Mae Marsh Movies

American actress Mae Marsh was the daughter of an auditor for the Santa Fe railroad - and as such, she and her family moved around quite a bit during Marsh's childhood. After her father died and her stepfather was killed in the San Francisco earthquake, she was taken to Los Angeles by her great aunt, a one-time chorus girl who'd become a New York actress. Marsh followed her aunt's footsteps by securing film work with Mack Sennett and D.W. Griffith; it was Griffith, the foremost film director of the early silent period, who first spotted potential in young Miss Marsh. The actress got her first big break appearing as a stone-age maiden in Man's Genesis (1911), after Mary Pickford refused to play the part because it called for bare legs. Specializing in dramatic and tragic roles, Marsh appeared in innumerable Griffith-directed short films, reaching a career high point as the Little Sister in the director's Civil War epic, The Birth of A Nation (1915). She made such an impression in this demanding role that famed American poet Vachel Lindsay was moved to write a long, elaborate poem in the actress' honor. Marsh's career went on a downhill slide in the '20s due to poor management and second-rate films, but she managed to score a personal triumph as the long-suffering heroine of the 1931 talkie tear-jerker Over the Hill. She retired to married life, returning sporadically to films - out of boredom - as a bit actress, notably in the big-budget westerns of director John Ford (a longtime Marsh fan). When asked in the '60s why she didn't lobby for larger roles, Mae Marsh replied simply that "I didn't care to get up every morning at five o'clock to be at the studio by seven." ~ Hal Erickson, All Movie Guide
1941  
 
Noted French director Jean Renoir made his American debut with this 1941 film. Walter Brennan plays Tom Keefer, a man who is falsely convicted of a murder and sentenced to death by hanging. He has escaped from prison and is hiding out in Georgia's Okefenokee Swamp. Keefer is dedicated to finding the real killer and clearing his name. A trapper, Ben Ragan (Dana Andrews), is out searching for his dog when he finds Keefer hiding in the swamp. Ben believes the man's tale of being falsely railroaded. The two men trap animals, and Ben sells the furs, while his father (Walter Huston) eats the meat. Keefer tells Ben to give his share of the money from their pelt sales to his daughter, Julie (Anne Baxter). Ben eventually falls in love with Julie, arousing the wrath of Ben's girlfriend Mabel (Virginia McKenzie), who tells authorities about Keefer's secret. Ben, however, refuses to cooperate with officials' efforts to locate the escaped convict. Swamp Water was released in Great Britain under the title The Man Who Came Back. It was remade in 1952 as Lure of the Wilderness, with Brennan playing the same role. ~ Michael Betzold, All Movie Guide

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Starring:
Walter BrennanWalter Huston, (more)
1941  
 
20th Century-Fox mixed together elements of its own Jesse James and Selznick's Gone with the Wind, and the resultant brew was Belle Starr. Looking precisely nothing like the real Belle, Gene Tierney plays the title role, whom the screenplay suggests was the daughter of a Southern aristocrat. When those Damn Yankees march in and appropriate Belle's land, she heads to Missouri and joins forces with a Confederate guerilla fighter (Randolph Scott). Belle marries the man, and together they become outlaws, hoping to avenge the fallen South. For reasons best known to the studio, Belle Starr is overloaded with offensive African American stereotypes, including the faithful old ex-slave (George Reed) who narrates the story. ~ Hal Erickson, All Movie Guide

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Starring:
Gene TierneyRandolph Scott, (more)
1941  
 
A nostalgic and patriotic film from director Henry King similar to such later films as The Corn Is Green (1945). Claudette Colbert, stars as Nora Trinell, an aging schoolteacher awaiting a meeting with presidential candidate Dewey Roberts (Shepperd Strudwick). As Nora waits, she reflects on the past. It seems that a young Dewey (Douglas Croft) is Nora's pupil many years earlier in 1916, and has developed a schoolboy crush on his teacher, who encourages him to pursue his dreams. Nora, however, is quietly married to a fellow teacher, Dan Hopkins (John Payne), which inspires Dewey's jealousy when he discovers the truth. Tragedy awaits Dan, however, when he joins with the Canadian forces entering World War I. ~ Karl Williams, All Movie Guide

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Starring:
Claudette ColbertJohn Payne, (more)
1941  
 
