Brian Markinson Movies

A doctor finds out the hard way that there's more to medicine than skill in the operating theater in this emotional drama. Jack McKee (William Hurt) is a gifted but arrogant surgeon who cares little about the emotional welfare of his patients and is little more than a benign stranger to his wife Anne (Christine Lahti) and his son Nicky (Charlie Korsmo). Jack has been suffering from a nagging cough for some time, and when he begins coughing up blood one morning, he finally allows another doctor to take a look at him. The doctor discovers that Jack has a malignant tumor in his throat that could rob him of the ability to speak, or even kill him. Suddenly, Jack is a patient instead of a doctor, and he learns first hand about the long stretches in the waiting room, the indignity of filling out pointless forms, and the callous attitude of the professional medical community. Jack also gets to know June (Elizabeth Perkins), a terminal cancer patient whose joyous embrace of life as her time draws to a close is an inspiration to him. Restored to health, Jack is determined to be a more caring healer and strives to be a better husband and father, but his new lease on life also earns him an enemy in fellow surgeon Murray (Mandy Patinkin), who wants Jack to lie under oath for him in a major malpractice case; and a new respect for Eli (Alan Arkin), an ear-nose-throat man he used to ridicule for his empathetic treatment of his patients. The Doctor was based on the memoir of real-life surgeon Ed Rosenbaum, entitled "A Taste of My Own Medicine." ~ Mark Deming, All Movie Guide

Developed by Tina Sinatra and approved by Frank himself, Sinatra is a made-for-television mini-series following the life and times of Frank Sinatra, one of the most popular and acclaimed singers of the 20th century. Opening with his childhood in Hoboken, New Jersey, the film follows Sinatra's (Philip Casnoff) rise to the top in the '40s, through the dark days of the early '50s and his triumphant re-emergence in the mid-'50s, to his status as pop culture icon in the '60s, '70s and '80s. In between, the film hits all of the main events, including his three marriages, his connections with the Mafia and his notorious friendship with the Rat Pack. Even with the presence of Tina Sinatra as executive producer, Sinatra doesn't gloss over the more unsavory portions of Frank's life, which makes it all the more impressive. With the exception of a couple of early songs, all the music in the movie is taken from the original Sinatra recordings. ~ Stephen Thomas Erlewine, All Movie Guide

Maniacal Dennis Hopper plays a high-strung L.A. homicide detective who embarks upon a vengeful hunt for the drug pushers who brutally murdered his partners. His investigation soon reveals that the dealers' influence extends to the highest echelons of city government. ~ Sandra Brennan, All Movie Guide

A holiday comedy with dark overtones, Mixed Nuts presents a supposedly humorous look at the behind-the-scenes events at a crisis hotline on Christmas Eve. Philip (Steve Martin) runs Lifesavers, a Venice, California organization dedicated to helping the depressed and troubled. Unfortunately, Philip is a bit down himself, having learned that Lifesavers is on the verge of eviction. His staff isn't feeling particularly helpful either, with Mrs. Munchnik (Madeline Kahn) giving gruff, often insulting advice, and Catherine (Rita Wilson) obsessing over her own unspoken love for Philip. As the holiday approaches, various weirdoes of all shapes and sizes -- from to a pregnant clothing store owner (Juliette Lewis) to a disenchanted Santa Claus (Anthony LaPaglia) -- begin dropping in, throwing the already strained office into utter chaos. Director Nora Ephron followed her smash success Sleepless in Seattle with this remake of the cult 1982 French comedy Le Père Noël est une Ordure, co-authoring the script with her sister Delia Ephron. However, Mixed Nuts met with little box office or critical approval, with most viewers finding the film's manic farce disappointingly forced and abrasive. ~ Judd Blaise, All Movie Guide

Though by now accustomed to interference from the various members of his family tree, Worf is nonetheless unprepared for the problems wrought by his foster brother Nikolai (Paul Sorvino). In order to save the doomed Boralaan race, Nikolai defiantly violates the Prime Directive. Will Worf join forces with Nikolai, or will he remain loyal to the Federation? First broadcast January 22, 1994, "Homeward" was scripted by Naren Shankar, from a story by Spike Steingasser. ~ Hal Erickson, All Movie Guide

Like the feature film Network (1976), this made-for-television drama scathingly satirizes an amoral, avaricious media. The story is set in 1999, a time the pay-per-view television industry is in a tailspin. It seems with over 500 available channels, audiences have become jaded with movies and sports. Enter up-and-coming executive Jessica Traynor (Sean Young) a member of the Tycom network team. It is her brilliant idea that her company can attract new customers by offering them a chance to witness a real execution on live television. Once her company approves and she untangles all the government red-tape, Jessica is left with the task of choosing an appropriately photogenic and charismatic death-row inmate. Trouble brews when Jessica begins suspecting that the man she selected may be innocent. ~ Sandra Brennan, All Movie Guide

