Myra Marsh Movies

In one of the best-remembered of the original black and white Dragnet episodes, Friday (Jack Webb) and Smith (Ben Alexander) investigate a series of robberies occuring within a ten-block area. Only after the stolen goods begin turning up abandoned or in trash cans do the detectives realize that they're looking for a kleptomaniac. The trail of clues leads to Mrs. Virginia Sterling (Peggy Webber), an otherwise respectable citizen with suffering from a serious mental aberration. The original radio version of this classic episode was heard on October 11, 1951. ~ Hal Erickson, All Movie Guide

Disreputable wanderer Wes Anderson (Fred MacMurray) has been thrown in a frontier town calaboose, accused of being a "moonlighter" -- a cowpuncher who herds cattle by day and steals them by night. When Anderson escapes from jail, another man is falsely accused of Wes' crimes and is promptly lynched. Driven by guilt and revenge, Wes is determined to punish those responsible for the hanging, and to pay for a decent funeral for the innocent victim. In doing this, however, Wes turns from moonlighting to bank robbing, and it is up to his erstwhile sweetheart, Rela (Barbara Stanwyck) to bring him to justice. Along the way, Wes' criminal tendencies have tragic consequences for his hero-worshipping brother, Tom (William Ching). Originally released in 3-D, The Moonlighter is currently available only in 2-D, its only novelty value being the re-teaming of Double Indemnity stars Fred MacMurray and Barbara Stanwyck (who would again work together three years later in the low-key domestic drama There's Always Tomorrow). ~ Hal Erickson, All Movie Guide

Someone has been forging checks and spreading them throughout the city. Once all the evidence is in, Friday (Jack Webb) and Smith (Ben Alexander) can't believe that the "perp" is a sweet little old lady, Mary Walker (Myra Marsh). She insists that he intentions were honorable--but when has that sort of excuse ever held water with Sergeant Joe "By the Book" Friday? Based on a Dragnet radio episode first heard on October 19, 1950,this TV version features Dorothy Abbott, soon to be cast as Friday's ersthwhle girlfriend Ann Baker, in a bit role as a model. ~ Hal Erickson, All Movie Guide

When her ladies' club finds itself short of funds -- thanks largely to her own "creative bookkeeping" -- Lucy (Lucille Ball) frets that the club will not be able to afford the royalty fees for the operetta that is slated to be performed for its 25th anniversary. Then, inspiration strikes: Lucy and Ethel (Vivian Vance) will pen a royalty-free operetta themselves, and rent all sets and costumes with a post-dated check. And as icing on the cake, Lucy, Ethel, Ricky (Desi Arnaz), and Fred (William Frawley) will play the main roles themselves. Unfortunately, the premiere performance of "The Pleasant Peasant" is rudely interrupted by the men from the rental company, who proceed to remove all the costumes and sets even as the four "stars" sing their hearts out. ~ All Movie Guide

The saga of the Hatfield-and-McCoy feud is romanticized in Samuel Goldwyn's Roseanna McCoy. Newcomer Joan Evans stars as the title character, whose elopement with Johnse Hatfield (Farley Granger) serves to further fuel the flames of the deadly mountain feud. The opposing patriarches, Devil Anse Hatfield and Old Randall McCoy, are vividly realized by Charles Bickford and Raymond Massey. In West Virginia and Kentucky, the debate still rages over what started the hostilities, but there's no question that the end result was tragedy for all concerned. In Goldwyn's version, the feud comes to a halt because Roseanna and Johnse demand it; would that real life were this simple and clear-cut. Based on a novel by Alberta Hannum, Roseanna McCoy was released through the distribution channels of RKO Radio. ~ Hal Erickson, All Movie Guide

Young America is not so much a Jane Withers vehicle as a 73-minute advertisement for the 4-H clubs of America. Cast against type, Withers plays a spoiled-brat urban girl who is shipped off by her exasperated parents to work on a 4-H farm. At first, she manages to alienate every one of her youthful coworkers, but she has a change of heart as she becomes more deeply involved in the organization's good works. Our heroine finally proves that she's a good kid withal by pitching in enthusiastically during crop-harvesting time, and by winning a county-fair prize for raising the best Hereford bull. And as a bonus, she finds a sweetheart in the form of handsome farm boy Robert Wilde. ~ Hal Erickson, All Movie Guide

Jane Darwell is the whole show in the 61-minute 20th Century-Fox programmer Private Nurse. The formidable Ms. Darwell is first scene at a birthday party, thrown in her honor by her favorite charge, little Ann Todd. The daughter of ex-gangster Sheldon Leonard, Todd has been raised to believe that her mother is dead and that her father has always been a paragon of virtue. Upon learning the truth, Todd is told the whole story by nurse Darwell. Essentially an extended flashback, Private Nurse served as an acceptable lower-berth entry at the double-feature houses. ~ Hal Erickson, All Movie Guide