In their first 20th Century-Fox vehicle, Stan Laurel and Oliver Hardy are cast respectively as the butler and chauffeur of wealthy young Dan Forrester (Dick Nelson). Tired of being pampered and coddled by his overprotective aunts (Mae Marsh, Ethel Gryffies), Dan is delighted when he is drafted into the Army. To make certain that no harm will befall their "frail" master, Stan and Ollie also don uniform and accompany Dan to US Cavalry training camp. While the boys get mixed up in one disaster after another-at one point, they find themselves behind a moving target on the rifle range-Dan pursues a romance with photo-shop proprietor Ginger Hammond (Sheila Ryan), much to the consternation of Ginger's erstwhile beau Sergeant Hippo (Edmund MacDonald). Convinced that Ginger is a gold-digger, Stan and Ollie try to break up the romance, to no avail. All plotlines are resolved during a climactic "sham battle", wherein Dan proves his courage and grit while Laurel & Hardy end up captured by the "enemy". Obviously inspired by the success of Abbott & Costello's Buck Privates (it's even more obvious in the earlier drafts of the script), Great Guns is a major letdown from Laurel & Hardy's previous starring features at Hal Roach Studios, with Stan and Ollie looking most uncomfortable as they mouth the inanities written for them by Lou Breslow. Still, a few good bits emerge, including a surrealistic routine with a faulty light bulb and an amusing bridge-building sequence. Watch for Alan Ladd in a jaunty bit role as a camera-store customer. ~ Hal Erickson, All Movie Guide

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Starring:
Stan LaurelOliver Hardy, (more)
1941  
 
Erskine Caldwell's once-scandalous novel Tobacco Road resulted in an equally steamy stage play by Jack Kirkland, which became one of the longest-running productions in Broadway history. This story of indigence and amorality amongst inbred "poor whites" (based on people Caldwell had known while growing up in Georgia) had to be heavily expurgated for movie consumption, put there was plenty of comedy and colorful characterizations to suit the purposes of director John Ford. Charley Grapewin stars as Jeeter Lester, shiftless patriarch of a large backwoods clan. The Lesters are about to be thrown off their land for nonpayment of rent, but anyone who tries to help them--or to alter their lifestyle--is chased away by the poverty-stricken but intensely proud Jeeter. Tobacco Road succeeded on the basis of its title alone, even though no one expected the film to be anywhere near as earthy as the stage version (it would have been impossible under prevailing censorship to include the play's famous opening scene, in which the family watches intently while a teenage girl masturbates!) ~ Hal Erickson, All Movie Guide

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Starring:
Charles GrapewinMarjorie Rambeau, (more)
1941  
 
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Spanning 50 years, director John Ford's How Green Was My Valley revolves around the life of the Morgans, a Welsh mining family, as told through the eyes of its youngest child Huw (Roddy McDowall). Over the years, the family struggles to survive through unionization, strikes, and child abuse. As they do so, their hometown and its culture begins to slowly decline. Donald Crisp portrays Gwilym, the patriarch of the Morgan household, who dreams of a better life for young Huw. Based on the novel of the same name by Richard Llewellyn, How Green Was My Valley won five Academy Awards in 1941, including Best Director, Best Supporting Actor (Crisp), Best Art Director, Best Cinematography, and Best Picture (beating Citizen Kane). The book was later adapted into a 1975 BBC miniseries. ~ Matthew Tobey, All Movie Guide

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Starring:
Walter PidgeonMaureen O'Hara, (more)
1940  
 
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The adaptation of Nobel Prize-winner John Steinbeck's Pulitzer Prize-winning novel of dirt-poor Dust Bowl migrants by 4-time Oscar-winning director John Ford starred Henry Fonda as Tom Joad, who opens the movie returning to his Oklahoma home after serving jail time for manslaughter. En route, Tom meets family friend Casey (John Carradine), a former preacher who warns Tom that dust storms, crop failures, and new agricultural methods have financially decimated the once prosperous Oklahoma farmland. Upon returning to his family farm, Tom is greeted by his mother (Oscar-winner Jane Darwell), who tells him that the family is packing up for the "promised land" of California. Warned that they shouldn't expect a warm welcome in California--they've already seen the caravan of dispirited farmers, heading back home after striking out at finding work--the Joads push on all the same. Their first stop is a wretched migrant camp, full of starving children and surrounded by armed guards. Further down the road, the Joads drive into an idyllic government camp, with clean lodging, indoor plumbing, and a self-governing clientele. When Tom ultimately bids goodbye to his mother, who asks him where he'll go, he delivers the film's most famous speech: "I'll be all around...Wherever there's a fight so hungry people can eat...Whenever there's a cop beating a guy, I'll be there...And when the people are eatin' the stuff they raise and livin' in the houses they build. I'll be there too." ~ Hal Erickson, All Movie Guide

