Walter Marsh Movies

Yet one more derivation of Malcolm in the Middle, the WB Network sitcom Maybe It's Me went into production under the less sensitive but more amusing title Maybe I'm Adopted. The "Me" in question was 15-year-old Molly Stage (Regan Dale Neis), a resident of "the smallest town in the smallest state," who did her best to survive life with her nutty family: soccer-coach dad Jerry (Fred Willard), super-stingy mom Mary (Julia Sweeney), Christian-rocker brother Grant (Patrick Levis), punkish sibling Rick (Andrew Walker), spawn-of-satan twin sisters Mindy and Cindy (played by real-life twins Daniella and Deanna Canterman), and eccentric (to say the least) Grandma Harriet (Ellen Albertini Dow). That grand old trouper Dabbs Greer was seen as goofy old Grandpa Fred. Series creator Suzanne Martin claimed that the Stage clan was based on her own family; if so, the poor woman deserves all our sympathy. Part of a Friday-night WB comedy block, Maybe It's Me debuted on October 5, 2001, its original September 21 premiere date preempted by continuing coverage of the World Trade Center tragedy. ~ Hal Erickson, All Movie Guide

Needles figure prominently in this blood-soaked entry in the slasher genre. It begins as psycho scientist Dr. Stein begins implanting things in baboons. Dr. Theresa McCann, a colleague at the hospital where they both work is suspicious as to the nature of the perverse professors experiments. Those suspicions increase when one of the apes suddenly dies. Then Stein steals one of her patients. When that patient is found murdered, with only a lollipop left as a clue, McCann gets blamed and suspended. When McCann spies the abandoned sucker she suddenly realizes it belongs to Dr. Matar, an ex-lover in search of revenge against her because she squealed on him and his illicit experiments in tissue regrowth. Matar goes on a killing spree and now only she and her new lover Hendricks can stop him. ~ Sandra Brennan, All Movie Guide

Two women forced to deal with the ugly specter of domestic violence find support in one another in this made-for-television drama. Beth (Donna Mills) has spent years in a violent relationship with her husband Tim (Corbin Bernsen), who batters her on a regular basis. One day, Beth reaches the end of her rope, packing up her children and leaving her husband behind. Tim, however, isn't about to let Beth go, and begins following her every move. In order to put an end to his stalking, Beth enters a shelter for abused women, where she meets Kaye (Robin Givens), a fellow beaten spouse. Beth and Kaye become fast friends, and they decide to find a house together. However, Kaye unfortunately also has a husband who refuses to leave her be, and when her former spouse violently attacks her, it's up to Beth to see that justice is done. Dangerous Intentions was inspired by a true story. ~ Mark Deming, All Movie Guide

Actress Deborah Raffin had a hand in the screenplay of this Southern melodrama, set in the Depression. Christopher Reeve plays ex-con Will Parker, who is looking for work in a small Georgia town. The pregnant Elly Dinsmore (Deborah Raffin) has placed an ad looking for a husband to tend her farm and look after her children. Will applies for the job, and proceeds to work as a handy man for Elly. He is anxious to appear respectable, since the local sheriff, Reese Goodloe (J.T. Walsh), is breathing down his neck, anxious for him to break parole. But Will gives him no cause for concern and, as he works Elly's farm, the two slowly fall in love and agree to marry. Will gets a job as a custodian in the library and his life appears to be heading back to normal. But one night in the library, Lula Peaks (Helen Shaver), the local waitress, throws herself at him, kissing him passionately. The following morning, Lula's body is found and Goodloe arrests Will for murder. Out of her love for Will, Elly seeks out a lawyer to defend him at his trial. ~ Paul Brenner, All Movie Guide

In a 1991 episode of Jake and the Fatman, Dick Van Dyke guest-starred as Dr. Mark Sloan, who couldn't seem to keep his nose out of a murder investigation. Diagnosis of Murder is the two-hour TV-movie spin-off of that episode. This time, Dr. Sloan tags along with his police-sergeant son (Barry Van Dyke, the real life son of you-know-who) on another homicide case. The victim is a powerful business magnate whose questionable ethics have given plenty of people plenty of motive for the killing. Somehow or other, Dick Van Dyke finds time between his hospital rounds and his clue-hunting to perform a brief soft shoe. Diagnosis of Murder was the pilot for a potential series, which was sold under the slightly truncated title Diagnosis Murder. ~ Hal Erickson, All Movie Guide

Dedicated to his mentors Sergio Leone and Don Siegel, Clint Eastwood's 1992 Oscar-winner examines the mythic violence of the Western, taking on the ghosts of his own star past. Disgusted by Sheriff "Little Bill" Daggett's decree that several ponies make up for a cowhand's slashing a whore's face, Big Whiskey prostitutes, led by fierce Strawberry Alice (Frances Fisher), take justice into their own hands and put a $1000 bounty on the lives of the perpetrators. Notorious outlaw-turned-hog farmer William Munny (Eastwood) is sought out by neophyte gunslinger the Schofield Kid (Jaimz Woolvett) to go with him to Big Whiskey and collect the bounty. While Munny insists, "I ain't like that no more," he needs the bounty money for his children, and the two men convince Munny's clean-living comrade Ned Logan (Morgan Freeman) to join them in righting a wrong done to a woman. Little Bill (Oscar-winner Gene Hackman), however, has no intention of letting any bounty hunters impinge on his iron-clad authority. When pompous gunman English Bob (Richard Harris) arrives in Big Whiskey with pulp biographer W.W. Beauchamp (Saul Rubinek) in tow, Little Bill beats Bob senseless and promises to tell Beauchamp the real story about violent frontier life and justice. But when Munny, the true unwritten legend, comes to town, everyone soon learns a harsh lesson about the price of vindictive bloodshed and the malleability of ideas like "justice." "I don't deserve this," pleads Little Bill. "Deserve's got nothin' to do with it," growls Munny, simultaneously summing up the insanity of western violence and the legacy of Eastwood's Man With No Name. ~ Lucia Bozzola, All Movie Guide

