Michael Mark Movies

Director John Ford made his talking-picture debut with the 3-reel (32-minute) Fox "featurette" Napoleon's Barber. Faithfully adapted from a vaudeville sketch by Arthur Caesar, the film is little more than a shaggy-dog story about an anarchistic French barber (Frank Reicher) who regales his customers with stories of his deep-abiding hatred for Emperor Napoleon (Otto Mattiesen). After telling his latest patron of the horrible fate that awaits Napoleon should the emperor ever enter the barbershop, our hero is somewhat taken aback to discover that he's been shaving "the Little Corporal" himself! Napoleon's Barber was used to test the efficiency of the Fox Movietone system in "exterior" dialogue sequences, a test which the equipment passed with flying colors. The sound recording was less effective during the interior scenes, moving one critic to remark that the characters' voices seemed to be emanating from their vest pockets. The film was the first in a series of Movietone short subjects which were ballyhooed by Fox as "feature films in themselves"; the series came to an ignominious end in 1929 with a group of poorly received Clark and McCullough comedies. ~ Hal Erickson, All Movie Guide

Three years before Sam Goldwyn's overpublicized Anna Sten vehicle We Live Again, Leo Tolstoy's Resurrection was filmed under its original title by Universal (it had previously been filmed no fewer than times, most recently with Dolores Del Rio and Rod LaRocque in 1926). Set in 19th-century Russia, this is the story of innocent peasant girl Katusha (Lupe Velez), who is seduced and abandoned by the dashing Prince Dmitri (John Boles). Disgraced in the eyes of everyone, Katusha descends into prostitution, while Dmitri's reputation remains unbesmirched. When the former lovers are brought together by chance years later, Dmitri magnanimously suggests that Katusha redeem herself by embracing the Church, but she spurns his empty piety. Eventually, however, she finds God and is able to turn herself around -- and even forgive the self-righteous Dmitri. In addition to We Live Again, Resurrection would be filmed twice more, once in a 1934 Spanish-language version with Gilbert Roland, and again in 1963 by Soviet director Mikhail Shveister. ~ Hal Erickson, All Movie Guide

The Russian Revolution provides the backdrop for Paramount's The World and the Flesh. Marked for death by the Bolsheviks, a group of incognito aristocrats try to escape Russia by boxcar. The story focuses on one of these refuges, Maria Yasaka (Miriam Hopkins), the mistress of Grand Duke Dmitri (Alan Mowbray). Arriving in a French seacoast village, the little party is about to sail to England when the town is taken over by Russian sea captain Kylenko (George Bancroft). To save her travelling companions from arrest and execution, Maria pulls a Boule de Suif and sleeps with Kylenko -- only to fall in love with him. There's suspense aplenty in the final scenes of World and the Flesh, when it appears that everyone, heroine included, is doomed to face a firing squad. ~ Hal Erickson, All Movie Guide

"I'm the finest woman who walked the streets," declares bejeweled, hip-swishing Lady Lou (Mae West) at the beginning of She Done Him Wrong. Lou works as a singer at the Gay Nineties saloon of Gus Jordan (Noah Beery Sr.), who plies her with diamonds to keep her by his side. She runs afoul of stalwart mission captain Cummings (Cary Grant), who warns her that she's on the road to perdition. Mae West's first starring film, She Done Him Wrong literally saved Paramount Pictures from bankruptcy. It would remain the best of her feature films, most of which were severely watered down by the Production Code (whose renewed stringency of 1933 was brought about in great part by West herself). She Done Him Wrong was based on West's own stage play, Diamond Lil, which ran on Broadway for 97 weeks. West sings "Frankie and Johnny," "I Like a Man Who Takes His Time," and ""I Wonder Where My Easy Rider's Gone."" ~ Hal Erickson, All Movie Guide

Adapted from one of Dashiell Hammett's best novels, The Glass Key is a lively and straightforward melodrama of political corruption and urban intrigue. George Raft plays Ed Beaumont, the right-hand man to genial ward heeler Paul Madvig (Edward Arnold), who wants to clean up his political act. On the eve of a major election, Madvig is implicated in a murder, and it's up to Beaumont to help him out. Intimately involved in the case is Janet Henry (Claire Dodd), the sister of the murdered man and the daughter of "above reproach" Senator Henry (Charles Richman). Though no babe-in-the-woods, Beaumont is in for quite a few disillusionments as he pursues his investigation, though he does rather better romantically than the redoubtable Madvig. The Glass Key was remade (and improved) in 1942, with Alan Ladd, Veronica Lake and Brian Donlevy; neither version, however, has as much bite and vitriol as the Hammett original. ~ Hal Erickson, All Movie Guide

