Joan Marsh Movies

The East Side Kids are back in Follow the Leader, one of their most consistently funny outings. While on leave from the Army, Muggs (Leo Gorcey) and Glimpy (Huntz Hall) learn that their pal Danny (Bobby Jordan) has been thrown in jail on a robbery charge. Refusing to believe that Danny is guilty, the boys go after the most likely suspect, a new East Sider named Spider O'Brien (Billy Benedict). Sure enough, Spider is a flunkey for a gang of crooks, but before he can confess to the cops, he's killed by his cohorts. Hoping to trap the villains, Leo goes to work for them, while his sister Millie (Joan Marsh) starts vamping head crook Larry (Jack LaRue). Highlights include a jungle-movie spoof (it's all a dream!), and a musical interlude by onetime recording idol Gene Austin. ~ Hal Erickson, All Movie Guide

The East Side Kids come face to face with High Society in Mr. Muggs Steps Out. Ordered by a judge to get a job, Muggs McGinniss (Leo Gorcey) is hired by wealthy Mrs. Murray (Betty Blythe), who has a penchant for picking up trouble-prone servants. At an engagement party for Mrs. Murray's spoiled daughter Brenda (Joan Marsh), Muggs enlists his pals Glimpy (Huntz Hall), Pinky (Billy Benedict), Speed (Bobby Stone), Skinny (Bud Gorman), Danny (Dave Durand) and Rocky (Jimmy Strand) as extra help. When a valuable necklace is stolen, Muggs and his buddies immediately fall under suspicion, but in a climactic fracas with the real thief, the East Side Kids prove that Mrs. Murray's faith in Muggs was not misplaced. ~ Hal Erickson, All Movie Guide

Keep 'Em Slugging was the last of Universal's "Little Tough Guys" series-which, like Monogram's "East Side Kids", was an offshoot of Warner Bros.' "Dead End Kids" films. This time around, the kids decide to mend their troublemaking ways and get real jobs. Tommy (Bobby Jordan) is hired by the department store where his sister Sheila (Evelyn Ankers) is already employed. Frank (Frank Albertson), Tommy's supervisor, is mixed up with a gang of hijackers. When Tommy refuses to join the crooks, Frank frames the kid on a robbery rap. With the help of fellow Little Tough Guys Pig (Huntz Hall), String (Gabriel Dell) and Ape (Norman Abbott, nephew of comedian Bud Abbott), Tommy not only proves his innocence, but gives the criminals a real soaking. By the time Keep 'Em Slugging was released, Huntz Hall and Gabriel Dell were already repeating their antics in Monogram's "East Side Kids" flicks. ~ Hal Erickson, All Movie Guide

Man in the Trunk is a variation on the "Topper" theme, with Raymond Walburn carrying the weight of the film as a restless ghost. Ten years before the story proper gets under way, bookie Jim Cheevers (Walburn) is murdered and his body is stuffed in a trunk. When the trunk is opened, all that remains is a pile of bones and only fragmentary clues as to the killer's identity. Young lawyer Dick Burke (George Holmes) hopes to use this flimsy evidence to clear his client, who has been sentenced to the electric chair for Cheevers' killing. With the help of the ghostly Cheevers, Burke manages to win a stay of execution, but the crime isn't solved until the murderer stupidly confesses. 20th Century-Fox contractee Lynne Roberts gets top billing as the nominal heroine, but the picture belongs to Raymond Walburn, who can get more laughs by clearing his throat than most comic actors can get by falling on their keesters. ~ Hal Erickson, All Movie Guide

Robert E. Sherwood's Pulitzer Prize-winning play Idiot's Delight starred Alfred Lunt and Lynn Fontanne on Broadway. Set in a lavish alpine hotel bordering an Italian air base, the story throws together several disparate people, each in his or her own way affected by the World War that threatens to erupt at a moment's notice. The only person who doesn't seem to have a political or economic stake in world affairs is Harry Van, a two-bit American entertainer who is stranded in the hotel with his travelling all-girl troupe, "Les Blondes." Harry is convinced that the alluring Irene, the foreign-accented "travelling companion" of munitions tycoon Achille Weber, is actually an American girl with whom he'd had a one-night stand years earlier, but Irene laughs off his insinuations. Eventually, Irene turns to Harry for comfort when Weber proves too disgustingly warmongering for her tastes. When war breaks out and the hotel is targeted for bombing, Harry makes sure that everyone gets to safety; he himself stays behind with Irene, with whom he has fallen in love. The two sing a hymn as the hotel is blown to oblivion. When Idiot's Delight was filmed in 1939, Norma Shearer did her best Lynn Fontanne imitation as Irene, while Clark Gable remained Clark Gable in his interpretation of Harry Van (his song-and-dance rendition of "Puttin' on the Ritz" is a classic of sneering insouciance). The film underwent an extensive "MGM-izing": while the pre-European affair between Harry and Irene is never dramatized in the play, the film shows Harry and Irene commiserating in a long prologue set in a seedy vaudeville house--and, in keeping with censorship restrictions, it is made abundantly clear that, while Harry befriends Irene, he does not sleep with her. The munitions manufacturer, here played by Edward Arnold, is depicted as an aberration, and not representative of "honest" business moguls (many of whom were close personal chums of MGM head Louis B. Mayer). And, while the ending of the play does not tell us whether or not Harry and Irene survive the bombing, the film permits the lovers a sun-streamed happy ending. ~ Hal Erickson, All Movie Guide

