Carol Marsh Movies

In this crime drama, a young man must prove himself innocent of murder to clear his name and marry the daughter of a baronet. ~ Sandra Brennan, Rovi

A determined, fearless widow seeks to expose government corruption in her home city in this crime drama. ~ Sandra Brennan, Rovi

Widely considered to be the definitive of the many film versions of Charles Dickens' classic novel is this 1951 British adaptation, starring Alastair Sim (entitled "Scrooge" in its U.K. release). Sim plays Ebenezer Scrooge, a London miser who, despite his wealth, refuses to make charitable contributions and treats his sole employee, Bob Cratchit, as an indentured servant. On Christmas Eve, Scrooge is visited by the ghost of his late business partner, Jacob Marley, who was as selfish as Scrooge in life and has been condemned to an eternity of wandering the Earth in shackles. Marley informs Scrooge that he's to receive a trio of spirits that night who will take him on a journey through Christmases Past, Present, and Yet to Come. As Scrooge encounters each apparition, he is taken on a tour of his life and realizes what a wretch he is, transformed by greed from an idealistic youth into an embittered ogre. Infused with a new, cheery outlook, Scrooge sets about earning his redemption. ~ Karl Williams, Rovi

This British drama was originally titled Naughy Arlette. The title character, played by future director Mai Zetterling, is a French exchange student at a British art school. Teacher Hugh Williams is unable to resist Arlette's seductive charms, a fact that brings about his downfall. The girl's randiness also adversely affects Williams' daughter Petula Clark. Based on Serge Weber's novel Lycee des jeaunes filles, The Romantic Age lacks the stylishness demanded by its subject matter. ~ Hal Erickson, Rovi

This unsparing, brutal look at the British criminal underbelly stars Richard Attenborough as Pinkie Brown, a pock-marked gang leader. While leading his men in a racetrack robbery, Pinkie kills a man. He convinces pretty waitress Rose (Carol Marsh) to provide him with an alibi, promising to marry her in exchange. After the wedding, the sociopathic Pinkie conducts a slow and careful campaign to drive his young wife to suicide. A moody, well-acted film with a stunning performance by the 24-year-old Attenborough, Brighton Rock is notable for bringing a new vicious realism to British crime cinema. Adapted by Terrance Rattigan and Graham Greene, from Greene's novel, the screenplay is superlative. The grim realism and sordid subject matter of the film is striking, handled by twin filmmakers Roy and John Boulting, who use mood and dark, stark photography to convey an almost palpable sense of dread. The American distributor of Brighton Rock, smelling disaster with that ambivalent title, renamed the film Young Scarface, and while it was quite controversial in its day, the film can't quite recapture the impact it had upon its initial release. ~ Hal Erickson, Rovi