The story goes that Peter Lorre wanted to star in a film version of Dostoyevsky's Crime and Punishment, but was certain that Columbia Pictures chieftain Harry Cohn would turn the project down flat. So Lorre hired a secretary to type up a synopsis of the story in words of one syllable then submitted this simplified resume to Cohn. Enthusiastic over the project, Cohn gave Lorre the go-ahead -- but first he asked "Tell me -- has this book got a publisher?" Apocryphal story or no, the fact is that Lorre did star in Columbia's Crime and Punishment and in the bargain was directed by the ultra-stylish Josef Von Sternberg. As the arrogant sociopath Raskolnikov, who is convinced that he can get away with the murder of a nasty pawnbroker because he is "above" such intangibles as a conscience, Lorre is excellent, especially when his bravado is slowly eroded by the gentle but determined Inspector Porfiri (Edward Arnold). Like the aforementioned typed-up synopsis, the film oversimplifies the Dostoyevsky original, concentrating only on the crime, the pangs of guilt, the confession and the arrest: the punishment and its aftermath, so essential to the novel's overall impact, are dispensed with entirely. To make the film even more accessible to a mass audience, the story is subtly updated, though any distinctly "contemporary" touches such as automobiles, telephones and current slang are studiously avoided. The supporting cast is wildly inconsistent: Mrs. Patrick Campbell is fine in her brief scenes as the vitriolic pawnbroker, but Marian Marsh is all wrong as the streetwalker heroine Sonya. The principal strength of this Crime and Punishment is the film-long game of cat-and-mouse between the reckless Raskolnikov and the quietly methodical Porfiri. ~ Hal Erickson, All Movie Guide

In this musical comedy, a pacifistic song-and-dance man is compelled to don a military uniform for one of his acts. Before he can blink, he finds himself fighting in Germany. Later he is tossed into jail after being accused of being an enemy spy. He escapes and somehow manages to capture a strategic hill; he is then awarded the prestigious Croix de Guerre for his heroism. ~ Sandra Brennan, All Movie Guide

The racket-busting activities of New York DA Thomas E. Dewey was the inspiration for several late-1930s crime films, including Warner Bros.' Missing Witnesses. The Dewey counterpart this time out is Inspector Lane (John Litel), assigned to drive all organized crime out of his community. But Lane needs good, strong evidence -- and gangland witnesses have a nasty habit of refusing to testify in court, or disappearing altogether from the face of the earth. When Mary Norton (Jean Dale) courageously comes forth with evidence against protection racketeer Ward Turgis (Harland Tucker), detective Bull Regan (Richard Purcell) is ordered to keep Mary from ending up sleeping with the fishes. Is it any surprise that Mary and Bull fall in love halfway through the picture? Missing Witnesses was written by Kenneth Gamet and Don Ryan, two ex-reporters who were intimately familiar with the doings of Dewey and his enemies. ~ Hal Erickson, All Movie Guide

American mousetrap salesmen Stan Laurel and Oliver Hardy journey to Switzerland, reasoning that where there's cheese, there's mice. When they innocently try to pay their dinner bill with phony money, Stan and Ollie are put to work in the kitchen of the Alpen Hotel. Their enforced stay coincides with the visit of famed composer Walter Woolf King, who has come to Switzerland to soak up "local color." He also hopes to write an operetta that will succeed on its own merits, without the lovely voice of his lovely actress wife Della Lynd winning over the audience. But Lynd is determined to star in King's latest opus, and to that end she finagles Stan and Ollie into getting her a job as a hotel chambermaid. As the plot rolls along its merry way, Ollie labors under the misapprehension that Lynd is in love with him. Swiss Miss is, on the whole, one of Laurel and Hardy's weaker feature films, with far too much emphasis on the romantic leads and way too many forgettable songs ("Crick Crick Crick Here the Cricket" is a particular low point). But the team's individual scenes save the show, even though Stan Laurel, who'd been ill during production, looks like he's about to fall asleep at any moment. Best bits: Stan hoodwinking a St. Bernard out of a cask of brandy; Ollie serenading Lynd while Stan accompanies him on tube; and the legendary sequence, immortalized by film critic James Agee, wherein Stan and Ollie try to transport a piano across a rope bridge high above an alpine chasm--only to confront a gorilla! One of the screenwriters of Swiss Miss was Jean Negulesco, later the director of such memorable films as Mask of Dmitrios, Three Strangers, Titanic and How to Marry a Millionaire. ~ Hal Erickson, All Movie Guide

