Ted Markland Movies

Mother Nature's fury clashes with Hollywood has-been determination as a group of down and out filmmakers attempt to resurrect a dying sci-fi franchise by keeping their production afloat long enough to shoot their big climax with the "Big One" as the backdrop. In just seventy-two hours, Los Angeles will finally get the earthquake that folks have been anticipating for decades. The Generic News Network is capitalizing on public panic in typically tacky fashion, and the cast of the hopelessly irrelevant Cyxork sci-fi film franchise is ready to risk their lives for some free special effects. But while square-jawed star Rex Anderson (Ray Wise) just wants to keep his film career afloat and earn enough money so that he and his wife can move out of the public appearance bus they call a home, director Angela LaSalle (Sonya Smith) is seeking to transform schlock cinema into celluloid art. When Rex goes over Angela's head in an attempt to get her fired, the plan backfires and they both end up out of work. The production effectively shut down, Rex and Angela decide that their only hope is to put aside their differences, pretend they are still in production, and work under the radar to finish the film. But who would be foolish enough to try and shoot a film during what promises to be the biggest earthquake in recorded history? As the crew races to get the film finished before the studio finds out, the entire state of California braces for the big rumble and hopes for the best. ~ Jason Buchanan, Rovi

The traditions of the western and the gangster film meet head-on in this dark crime drama. Jericho is a small town in Texas that in the 1920s looks much like it did in the 1860s, except that two violent gangs of rival bootleggers have driven away nearly all of the citizens not involved in the booze racket. Strozzi (Ned Eisenberg) leads a gang of Italian rum-runners with the help of his right-hand-man Giorgio (Michael Imperioli), while Doyle (David Patrick Kelly) is the head of an Irish mob, with Hickey (Christopher Walken) serving as his enforcer; the town's sheriff, Ed Galt (Bruce Dern) is powerless to stop the crime in Jericho, and he mainly tries to stay out of the way and keep an uneasy peace between Strozzi and Doyle. John Smith (Bruce Willis) is a ruthless and amoral gunman on the run from the law who passes through Jericho on his way to Mexico. Sizing up the situation, Smith quickly hatches a scheme by which he'll sell his services first to one of the gangs, and then the other, eventually turning the two sides against each other while he stays in the middle and takes the profits generated by both sides. Writer and director Walter Hill based his screenplay on Akira Kurosawa's classic samurai picture Yojimbo, which also inspired Sergio Leone's ground-breaking spaghetti western A Fistful of Dollars. ~ Mark Deming, Rovi

Maverick writer-director Walter Hill's version of the famous Wild Bill Hickok legend is a dreamscape western that is told entirely in flashback. Hickok's friend Charley Prince (John Hurt) narrates the events of Wild Bill's life while sitting at Bill's graveside. Hickok is played by Jeff Bridges as a mean, high-spirited, but gallant outlaw. He wanders the West, adding to his reputation with some well-chosen gunfights, and he meets up with characters such as Calamity Jane (Ellen Barkin), who becomes his sidekick for a time. After becoming a legend, Hickok signs up for a stint with Buffalo Bill Cody's traveling variety show. Eventually, he falls in love with Susannah Moore (Diane Lane), and his love leads him to tragedy in the town of Deadwood, SD. ~ Michael Betzold, Rovi

James Remar is too good an actor to be squandering his time in Confessions of a Hitman. Remar plays Bruno Serrano, the title character, whose father has just been murdered in Las Vegas. The grieving professional assassin heads to the Glitter Capital to exact vengeance on the man responsible for his dad's death. Serrano places several phone calls en route, confessing to previous sins and begging forgiveness. The star's performance is the sole redeeming factor of this otherwise ponderous road flick. ~ Hal Erickson, Rovi

A Navy SEAL gets himself tossed into a seething Filipino prison after his attempts to stop a gang rape fail and he is accused of killing the girl. This low-budget martial arts actioner chronicles his struggle to survive and escape the hellish jail. ~ Sandra Brennan, Rovi