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Starring:
Henry FondaJane Darwell, (more)
1940  
NR  
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"Over the hill" at the tender age of 12, Shirley Temple closed out her 20th Century-Fox contract with the musical seriocomedy Young People. After years of trodding the boards in vaudeville, Wendy Ballantine (Temple) and her adoptive parents Joe (Jack Oakie) and Kit (Charlotte Greenwood retire) to a small town so that the youngster can receive a proper upbringing. Alas, the town is full of Babbitt-like bigots who disapprove of "show people", and who make no secret of their desire that Wendy and her family leave town immediately. But when a dangerous storm arises, the courage of Wendy, Joe and Kit-coupled with their rescue of several stranded children-forces the townsfolk to realign their thinking and welcome the family into their fold. The best moments in Young People occur at the very beginning, wherein Shirley Temple literally grows up before the audience's eyes via filmclips from her earlier starring vehicles (watch how Jack Oakie suddenly turns into James Dunn-from the waist down-in a musical number lifted from 1934's Stand Up and Cheer). ~ Hal Erickson, All Movie Guide

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Starring:
Shirley TempleJack Oakie, (more)
1940  
 
The Valiant, a stage play by Holworthy Hall and Robert M. Middlemass, starred Paul Muni in the 1929 film version. The play was filmed a second time in 1940 as The Man Who Wouldn't Talk, this time with Lloyd Nolan in the lead. Nolan is peripherally involved in a crime; he accidentally kills the main witness and surrenders to the police. Changing his name to avoid disgracing his family, Nolan is sentenced to death. The police aren't happy with the cut-and-dried solution to the homicide and investigate the details of the murder. The results allow Nolan to escape execution--an arbitrary happy ending not in the original play. Despite its shortcomings, Man Who Wouldn't Talk was Lloyd Nolan's favorite starring film. ~ Hal Erickson, All Movie Guide

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Starring:
Lloyd NolanJean Rogers, (more)
1939  
 
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John Ford directed this outdoor adventure set in the American Colonial period. Gilbert and Lana Martin (Henry Fonda and Claudette Colbert) are a young couple trying to make a home in New York State's Mohawk Valley, but repeated attacks by Indians drive them, along with other settlers in the valley, into a nearby fort, where they watch helplessly as the natives lay waste to their farms and cabins. A spinster with a large farm, Sarah McKlennar (Edna May Oliver), comes to their rescue when she hires Gilbert to work as a field hand and gives the Martins a place to stay. The rugged life of the farm and frontier doesn't always sit well with Lana, who was raised in wealthy and comfortable circumstances; in time she develops a thicker skin and learns to love their new life in the Mohawk Valley, especially after giving birth to their first son. Gilbert joins the militia, who must do battle both with the local Indian tribes and the British soldiers who are provoking them to battle. Gilbert returns wounded, and as he recuperates, a healthy crop rises in the fields, but their satisfaction is short lived when the Indians once again hit the warpath. 1939 was a stellar year for John Ford; along with this highly successful adventure tale, which was nominated for three Academy Awards, Ford also released the ground-breaking western Stagecoach. ~ Mark Deming, All Movie Guide

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Starring:
Claudette ColbertHenry Fonda, (more)
1936  
 
Hollywood Boulevard is a trenchant look at the underside of Tinseltown. Though the nominal hero is a disillusioned screenwriter played by Robert Cummings (whose dialogue anticipates the lines spoken by William Holden in 1950's Sunset Boulevard), the focus of the story is John Halliday as a washed-up film star. Desperately, Halliday accepts the offer from a sleazy "tell all" magazine to write his memoirs. The actor's estranged family is devastated by the resultant scandal, and out love for his daughter (Marsha Hunt), Halliday tries to break his contract. But the publisher (C. Henry Gordon) threatens to ruin Halliday's comeback attempt if he refuses to write the rest of his memoirs. In a scuffle, the publisher kills Halliday, and the blame falls on the actor's daughter. But wise guy screenwriter Cummings gets to the truth of the mystery. A slick B-plus crime melodrama, Hollywood Boulevard has the added bonus of several well-known silent film personalities (Charles Ray, Francis X. Bushman, Maurice Costello, Mae Marsh etc.) in cameo roles, as well as a guest appearance by Gary Cooper. ~ Hal Erickson, All Movie Guide

