns the engine, running over the teenager and killing him. The two drive away and decide not to report the accident to the police. Meanwhile, indigent alcoholic journalist Peter Fallow (Bruce Willis), anxious for a story to make good with his editor, comes upon the hit-and-run tale through local black community activist, Reverend Bacon (John Hancock). Bacon plans to use the hit-and-run case as a rallying point for the black community, while Fallow recognizes the press coverage inherent in prosecuting the callow Sherman. As Sherman is brought to his knees, the New York community fragments into different factions who use the case to suit their own cynical political purposes. Finally, Sherman is left without any allies to support him except for the sympathetic Judge White (Morgan Freeman) and the remorseful Fallow. ~ Paul Brenner, All Movie Guide

Dan Bartlett (John Cusack) is a lovestruck teen who misses his plane to the Caribbean in this engaging comedy. He was to join sweetheart Lori (Wendy Gazelle) and her father Bill (Monte Markham) in the tropical paradise. Determined to get to the island, his efforts are stalled by three natives with a penchant for marijuana. After he shakes the stoners, Dan is captured by the pirate Mac MacClaren (Robert Loggia). He escapes the scurvy buccaneer only to land in jail on bogus charges. Dan later follows his sweetheart to a yacht where her family is being hijacked by another crook. Veteran funnyman Jerry Stiller provides comedy relief. ~ Dan Pavlides, All Movie Guide

This violent follow-up to the sadistic actioner The Exterminator (1980) again features Johnny Eastland (Robert Ginty), a Vietnam vet who is triggered into vengeful killing when his dancer girlfriend (Deborah Geffner) is first badly beaten and permanently crippled and later murdered by a gang of street thugs led by "X" (Mario Van Peebles). Johnny dresses up in a special uniform and helmet, grabs a flamethrower, and aided by Be Gee (Frankie R. Faison), a former vet turned garbageman, the two incinerate their way through the rest of the film. Like other Death Wish clones, this film is derivative, violent, and mindless. ~ Eleanor Mannikka, All Movie Guide