"Houston, we have a problem." Those words were immortalized during the tense days of the Apollo 13 lunar mission crisis, and the suspense, fear, and excitement of those days are captured in Ron Howard's epic recreation of the 1970 crisis. When the commander of the original mission Ken Mattingly (Gary Sinise), bows out due to possible exposure to measles, astronaut Jim Lovell (Tom Hanks) leads command module pilot Jack Swigert (Kevin Bacon) and lunar module driver Fred Haise (Bill Paxton) on what is slated as NASA's third lunar landing mission. All goes smoothly until the craft is halfway through its mission, when an exploding oxygen tank threatens the crew's oxygen and power supplies. As the courageous astronauts face the dilemma of either suffocating or freezing to death, Mattingly and Mission Control leader Gene Kranz (Ed Harris) struggle to find a way to bring the crew back home, all the while knowing that the spacemen face probable death once the battered ship reenters the Earth's atmosphere. Even though the outcome, in which all three astronauts miraculously survived, is historical fact, the film derives suspense from the situation itself and from the actions of the heroic astronauts and the men on the ground. Howard's taut direction, a solid ensemble of players, and eye-opening special effects all add to the overall impact of the film, which has been hailed as one of Hollywood's best historical dramas. In 2002, the movie was released in IMAX theaters as Apollo 13: The IMAX Experience, with a pared-down running time of 116 minutes in order to meet the technical requirements of the large-screen format. ~ Don Kaye, All Movie Guide

Michael Dorn directed this episode, which originally aired June 9, 1997. A depressed Sisko can't seem to shake his deep blue funk, especially when Kai Winn arrives on the station to negotiate with the Dominion. Hoping to lift his dad's spirits, Jake Sisko goes to herculean lengths -- including the depletion of Nog's life savings -- to purchase a mint-condition Willie Mays baseball card. This aptly titled installment was scripted by Ronald D. Moore, from a story by Trudy Clark and Scott Neal. ~ Hal Erickson, All Movie Guide

In this 90-minute conclusion of a two-part story, a homeless mute, who has been accused of a child's murder by the victim's father, has killed himself. Sipowicz (Dennis Franz) and Diane (Kim Delaney), convinced that the dead man was framed by the child's father (Brian Markinson), whom they believe to be the actual culprit, try to get to the truth by working on the mother (Annie Corley). As this sordid storyline works itself out, the squad investigates a possible case of health-benefit fraud involving a "good samaritan" doctor. ~ Hal Erickson, All Movie Guide

Detective Jean Martin (Linda Hamilton, in her first TV movie) isn't happy at the LAPD sex crimes unit and gets a transfer to robbery/homicide, where she's partnered with Dan Collins (Jeff Fahey) and Lt. Gil Suggs (Coolio). As a single mom, Martin tries to raise her young son (Tim Redwine) and engage in a few fleeting moments of romance, while simultaneously tracking down violence-prone, death-dealing teen bank robbers. Filmed in LA, this TV movie premiered January 15, 1998. ~ Bhob Stewart, All Movie Guide

Henry John Deutchendorf started his career in music as a guitar-strumming folkie who got his first big break as a member of the Chad Mitchell Trio in the early 1960s; with the dawn of the 1970s, as John Denver he became one of the biggest and most recognizable figures in popular music, and this made-for-TV drama examines his life and career both on and off-stage. Born the son of an Air Force pilot (Gerald McRaney), John Denver (Chad Lowe) sought the approval of his father, who didn't think much of his son's desire to become a musician. But once Denver heard his calling, he hit the road, first with the Chad Mitchell Trio and later as a solo act. Along the way, Denver met Annie (Kristin Davis), whom he would later marry and who would inspire one of his best-known songs. After several years of struggle (buoyed by Peter, Paul, and Mary's hit recording of his song {&"Leavin' On a Jet Plane"), Denver finally found commercial success with the song "Take Me Home, Country Roads" in 1972. But Denver's new success did not win him the love of his father, and his busy touring schedule took a toll on his marriage; when Denver's career fell into a slump in the '80s, he found himself alone without a wife, and began developing a serious problem with depression and alcohol. Based on John Denver's autobiography, Take Me Home: The John Denver Story features 15 of his original recordings on the soundtrack; originally produced for CBS, the film was first aired April 30, 2000. ~ Mark Deming, All Movie Guide

The funny side of sports fandom provides the common element for two stories in this made-for-cable anthology feature. In the first segment, based on a short story by Don Marquis, a golfer (Bob Newhart) looks like he's about to break 100 for the first time, but his partner (Kelsey Grammer) keeps insisting upon following every rule in the book, much to his friend's annoyance. The second story is based on 1968's real-life "Heidi Bowl" incident, in which NBC-TV's broadcast of a hard-fought game between the New York Jets and the Oakland Raiders, which seemed likely to determine the AFL championship, was cut off --with 65 seconds left to play and the score at 32-29 -- in order to begin a scheduled showing of a made-for-TV movie based on the classic children's story Heidi. Eugene Levy plays a network control room supervisor, Ellie Harvie appears as a NBC switchboard operator trying to handle the sudden influx of angry calls, Gary Basaraba plays her husband, who is watching the game at home with friends, and John Kapelos is a bookie with a lot of money riding on the game. Fox-TV sports commentator James Brown hosts the two-part film, which was produced for the Showtime premium cable network. ~ Mark Deming, All Movie Guide