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Starring:
John HallidayMarsha Hunt, (more)
1935  
 
Like many 1930s Warner Bros. films, Black Fury drew its inspiration from the headlines. The story is adapted from a true-life incident from 1929, wherein a striking Pennsylvania coal miner was beaten to death by three company detectives; this served as the focus for Henry R. Irving's stage play Bohunk as well as Judge M. A. Musmanno's story Jan Volkanik, both of which were woven into Black Fury's screenplay. Using a Polish accent so thick one can cut it with scissors, Paul Muni plays an illiterate miner, happy in his job and his company-town surroundings until his girl Karen Morley deserts him for policeman William Gargan. A disconsolate, drunken Muni stumbles into a labor meeting, where his loud, unthinking outbursts win him the leadership of the new miner's union. When the company locks out the strikers and brings in scabs, the angry miners hold the thick-headed Muni responsible. Fellow miner John Qualen, Muni's best friend, is then killed by a gang of rampaging hired goons. Vowing to "feex" the situation, Muni kidnaps head goon Barton MacLaine and takes him into the bowels of the mine with several sticks of dynamite in tow. Muni threatens to blow himself, MacLaine, and the mine to smithereens unless management comes to terms with the union. Thanks to overwhelming public support, the owners capitulate, and Muni is the hero of the hour. Though it seemed uncompromising in 1935, Black Fury obviously pulls its punches when seen today; for example, it is suggested that the mine owners are guiltless regarding violence against the strikers, laying blame on the hired detectives, who are shown to be in the employ of a crook who plays both sides against the other. Even allowing for this, Black Fury is one of the most powerful of Warners' "social conscience" films. Although the Academy gave Muni a Best Supporting Actor nod for this film, the AMPAS database indicates that it wasn't an "official nomination" - he was a write-in candidate, and came in second. ~ Hal Erickson, All Movie Guide

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Starring:
Paul MuniKaren Morley, (more)
1935  
 
This tuneful melodrama is set upon a college campus and follows the attempts of a pretty young woman who slyly helps her wealthy, free-wheeling freshman boy friend learn about responsibility. She contacts his father and together they convince the boy that his inheritance has been lost. Now he must work his way through college. Sure enough, her ploy succeeds and romance ensues. ~ Sandra Brennan, All Movie Guide

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Starring:
Tom BrownAnita Louise, (more)
1934  
 
Set in Germany shortly before the collapse of the Weimar Republic, this romantic drama chronicles the travails of an impoverished newlywed couple who leave their home village and move in with the groom's stepmother in bustling Berlin to find success. The husband gets a small job in a department store and things are okay until they discover that the stepmother is really a notorious madame and runs an exclusive brothel. This leads the groom to quit his job and take his pregnant bride on the road in search of opportunity. The plot is based on a novel by Hans Fallada. ~ Sandra Brennan, All Movie Guide

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Starring:
Margaret SullavanDouglass Montgomery, (more)
1933  
 
This star-laden version of Lewis Carroll's novel combines elements of both the title novel and Carroll's sequel, Through the Looking Glass. In England of the 19th century, young Alice finds that the mirror over the library fireplace opens into a strange world. She has odd adventures and changes size several times both before and after she follows a time-obsessed White Rabbit (Skeets Gallagher). Soaked after nearly drowning in a pool of tears, Alice is helped to dry off by a Dodo (Polly Moran), and encounters a caterpillar (Ned Sparks), whose mushroom also changes Alice's size. In a noisy home where the Cook (Lillian Harmer) and the Duchess (Alison Skipworth) are always fighting, Alice takes care of the Duchess' baby, but it turns into a pig and runs away. Asking directions of the Cheshire Cat (Richard Arlen) is no help, and a tea party with the Mad Hatter (Edward Everett Horton), the March Hare (Charlie Ruggles) and the Dormouse (Jackie Searl) is confusing and annoying.

