Michael Mark Movies

In this first entry in the pugilistic comedy series based on Ham Fishers long-running comic strip, Joe Palooka is seen before his boxing career took off. The story begins as he is discovered by Knobby Walsh, a keen-eyed manager. As Knobby trains Joe, gangsters intervene and attempt to insure that the young fighter takes a dive. When a wealthy socialite sees the handsome boxer she ignores the vast class differences and falls in love with him. The film features cameo appearances by real life boxing greats Joe Louis, Manuel Ortiz, Ceferino Garcia and Henry Armstrong. ~ Sandra Brennan, All Movie Guide

This ambitious independent production was packaged by producer W. Lee Wilder, brother of Billy Wilder, and distributed by Republic. The title character, played with relish (and a bit of mustard) by Erich Von Stroheim, is an arrogant vaudeville artiste specializing in a trick-gunshot act. A dyed-in-the-wool misogynist, Flamarion at first pays little attention to his beautiful assistant Connie (Mary Beth Hughes)-just as well, since Connie is already married to Flamarion's other assistant, Al Wallace (Dan Duryea). Bored with marriage, Connie begins playing up to her boss, the result being the "accidental" death of Al during Flamarion's act. Having committed murder for Connie's sake, Flamarion fully expects to be sexually compensated-but he doesn't know the treacherous Connie as well as the late Al did. Future cult favorite Anthony Mann's direction is rather perfunctory, suggesting perhaps that he was somewhat intimidated in the presence of the flamboyant Von Stroheim. ~ Hal Erickson, All Movie Guide

In many ways the most endearing of Universal's B-grade "monster rallies" of the 1940s, House of Frankenstein manages within its 70-minute time span to make room for Frankenstein's monster (Glenn Strange), Dracula (John Carradine) the Wolf Man (Lon Chaney Jr.), and a couple of new recruits, mad scientist Boris Karloff and demented hunchback J. Carroll Naish. Escaping from prison, Karloff vows to continue his diabolical efforts to emulate Dr. Frankenstein's "eternal life" experiments; he also swears vengeance on the three men (Sig Ruman, Frank Reicher and Michael Mark) who were responsible for sending him to prison. With the help of fellow escapee Naish, Karloff murders a travelling-carnival impresario (George Zucco) and assumes his identity. He travels first to the village where Ruman is burgomaster. Since his carnival is a "chamber of horrors", Karloff utilizes one of those horrors--Count Dracula--to settle his account with Ruman. Dracula does so, but dies when the first rays of sunlight stream across his body. En route to the next village, Naish gives shelter to runaway gypsy girl Elena Verdugo, who joins the caravan (though she remains incredibly naive concerning Karloff's intentions!) Coming to the village when the Frankenstein monster and the Wolfman were presumably drowned at the end of Frankenstein Meets the Wolfman (1944), Karloff revives the latter, who when he's not baying at the moon is the comparatively good-looking Lawrence Talbot. Karloff secures Talbot's cooperation by promising to perform some brain surgery that will relieve him of his lycanthropy. Later on, Karloff kidnaps and kills his other enemies Mark and Reicher, intending to use their brains to cure Talbot and to reactivate the Frankenstein monster. Jealous of Verdugo's attentions towards Talbot, Naish rebels against Karloff, and is killed for his troubles. Talbot turns into the Wolfman, whereupon Verdugo kills him before expiring herself. And Karloff, rendered immobile by the requisite attack of angry villagers, is dragged by the lumbering Monster into a pit of quicksand. Thus House of Frankenstein has something in common with Hamlet: No one is left alive at fade-out time. It's to scenarist Robert Siodmak's credit that he was able to fashion a coherent screenplay out of the crazy-quilt of copyrighted horror characters handed to him by Universal Pictures. ~ Hal Erickson, All Movie Guide

