Miriam Margolyes Movies

In this comedy, two soldiers stationed in Singapore set off in pursuit of the fairer sex instead of carrying out their orders. Soon after their arrival on the exotic island, the two visit a local brothel and there encounter a pair of lusty nurses who have also come in for a bit of erotic R&R. ~ Sandra Brennan, All Movie Guide

Unleashed just as the disco phenomenon had peaked and was slipping out of public favor, this one-of-a-kind pop musical is set in 1994, when a Mephistophelean entrepreneur named Mr. Boogalow (Vladek Sheybal) controls the international recording industry through the Worldvision Song Contest. Boogalow's wildly theatrical protégés, a decedent dance-pop group called Bim, seem a sure bet to walk off with the grand prize and worldwide fame, but at the last minute Alphie (George Gilmour) and Bibi (Catherine Mary Stewart), a folk duo from Canada, nearly steal their thunder with their song "Love, the Universal Melody." While Boogalow rigs a victory for Bim, he sees moneymaking potential in Alphie and Bibi and offers to sign them to a contract. Alphie, suspicious of Boogalow, declines, but Bibi leaps at the chance, and is soon remodeled into a stylish pop star while heart-broken Alphie throws in his lot with a gang of hippies living in the park. Bibi comes to regard fame and wealth as hollow and empty, but discovers walking away from Boogalow is easier said than done. Featuring an inarguably remarkable finale, The Apple was shot primarily in Germany, despite being set in the United States; while George Clinton is credited with writing lyrics for several of the original tunes, be advised it's not the same George Clinton who led Parliament and Funkadelic in the 1970s and '80s. ~ Mark Deming, All Movie Guide

It is now the year 1492: Edmund (Rowan Atkinson) is still jockeying to become King of England, while the actual monarch, Richard IV (Brian Blessed), is busily making enemies of everyone in Europe. In order to prevent a war with Spain, Edmund is ordered to marry that country's Princess Maria (Miriam Margoyles). This, he figures, will put him in an excellent position to fulfill his dream of ruling England -- but things don't quite work out as planned. The episode's funniest moments belong to Jim Broadbent as the Princess' interpreter, Don Speekingleesh. "The Queen of Spain's Beard" first aired on July 6, 1983. ~ Hal Erickson, All Movie Guide

In this partially successful Brit sci-fi comedy, four invading aliens cannot really think their way out of a paper bag, much less conquer Earth with their superior knowledge (apparently also non-existent). Of the aliens, Desmond (Jimmy Nail) is particularly thick-headed and leaves Bernard (Mel Smith) dangling out in space, Sandra (Joanne Pearce) attracts the romantic interest of British Commander Matteson (Dinsdale Landen), and Julian (Paul Brown) is along for the ride. After this trio causes a traffic snarl when they land on a British expressway, they are first interrogated and then given jobs in showbiz so they can support themselves. This leads to a great rock singing career, which in turn, leads to a U.S. tour -- though this does not equate rock singers and aliens. Meanwhile, Bernard has been saved from his abandonment in space by an unlikely space-wanderer who drops him off in the U.S., where he is put in an insane asylum. Sure enough, when his three companions start their U.S. tour, Bernard escapes and tries to rejoin them. The saga continues on until some sort of very unlikely rescue seems in store. ~ Eleanor Mannikka, All Movie Guide

It started as a 1960 Roger Corman horror comedy, filmed in two days; it then inspired a lavish 1982 Broadway musical with music and lyrics by Alan Menken and Howard Ashman. Finally in 1986, Little Shop of Horrors (1960) graduated into a multimillion-dollar, all-star film musical. Rick Moranis plays nebbishy Seymour Krelborn, who works in a rundown flower shop on Skid Row. While his boss (Vincent Gardenia) bemoans the lack of business, Seymour seeks a way of bringing the shop -- and himself -- fame and fortune. He purchases a strange plant from an even stranger oriental street vendor (Vincent Wong), naming the plant after his girlfriend Audrey (Ellen Greene, one of the few carry-overs from the Broadway version). Gradually, Seymour learns to his horror that "Audrey II" (given the voice of R&B performer Levi Stubbs) craves blood and flesh. With each of Audrey II's "FEEED MEEE"s, Seymour must scare up human food to satisfy the plant's appetite. One such victim is dentist Steve Martin, a leather-jacketed Elvis type (the dentist's ultra-masochistic patient played by Jack Nicholson in the 1960 original is here impersonated by Bill Murray). The lighthearted tone of the film darkens as Audrey II grows in monstrosity, but the unhappy ending of the Broadway version is avoided herein. ~ Hal Erickson, All Movie Guide

Originally shown in two parts, this massive TV movie adaptation of C. David Heymann's biography stars Farrah Fawcett as Woolworth heiress Barbara Hutton. With two failed marriages to her credit, 29-year-old Barbara marries film idol Cary Grant (James Read), the first man who loves her for herself and not her millions. This alliance goes the way of all of Barbara's romances; there will be four more marriages, the last when Ms. Hutton is 50-years-old. Shutting herself away in her Tangiers mansion, Barbara begins her long descent into the world of booze and drugs. Poor Little Rich Girl: The Barbara Hutton Story merely skims the surface of its subject's stormy life, but Farrah Fawcett's performance commands the audience's attention throughout the film's daunting 240 minutes. ~ Hal Erickson, All Movie Guide

