Eddie Marr Movies

Accidentally striking the Munster Koach, female motorist Mrs. Kingsley (Dorothy Green) takes one look at Herman (Fred Gwynne) and assumes that he's been horribly disfigured in the "accident". The guilt-ridden woman sends an insurance man to the Munster Mansion, hoping to settle out of court for $10,000. But Herman misunderstands the situation and thinks that he is being sued by Mrs. Kingsley--and rather than see his family disgraced, he runs away from home! ~ Hal Erickson, Rovi

Dean Jagger stars as Ed Lindsay, a cranky middle-aged man living in a boarding house with several other old-timers, including his former fiancée Vinnie Brown (Carmen Mathews). Fed up with television, Ed squirrels himself away in his room, where he begins tooling around with the antique radio he's found in the cellar. Before long, he is receiving broadcasts from the 1930s and 1940s -- live broadcasts, not reruns. Having opened a window to the past, Ed desperately tries to correct several mistakes he's made in life. Scripted by Charles Beaumont from a story by OCee Ritch, "Static" was one of six videotaped Twilight Zone episodes and was originally telecast March 10, 1961 (and yes, that voice emanating from Ed's old-time radio does belong to future Hogan's Heroes star Bob Crane). ~ Hal Erickson, Rovi

Larry (Rusty Stevens) can't convince his mother (Madge Blake) to give him money so that he and Beaver (Jerry Mathers) can go to the carnival. Reasoning that if he "finds" the necessary funds everything will be all right -- thus he raids his mom's reserve in cash, tosses it out the window, and behold, it is "found money." Off to the carnival go the innocent Beaver and the guilty Larry, little imagining the horrendous fate awaiting them when they get home! ~ Hal Erickson, Rovi

Beaver (Jerry Mathers) shells out good coin for a mail-order magic trick, but no one seems impressed by his conjuring skills. In desperation, Beaver and Larry (Rusty Stevens) put on a mini-magic show for the only person willing to watch: four-year-old Benjie Bellamy (Joey Scott). Larry covers Beav with a cloak, says the magic words and -- presto -- Beaver is gone and a rock is in his place. The astonished Benjie is now convinced that Beaver has turned into a rock, and cannot be convinced otherwise. The situation gets stickier when Benjie's mom insists to Ward (Hugh Beaumont) and June (Barbara Billingsley) that Beaver immediately reveal himself to mollify her fretting son -- something that just isn't possible at the moment! ~ Hal Erickson, Rovi

The Hargrove Finance Company has been robbed and Frank Anderson (James Anderson) lies dead. Identified by witnesses as one of the robbers, old Pop Renzi (Eduardo Ciannelli) is accused of murder. At the behest of Renzi's little grandson Nicky (Bobby Clark), Perry (Raymond Burr) agrees to handle Pop's defense--which proves a formidable task indeed, thanks to the obstreperous attitude of the dead man's sexy widow Iris (Nita Talbot). Veteran movie "gunsel" Elisha Cook Jr. appears in this episode, which was directed by the prolific Buzz Kulik. ~ Hal Erickson, Rovi

This classic first-season episode was written by Clifford Goldsmith, the man who created the character of trouble-prone teenager Henry Aldrich in the Broadway play What a Life. It's also the one and only episode in which June Cleaver (Barbara Billingsley) mops the kitchen floor while wearing high heels -- and not by choice! In dire need of money for baseball uniforms, Wally (Tony Dow) and Beaver (Jerry Mathers) seek out odd jobs around the neighborhood. Hired to mow a lawn, Wally thinks he's pretty smart by working very slowly so that the hourly rate will increase. But in the end, it's Beaver who's the smart one: armed with the knowledge that the neighborhood's water supply is about to be temporarily shut off by the city, Beav amasses a small fortune selling water to one and all! ~ Hal Erickson, Rovi

Out-of-town watch salesman Herbert Liggins (Kort Falkenberg) claims that he was robbed of his sample case by two men with whom he'd had a few drinks at a bar. Friday (Jack Webb) and Smith (Ben Alexander) aren't buying Liggins' story, which has holes one could drive a truck through. Finally, the salesman breaks down and confesses that the thief was a woman whom he'd invited to his hotel room. Leaving the embarrassed victim to mull over his bad judgment, the two detectives set their sights on recovering the stolen goods and bringing the female felon to justice. This episode is a remake of the Dragnet radio broadcast of March 22, 1955. ~ Hal Erickson, Rovi

Dance With Me, Henry was the screen swan song for the comedy team of Bud Abbott and Lou Costello. Most of the action takes place in Kiddieland, an amusement park owned by soft-hearted Lou Henry (Costello). An inveterate collector of strays, Lou has adopted orphaned kids Shelley (Gigi Perreau) and Duffer (Rusty Hamer), and has also provided a safe harbor for chronic gambler Bud Flick (Abbott). Bud's enormous gambling debts bring Lou under the scrutiny of gangster Big Frank (Ted De Corsia), who in turn is being monitored by DA Proctor (Robert Shayne). When Proctor is murdered, Lou finds himself the number one suspect. The film concludes with a riotous chase through the carnival grounds, with Bud and Lou just a few steps ahead of the bad guys. Both Abbott and Costello seem tired and worn out in Dance With Me, Henry, but a few bright moments manage to seep through the malaise of moldy old jokes and half-hearted sight gags. ~ Hal Erickson, Rovi