The vice squad takes on escort services in this crime drama. Two services are depicted. One escort agency is legitimate, offering fine upstanding girls with no funny business. The other agency has a more tawdry reputation (though the none of the women there are prostitutes) and makes most of its money by blackmailing clients. The trouble begins when a basically good woman finds herself mixed up with the bad escort service. Fortunately, an investigating officer is looking into both of them and saves her from a criminal's life and fate. ~ Sandra Brennan, All Movie Guide

When both John Wayne and Ray "Crash" Corrigan defected from Republic's "Three Mesquiteers" series, the studio hastily replaced them with Robert Livingston (whom Wayne had originally replaced) and future "Cisco Kid" Duncan Renaldo. In Kansas Terrors, Stoney (Livingston) and his saddle pal Rusty (Raymond Hatton) take a job delivering horses to a flyspeck Caribbean island. Here they join forces with Rico (Renaldo) to topple the regime of a despotic commandante (George Douglas). Despite the fact that Rico was introduced as a horse thief, he becomes fast friends with Stoney and Rusty, and by film's end has agreed to return with them to the US, so that there'll be three Mesquiteers once more. After two years' worth of the Livingston-Renaldo-Hatton team, Republic would come up with yet another winning combination, consisting of Livingston, Bob Steele and Rufe Davis. ~ Hal Erickson, All Movie Guide

Irene Dunne plays an impulsive society girl; Fred MacMurray plays a no-frills prizefighter. They marry (just like Jack Dempsey and his many trophy wives) in the waning days of the Roaring 20s. MacMurray begins training so diligently for the championship that he neglects his wife and son (Billy Cook). Fed up, mother and child walk out. Ten years later, MacMurray, looking not one scintilla older, finally gets his championship bid. He also regains his family, after all concerned promise to pay more attention to one another. Invitation to Happiness is what Variety used to call a "Four-Hanky Picture." Sidebar: The director was Wesley Ruggles, who refused to allow a certain member of the supporting cast--Wesley's big brother Charlie Ruggles--to inject any "funny stuff." Charlie begged for one brief comic sequence, and Wesley complied; he just didn't bother to tell Charlie that the scene would be cut even before the first preview. ~ Hal Erickson, All Movie Guide

A boy learns life-changing lessons about the importance of friendship and the dignity of labor in this adventure saga based on a story by Rudyard Kipling. Young Harvey Cheyne (Freddie Bartholomew) is the working definition of a spoiled brat; the only child of a wealthy widowed businessman, Harvey has everything he needs, but never stops asking for more, convinced he can get anything if he yells, pouts, or throws the right tantrum. Even other boys his age are disgusted with his antics, and when he accompanies his father on an ocean cruise, he finds he has no friends to play with. After wolfing down six ice-cream sodas, Harvey gets sick to his stomach and while vomiting over the side of the ship, he falls into the drink. He is rescued by Manuel (Spencer Tracy), a Portuguese old salt who drags him on board a Gloucester fishing boat where he's a deck hand and doryman. Harvey shows no gratitude to Manuel for saving his life and demands to be taken home immediately; Manuel and the crew, not the least bit sympathetic, inform him that once they've filled the ship's hold with fresh catch, they'll return to shore, and not a moment sooner. Over the next few weeks, Harvey grows from a self-centered pantywaist into a young man who appreciates the value of a hard day's work, and in Manuel he finds the strength, guidance, and good sense that he never got from his father. Spencer Tracy earned an Academy Award for his performance in Captains Courageous and even sings a bit; the story was parodied years later (with a few rather drastic changes) in the Chris Elliott vehicle Cabin Boy. ~ Mark Deming, All Movie Guide

Magazine publisher Clark Gable is happily married to Myrna Loy. Clark's devoted, super-efficient secretary Jean Harlow may have once harbored a secret desire for her boss, but she's perfectly content with boyfriend James Stewart. Accompanying Gable on a crucial business trip, Jean answers the phone in her boss' suite. Myrna, on the other end of the line, misunderstands, thereby setting the stage for a series of subsequent misunderstandings. As one can see, nothing much really happens in Wife vs. Secretary. The film is a vehicle in every sense of the word, totally reliant on the appeal of its stars. But it works beautifully, and remains as entertaining now as it did sixty years ago. One film historian has wondered what Wife vs. Secretary would have looked like had it been made before the imposition of the production code: would Jean have really had an affair with Clark, thereby giving Myrna something to really worry about? No matter; while it may have been racier, it's not likely the film could have been any more entertaining than it already is. ~ Hal Erickson, All Movie Guide