Alice meets the Queen of Hearts (May Robson), and encounters the Duchess again; while strolling with her, Alice meets the Gryphon (William Austin) and the Mock Turtle (Cary Grant). The twins Tweedledum (Jack Oakie) and Tweedledee (Roscoe Karns) recite a poem about a Walrus and a Carpenter (seen as an animated cartoon), but when they decide to go to battle, they're chased off by a crow. Humpty Dumpty (W.C. Fields) relates the poem "Jabberwocky" to Alice, then falls off a wall and breaks. The mournful White Knight (Gary Cooper), unable to put Humpty Dumpty together again, escorts Alice for a while, but she tumbles down a hill and finds she's become a queen. At a party in Alice's honor, the Red Queen (Edna Mae Oliver) becomes furious at Alice, who then wakes up to find herself in the library, with her kitten Dinah in her lap. ~ Bill Warren, All Movie Guide

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Starring:
Charlotte HenryRichard Arlen, (more)
1933  
 
At age 26, Janet Gaynor was still playing "gamin" roles in such musical trifles as Paddy, the Next Best Thing. Gaynor stars as a spirited Irish lass whose older sister (Margaret Lindsay) is about to marry a wealthy gent (Warner Baxter). Fully aware that Sis doesn't love the man, Gaynor sacrifices herself by marrying him instead--hence the "next best thing" part of the title. It takes about seven reels for Gaynor and Baxter to succumb to the inevitable and declare their true love for each other. Paddy, the Next Best Thing was a little bit of Heaven to Janet Gaynor's fans, but mere Irish stew to everyone else. ~ Hal Erickson, All Movie Guide

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Starring:
Janet GaynorWarner Baxter, (more)
1932  
 
Originally filmed with Mary Pickford in 1917, the Kate Douglas Wiggin children's classic Rebecca of Sunnybrook Farm was remade as a talkie in 1932. Though a bit long in tooth to play the leading character, Marian Nixon (replacing a recalcitrant Janet Gaynor) makes a charming Rebecca. Placed in the custody of her wealthy, spiteful old Aunts Miranda (Louise Closser Hale) and Jane (Mae Marsh), the heroine eventually wins the two biddies over with her relentless good nature, charm and optimism. She also reforms avowed atheist Zion Simpson (Alan Hale), convincing the old reprobate to marry his common-law wife (Eula Guy). As a reward for all her good works, Rebecca wins the love of local doctor Ladd (Ralph Bellamy). An in-name-only adaptation of Rebecca of Sunnybrook Farm was filmed six years later, with Shirley Temple in the lead. ~ Hal Erickson, All Movie Guide

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Starring:
Marian NixonRalph Bellamy, (more)
1931  
 
Inspired by Will Carleton's lachrymose 19th century poem about parental sacrifice, Over the Hill stars Mae Marsh as the mother of two children. Marsh gives her boys everything their little hearts desire, at great cost to herself. She is forced to work in one menial job after another so that her children will never go without. Marsh's efforts are "rewarded" by callous indifference; her grown-up son (Olin Howlin) connives to ship her "over the hill" to the poorhouse. The stooped, white-haired woman is finally rescued from her miserable existence by her kinder, more compassionate son, played by James Dunn. The third film version of this moth-eaten tale, Over the Hill is elevated by the artistry of 38-year-old star Mae Marsh, who'd been a film actress since 1912. ~ Hal Erickson, All Movie Guide

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Starring:
Mae MarshJames Kirkwood, (more)
1925  
 
Ivor Novello and Isabel Jeans co-star with Mae Marsh, Marie Ault, and James Lindsay in this crime drama. The courtesan Zeile de Chaumet takes the murder rap to protect the man she loves. Robert Scholtz and Julie Suedo also appear in this feature highlighted by scenes from the Follies Bergere. ~ Dan Pavlides, All Movie Guide

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1925  
 
While living in a Nova Scotia fishing village, soldier William Pennland (Ben Hendricks) marries pretty Chastity (Mae Marsh). Then he goes off to serve and forgets about her. While Chastity patiently waits for him, Pennland becomes embroiled in a number of romances. The last one is with Hagar (Laska Winter), and he commits bigamy by marrying her. When he tries to leave, Hagar maroons him on an island where he suffers from exposure and starvation. Guilt-ridden, she goes back for him, but it is too late and he dies. Chastity discovers his whereabouts and shows up for a last good-bye. She takes Hagar to her home, where the young woman has a baby. Hagar feels badly about what she's done (even though Pennland was a cad), and decides to commit suicide. Chastity, however, saves her. The two women eventually go on to find new mates. Film pioneer J. Stuart Blackton was near the end of his Hollywood career when he made this melodrama, and Mae Marsh, the star, was showing less and less enthusiasm for motion pictures. ~ Janiss Garza, All Movie Guide