This wacky buddy comedy was the fifth in a series of Hollywood remakes of films by French director Francis Veber, none of which were box office successes. Sheila Kelley is Valerie Highsmith, an heiress who, despite her family's wealth, suffers from horribly bad luck. On a vacation to Mexico, she takes a fall, causing amnesia, then is mugged and kidnapped for ransom. When her father (Sam Wanamaker) becomes frustrated with the failed attempts of a detective, Ray Campanella (Danny Glover) to find his daughter, he teams a very reluctant Ray with Eugene Proctor (Martin Short), an accountant whose bumbling bad luck is even worse than Valerie's. The theory is that perhaps two such incredibly unlucky people will act like magnets, with Eugene leading Ray to Valerie's location. Although Ray finds Eugene irritating, the unlikely partners eventually begin making surprising progress in the case, despite Eugene's never-ending screw-ups and pratfalls. ~ Karl Williams, All Movie Guide

Glenn Close and James Woods star in this artery-clogging schmaltz about a childless couple who desperately want to have a baby. Linda (Close) and Michael Spector (Woods) are an upscale couple who have everything -- except a child. Linda mists over after she takes her temperature, plans the correct time for conception, and then her period starts. Despite medical intervention, the Spectors cannot conceive. They finally decide to adopt a child and meet the pregnant 17-year-old Lucy (Mary Stuart Masterson), who decides that the Spectors can provide a better home for her child than she and her boyfriend Sam (Kevin Dillon) could. The Spectors look Lucy over and determine -- since Lucy's mother died when she was seven -- to take care of her during her pregnancy. The three bond as they await the birth of Lucy's child. But now Lucy has second thoughts about the decision to turn her baby over to the Spectors. The solution for this happy group? Adopt Lucy and become the "immediate family." ~ Paul Brenner, All Movie Guide

Discharged from Vietnam, John Lithgow and his army buddies have trouble fitting into a hostile home-front society. Rather than endure dirty looks and taunts of "baby killer," Lithgow and his friends wander aimlessly all through the Pacific Northwest. Several years pass, during which time Lithgow's estranged son Ralph Maccio grows to manhood. Finally emerging from his self-imposed exile, Lithgow begins searching for the son he's never known. ~ Hal Erickson, All Movie Guide

Malone (Burt Reynolds) has been a "wet" operative for the CIA for many years, serving his country by performing assassinations. He is tired of his job and wants to get out of "the company" (as it is called) and live a normal life. He is looking along the Pacific Northwest for a place to settle down when his much-cherished classic Mustang breaks down outside the town of Comstock. He manages to get to a small gas station and is treated like family by a Vietnam veteran, who is the station's owner, and his daughter. They are suffering from the nefarious activities of a local bigwig (Cliff Robertson) to take over all the land in the city in a hare-brained development scheme. He soon runs afoul of the town sheriff, who is basically an employee of the developer, but eventually wins his respect. Meanwhile, the CIA is none too pleased to hear of Malone's intended retirement and send a succession of hit-men after him to ensure that he divulges none of their dirty secrets. Malone destroys the first two killers at some cost to his own well-being. The next assassin turns out to be a woman who is susceptible to his charms. Meanwhile, he has a thorough-going local scoundrel to put out of business. ~ Clarke Fountain, All Movie Guide

Hands of a Stranger was adapted by playwright Arthur Kopit from the best-selling novel by Robert Daley. Armand Assante plays a New York City narcotics officer who aids DA Blair Brown in her investigation of a rape case in which drugs were involved. In the subsequent days, Assante becomes something of an expert in rape evidence. Thus, when his wife Beverly D'Angelo is sexually assaulted while en route to a rendezvous with her lover, Assante suspects something even though D'Angelo remains mum about the incident. Conducting his own investigation, Assante determines the rapist's identity while wiretapping a phoned-in attempt to blackmail his wife. Will Assante forget everything he's learned about police procedure and attempt to take the law into his own hands? Co-starring in Hands of a Stranger is Arliss Howard as the scummy rapist. Preceded by a warning that the film contained scenes of a violent and graphic nature, Hands of a Stranger was originally broadcast in two parts, on May 10 and 11, 1987. ~ Hal Erickson, All Movie Guide

Directed by George Schaefer, this light made-for-television drama is based upon the novel of the same name by Robert Oliphant. Starring Bette Davis as Esther Cimino, a 73-year-old widow, the film traces the events following Esther's son George's (George Hearn) decision that she is no longer capable of caring for herself in her ederly state. Despite her protests, Esther is ruled incompetent by the legal system, leading her to wage a court battle to regain not only her estate but her dignity as well. Also starring Penny Fuller and Christopher Guest, A Piano for Mrs. Cimino first aired on February 3, 1982 on CBS and was later nominated for an Emmy for Outstanding Film Editing. ~ Matthew Tobey, All Movie Guide