An unofficial remake of The Champ, The Clown concerns Dodo Delwyn (Red Skelton), a down-and-out performer with abundant and obvious talent, but also a self-destructive tendency to overindulge his drinking and gambling habits. Once a Ziegfeld headliner, Dodo is now lucky to get jobs playing a clown at cheap amusement parks and even cheaper burlesque. Dodo's addictions cost him his marriage, but he somehow is able to maintain custody of his son Dink (Tim Considine), whose love for and faith in his father knows no bounds. Dink and Dodo's desperate need for each other is threatened when Dink's mother -- married again and capable of providing him with a better life -- reappears and explains that she wants to take care of the boy herself. Dink goes behind his father's back to locate his old agent, and begs him to help Dodo; but the agent cannot do anything. Dink goes away with his mother, but is miserable and runs back to his father. The agent, meanwhile, has managed to wrangle a TV show for Dodo -- and now that his son is back and needs him, Dodo resolves to find the courage to take up this offer and make a success of it. ~ Craig Butler, Rovi

Joseph Cotten plays a assistant bank manager who steals $500,000 from the safe late on a Friday. He plans to fly to Brazil with his wife (Teresa Wright) and child. They get as far as New Orleans; the wife finds out about the robbery and walks out on Cotten. Stricken by guilt, Cotten must now return to his home town and replace the money before he's found out on Monday morning. Writer/director Andrew L. Stone smooths out the unrealistic elements of The Steel Trap by filming extensively at real locations. ~ Hal Erickson, Rovi

Paramount's Ray Milland and 20th Century-Fox's Gene Tierney star in Warner Bros.' Close to My Heart. The stars play, respectively, journalist Brad Sheridan and his wife Midge. Unable to have children of her own, Midge opts for adoption, thereby subjecting her husband and herself to the very exacting requirements of adoption agencies. Upon learning of an abandoned child left at a police station, Midge determines to claim the baby for her own, but Brad refuses to go along with his wife's plans until he can find out something more about the child's parents. Brad's feverish above-and-beyond search for the facts make him a highly unreliable adoption risk--but there's still hope for a happy ending. Ironically, star Gene Tierney was still trying to cope with the personal tragedy of giving birth to a severely retarded daughter while filming Close to My Heart. ~ Hal Erickson, Rovi

It Happened On Fifth Avenue was easily the most ambitious movie made by the then-newly-organized Allied Artists for at least a decade after its release -- actually, as a "Roy Del Ruth Production," it was made through rather than by Allied Artists, which may explain why it stands so far apart from the Bowery Boys movies and other productions normally associated with Allied during this period. And amazingly, it works, mostly thanks to a genial cast and a reasonably light touch by director/producer Roy Del Ruth, and in spite of a script that needed at least one more editorial pass. Victor Moore is the star and dominant personality -- if there is one in what is, basically, an ensemble cast -- as Aloyisius T. McKeever, a genial hobo whose annual routine for finding winter quarters is to wait for multi-millionaire Michael O'Connor (Charlie Ruggles) to lock up his Fifth Avenue mansion and head to Virginia, and move in during the man's absence. He chances to meet Jim Bullock, a homeless WWII veteran (displaced, ironically, by one of O'Connor's development projects), and gives him shelter in the mansion. They become a trio when O'Connor's free-spirited daughter Trudy (Gale Storm) shows up, fleeing her finishing school, and the two men -- thinking she's an impoverished runaway from an abusive father -- take her in. She goes along with the masquerade and gradually falls in love with Jim, who also chances to meet two former army buddies (Alan Hale, Jr., Edward Ryan) who -- you guessed it -- are also desperately trying to find homes, in their cases for their wives and growing families. Now there are nine people living in the shelter of O'Connor's Fifth Avenue mansion, and in between setting up housekeeping, Jim and his two buddies manage to come up with an idea about how to build homes for veterans and their families. Trudy, her identity still a secret to the other, gets her father to meet the "squatters" incognito, in hope that he'll take to Jim, but a series of misunderstandings and his own impatience and lack-of-faith leads him to reject everything decent he sees about Trudy's friends. In desperation, to keep them from being evicted and arrested, she calls in reinforcements in the person of her mother (Ann Harding), long estranged from her father. O'Connor is still not convinced of Jim's worth, and definitely doesn't see him as a potential husband for Trudy -- and, in a comic mix-up, he ends up going head-to-head with Jim for the property where he plans to build those houses for veterans, causing them to lock horns once more. Matters do eventually fall into place, as they usually do in Christmas movies of this sort, which more closely resembles The Bells of St. Mary's or One More Spring -- to name another movie about displaced New Yorkers -- than It's A Wonderful Life (with which it is usually compared). It Happened On Fifth Avenue is usually defined as a Christmas movie, in part because of its plot time-line, but more than that, it's a movie that, like George Seaton's Miracle On 34th Street -- made the same year -- sings of the generosity of the human spirit, and the feeling of renewal that was in the air in the immediate post-World War II era, a funny, gentle, warm look at people making their way in a time when, for the first time since the Great Depression and the outbreak of the Second World War, cautious optimism seemed an appropriate approach to life. And not for nothing was this reportedly lead actor Don Defore's personal favorite of all of his movies. ~ Bruce Eder, Rovi