Mae Marsh Movies

Joseph Cotten stars in A Blueprint for Murder as Whitney Cameron, a man who harbors a deep and abiding affection for his pretty sister-in-law Lynne Cameron (Jean Peters). When one of Lynne's stepchildren dies, the autopsy indicates that the child was poisoned. Despite his feelings for Lynne, Whitney can't help but feel that she was responsible for the child's death--and that she intends to go on killing until she becomes sole heir of her late husband's estate. The "moment of truth" occurs during a climactic ocean voyage which consumes nearly a third of the film. A Blueprint for Murder was written and directed by Andrew L. Stone, whose legendary insistence upon "realism" at all costs was such that it's a wonder he didn't persuade Peters to commit a real murder. ~ Hal Erickson, All Movie Guide

The 1954 musical remake of A Star is Born could have been titled A Star is Reborn, in that it represented the triumphal return to the screen of Judy Garland after a four-year absence. The remake adheres closely to the plotline of the 1937 original: An alcoholic film star, on his last professional legs, gives a career boost to a unknown aspiring actress. The two marry, whereupon her fame and fortune rises while his spirals sharply downward. Unable to accept this, the male star crawls deeper into the bottle. The wife tearfully decides to give up her own career to care for her husband. To spare her this fate, the husband chivalrously commits suicide. His wife is inconsolable at first, but is urged to go "on with the show" in memory of her late husband. In the original, Janet Gaynor played Esther Blodgett, who with no training or contacts came to Hollywood hoping for stardom. The remake, scripted by Moss Hart, is a shade more realistic: Garland's Esther, though far removed from fame, is a working professional singer/dancer when first we meet her. Both Gaynor and Garland are transformed from "Esther Blodgett" to "Vicki Lester" after being screen-tested, though Gaynor goes on to star in fluffy costume dramas while Garland more logically headlines big-budget musicals. The 1937 Star is Born costarred Fredric March as Norman Maine, Esther/Vicki's sponsor-cum-spouse. March patterned his performance after the tragic John Barrymore, reining in his emotions in favor of pure technique; James Mason's interpretation is more original, more emotional, and far more effective (who can forget the scene where Norman sobbingly overhears Vicki planning to give up her career for his sake?) As the studio's long-suffering publicist, the 1937 version's Lionel Stander is more abrasive and unpleasant than the 1954 version's introspective, intellectual Jack Carson; on the other hand, Adolphe Menjou and Charles Bickford are fairly evenly matched in the role of the studio head. Several important omissions are made in the remake. The 1937 Star is Born included Esther's indomitable old grandma (May Robson), a helpful assistant director (Andy Devine) and a soft-hearted landlord (Edgar Kennedy); all three characters are missing from the 1954 version, though elements of each can be found in the "best friend/severest critic" character played by Tommy Noonan. Wisely, both versions end with the grieving Vicki Lester coming out of her shell at a public gathering, greeting the audience with a proud, defiant "Good evening, everybody. This is Mrs. Norman Maine". Though directors William Wellman (1937 version) and George Cukor (1954 version) handle this finale in their own distinctive manners, the end result is equally effective emotionally. What truly sets the 1954 A Star is Born apart from other films of its ilk is its magnificent musical score by Harold Arlen and Ira Gershwin. The songs include The Man Who Got Away (brilliantly performed by Garland in one long take, sans dubbing), It's a New World, Somewhere There's a Someone, I Was Born in a Trunk, Lose That Long Face and Gotta Have Me Go With You. When originally previewed in 1954, the film ran well over three hours, thanks to the lengthy-and thoroughly disposable-Born in a Trunk number, added to the film as an afterthought without the approval or participation of director George Cukor. The Warner Bros. executives trimmed the film to 154 minutes, eliminating three top-rank musical numbers and several crucial expository sequences (including Norman's proposal to Vicki). At the instigation of the late film historian Ronald Haver, the full version was painstakingly restored in 1983, with outtakes and still photos bridging the "lost" footage. Though nominated in several categories, A Star is Born was left empty-handed at Academy Award time, an oversight that caused outrage then and still rankles Judy Garland fans to this day (Footnote: Judy Garland had previously played Vicki Lester in a 1942 Lux Radio Theatre adaptation of the original A Star is Born). ~ Hal Erickson, All Movie Guide

This star-laden version of Lewis Carroll's novel combines elements of both the title novel and Carroll's sequel, Through the Looking Glass. In England of the 19th century, young Alice finds that the mirror over the library fireplace opens into a strange world. She has odd adventures and changes size several times both before and after she follows a time-obsessed White Rabbit (Skeets Gallagher). Soaked after nearly drowning in a pool of tears, Alice is helped to dry off by a Dodo (Polly Moran), and encounters a caterpillar (Ned Sparks), whose mushroom also changes Alice's size. In a noisy home where the Cook (Lillian Harmer) and the Duchess (Alison Skipworth) are always fighting, Alice takes care of the Duchess' baby, but it turns into a pig and runs away. Asking directions of the Cheshire Cat (Richard Arlen) is no help, and a tea party with the Mad Hatter (Edward Everett Horton), the March Hare (Charlie Ruggles) and the Dormouse (Jackie Searl) is confusing and annoying.