In this drama, a former college football hero and his college sweetheart get married. Marital turmoil ensues as her criminal law practice soars while he cannot get his career as an architect off the ground. They separate, and the man begins making extra money by singing in a nightclub. When he is unjustly accused of murder, it is his estranged wife who saves him. A tearful reconciliation ensues, but can the marriage be saved? Songs include the Oscar nominated "A Mist Over the Moon", "That Week in Paris", "Home in Your Arms", "When You're in the Room", "Sky High", "Naughty, Naughty", and "Victory Song". ~ Sandra Brennan, All Movie Guide

In New York to attend a police testimonial in his honor, Honolulu detective Charlie Chan runs smack dab into another murder. The victim is a blackmailing nightclub singer who had listed the names of all known criminals in Manhattan in her diary. The diary disappears, and Charlie joins a glib newspaper reporter (Donald Woods) and a photojournalist (Joan Marsh) in hunting down the killer. Several false leads and red herrings later, Charlie puts the pieces together and fingers the killer--who true to form is the least likely suspect (especially for a "typical" New York murder case). Charlie Chan on Broadway represented the 15th appearance by Warner Oland as the aphorism-spouting Oriental sleuth. ~ Hal Erickson, All Movie Guide

Dancing Feet stars Joan Marsh as Judy, a society deb who lands a job as a dime-a-dance girl to spite her wealthy grandfather (Purnell Pratt). While her fiancé Peyton (Ben Lyon) stews, Judy strikes up a friendship with Jimmy (Eddie Nugent), a bellhop who aspires to become a vaudeville dancer. Judy and Jimmy enjoy success as a dance team, falling in love as an afterthought. As for Peyton, he finds consolation with Judy's brassy friend Mabel (Isabel Jewell). The musical highlights in Dancing Feet include a specialty number by Nick Condos of the Condos Brothers (and future husband of comedienne Martha Raye). ~ Hal Erickson, All Movie Guide

This second filmization of Leo Tolstoy's novel is widely regarded as the best version. Greta Garbo plays the title character, the sheltered wife of Czarist official Rathbone. Intending to dissuade Rathbone's brother (Reginald Owen) from a life of debauchery, Garbo is sidetracked by her own fascination with dashing military officer Fredric March. This indiscreet liaison ruins Garbo's marriage and position in 19th century Russian society; she is even prohibited from seeing her own son (Freddie Bartholomew). In keeping with the censorial strictures of 1935 Hollywood, Anna Karenina is extremely careful in the staging of its final suicide sequence, allowing the audience to determine for itself whether or not Garbo's desperate act of throwing herself under wheels of a train is intentional. Outside of the expected superb performances of Garbo and March, the film's most fascinating characterization is offered by Basil Rathbone, whose cold cruelty in banishing his wife is shown to be the by-product of his own broken heart (though Rathbone never allows himself to descend into cheap sentiment). The first film version of Anna Karenina was the 1927 silent feature Love, also starring Garbo, which substituted an imbecilic happy ending for Tolstoy's bleak denouement (there would be an acceptable third version in 1948, starring Vivien Leigh. The 1935 Anna Karenina is arguably the finest accomplishment of the felicitous 1930s alliance between star Greta Garbo, director Clarence Brown and cinematographer William Daniels. ~ Hal Erickson, All Movie Guide

Department-store owner Horatio Allen's (George Barbier) biggest mistake is to name his scatterbrained daughter Gracie (Gracie Allen) as his sole heir. Suddenly Gracie becomes obsessed with the notion of converting her dad's store into a bird sanctuary. Psychologist Dr. Otto von Strudel (Egon Brecher) suggests that the best way to dissuade Gracie is to marry her off to Burns (George Burns). Burns vetoes the idea until Allen Sr. offers to pay him 10 dollars for every mile he travels with Gracie away from the store. This leads to a series of zany "on the road" complications, with Gracie's foolishness causing no end of trouble for the long-suffering George. Much ado about nothing, Many Happy Returns is recommended for Burns and Allen's staunchest admirers, though music fans will enjoy Larry Adler's harmonica solo and the dulcet sounds of Guy Lombardo's Orchestra (incidentally, some of Lombardo's numbers are actually performed sans screen credit by the Duke Ellington band). ~ Hal Erickson, All Movie Guide

Trying a bit too hard to qualify as a "screwball" comedy, RKO Radio's We're Rich Again is based on Alden Nash's stage play And Let Who Will be Clever. Carolyn Page's (Joan Marsh) once-rich family has gone broke thanks to their profligate spending habits. Parents Mr and Mrs. Page (Billie Burke and Grant Mitchell) try to marry Carolyn off to a wealthy banker (Reginald Denny), but he begins having second thoughts as he wades through an assortment of madcaps and loonies. The plot is unexpectedly resolved by the daffiest member of the family, country cousin Arabella (Marian Nixon, the wife of director William A. Seiter), allowing Marsh to marry her true love (Buster Crabbe). Edna May Oliver is hilarious as the family's salty, polo-playing grandmother, while Edgar Kennedy is almost as funny as a flustered bill collector. ~ Hal Erickson, All Movie Guide

This comedy, set during the Prohibition, chronicles the exploits of two disparate sisters. The older sister is a jaded gold-digger. The younger one is a naive country girl. The older tries to shelter the younger from the sophisticated men of the city. Unfortunately, she gets in trouble when her newest love swipes a thousand bucks to assist her. ~ Sandra Brennan, All Movie Guide