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Starring:
Mae MarshBen Hendricks, Sr., (more)
1924  
 
A bachelors' club is shaken when one of its members forfeits his five thousand dollar fee to wed. Then another member adopts the child of a dying friend. This inspires Robert Audrey (Harry Myers) to adopt, too -- he figures it will get his mother (Georgia Woodthorpe) off his back. Mrs. Audrey picks out the photo of an adorable six-year-old war orphan, not realizing that the photo is 12 years old. So Audrey is quite shocked when pretty Ruth Atkins (Mae Marsh) shows up on his doorstep. The other members of the club also adopt war orphans with unexpected results -- crotchety old James Crockett (Claude Gillingwater) requests a boy but winds up with a girl and the highly efficient Henry Allen (William Louis) gets triplets. These children win over their reluctant adopted daddies with no problem, while Audrey falls in love with Ruth. Crockett and Allen both find wives who can mother their children and the bachelors' club is dissolved. ~ Janiss Garza, All Movie Guide

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Starring:
Mae MarshHarry Myers, (more)
1923  
 
Too long by at least 3 reels, D. W. Griffith's The White Rose is nonetheless one of the best and most accomplished of the director's "pastoral" films. Mae Marsh plays a virginal young lass of modest means who pretends to be more worldly than she actually is. Aristocratic divinity student Ivor Novello, who feels he must learn more about life in order to be an effective minister, accepts Mae's pose at face value and has an affair with the girl. Tortured by guilt, Novello bids goodbye to Mae and returns home to his childhood sweetheart Carol Dempster. When Mae discovers she is pregnant, she is cast out by her family and neighbors. She is given comfort and shelter by a sympathetic black family, who look after her as she brings her child into the world. Confronted by evidence of his indiscretion, Novello, by now a respected clergyman, gives up his calling-and his fiancee-to do right by Mae. Meanwhile, Carol finds happiness in the arms of businessman Neil Hamilton. The White Rose represented something of a comeback for the extraordinarily gifted Mae Marsh, whose talents had previously been squandered in a series of cheap, unimportant vehicles. The script was by someone named Irene Sinclair-who, under scrutiny, turned out to be D. W. Griffith himself. ~ Hal Erickson, All Movie Guide

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Starring:
Mae MarshCarol Dempster, (more)
1923  
 
This lightweight comedy-drama is based on the stage play by Gertrude Page. Because her father (Sir Simeon Stuart) really wanted a boy, Paddy Adair (Mae Marsh in a blonde wig) becomes a hoydenish tomboy. Jack O'Hara (George K. Arthur) is in love with Paddy's sister Eileen (Lillian Douglas), but Eileen loves Lawrence Blake (Darby Foster). Blake, meanwhile, loves Paddy. This tangled mass of misplaced affections begins to unravel when General Adair dies. O'Hara travels to South America to make his fortune, and Paddy travels from her home in Ireland to London. Blake follows after her, and eventually she comes to love him. O'Hara returns home, and Paddy goes home to see him. But while wandering off by herself she gets lost in a dense fog and is rescued by Blake. The story was changed around a bit and filmed as a musical in 1933 for Janet Gaynor. ~ Janiss Garza, All Movie Guide

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1922  
 
Mae Marsh stars in this society/crime drama, which rates just a tad above your average programmer. The unscrupulous Arthur Montrose (J. Barney Sherry) handles the finances of Mrs. Whitney Carter (Julia Swayne Gordon), and of his ward, orphan Marion Bates (Marsh). Because he wants complete control over her fortune, he commits Marion to an insane asylum. She escapes and gets a job as a cook for a group of men who turn out to be crooks. When she discovers their true identities, she wants to leave, but first agrees to accompany them to the Spanish Inn, where she escapes. Montrose makes a last ditch, unsuccessful attempt to kidnap her. Ultimately she winds up at the Carter home, where she falls in love with Robert Carter (Norman Kerry). Robert is finally able to expose Montrose's dirty dealings. For his efforts, he winds up with Marion. ~ Janiss Garza, All Movie Guide

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Starring:
Julia Swayne GordonJ. Barney Sherry, (more)

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