Alice meets the Queen of Hearts (May Robson), and encounters the Duchess again; while strolling with her, Alice meets the Gryphon (William Austin) and the Mock Turtle (Cary Grant). The twins Tweedledum (Jack Oakie) and Tweedledee (Roscoe Karns) recite a poem about a Walrus and a Carpenter (seen as an animated cartoon), but when they decide to go to battle, they're chased off by a crow. Humpty Dumpty (W.C. Fields) relates the poem "Jabberwocky" to Alice, then falls off a wall and breaks. The mournful White Knight (Gary Cooper), unable to put Humpty Dumpty together again, escorts Alice for a while, but she tumbles down a hill and finds she's become a queen. At a party in Alice's honor, the Red Queen (Edna Mae Oliver) becomes furious at Alice, who then wakes up to find herself in the library, with her kitten Dinah in her lap. ~ Bill Warren, All Movie Guide

Jason (William Holden) is a World War II veteran going to college on the GI Bill in the hope of bettering himself. He has recently married his sweetheart, Peggy (Jeanne Crain), who has learned that they're having a baby. However, money is tight for the young couple, and inexpensive housing is at a premium in the post-war boom times. Peggy meets Professor Henry Barnes (Edmund Gwenn), an instructor at the college who lives alone in a huge house. Barnes is convinced that the best years of his life are over, that he has no purpose in life, and that our culture has sacrificed its highest ideals. But Peggy convinces Prof. Barnes to let her and Jason stay in his attic. As the newlyweds try to turn the cobwebbed space into a home, the professor gets to know his tenants better, and their enthusiastic optimism rubs off on him, giving him a sense that there are things left to be accomplished and reasons to go on. Apartment for Peggy reunited director George Seaton with actor Edmund Gwenn, who had clicked the previous year in the classic Miracle on 34th Street. ~ Mark Deming, All Movie Guide

This tuneful melodrama is set upon a college campus and follows the attempts of a pretty young woman who slyly helps her wealthy, free-wheeling freshman boy friend learn about responsibility. She contacts his father and together they convince the boy that his inheritance has been lost. Now he must work his way through college. Sure enough, her ploy succeeds and romance ensues. ~ Sandra Brennan, All Movie Guide

Based on a novel by Frank L. Packard, The Beloved Traitor stars Mae Marsh as Mary Garland, a resident of a Maine fishing village. In love with Judd Minot (E.K. Lincoln), a handsome fisherman with a gift for sculpting, Mary is forced to tearfully remain on the sidelines when Judd is discovered by wealthy New York art patron Henry Bliss (George Fawcett) and whisked off to the Big City. It doesn't take long for success to go to Judd's head, and soon he is galavanting around with Bliss' somewhat loose-moralled daughter Myrna (played by future gossip queen Hedda Hopper). Apprised of the situation, Mary rushes to New York, determined to "rescue" her former sweetie. A deft blend of comedy and drama, Beloved Traitor was Mae Marsh's fifth vehicle for producer Samuel Goldwyn. ~ Hal Erickson, All Movie Guide

The high batting average of 20th Century-Fox's Michael Shayne detective series remained intact with Blue, White and Perfect. Having prevented his sweetheart Merle Garland (Mary Beth Hughes) from marrying a bigamous fortune-hunter (Ivan Lebedeff), Mike Shayne (Lloyd Nolan) offers to marry the girl himself (at long last!) Merle agrees, but only if Mike gets out of the private-eye racket and takes an honest job. Shayne manages to land a job at an aircraft factory, only to discover that he's been hired to protect the company's valuable supply of industrial diamonds. When the gems are stolen during a highly suspicious break-in, Mike follows the trail of clues to a fancy dress shop managed by one Mr. Hagermann (Henry Victor). Sending his fiancee off on a wild goose chase, Mike trails Hagermann to a Honolulu-bound ocean liner, where he renews an acquaintance with former lady friend Helen Shaw (Helene Reynolds) and is introduced to overly effusive young playboy Juan Arturo O'Hara (George Reeves). Detective-movie logic dictates that at least one of these characters is inextricably linked with the elusive Hagermann-who is no mere diamond thief but a very clever German spy. All sorts of serial-like thrills await Shayne before he manages to uncover the "Mister Big" behind the stolen diamond racket (and it's a real surprise to boot!) Like most of Fox's Michael Shayne series entries, Blue White and Perfect was based not on a "Shayne" novel by Bret Halliday, but on a whodunit originally written for another fictional sleuth: In this instance, the source was a novel by Borden Chase. ~ Hal Erickson, All Movie Guide

A bachelors' club is shaken when one of its members forfeits his five thousand dollar fee to wed. Then another member adopts the child of a dying friend. This inspires Robert Audrey (Harry Myers) to adopt, too -- he figures it will get his mother (Georgia Woodthorpe) off his back. Mrs. Audrey picks out the photo of an adorable six-year-old war orphan, not realizing that the photo is 12 years old. So Audrey is quite shocked when pretty Ruth Atkins (Mae Marsh) shows up on his doorstep. The other members of the club also adopt war orphans with unexpected results -- crotchety old James Crockett (Claude Gillingwater) requests a boy but winds up with a girl and the highly efficient Henry Allen (William Louis) gets triplets. These children win over their reluctant adopted daddies with no problem, while Audrey falls in love with Ruth. Crockett and Allen both find wives who can mother their children and the bachelors' club is dissolved. ~ Janiss Garza, All Movie Guide