Eric Ambler's intriguing novel Uncommon Danger is brought down to a Republic serial level in Warner Bros.' Background to Danger. George Raft, who always seems miscast, plays an American undercover intelligence agent operating in Turkey. Sultry Osa Massen passes on some valuable secret papers to Raft just before she is killed. Our Hero then finds himself at the mercy of enemy agent Sidney Greenstreet, who knows that the papers contain Nazi plans to invade Turkey. Despite several brutal beatings, Raft and his cohorts Peter Lorre (a good guy for a change) and Brenda Marshall turn the tables on Greenstreet. Background to Danger was the first of many Warner Bros. follow-ups to the studio's megahit Casablanca; it's also the film wherein the prankish Peter Lorre stole George Raft's hat between takes--an affront that rankled the touchy Raft to his dying day. ~ Hal Erickson, All Movie Guide

One of the most beloved American films, this captivating wartime adventure of romance and intrigue from director Michael Curtiz defies standard categorization. Simply put, it is the story of Rick Blaine (Humphrey Bogart), a world-weary ex-freedom fighter who runs a nightclub in Casablanca during the early part of WWII. Despite pressure from the local authorities, notably the crafty Capt. Renault (Claude Rains), Rick's café has become a haven for refugees looking to purchase illicit letters of transit which will allow them to escape to America. One day, to Rick's great surprise, he is approached by the famed rebel Victor Laszlo (Paul Henreid) and his wife, Ilsa (Ingrid Bergman), Rick's true love who deserted him when the Nazis invaded Paris. She still wants Victor to escape to America, but now that she's renewed her love for Rick, she wants to stay behind in Casablanca. "You must do the thinking for both of us," she says to Rick. He does, and his plan brings the story to its satisfyingly logical, if not entirely happy, conclusion. ~ Robert Firsching, All Movie Guide

Having accidentally caused a merchant ship to blow up, stowaways Bob Hope and Bing Crosby are shipwrecked on the African coast. Commandeering a convenient camel (who takes time to ad-lib a spit in Hope's eye!), Bob and Bing are off on the road to Morocco, an event they celebrate in song. With nary a penny in their pockets, the boys try various methods to scare up a meal. Old reliable Bing shows up with the necessary funds; when Bob asks where the money came from, Bing calmly informs his pal that he's been sold into slavery. Bob is dragged off to parts unknown; later, Bing, his conscience bothering him, scours the town in search of his buddy. He stumbles into a luxurious palace, where Bob is being treated like a rajah. Even more puzzling, Bob is being kissed and cosseted by Moroccan-princess Dorothy Lamour, who announces plans to marry him in a few days! Neither Bing nor Bob can figure this out, but the audience knows that Dorothy has been advised by her astrologers that her first husband will suffer a violent death, and that her second marriage will be long and happy. Since Dorothy is affianced to desert sheik Anthony Quinn, ol' buddy Bob is once more set up as a dead duck. But Dorothy finds herself attracted to Bing, and forgets all about her pre-arranged marriage to Quinn (just as well, since Quinn is the heavy of the piece). On the eve of the wedding, the astrologers find they've made a mistake, and that Dorothy is now free to marry the man of her dreams-who, by this time, is Bing. Bob must console himself with handmaiden Dona Drake, who's some looker herself. As the wedding procession proceeds, Quinn comes riding into town, kidnaps Dorothy, and leaves Bob and Bing trussed up in the desert. Freeing themselves, Bob and Bing make their way through the desert wastes ("This must be where they empty the old hourglasses") in search of Quinn's camp. After an amusing series of mirages, the boys sneak into camp and attempt to rescue Dorothy and Dona. Imprisoned by Quinn, the boys muff an opportunity to use a magic ring, but still manage to escape. Using exploding cigars and hotfoots, our heroes sabotage a peace conference between Quinn and rival sheik George Givot, prompting a talking camel to remark "This is the screwiest picture I've ever been in." Bob, Bing and the girls escape to New York, but not before Crosby spoils Hope's chances at getting an Academy Award by interrupting Bob's "mad scene." Generally regarded as the best of the "Road" pictures, Road to Morocco is as fresh and funny today as it was back in 1942; even in repeated viewings, the rapid-fire one liners and comic setpieces result in boffo bellylaughs. An Oscar was bestowed upon Johnny Burke and Jimmy Van Heusen's ballad "Moonlight Becomes You". ~ Hal Erickson, All Movie Guide