When German director Joe May was working on such silent classics as The Indian Tomb and Asphalt, he probably never imagine that he'd one day wind up at Universal turning out something called Society Smugglers. Preston Foster stars as Treasury agent Sully, at present trying to break up a vicious smuggling ring. To this end, Sully assigns undercover agent Joan Martin (Irene Hervey) to go to work for gang boss Massey (Walter Woolf King). A bit more inventive than most films of its ilk, Society Smugglers contrives to have the crooks use a slogan contest and a trip-to-Europe first prize as part of their scheme. Featured in the cast is Regis Toomey, who halfway through the film performs another one of his patented death scenes (in "A" pictures, Toomey was generally bumped off in the first reel). ~ Hal Erickson, All Movie Guide

A serious journalist is sent to France and forced to write fashion fluff pieces. Tiring of this, she decides to sneak off to find an elusive notorious rebel and write a hard-new first-hand-account of the Spanish Civil War. This lively romantic comedy chronicles her adventures after she finds him and saves him from prison by pretending he is her husband. After the break-out, they fly to France in a stolen plane. At first she only cares about her story and resists the advances of the amorous renegade. As soon as her tale hits the front page, she accepts an assignment in Berlin. She boards a train and takes off. She meets her "hubby" once again when the train accidentally runs into his car. At this point she realizes that she loves him. The two decide to hole up for a few days in a nearby French inn. While they tryst, WW II begins and she misses the scoop. That's okay, because all she and he care about now is each other. Their attitudes change dramatically when their New York-bound ship is torpedoed. ~ Sandra Brennan, All Movie Guide

Amid the political chaos sweeping across the world in 1939, a new terror arises -- the Purple Death -- and people around the world succumb at random by the hundreds, then thousands, with the identifying symptom being a purple spot on the victim. The authorities are baffled as to the cause or the treatment, and panic is spreading. Dr. Alexis Zarkov (Frank Shannon) determines that the Purple Death is linked to extraterrestrial events. Along with Flash Gordon (Larry "Buster" Crabbe) and Dale Arden (Carolyn Hughes), Zarkov finds an alien spaceship, which they recognize as being from the planet Mongo, home of their old enemy, Ming the Merciless, spreading some sort of dust in the Earth's upper atmosphere. Flash, Dale, and Zarkov head for Mongo, where they discover that Emperor Ming (Charles B. Middleton), whom they believed had been killed at the end of their battle with him on Mars (told in Flash Gordon's Trip to Mars), is still alive. He is threatening not only to conquer all of Mongo, but is attacking Earth again, using a "Death Dust" spread by his spaceships that will eventually destroy everyone on Earth.

Flash, Dale, and Zarkov form an alliance with their old friend, Prince Barin (Roland Drew), the rightful ruler of Mongo, who with his wife, Princess Aura (Shirley Deane) -- Ming's own daughter -- rules the peaceful kingdom of Arboria, resisting Ming's military might with their small fleet of ships, the aid of neighboring free kingdoms, and the help of a tiny handful of officers within Ming's own palace who remain loyal to the prince. Their first task is to secure a neutralizing agent for the Death Dust, which exists in the frozen northern kingdom of Frigia, but before they can do that, they have to free the imprisoned Frigian military leader General Lupi (Ben Taggart), who has been captured by Ming. Flash rescues the general, who is about to be used as the subject of a scientific experiment, and secures the aid and gratitude of the Frigians. This barely slows Ming in his plans for conquest, however, and over the next 11 chapters, Flash Gordon and his friends and allies -- including Ronal (Donald Curtis), Roka (Lee Powell), and Captain Suden (William Royle) -- take their battle for the safety of the Earth and the freedom of Mongo to the far reaches of the planet. Battling Ming and his villainous henchmen -- including Captain Torch (Don Rowan) and Lady Sonja (Anne Gwynne) -- from Mongo's frozen northern wastes to its uncharted deserts, Flash and his allies outmaneuver and generally outfight and outwit Ming's larger, better equipped army and spaceship fleet, but they are nearly undone by the spies that Ming has placed in Barin's own household. The bravery of the Earth hero and his friends, and the patriotism and sacrifices of Mongo's people ultimately prove too much for the evil emperor, who finally faces impending destruction from one of his own fiendish inventions. ~ Bruce Eder, All Movie Guide