David Markham Movies

It was Richard Attenborough's lifelong dream to bring the life story of Indian political and spiritual leader Mahatma Gandhi to the screen. When it finally reached fruition in 1982, the 188-minute, Oscar-winning Gandhi was one of the most exhaustively thorough biopics ever made. The film begins in the early part of the 20th century, when Mohandas K. Gandhi (Ben Kingsley), a British-trained lawyer, forsakes all worldly possessions to take up the cause of Indian independence. Faced with armed resistance from the British government, Gandhi adopts a policy of "passive resistance," endeavoring to win freedom for his people without resorting to bloodshed. In the horrendous "slaughter" sequence, more extras appear on screen than in any previous historical epic. The supporting cast includes Candice Bergen as photographer Margaret Bourke-White, Athol Fugard as General Smuts, John Gielgud as Lord Irwin, John Mills as the viceroy, Martin Sheen as Walker, Trevor Howard as Judge Broomfield, and, in a tiny part as a street bully, star-to-be Daniel Day-Lewis. Gandhi won eight Academy Awards, including Best Picture, Best Actor, and Best Director. ~ Hal Erickson, Rovi

In this grim drama, a grieving widow finds herself seeking solace in the arms of her late husband's lover, a woman. ~ Sandra Brennan, Rovi

Peter Brook, one of the pioneers of the experimental theatre movement of the 1950s and 1960s, was the director of Meetings with Remarkable Men. Brook tells the story of Asian mystic G. I. Gurdijeff, here played by Dragan Maksimovic. Gurdijeff devotes his entire existence, from youth to old age, in quest of the meaning of life. He eventually develops a form of meditation incorporating modern dance. Terence Stamp, who in Meetings with Remarkable Men plays Prince Lubovedsky, himself briefly retreated from his career after this picture, in favor of Eastern meditation. ~ Hal Erickson, Rovi

The phenomenon of Tales from the Crypt seems to have no endings, only changes. This successful pun-filled style of presenting ironic horror tales had its beginnings in William Gaine's E.C. comic series. At one time, outlandish E.C. Comics were at the heart of a national furor over the "evils" of comic books, which were thought to lead to moral degeneracy. The big comic-book publishers were frightened into freezing E.C. out of their distribution network, which killed the business. This British movie was based on the Tales from the Crypt series, which spawned several subsequent movies (and many imitators), at least one television series, and a whole new wave of comic books. Released in 1972, this movie has five episodes based on Gaines' stories, each introduced by Sir Ralph Richardson as the eerily cheery Crypt Keeper. His comedic approach to the role was misunderstood at the time, as reviewers expected a more solemn approach to horror. In "All Through the House," Santa Claus is someone to avoid. In "Reflection of Death" it takes some people a while to realize the truth about themselves. In "Poetic Justice" death cannot prevent one man's revenge. The episode "Blind Alley" demonstrates a new use for razor blades. "Wish You Were Here" cautions against taking native artifacts lightly (among other things). Among the stars featured are Peter Cushing, Joan Collins and Patrick Magee. ~ Clarke Fountain, Rovi

The swan song for director Seth Holt (who died shortly before filming was completed), this stylish Hammer production transcends its low budget thanks to lush photography, a stylish look, and fine performances from the leads. The plot, adapted from Bram Stoker's novel The Jewel of the Seven Stars, involves an expedition led by Professor Fuchs (Andrew Keir) to find the cursed tomb of an evil Egyptian princess. Upon discovery of her sarcophagus, Fuchs finds her perfectly preserved, still-bleeding severed hand -- which also sports a dazzling ruby ring. Several years later, Fuchs gives the pilfered ring to his voluptuous young daughter Margaret (Valerie Leon), whereupon she slowly begins to take on the malevolent traits of its original wearer, seeking revenge for the defilement of her tomb. Though Christopher Wicking's adaptation of Stoker's obscure novel is a bit uneven, it still provides ample suspense and the production has an overall richness that captures the flavor of Hammer's other mummy projects. Remade eight years later (with less effective results) as The Awakening; traces of the same story can also be found in Universal's 1999 mega-budget version The Mummy. ~ Cavett Binion, Rovi

Released in England as Wednesday's Child, this earnest socially conscious drama explores the generation-gap between a pair of overbearing, strict parents and their rebellious, pregnant daughter Sandy Ratcliff. First they force her to get an abortion. Then mom and dad further exert their power over Ratcliff by locking her out of the house until she ceases her troublesome ways. When this fails to "tame" the girl, the parents force her into psychiatric treatment. Subjected to shock therapy, Sandy ends up a shell of a human being, little more than a case study for those who've robbed her of her individuality. Shot in documentary fashion, Family Life won a prize at the 1972 Berlin Film Festival. ~ Hal Erickson, Rovi

Lois Maxwell, best remembered as Miss Moneypenny in the "James Bond" films of the 1960s, is here cast as Esther Hollis. Though she and her husband want to have children, Esther is afraid of conceiving because of a history of insanity in her family. Late one night, Esther hears the sound of sobbing child, emanating from a room in her house that has never been used or even furnished. Open the door, she finds that the "room upstairs" has been converted into a nursery. . .whereupon the crying intensifies at a maddening rate. This is one of several One Step Beyond episodes filmed in England. ~ Hal Erickson, Rovi

In this mystery, a nephew is accused of murdering his aunt who had just refused to loan him some money. Unfortunately, he is not the real culprit. ~ Sandra Brennan, Rovi