A serious journalist is sent to France and forced to write fashion fluff pieces. Tiring of this, she decides to sneak off to find an elusive notorious rebel and write a hard-new first-hand-account of the Spanish Civil War. This lively romantic comedy chronicles her adventures after she finds him and saves him from prison by pretending he is her husband. After the break-out, they fly to France in a stolen plane. At first she only cares about her story and resists the advances of the amorous renegade. As soon as her tale hits the front page, she accepts an assignment in Berlin. She boards a train and takes off. She meets her "hubby" once again when the train accidentally runs into his car. At this point she realizes that she loves him. The two decide to hole up for a few days in a nearby French inn. While they tryst, WW II begins and she misses the scoop. That's okay, because all she and he care about now is each other. Their attitudes change dramatically when their New York-bound ship is torpedoed. ~ Sandra Brennan, All Movie Guide

Amid the political chaos sweeping across the world in 1939, a new terror arises -- the Purple Death -- and people around the world succumb at random by the hundreds, then thousands, with the identifying symptom being a purple spot on the victim. The authorities are baffled as to the cause or the treatment, and panic is spreading. Dr. Alexis Zarkov (Frank Shannon) determines that the Purple Death is linked to extraterrestrial events. Along with Flash Gordon (Larry "Buster" Crabbe) and Dale Arden (Carolyn Hughes), Zarkov finds an alien spaceship, which they recognize as being from the planet Mongo, home of their old enemy, Ming the Merciless, spreading some sort of dust in the Earth's upper atmosphere. Flash, Dale, and Zarkov head for Mongo, where they discover that Emperor Ming (Charles B. Middleton), whom they believed had been killed at the end of their battle with him on Mars (told in Flash Gordon's Trip to Mars), is still alive. He is threatening not only to conquer all of Mongo, but is attacking Earth again, using a "Death Dust" spread by his spaceships that will eventually destroy everyone on Earth.

Flash, Dale, and Zarkov form an alliance with their old friend, Prince Barin (Roland Drew), the rightful ruler of Mongo, who with his wife, Princess Aura (Shirley Deane) -- Ming's own daughter -- rules the peaceful kingdom of Arboria, resisting Ming's military might with their small fleet of ships, the aid of neighboring free kingdoms, and the help of a tiny handful of officers within Ming's own palace who remain loyal to the prince. Their first task is to secure a neutralizing agent for the Death Dust, which exists in the frozen northern kingdom of Frigia, but before they can do that, they have to free the imprisoned Frigian military leader General Lupi (Ben Taggart), who has been captured by Ming. Flash rescues the general, who is about to be used as the subject of a scientific experiment, and secures the aid and gratitude of the Frigians. This barely slows Ming in his plans for conquest, however, and over the next 11 chapters, Flash Gordon and his friends and allies -- including Ronal (Donald Curtis), Roka (Lee Powell), and Captain Suden (William Royle) -- take their battle for the safety of the Earth and the freedom of Mongo to the far reaches of the planet. Battling Ming and his villainous henchmen -- including Captain Torch (Don Rowan) and Lady Sonja (Anne Gwynne) -- from Mongo's frozen northern wastes to its uncharted deserts, Flash and his allies outmaneuver and generally outfight and outwit Ming's larger, better equipped army and spaceship fleet, but they are nearly undone by the spies that Ming has placed in Barin's own household. The bravery of the Earth hero and his friends, and the patriotism and sacrifices of Mongo's people ultimately prove too much for the evil emperor, who finally faces impending destruction from one of his own fiendish inventions. ~ Bruce Eder, All Movie Guide