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Agi Margittay Movies

1999  
R  
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Location filming in Budapest adds to the realism of this tense thriller. An expatriate American author (Craig Sheffer) is held hostage by a disturbed woman carrying a razor and willing to use it (Helen de Fougerolles). The wordsmith must quickly decide if the woman is a violent psychotic or if her claims of being threatened by a Communist stooge turned free-enterprise advocate (Jurgen Prochnow) could possibly be the truth. This international co-production was shown as part of the 1999 Hungarian Film Week Festival. ~ Mark Deming, Rovi

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Starring:
Craig ShefferHélène de Fougerolles, (more)
 
1992  
 
Anna (Anna Ráczkevei) has a loving husband and three healthy, cheerful children. It has taken a lot of luck and a lot of work to get to this point, but she is satisfied. Who would have imagined that, after becoming pregnant and marrying at sixteen, things would have turned out so well. However, Anna is far from pleased to discover that she has become pregnant for a fourth time. Enough is enough. As Anna tries to cope with her feelings about this new development and to discern what she can do about it, she is overwhelmed with memories of the past and a strange fantasy about an ever-present saxaphone player. ~ Clarke Fountain, Rovi

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Starring:
György Cserhalmi
 
1990  
 
This made-for-cable vampire potboiler is distinguished mainly by the presence of director Stuart Gordon (of Re-Animator fame) and a sadly pallid looking Anthony Perkins in one of his last roles. Radiant Mia Sara plays schoolteacher Catherine Thatcher, whose trip to Budapest in search of her father (whom she has never met) reveals the grim underbelly of Romanian society in the dark days of Ceausescu. In an interesting twist, the dictator's sadistic secret police have become a veritable den of vampires (a barb-tongued breed dating back to Medieval times). Plots within plots unfold to reveal the true identity of Catherine's father. Gordon makes good use of authentic locations and somber atmosphere, blending the standard gothic look with a feel of social and spiritual decay -- but the bland script fails to exploit the metaphorical possibilities of this setting, and the silly horror effects make it hard to take seriously. ~ Cavett Binion, Rovi

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Starring:
Mia SaraJack Coleman, (more)
 
1988  
PG13  
Maruschka Detmers stars as Hannah Senesh, a real-life Hungarian Jew who became a martyr to the cause of freedom during WW II. Though safely ensconced in Palestine at the outbreak of the war, Hannah volunteers to venture behind enemy lines in Europe on a life-or-death mission. Unfortunately, she is captured, undergoing unspeakable tortures before the Germans are finished with her. The script, based on Hannah's diaries (as edited by Yoel Palgi), surprisingly downplays heroics in favor of sensationalism; the prison scenes could just as well have been lifted from a Linda Blair "babes behind bars" picture. Even so, Detmers is excellent in the title role, while Ellen Burstyn is likewise superb as Hannah's mother. ~ Hal Erickson, Rovi

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Starring:
Ellen BurstynMaruschka Detmers, (more)
 
1983  
 
Daniel (Sandor Zsoter) is a Budapest teenager of 1956. On the occasion of the Hungarian uprising, Daniel seeks escape, yearning for the freedom of Western Europe. His lifelong friend (Peter Rudolf), a reluctant officer in the Red army, deserts on behalf of Daniel. With his friend's help, Daniel is able to board the last train out to Austria; from this point forward, he's on his own. Daniel Takes a Train was the product of a kinder, gentler Hungary than that experienced by the protagonist. ~ Hal Erickson, Rovi

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Starring:
Péter RudolfSandor Zsoter, (more)
 
1981  
 
A tragicomic tale of friendship gone awry starts when the younger member of a stand-up comedy duo jettisons his older partner in favor of a mistress who will do just as well. The rejected partner is out for blood, and vows to kill the young twerp - a pursuit that introduces most of the characters, all of the chase scenes, and some very strange denizens of the theatrical world. ~ Eleanor Mannikka, Rovi

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Starring:
Andras KernDezso Garas, (more)
 
