Philippe Mareuil Movies

Best known for their historical epics that examine class and social issues in British life through a thick lens of tasteful production design and good manners, director James Ivory and producer Ismail Merchant set their sights on an American protagonist for a change with Jefferson in Paris. As the title suggests, Jefferson in Paris deals with the five years that Thomas Jefferson (Nick Nolte) spent as U.S. ambassador to France prior to the French Revolution; while Jefferson is sympathetic to the revolutionary forces in France, he's become well enough acquainted with the ruling aristocracy that he finds himself torn between the two sides of the issue. Jefferson, a recent widower, also becomes friends with Maria Cosway (Greta Scacchi), who is married to a foppish British artist; while it's obvious the two are in love, neither is in a position to do anything about their infatuation. And while Jefferson's daughter Patsy (Gwyneth Paltrow) loves her father, she's very upset with him when he sends her to a convent school. In this midst of this personal turmoil, Jefferson's younger daughter Polly (Estelle Eonnet) arrives in Paris, with her slave Sally Hemmings (Thandie Newton) in tow. Attractive and bright (if uneducated), Sally catches Jefferson's eye, and a friendship develops that grows into something deeper; in time, Sally becomes pregnant, and her family claims that Jefferson is the father. At the time Jefferson In Paris was released, the question of Sally Hemmings' relationship with Thomas Jefferson was a matter of lively historical debate; since then, genetic evidence has shown that, while Jefferson's paternity can't be proved beyond a doubt, it is likely that he did father children with Hemmings. ~ Mark Deming, Rovi

At the beginning of For Better and for Worse, the wedding plans for Robert (Patrick Dempsey) and Catherine (Kelly Lynch) are moving along smoothly. Alas, Robert has entrusted the responsibility of sending out invitations to his best friend, a notorious practical joker. Thus it is that an invitation is mailed to the Pope. Surprise of surprises, His Holiness accepts! Poor Catherine: she could handle a romantic rival, but how does one resign oneself to playing second fiddle to the Pope? Originally titled RSVP, this easy-to-take comedy is pretty mild stuff, even allowing for its PG-13 rating. ~ Hal Erickson, Rovi

Stephane (Jean-Paul Belmondo) has a predilection for being unfaithful, and when he is caught by his wife with the charming Julie (Sophie Marceau) in his bed, he passes Julie off as his daughter by a former marriage -- someone he had forgotten to mention before. Julie, of course, is not thrilled with the situation, nor is Stephane's wife -- and so the adventure begins in this ribald comedy. ~ Eleanor Mannikka, Rovi

The characters and plot convolutions of the classic silent French serial Judex are thrust into a 1960s framework in this Georges Franju concoction. Channing Pollock plays a mysterious masked avenger who kidnaps evil-banker Michel Vitold, then sets about to turn the banker's friends and loved ones against him. At first appearing to be as wicked as his captive, Pollock is actually motivated by familial love: his father had been driven to suicide by Vitold. Pollock is successful in destroying his enemy, adding spice to the program by wedding Vitold's daughter Edith Scob. In keeping with the spirit of the original serial, Pollock pops in and out of the plotline decked out in impenetrable disguises. As with his earlier horror film Eyes without a Face (1960), director Franju invests his two-dimensional material in Judex with three-dimensional characters. ~ Hal Erickson, Rovi

Jacques Becker's Rendez-vous de Juillet has been credited as the first postwar European film to accurately depict the Continental "youth culture." Teenaged Lucien (Daniel Gelin) aspires to become a filmmaker, and to that end organizes his friends into a film unit. The young cineastes hope to make a journey into Africa, there to film an uncompromisingly realistic documentary. Amusingly, Lucien and his friends are shown to be rather ill-equipped for "real life," shuttling as they do between theatre classes, jazz bars and coffee houses. Also, Lucien will have to overcome some family problems before he can embrace the responsibilities of adulthood. The winner of a critics' award at the Cannes Film Festival, Rendez-vous de Juillet was released in the U.S. as Appointment with Life. ~ Hal Erickson, Rovi