Jean-Pierre Marielle Movies

An elderly couple and their grown-up children must deal with the consequences of advancing age in this comedy-drama from France. Sarah (Valeria Bruni-Tedeschi) and her husband Francois (Arie Elmaleh) are a happy couple in their early forties who are facing with a dilemma not uncommon to folks their age -- what to do about Sarah's parents. While her mother Genevieve (Bulle Ogier) and father Solomon (Jean-Pierre Marielle) divorced when she was a teenager, they remain friends and see one another on a regular basis, while also staying close to their children. However, Genevieve has grown increasingly eccentric, and she's developed a bad habit of giving all her money to strangers, leaving her unable to pay her faithful servant Mr. Mootoosamy (Bakary Sangare). Holocaust survivor Solomon, meanwhile, is in sound body and mind beyond his fondness for tap dancing along with old movie musicals, but he can't understand why he can no longer get insurance just because he's eighty years old, though a new romance with college professor Violette (Sabine Azema) brightens his mood considerably. Faut Que Ca Danse! (aka Gotta Dance!) also stars Daniel Emilfork, Judith Chemla and Nicholas Maura; jazz great Artie Shepp provided the musical score. ~ Mark Deming, Rovi

Dan Brown's controversial best-selling novel about a powerful secret that's been kept under wraps for thousands of years comes to the screen in this suspense thriller from director Ron Howard. The stately silence of Paris' Louvre museum is broken when one of the gallery's leading curators is found dead on the grounds, with strange symbols carved into his body and left around the spot where he died. Hoping to learn the significance of the symbols, police bring in Sophie Neveu (Audrey Tautou), a gifted cryptographer who is also the victim's granddaughter. Needing help, Sophie calls on Robert Langdon (Tom Hanks), a leading symbologist from the United States. As Sophie and Robert dig deeper into the case, they discover the victim's involvement in the Priory of Sion, a secret society whose members have been privy to forbidden knowledge dating back to the birth of Christianity. In their search, Sophie and Robert happen upon evidence that could lead to the final resting place of the Holy Grail, while members of the priory and an underground Catholic society known as Opus Dei give chase, determined to prevent them from sharing their greatest secrets with the world. Also starring Ian McKellen, Jean Reno, and Alfred Molina, The Da Vinci Code was shot on location in France and the United Kingdom; the Louvre allowed the producers to film at the famous museum, but scenes taking place at Westminster Abbey had to filmed elsewhere when church officials declined permission. ~ Mark Deming, Rovi

Director Chantal Akerman helmed this offbeat comedy about a mother and daughter who find themselves living together again for the first time in many years. Still reeling emotionally from the recent death of her husband, Catherine (Aurore Clément) has chosen to leave her old home and move in with her grown daughter, Charlotte (Sylvie Testud). While Charlotte is sympathetic, she's something less than enthusiastic; her mother's mood swings and the clutter of her collected belongings are cramping her home and her style, and when Catherine decides to revive her career as a piano teacher, the constant parade of youngsters bludgeoning the keyboard makes it all but impossible for Charlotte to complete her latest writing project. Catherine and Charlotte decide to look for more spacious living quarters, while Charlotte is also in search of her own office space. As a steady stream of prospective tenants check out their home, Charlotte makes friends with a pregnant woman looking for a new flat (Natacha Régnier), while her search for a space of her own brings Charlotte a relationship with a like-minded realtor (Jean-Pierre Marielle) and an unlikely collaborator in Michelle (Elsa Zylberstein), a poet who enjoys tinkering with Charlotte's prose. ~ Mark Deming, Rovi

Anton Chekhov's The Seagull receives an updated adaptation in this drama from veteran French filmmaker Claude Miller. Mado (Nicole Garcia) is a successful actress who is spending the summer at her country estate with her boyfriend, Brice (Bernard Giraudeau), a noted filmmaker who directed her latest picture. Also staying with Mado is her son, Julien (Robinson Stévenin), a budding experimental filmmaker with a combustible personality who is infatuated with Lili (Ludivine Sagnier), a beautiful young woman whose family lives nearby. Lili is attentive but cool around Julien, who doesn't pay much heed to the attentions of Jeanne-Marie (Julie Depardieu), the daughter of Mado's caretaker (Marc Betton) who has long held a torch for him. When Julien screens his latest film for Mado and her guests, it leads to a bitter argument between the two as her criticism of her son's work devolves into a series of personal attacks on one another. As Julien threatens to sever ties with his mother, Lili courts the attentions of Brice, while Jeanne-Marie defends Julien's work with little reaction from him. La Petite Lili received its world premiere at the 2003 Cannes Film Festival. ~ Mark Deming, Rovi

Noted French filmmaker Claude Leloud directs this romantic comedy about a trio of femme fatale musketeers. In order to repay a stack of debts after a disastrous self-financed production of Chekhov's "Three Sisters," Olga (Anne Parillaud), Macha (Alice Evans), and Irina (Marianne Denicourt) hatch a mercenary scheme aimed at lonely Concorde passengers. Armed with exotic false identities and intelligence gathered by Irina's sister and airline employee Olivia (Olivia Bonamy), the three plot to seduce a lonely millionaire, maintain a chaste relationship long enough to exact expensive gifts, and then find an excuse to breakup. Olga's first mark, Oscar, immediately drops his wife when he learns that Olga is a direct descendant of Johannes Sebastian Bach, his favorite composer. Irina's mark, a fabulously wealthy nightclub owner who obsesses over buying a chateaux, dumps his wife, too, when he learns that she is related to Marie Antoinette. Macha has similar success with the president of an unnamed African nation when she reveals that she is descended from renowned humanitarian Albert Schweitzer. Things get dicey when Bayard, (Jean-Pierre Marielle) a suave, seasoned police commissioner gets involved in their dubious scheme. ~ Jonathan Crow, Rovi

