Tiger Joe Marsh Movies

George Hamilton confounded his detractors by turning in a first-rate comic performance in Love at First Bite. Hamilton plays Count Dracula, who is evicted from his Transylvanian domicile when the Communist government decides to nationalize his castle. With faithful toady Renfield (Arte Johnson) at his side, Dracula heads for the Big Apple, where he finds the vampire pickings radically different from those on his home turf: for example, ol' Drac suffers the mother of all hangovers when his sinks his fangs into the neck of a wino. Klutzy Cindy Sondheim (Susan Saint James) falls in love with Dracula, not fully aware of his colorful background. But Cindy's stuffy fiance Dr. Jeff Rosenberg (Richard Benjamin), a descendant of Dracula's perennial foe Professor Van Helsing, knows what Dracula's up to and does his best to thwart the vampire's plan. This proves very difficult, since such time-honored remedies as the stake through the heart are frowned upon by the New York City authorities. So successful was Love at First Bite that Hamilton was encouraged to have a satiric go at another literary icon in 1982's Zorro, the Gay Blade. ~ Hal Erickson, Rovi

This fast-paced Disney endeavor stars Kim Richards and Ike Eisenmann as two adolescents with acute psychic powers. The kids are actually space aliens, but suffer from amnesia and are unaware of their origins. Pursued by greedy business-mogul Ray Milland, who wants to harness their special powers for his benefit, Kim and Ike are rescued by likeable camper Eddie Albert. He and the kids escape to the mountain of the title when Albert's RV suddenly acquires the power of flight. In 1978, the film spawned the sequel Return from Witch Mountain. ~ Hal Erickson, Rovi

A young Army private looks for his first sexual experience before being shipped out for Vietnam. Instead he falls for a young lady, whom he spends a platonic 72-hour leave with. ~ Rovi

In this 1972 actioner, a Washington DC cop is proud that he is one of the few African Americans on the force. He is not well loved by his peers or the street people. The trouble erupts when he is overlooked for a promotion. The angered cop goes off the deep end and begins using his gun to launch a personal vendetta against street crime. In the end it is all for naught and he does not survive the adventure. ~ Sandra Brennan, Rovi

Here's the obligatory Irwin Allen "mad toymaker" episode, which begins when the Celestial Department Store ordering Machine malfunctions (again!) and Dr. Smith (Jonathan Harris) is turned into a toy clown. Disaster will befall everyone else unless John (Jonathan Harris) and the Robot can rescue Smith, who along with Will (Billy Mumy) is trapped in a fourth-dimension toyshop run by an elderly artisan (Walter Burke) who doesn't recognize his guests as human. Fritz Feld returns as the imperious Celestial Department Store head man Zumdish ("Pop!"). ~ Hal Erickson, Rovi

Vengeance is a low-key American "B" western with a largely unknown cast. William Thourlby plays ex-Confederate officer, who seeks revenge for his brother's death. Only after much blood is shed does Thourlby discover that the man he seeks is not the genuine culprit. Wrestlers Tiger Joe Marsh and the Great John L show up in bit roles. Vengeance attained a bit of regional drive-in play before being consigned to the Late Show. ~ Hal Erickson, Rovi

A standard crime story with a dash of a disillusioned generation of men thrown in for good measure, The Rebel Set, also known as Beatsville, is about an armored car hold-up. Mr. Tucker (Edward Platt) is the man who comes up with the idea and plan of how to carry out the robbery, and he recruits three men who are down on their luck. John Mapes (Gregg Palmer), is an out-of-work actor, Ray Miller (John Lupton) is a writer who cannot get published, and George Leland (Don Sullivan) is the wastrel son of a has-been movie star. Tucker should have thought twice about who he was recruiting -- if these men have failed at life so far, why should they succeed in something as daring as a million-dollar robbery? ~ Eleanor Mannikka, Rovi

Based on the novel by Mika Waltari and helmed by Casablanca director Michael Curtiz, The Egyptian, a lavish period soaper, is set several centuries before the birth of Jesus Christ. Young Egyptian healer Sinuhe Edmund Purdom (ere accompanied by his servant, Kaptah, played by Peter Ustinov) draws the affection of barmaid Merit (Jean Simmons) who seeks his hand in marriage. Sinuhe provides medical assistance to the epileptic Pharoah, Akhnaton (Michael Wilding), who, meanwhile, becomes convinced that only one god exists, and thus infuriates all of his polytheistic priests, who secretly plot to assassinate him. Sinuhe has an affair with a Babylonian whore, Nefer (Bella Darvi), but grows listless with her and eventually ends the relationship, harkening back to Merit. However, she is soon extinguished, with an arrow through the heart, for also being monotheistic. Angered by this, and believing Akhnaton's ideas directly responsible for Merit's death,
Sinuhe and his muscular friend, the affable Horemheb (screen heartthrob Victor Mature) poison the Pharoah. Akhnaton then dies while Horemheb prepares to ascend to the throne.

Ingmar Bergman had a point when he admonished the idea of falling for one's lead actress, and it is a lesson one wishes producer Daryl Zanuck had learned; he purportedly had an extramarital affair with Darvi, taking her as a "plaything," but grew sick of her after casting her in seven films. Her career then torpedoed. (Little wonder - her horrendous performance in this film must be seen to be believed; Variety called it "less than believable or skilled.") This $4.2 million film (a massive amount for 1954) suffered from additional production problems as well, with Marlon Brando originally slated to star, but replaced, at the very last minute, by Purdom, a contract player for 20th Century-Fox.
~ Hal Erickson, Rovi