Jeanne Marie Movies

Crazy for You, Ken Ludwig's 1992 adaptation of George and Ira Gershwin's 1930 musical comedy Girl Crazy, had already won a Tony award when this PBS TV adaptation was taped at New Jersey's Paper Mill Playhouse. As if it matters, the plot concerns Bobby Child (Jim Walton), the son of a prominent East Coast banker. Though he'd rather be a song-and-dance man, Bobby is forced to enter the family business -- and his first assignment is to foreclose on the Gaiety Theater in Deadrock, AZ. But when he falls in love with Polly Baker (Stacey Logan), daughter of the Gaiety's owner (Larry Linville), Bobby dedicates himself to saving the theater. And how does any self-respecting musical comedy hero accomplish this task? By staging a fabulous show, naturally, with Bobby himself in the lead. Of course, the plot is a mere peg upon which to hang some of the Gershwins' best-loved songs, including "Embracable You," "Bidin' My Time," and the show-stopping "I Got Rhythm," belted out con brio by Stacey Logan. Crazy for You was first telecast on October 20, 1999. ~ Hal Erickson, All Movie Guide

This adolescent sex comedy centers on a gang of high-school geeks as they compete to be involved in the movie being shot in their school. The movie is about nerds such as themselves, and they will do anything to star in it. ~ Sandra Brennan, All Movie Guide

In this romantic comedy, a freshman weenie finds himself the new project of the Bi Beta Kappa frat boys who want to turn him into a real ladies man so he can win the love of a luscious librarian. Believe it or not, the story is based on Cyrano de Bergerac. ~ Sandra Brennan, All Movie Guide

Attorney Jack Devonhoff (Jamie Gillis) hires free-lance filmmaker George Ringer (Tim Gail) to set up a surveillance camera in the apartment of bank employee Laura Williamson (Kim Lambert) in this crime thriller. Laura is suspected of embezzlement according to Devonhoff, and George willfully watches Laura and her boytoy Carson (James Davies) in addition to any money matters. George's girlfriend Jeanne (Jeanne Marie) leaves when she feels neglected. Ringer soon realizes Devonhoff has set him up to take the fall for robbery and murder in this R-rated feature. ~ Dan Pavlides, All Movie Guide

Hollywood responded to the exigencies of the Depression with such glorious nonsense as International House. The plot is motivated by a revolutionary television device called the Radioscope, which its Chinese inventor (Edmund Breese) is offering to the highest bidder. All interested parties are obliged to converge at International House, an ultra-modern hotel in the bustling Chinese community of Wu Hu. Among those parties is American envoy Stu Erwin, Russian general Bela Lugosi (a hilarious, pratfalling performance), the general's ex-wife Peggy Hopkins Joyce (a much-married showgirl of the era, who like Zsa Zsa Gabor was famous for being famous), and that celebrated aviator Professor Quail, better known as W.C. Fields. The lunacy begins even before Fields arrives, thanks to the antics of the hotel's doctor George Burns and nurse Gracie Allen. When Erwin comes down with the measles (he is always struck down by a childhood disease whenever he's about to marry his fiancee Sari Maritza), the hotel is quarantined. The guests make the most of their enforced stay by watching the many variety acts broadcast over the radioscope device: Rudy Vallee, singing a love song to his megaphone; Baby Rose Marie (the same), belying her 11 years by belting forth a hotcha jazz number; radio humorists Stoopnagle and Budd, showing off their own goofy inventions; and Cab Calloway, singing a paean to marijuana titled "Reefer Man" (only in recent years has this peppy number been seen with any regularity on television). There's also an elaborate production number on the dance floor of the hotel, featuring Sterling Holloway and a bevy of beauties dressed as cups and saucers. Once Fields drops in via his art-deco autogyro, the film is firmly in his pudgy hands. Erwin outbids the others for the radioscope, while Fields escapes in his aircraft with Peggy Hopkins Joyce in tow (she keeps insisting that she's sitting on something, whereupon Fields replies "I lost mine in the stock market"). A truly unique filmgoing experience, International House is a must-see for any aficionado of 1930s musical comedies. PS: The film's now-famous "outtake," showing Fields calmly advising the cast and crew not to panic while the set is rocked by a California earthquake, was actually staged several days after the genuine quake. ~ Hal Erickson, All Movie Guide