Ted Markland Movies

Jim (James Garner) picks up his phone and hears a threat against his life: the caller, it turns out, has dialed the wrong number. The intended recipient of the threat is self-absorbed social climber Jay Rockfelt (John Pleshette), who in his eagerness to make an impression on the world has inadvertently insulted--and publicly humiliated--a notorious gangster. Though he has no vested interest in Jay's plight, Jim nonetheless tries to orchestrate a rescue when the bad guys (so bad that they even poison a harmless little dog!) kidnap Jay's sister. Rock star Rick Springfield appears as (Surprise! Surprise!) a rock star, whose number-one hit provides this episode with its seemingly nonsequitur title. ~ Hal Erickson, All Movie Guide

Peter Fonda here gives a studied performance of a man alone against the odds. When he discovers that members of his family are going to be killed because they are standing in the way of a corporate master plan which involves their land, and the local sheriff seems unconcerned about the threat, he must take care of the matter himself. ~ Tana Hobart, All Movie Guide

With an insane asylum standing in for everyday society, Milos Forman's 1975 film adaptation of Ken Kesey's novel is a comically sharp indictment of the Establishment urge to conform. Playing crazy to avoid prison work detail, manic free spirit Randle P. McMurphy (Jack Nicholson) is sent to the state mental hospital for evaluation. There he encounters a motley crew of mostly voluntary inmates, including cowed mama's boy Billy (Brad Dourif) and silent Native American Chief Bromden (Will Sampson), presided over by the icy Nurse Ratched (Louise Fletcher). Ratched and McMurphy recognize that each is the other's worst enemy: an authority figure who equates sanity with correct behavior, and a misfit who is charismatic enough to dismantle the system simply by living as he pleases. McMurphy proceeds to instigate group insurrections large and small, ranging from a restorative basketball game to an unfettered afternoon boat trip and a tragic after-hours party with hookers and booze. Nurse Ratched, however, has the machinery of power on her side to ensure that McMurphy will not defeat her. Still, McMurphy's message to live free or die is ultimately not lost on one inmate, revealing that escape is still possible even from the most oppressive conditions. ~ Lucia Bozzola, All Movie Guide

Herbert Ross directed this adaptation of Woody Allen's hit Broadway play concerning a shy film critic who has trouble with women. Woody Allen plays Allan Felix, a writer for Film Quarterly consumed by movies, particularly his favorite film of all time, Casablanca. At the start of the film, Allan's wife Nancy (Susan Anspach) has just left him and is applying for a divorce. Unable to deal with this emotional turmoil, Allan seeks solace in the movies he loves, imagining Humphrey Bogart (Jerry Lacy) has dropped by his apartment to offer Allan advice on dealing with the ladies ("Dames are simple. I never met one that didn't understand a slap in the mouth or a slug from a forty-five"). Helping Allan meet new women are his good friends Dick (Tony Roberts) and Linda Christie (Diane Keaton). Dick and Linda fix him up with a succession of dates, all of which end disastrously because of Allan's nervousness and insecurity. Finally, Allan realizes that he has been spending more time with Linda than anyone else and he is becoming attracted to her -- she's the only woman he truly feels comfortable around. Linda proves unexpectedly receptive to Allan's advances, since Dick's workaholic ways leave Linda neglected and ignored. ~ Paul Brenner, All Movie Guide

One of the best films by often-underrated director Robert Aldrich, this stark, brutal Western is also an effective allegory of America's involvement in the Vietnam War. Set in Arizona during the late 1880s, the film begins with experienced scout McIntosh (Burt Lancaster) and idealistic U.S. Cavalry Lieutenant DeBuin (Bruce Davison) setting out to catch a group of Apache renegades lead by their chieftain, Ulzana (Joaquin Martinez). The story focuses on the opposing views of the two men regarding Ulzana. McIntosh is cold and cynical while DeBuin is morally outraged by supposed Apache atrocities. The film, sharply written by Alan Sharp, poses a set of complex questions about the nature of heroism, racism, and American imperialism, while avoiding moralizing or oversimplification of the issues. Aldrich and Burt Lancaster, who made four films together over the course of their long careers (including this one), later collaborated on the excellent political thriller Twilight's Last Gleaming. ~ Linda Rasmussen, All Movie Guide

Meeting largely mixed reviews during its first run in 1971, counterculture icon Peter Fonda's directorial debut was restored and remastered for its 30-year anniversary. The film opens with three drifters greeting the morning by cavorting in a sun-dabbled mountain river. Harry Collings (Fonda) catches a fish and gives it to Arch Harris (Warren Oates) who grills it over a low fire, while Dan (Robert Pratt) -- the youngest of the three -- bathes in the swift moving current. Later, as they head into Del Norte, a small town in the middle of nowhere, Dan talks breathlessly about going to California while Collings suddenly decides to return home after a seven-year absence. After Dan runs afoul of a group of unsavory characters lead by McVey (Severn Darden), Collings vows vengeance for the lad's death and blows off McVey's feet. Collings and Harris bury Dan and flee from the town riding hundreds of miles to Collings' homestead. His wife Hannah (Verna Bloom) -- now called "Widow Collings" by the local townsfolk -- is none too pleased to see her wayward husband at her doorstep. Taking his wife's anger in stride, he asks only to be allowed to work as a hired hand. Just as Hannah and Collings start to move beyond the years of anger and estrangement, disaster strikes. This film was screened at the 2001 Toronto Film Festival. ~ Jonathan Crow, All Movie Guide

Blackbeard's Ghost was one of the first Disney productions released after Walt's death. Peter Ustinov stars as the eponymous wraith, who returns to Earth to come to aid of his descendant, elderly Elsa Lanchester. The villains want to kick Lanchester and her friends out of their group home so that they can build a crooked casino. Good guy Dean Jones evokes the spirit of Blackbeard to thwart the bad guys. The supporting cast ranges from Richard Deacon to Gil Lamb, while Peter Ellenshaw performs the visual effects with mattes, miniatures, and process screens. ~ Hal Erickson, All Movie Guide

A horse thief with a price on his head is shot by both Joe Cartwright and his friend, stone-broke farmer Morgan Tanner (Dean Harens). When the authorities arrive, Joe takes full credit for the killing-and claims the reward, which Morgan and his family need desperately. Why is Joe acting in this seemingly cold and selfish manner? Also in the cast are Luana Patten and Regina Gleason as Morgan's wife Lorna and daughter Martha. Written by Frederic Louis Fox, "Credit for a Kill" first aired on October 23 1966. ~ Hal Erickson, All Movie Guide

Paladin (Richard Boone) is hired by a mortally woman named Mrs. Kilmer (Lillian Bronson), who wants to learn the whereabouts of her long-long son before she dies. The trail of clues leads Paladin to Harper City, a town held in the grip of the wealthy--and psychotic--Fred Harper (Charles Aidman). Clearly, Harper knows something about Mrs. Kilmer's prodigal son, but he isn't telling...and Paladin is fully aware that the previous detective hired to locate the boy turned up dead. This is the final episode of Have Gun, Will Travel's third season. ~ Hal Erickson, All Movie Guide