1981  
 
The young Hungarian Mari (Mari Kiss) is pining for her lover who lives in Sweden. Her girlfriends, in a moment of merry inspiration, convince a visiting Finnish bachelor, Pekka (Tom Wentzel) to officially wed Mari in Finland - on a temporary basis - so she will be closer to her lover. From there, she will take it on her own. The girlfriends go with Mari to Finland, on a lark and a three-week visa, to enjoy the wedding. Meanwhile, Pekka starts to turn against the whole idea while Mari finds that the attraction to her lover is dying off just as an attraction to Pekka begins to grow. The wedding takes place all the same, leaving Mari confused and upset, as Pekka clearly has no interest in her, period. As the story reaches toward its ending, it has added significance for all Hungarians. In 1981, the law in Hungary stipulated that any Hungarian marrying a foreigner outside of the country would have to remain married for five years before being allowed back home. ~ Eleanor Mannikka, Rovi

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Starring:
Mari KissTom Wentzel, (more)
 
1980  
 
Director Geza Radvanyi returns to his native Hungary to finally film this WW II story of espionage and resistance activities that he had intended to do years earlier. The unlikely venue for the subversive, underground support needed to smuggle Jews, communists, and army deserters out of a Nazi-ruled Hungary, is a circus. The circus is run by a dedicated, brave woman who has also taken on the task of safely introducing German and Hungarian spies into Yugoslavia. The real activities of the circus are found out in Yugoslavia, but the woman and her workers are protected for awhile from any reprisals. As the end approaches, the circus seems to be in danger once again, this time from another sector of the Yugoslavian population. ~ Eleanor Mannikka, Rovi

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Starring:
Gábor MátéGabor Reviczky, (more)
 
1979  
 
Hungarian-born Laszlo Szabo returned to his native country to play the part of Dibusz in this comedy. When the residents of a large old house learn that it is to be torn down and that they will be relocated elsewhere, an intense game gets underway. As is usual in such instances, the residents will be given new apartments commensurate in size with their old ones. Dibusz sees this as an opportunity to temporarily enlarge his "assigned" space in the condemned building. He wants to be reassigned to an apartment which is larger than his current bathless one-room space. He and a neighbor cooperate to break down the walls that separate their spaces from that of an old woman who just died after a brief tussle. Still not satisfied, he tries to marry one of two spinster women who live together but is rejected. In the course of the film, he has intense encounters of one sort or another with anyone who might be of help to him in his quest. ~ Clarke Fountain, Rovi

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Starring:
Laszlo SzaboLajos Szabó, (more)
 
1978  
 
In this very dark comedy, the loss of a coat from a dance hall cloakroom sets off a frantic search which results in widespread death and mayhem. It is 1944, and the loss of the coat represents the family's loss of social standing, even during a time when everyone is suffering from the Nazi occupation. The whole family is called in to search for it, and a cross-section of the social chaos of the times is exposed during their search, which involves murders and more. ~ Clarke Fountain, Rovi

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Starring:
Erzsebet KutvolgyiAndras Kern, (more)
 
1971  
 
This film is about film director Peter Bona, who makes films on a shoestring. To get his next production off the ground, he needs 10,000 Hungarian florins. He puts the touch on a number of people, with no success. However, he has an aunt, a hero of socialism, who is in town for the dedication of a street in her husband's name. He visits her apartment, and steals the money. Something about her captures his imagination, and he sneaks back and returns the money before it is missed. As he learns more about her, Peter's fascination with his aunt grows. ~ Clarke Fountain, Rovi

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1964  
 
This feature from director Tamas Fejer is an attempt to satirize the bureaucracy of filmmaking in Hungary. When a failing writer gets an idea for a screenplay about an ex-con, he takes it to a producer. It is accepted and is intended to be shot as an artistic feature. Soon, the script passes through the hands of other writers, a production committee and several bureaucrats. The final product is a far cry from what the writer had originally intended. ~ Kristie Hassen, Rovi

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Starring:
Miklos GaborFerenc Kallai, (more)
 
1957