Charly Hubner

Four insecure men just trying to hang on to their pride find their lives intersecting on the highways of the German Ruhr region in this drama from director Bastian Guenther. For soccer coach Georg, tonight's game will dictate the outcome of his future career. Likewise, bathroom equipment salesman Jorg also stands to lose his job if sales don't perk up, and given that his personal life is currently in shambles he struggles to keep his numbers up. Freelance television reporter Dieter, on the other hand, may not fear for losing his job as he chases his latest sensational story, though he would like to spend a bit more time with his young son. Unfortunately in order to do so, Dieter has to contend with his embittered ex-wife Rita. Meanwhile, out at the local mall, ageing pop star Heinz greets his many adoring fans. Despite the fact that he is still viewed as a superstar by the public at large, Heinz is beginning to feel like the product of a bygone era. ~ Jason Buchanan, All Movie Guide

A man who has devoted his life to ferreting out "dangerous" characters is thrown into a quandary when he investigates a man who poses no threat in this drama, the first feature from German filmmaker Florian Henckel von Donnersmarck. It's 1984, and Capt. Gerd Wiesler (Ulrich Mühe) is an agent of the Stasi, the East German Secret Police. Weisler carefully and dispassionately investigates people who might be deemed some sort of threat to the state. Shortly after Weisler's former classmate, Lt. Col. Grubitz (Ulrich Tukur), invites him to a theatrical piece by celebrated East German playwright Georg Dreyman (Sebastian Koch), Minister Bruno Hempf (Thomas Thieme) informs Weisler that he suspects Dreyman of political dissidence, and wonders if this renowned patriot is all that he seems to be. As it turns out, Hempf has something of an ulterior motive for trying to pin something on Dreyman: a deep-seated infatuation with Christa-Maria Sieland (Martina Gedeck), Dreyman's girlfriend. Nevertheless, Grubitz, who is anxious to further his career, appoints Weisler to spy on the gentleman with his help. Weisler plants listening devices in Dreyman's apartment and begins shadowing the writer. As Weisler monitors Dreyman's daily life, however (from a secret surveillance station in the gentleman's attic), he discovers the writer is one of the few East Germans who genuinely believes in his leaders. This changes over time, however, as Dreyman discovers that Christa-Maria is being blackmailed into a sexual relationship with Hempf, and one of Dreyman's friends, stage director Albert Jerska (Volkmar Kleinert), is driven to suicide after himself being blackballed by the government. Dreyman's loyalty thus shifts away from the East German government, and he anonymously posts an anti-establishment piece in a major newspaper which rouses the fury of government officials. Meanwhile, Weisler becomes deeply emotionally drawn into the lives of Dreyman and Sieland, and becomes something of an anti-establishment figure himself, embracing freedom of thought and expression. A major box-office success in Germany, Das Leben der Anderen (aka The Lives of Others) received its North American premiere at the 2006 Toronto Film Festival. ~ Mark Deming, All Movie Guide