The 152nd and final episode of Hunter focuses on the titular detective's superior officer, Captain Charles Devane (Charles Hallahan). For reasons that he cannot possibly understand, Devane has been asked to be best man at the wedding of a small-time crook named Jake Hutton (played by frequent Hunter director Tony Mordente).At the same time, several of Hutton's former cellmates are pressuring him to participate in a crime, intending to frame him for murder. Blissfully unaware of all these intrigues is Jake's intended, dance instructor Wanda Crebbs (Jean Kasem). As for Hunter (Fred Dryer)...well, he manages to find himself in the thick of things long before the couple exchanges their final vows. ~ Hal Erickson, Rovi

Originally prepared for European release under the title Catchfire, Backtrack wasn't given a wide distribution until 1991, and then only to capitalize on the Oscar win of Silence of the Lambs star Jodie Foster. In Backtrack, Foster plays a youngish innocent who witnesses a mob hit. Professional assassin Dennis Hopper is contracted to silence Foster for keeps. Instead, he falls in love with her. Directed by star Hopper, Backtrack has some of the feel of his earlier, better Easy Rider: the cast is populated by such old Hopper chums as Dean Stockwell, Charlie Sheen, Joe Pesci, Bob Dylan, Vincent Price and Julie Adams; and, like Easy Rider, it looks as though the story was improvised during filming. ~ Hal Erickson, Rovi

Miles O'Keeffe and Lou Ferrigno star as Vietnam war buddies who team up to rid their community of drugs. ~ Jason Ankeny, Rovi

Colors stars Robert Duvall and Sean Penn as partners on the LAPD's gang crime division. Duvall had hoped to spend more time with his family, but he's pulled back into active service because of a step-up in gang activity. He makes no secret of his contempt for his novice partner Penn, but eventually comes to rely on the younger man as a valuable street contact. The central crisis is the battle for supremacy between the "Crips" and the "Bloods", with every effort to call a truce stymied by the gang members themselves and by undue police intervention. ~ Hal Erickson, Rovi

Brian Dennehy plays a Wambaugh-type cop who has flourished as a novelist. At the moment, however, Dennehy is suffering from a profound case of writer's block. Coming to the rescue, as it were, is professional hit man James Woods. Recently dumped by his boss, above-suspicion business executive Paul Shenar, Woods is anxious to tell his life story to Dennehy, in hopes of striking it rich with a tell-all bestseller. Shenar, however, takes a dim view of Woods' indiscretions, and for a while it looks as though it's curtains for both Dennehy and his teenaged daughter Allison Balson. Screenwriter Larry Cohen has claimed that Best Seller was based on Strangers on a Train. ~ Hal Erickson, Rovi

In his own inimitable (and fatheaded) "no questions asked" fashion, Boss Hogg (Sorrell Booke) hires a trio of crooks to rob a moving boxcar. For this purpose, the crooks intend to knock the boxcar off the train, using remote-control explosives. The Duke boys become intimtately involved in the intrigure when the villians steal the "General Lee" and wire the car to blow up on the railroad tracks, destroying the "money train" and everyone on it in the process! ~ Hal Erickson, Rovi

This time the A-Team takes up the cause of migrant workers who are being treated as slaves--and cheated out of their meager salaries in the bargain--by evil landowner Ted Jarrett (played by prison-movie perennial John Vernon). Once on the scene, the Team sets about to organize the beleagured workers into a union, a task that necessitates the conversion of a huge cabbage-bailing machine into an armored vehicle. Meanwhile, the Team's perennial nemesis Col. Decker (Lance LeGault) continues to breathe down the Good Guys' necks. ~ Hal Erickson, Rovi

Hoping to divest himself of his well-earned nickname, veteran moonshiner Hard Luck Jones (Fred Stuthman) steals a vintage armored personal carrier from Boss Hogg (Sorrell Booke), who'd been using the vehicle to transport illegal cigarettes. Jones intends to transform the APC into Hazzard County's first "mobile still", and to that end he hides the valuable relic on the Dukes' property--potentially giving Boss yet another excuse to throw the whole Duke clan into the hoosegow. This episode was originally scheduled to air on December 21, 1979. ~ Hal Erickson, Rovi