Three old French jamons attempt to make a comeback by working in a road-show production of Scoubidou in this hilarious French farce. Also on the tour are the flighty leading actress Carla Milo, and a murderous producer, Shapiron, who knows the show is a stinker and tries to convince Carla to feign an illness so they can collect the show's insurance money. Unfortunately, Carla would never dream of letting down her "fans" and so refuses. The three hams, meanwhile do not get along at all. Victor suffers great swings, he is either terrified of the crowd or grossly overacting while evil-tempered Georges is only in it for the money. Then there's Eddie, who thinks of himself as a Casanova and adores the notion of a little behind-the-scenes romance. When the desperate Shapiron decides to use physical force to get Carla to quit, the three has-beens rally 'round to protect her. This happens during a performance, much to the delight of the audience. Soon the show becomes a huge success and is slated to play on Broadway where the silliness intensifies because none of the actors can really speak English. ~ Sandra Brennan, Rovi

This French WW II action-adventure is based on a fascinating footnote in history. Set just after the Franco-German armistice was signed in June 1940, it chronicles the courage of a compassionate French officer who defied his superiors and, acting alone, redirected a train full of German refugees to a neutral country thereby saving them from execution. Some of these refugees represented Germany and Austria's intellectual and artistic elite and included a Nobel-prize winner, the scientist who invented cortisone, and artist Max Ernst. The French officer was Charles Perrochon, a WWI veteran and military reservist who despite the fact that he had only one lung was suddenly called back to helm Les Milles, one of the camps where the refugees are to be interred. Among those distinguished prisoners is a famous soccer player and this thrills Perrochon, a pragmatic fellow not easily impressed by mere intellectuals. Visiting the camp is a female reporter for the Boston Globe, Mary Jane Cooper. At this point the armistice has not been signed. According to the treaty, these prisoners are to be returned to the Nazis. Knowing the fate that awaits them at home, the refugees send Perrochon a petition imploring him to allow them to save themselves. Perrochon tries to assure them that the French will not allow them to be killed, but deep down he knows the truth. Sure enough, as soon as the treaty is signed, Perrochon learns that his superiors care nothing for the refugees and are only too happy to send them back home to certain death. The refugees are placed upon a train. They do not want to go because they don't realize that Perrochon has taken over a train and paid the crew to take the prisoners safely to Casablanca. It is a dangerous 72-hour trip and the suspense lies in whether or not they reach their destination. ~ Sandra Brennan, Rovi

In this romantic French drama, an older man remembers a meaningful summer romance he had in 1958. It begins as Victor is seen staring into the flames of an apparent bonfire. He is remembering the day he met Yvonne in the luxurious lobby of a Swiss hotel on Lake Geneva. They encounter Dr. Meinthe, the cultured but flagrantly gay medico who provides some form of service for the Algerian war. Together, the threesome revel in a relaxing time all the while, poking fun at the elegant folk around them. ~ Sandra Brennan, Rovi

Even among bombers and murderers, there is a social ladder, a hierarchy to climb. Jeremie is a mere bomber who blows up people and places for mobsters in Paris. He may not look it, scruffy lad that he is, but he is a sensitive fellow, and he feels his lowly status keenly. If only he could graduate to the ranks of hitmen, who are honored in his world, perhaps then he would feel more like somebody. He finally gets his chance when he receives instructions to kill the eminent hitman Max, who knows too much to be left alive. Instead of planning a cool and distant hit, Jeremie gets to know his quarry personally and thereby gets entangled in a mass of conflicting allegiances. Max has one more assignment and has asked Jeremie to help him with it. The hero-worshipping boy can't bring himself to knock of this classy guy. However, just having such an inept apprentice as Jeremie around is enormously dangerous for the soon-to-be-retired killer. ~ Clarke Fountain, Rovi

Uranus is set in a post-war French village that has been all but obliterated by the bombing. Jean-Pierre Marielle plays a middle-class family man who agrees to shelter many of those who've lost their homes. The polyglot of political beliefs held by these new tenants sows the seeds of discontent. The most vocal of the town's dissidents are the Communists, who terrify everyone with threats of turning in collaborators to the French Forces of the Interior. The only person in town afraid of no one is hulking innkeeper Gerard Depardieu, whose ultimate death uncovers much of the hypocrisy disguising itself as patriotism in the village. While never exactly sympathizing with the collaborators, Uranus is careful to point out that the "unofficial" executions of these unfortunates was no more morally acceptable than the Nazi invasion that encouraged collaboration in the first place. ~ Hal Erickson, Rovi

Rene (Jean-Pierre Marielle) is a small-time crook who tries to shake down storekeeper Emile (Jean Carmet) in this uneven and humorless comedy. Things change when Rene starts to fall for the terminally boring and provincial Emile. ~ Dan Pavlides, Rovi

Fred (Jean-Pierre Marielle) follows hired killer Gravier (Jean-Pierre Bisson) in this routine crime drama. He knows Gravier is responsible for a gangland murder but must shadow the killer to provide solid evidence of the crime. The two engage in a psychological game of cat-and-mouse before the inevitable showdown. ~ Dan Pavlides, Rovi