Lawrence Kasdan's black comedy about a wife's ultimate revenge against her womanizing husband is based on a true story about the wife of a pizzeria owner who decided to kill her cheating husband. When her attempt to murder him failed, the husband refused to press charges against her because he felt she had done the right thing. Kevin Kline is the pizzeria owner Joey Boca in I Love You to Death. Joey is a smooth Italian lothario, modeled after Marcello Mastroianni, who cheerfully dons his plumbers overalls to repair his female tenants' plumbing in the rental apartments the family owns. Joey feels he is justified in bedding down countless numbers of women because of all the hours he puts in day after day at the pizzeria. Plus, as he tells one of his women friends, "I'm a man. I got a lotta hormones in my body." His wife Rosalie (Tracey Ullman) sweetly ignores her husband's philandering -- that is until she visits the public library and sees Joey fondling one of tenants in the book stacks. At first Rosalie considers suicide, but finally, egged on by her mother Nadja (Joan Plowright), she determines that Joey must be the one to face the music. But the people Rosalie hires to do Joey in are of the cut-rate variety and are unsuccessful. They then try to knock Joey off by feeding him barbiturate-laced spaghetti, but also to no avail. Rosalie then enlists pizzeria employee Deco Nod (River Phoenix), who has a crush on Rosalie, to do the job. But even then, they have no luck. As a last resort, they try to hire professionals. What they get instead are two drugged-out junkies -- Harlan (William Hurt) and Marlin (Keanu Reeves) -- who arrive at the home and blast at a slumbering figure in the bedroom. Then, while they report on their progress downstairs, Joey ambles into the living room, very much alive. ~ Paul Brenner, All Movie Guide

As a clairvoyant, Demi Moore awaits signs from beyond that her true love, whomever he may be, is waiting for her, somewhere. When New York butcher George Dzundza shows up on the tiny North Carolina island where Demi lives, she is convinced that he is the man predestined to be her husband. After the wedding, Demi moves into George's blue-collar neighborhood, where she successfully commisserates with such eccentrics as withdrawn teenager Max Perlich, frustrated singer Mary Steenburgen, unlucky-in-love actress Margaret Colin, over-analytical psychiatrist Jeff Daniels, and lesbian Frances McDormand. As Demi helpfully tries to chart the destinies of her new friends, she fails to notice that Dzundza is falling in love with Steenburgen. Though there are many traumatic detours along the way, Demi's psychic talents have very positive effects on at least one of the characters. ~ Hal Erickson, All Movie Guide

Set in contemporary Los Angeles as well as the Los Angeles of the 1940s, Dead Again explores a romance between two star-crossed lovers -- and the doomed passion they shared in their last lifetime. Los Angeles detective Mike Church (Kenneth Branagh) comes to the aid of mute, amnesia-victim Grace (Emma Thompson) and falls in love with her. He sets out to discover her true identity and the source of her terrible nightmares. Mike is aided in his investigation by hypnotist/furniture dealer Franklyn Madison (Derek Jacobi) who discovers that in a past life Grace was Margaret Strauss (also played by Thompson), who may have been mudered by her husband Roman (Branagh). ~ Linda Rasmussen, All Movie Guide

This is a modern-dress rendition of Shakespeare's famous "comedy," a semi-serious drama with a story featuring mistaken identities and confused declarations of love. Though it screens far more of the classic play's dialogue than the 1936 version featuring Laurence Olivier, some reviewers asserted that the movie's anachronistic modern settings and costumes made the play's references to ancient forms of clothing and customs confusing to those unfamiliar with the play, and irritating to those who are. Other viewers may find the amount of elaborate verbiage Shakespeare used to convey even the simplest sentiment tiresome. Despite these drawbacks, connoisseurs may enjoy the interpretations of these well-known roles by some of the better performers gracing the British stage in the 1990s, including Emma Croft, James Fox, Cyril Cusack and Celia Bannerman. ~ Clarke Fountain, All Movie Guide

In Martin Scorsese's adaptation of Edith Wharton's 1920 novel, romance between an upper-class gentleman and an ostracized lady is doomed by 19th century New York society. Shortly after his engagement to blandly genteel May Welland (Winona Ryder), Newland Archer (Daniel Day-Lewis) is reacquainted with May's scandalous cousin Ellen Olenska (Michelle Pfeiffer). As the head of an esteemed family, Archer initially uses his standing to try to rehabilitate Ellen's reputation, but he finds himself increasingly drawn to her disregard for the codes of New York manners. Bound by ingrained society mores and his peers' insinuations, Newland tries to dodge his growing passion by rushing his marriage to May, but he cannot keep himself from confessing his love to Ellen. Recognizing that Newland could never abandon his sense of honor and be happy, Ellen pushes Newland to May and leaves town. The marriage proceeds as dictated, but when Newland unexpectedly sees Ellen again, he yearns for the affair to come to fruition. However, he underestimates not only what May knows but also her ability to uphold the rules of propriety. Sumptuously shot by Michael Ballhaus, the film offers meticulously designed costumes and settings that evoke a culture as seductively beautiful in its surfaces as it is stifling in its rituals. Unspoken emotions are expressed through such details as yellow roses or a clipped cigar, a fade to red or a single camera move. Using Wharton's original prose to comment on the setting's hypocrisies, Joanne Woodward's voiceover narration suggests how much decisive power is buried beneath dainty femininity. The Age of Innocence received five Oscar nominations, including Best Supporting Actress for Ryder and Best Screenplay for Scorsese and Jay Cocks, and a win for Best Costumes. Although The Age of Innocence seemed like a departure from Scorsese's prior work, Newland is as much at the mercy of his circle's Byzantine structure (and his own conscience) as are Scorsese's more familiar mobsters; Newland's persecutors just wear white tie and tails. ~ Lucia Bozzola, All Movie Guide