Maurice Marsac Movies

The scene is Paris, where lonely Henri Lamont (Fabrizio Mioni) loves the beautiful Therese (Lisa Montell) from afar. Henri would give anything to speak to Therese, but is overcome by shyness. Then, one day, our hero glances out his window and sees a romantic couple strolling by--a couple who turns out to be Therese and himself. (Note: some earlier sources claim that Theresa was played by Letizia Moverese, who later billed herself as Leticia Roman, indicating a last-minute cast change). ~ Hal Erickson, All Movie Guide

This two-part episode chronicles the life and career of Dutch-born Peter Hurkos, who has been authenticated by scientific experts as one of the world's few genuine psychics. Part One begins during WW2, as Hurkos (Albert Salmi) is fighting with the Resistance in Denmark. Falling from a rooftop, he lapses into a coma--and upon regaining consciousness, finds he has been endowed with the gift of prophecy. On a more disturbing note, he now has the ability to determine the good and evil in a person merely by touching him. Unable to cope with his psychic powers, Hurkos begins drinking heavily, then squanders his talents in the entertainment world...until a remarkable event turns his life around. For years, "The Peter Hurkos Story" was missing from the One Step Beyond syndication package. . .on orders from Hurkos himself. ~ Hal Erickson, All Movie Guide

In this drama, a Jewish refugee finds himself stranded in Paris just as the Nazi invaders arrive. Desperate to escape, he commanders the car of a Polish colonel who hates Jews. In order to save himself, the colonel helps the fellow escape. En route, they pick up the officer's girl friend. Trouble begins when the girl finds herself attracted to the Jewish fellow who is really quite witty and charming. The colonel is not amused, but eventually they three end up hiding in a castle. Unfortunately, they are captured anyway. To help them out, the Jewish fellow pretends the colonel is his cousin and they manage to escape. This causes the colonel to change his attitudes and the two become friends. ~ Sandra Brennan, All Movie Guide

In this jungle adventure, Burrough's ape man takes on an expedition of wicked white hunters who have come to search for a fabulous lost city. The film is comprised of three failed television pilots and this makes it a real rarity for Tarzanophiles. ~ Sandra Brennan, All Movie Guide

Les Girls is the Rashomon of MGM musicals. The film is told in flashback, as Mitzi Gaynor and Taina Elg, two-thirds of a popular cabaret trio, attempt to legally block the third, Kay Kendall, from writing her memoirs. Each of "Les Girls" has her own interpretation of the group's previous professional and amorous escapades. To make sense of these wildly diverse recollections, the court must rely upon a fourth party to straighten things out. Enter Gene Kelly, the dancing star who organized "Les Girls" in the first place. But can Kelly be believed? The "truth" of the many reminiscences in Les Girls is secondary to the dazzling beauty of its female stars, and to the delightful musical numbers, the best of which is an extended Marlon Brando parody titled "Why Am I So Gone About That Gal?" This was Gene Kelly's last musical effort for MGM, the studio he joined way back in 1943; the film was the inspiration for the short-lived 1963 TV series Harry's Girls, which starred Larry Blyden, Susan Silo, Dawn Nickerson and Diahn Williams. ~ Hal Erickson, All Movie Guide

Ride the High Iron originated as the 74-minute pilot episode of the proposed TV anthology Command Performance. When the series failed to sell, the film was released theatrically by Columbia Pictures. Don Taylor stars as Hugo Danielchick, the son of poor but proud railroad worker Yanusz Danielchick (Otto Waldis). Hoping to find success in the Big City. Hugo is hired as the assistant of high-pressure PR man Ziggy Moline (Raymond Burr), whose job it is to keep his high-profile clients' indiscretions out of the newspapers. Endeavoring to protect the good name of socialite Elise Vanders (Sally Forrest), Hugo falls in love with the girl--much to the displeasure of Moline, who suffers from a bad case of class envy. ~ Hal Erickson, All Movie Guide

Wealthy and spoiled Myra Van Clever (Gloria Talbott) hires Superman (George Reeves) to entertain at a party. What Myra doesn't know is that she has been manipulated into a criminal scheme cooked up by her guardian Jonas Rockwell (John Eldredge), who intends to use Superman as an unwitting courier for a set of counterfeit plates. Ultimately, Jonas tips his hand and locks Myra into a safe with reporters Jimmy Olsen (Jack Larson), Lois Lane (Noel Neill) and Clark Kent--who of course is Superman in disguise, but is unable to "transform" himself in full view of his fellow prisoners! ~ Hal Erickson, All Movie Guide

Jump into Hell is one of the first films to deal with the ongoing conflict in Vietnam or, as it was still known in 1955, French IndoChina. The 56-day battle of Dien Ben Phu is herein reenacted, with several French volunteers emerging as the heroes. Arriving in IndoChina by parachute, Captain Guy Bertrand (Jacques Sernas, here billed as "Jack") and his comrades make a courageous stand against the Communist forces. Before their inevitable doom, the men conjure up visions of the mademoiselles they left behind. Jump into Hell was scripted by novelist Irving Wallace, whose attitudes towards Western intervention in Vietnam would undergo a radical change within the next 15 years. ~ Hal Erickson, All Movie Guide

A remake of 1933's The Greeks Had a Word for Them, as well as a retread of 20th Century-Fox's favorite plotline, How to Marry a Millionaire was the first Hollywood comedy to be lensed in Cinemascope. Lauren Bacall, Betty Grable and Marilyn Monroe play three models of modest means who rent an expensive Manhattan penthouse apartment and pose as women of wealth. It's all part of a scheme hatched by Bacall to snare rich husbands for herself and her roommates. The near-sighted Monroe is wooed by an international playboy, but ends up settling for the tax-dodging fugitive (David Wayne) who owns the girls' apartment. The knuckle-headed Grable goes off on an illicit weekend in the mountains with a grouchy married executive (Fred Clark), but falls instead for a comparatively poor--but very handsome--forest ranger (Rory Calhoun). And Bacall very nearly lands an aging millionaire (William Powell), but has a sudden attack of conscience and opts instead for the supposedly poverty-stricken chap (Cameron Mitchell) who has been pursuing her since reel one. It turns out that she has actually landed one of the richest men in New York--and upon learning this, our three luscious heroines faint dead away. Before the opening credits roll in How to Marry a Millionaire, we are treated to a "live" orchestral rendition of Alfred Newman's "Street Scene" overture, conducted by Newman himself. In addition to its being the first wide-screen comedy, Millionaire was also the first-ever presentation of the weekly NBC series Saturday Night at the Movies, premiering on the small screen on September 23, 1961. ~ Hal Erickson, All Movie Guide

The Happy Time was adapted from the long-running Broadway play by Samuel Taylor, which in turn was based on the novel by Robert Fontaine. Set in Quebec during the early part of the 20th century, the film concentrates on the activities of a large French-Canadian family headed by Charles Boyer. Most of the humor arises from "coming of age" complications and sexual awakenings, especially when worldly prodigal son Louis Jourdan returns to the fold and exercises his influence on impressionable young Bobby Driscoll. Not permitted to include the racier portions of the play, director Richard Fleischer compensated by adopting a frenetic, farcelike pace, which works about half the time. Happy Time was later musicalized on Broadway in the 1960s, with Robert Goulet in the Louis Jourdan part. ~ Hal Erickson, All Movie Guide

A little crippled girl named Cathy Williams (Isa Ashdown) has one special wish in life: To meet her idol, Superman (George Reeves). When Cathy accidently intercepts a phone call intended for a gang of counterfeiters who've stolen printing plates from the Bank of France, one of the crooks (John Doucette) passes himself off as Superman in order to gain the girl's confidence and find out how much she knows. Inevitably, the bad guys kidnap poor Cathy, and of course the real Superman races to the rescue. ~ Hal Erickson, All Movie Guide

Dealing in imported goods, a businessman and his wife seem to continuously be the capable recipients of international trouble. The short-running series ran for 26 episodes during the 1952-1953 season. ~ Kristie Hassen, All Movie Guide