Andrea Marcovicci Movies

Henry Jaglom is a filmmaker who was a pioneer of the independent film movement long before it had a name. Jaglom began his Hollywood career in the mid-Sixties as an actor, but in 1971 he wrote and directed his first feature film, A Safe Place, which starred his friends Orson Welles and Jack Nicholson; it was an offbeat, personal work which received mixed reviews, setting a standard that many of Jaglom's future works would follow. After A Safe Place bombed at the box office, Jaglom began making films on tiny budgets which he often released himself, allowing his actors plenty of room to improvise and often dealing with women's issues in an intense and emotionally compelling manner. Jaglom has a significant cult of admirers, and a number of notable actors work with him at a fraction of their usual salaries, but his eccentricity and knack for self-promotion has rubbed a few people in the movie business the wrong way, and while some critics regard him as a singular talent, others consider him an overbearing con artist. Both Jaglom's supporters and detractors get a chance to air their opinions in Who Is Henry Jaglom?, a documentary about the filmmaker which offers a look at his movies, his life before and behind the camera, and the actors and craftspeople who've worked with him and have their own stories to tell. Jaglom himself is also extensively interviewed, and contributes a wealth of footage from his archives. Who Is Henry Jaglom? includes interviews with Candice Bergen, Karen Black, Dennis Hopper, Andrea Marcovici, Sally Kellerman, Martha Plimpton and many more. ~ Mark Deming, All Movie Guide

A Depression-era inventor finds a way of revolutionizing manufacturing technology and then discovers that this invention has its dark side as well. ~ Tana Hobart, All Movie Guide

Cornell Wilde guest stars as Duncan Barnett, the ruthless founder-CEO of Barnett Industries. Gathering his board of directors (and their wives and loved ones) to his lavish New York estage, Barnett seems poised to name his successor. Instead, he is killed in an accident--or, at least, it looks like an accident. Among the board members is a certain Maine-based mystery writer named Jessica Fletcher (Angela Lansbury), who begins to suspect that there's dirty work afoot as she watches Barnett's employees wheel, deal, bicker and backstab incessantly throughout the balance of the episode. ~ Hal Erickson, All Movie Guide

When a group of miners discovers a mysterious but delicious white substance bubbling up from the earth, a conglomerate markets the gooey, addictive fluff as a dessert in this tongue-in-cheek horror spoof from former NBC scriptwriter Larry Cohen. When a new product called "The Stuff" begins eating into the market share of traditional frozen desserts, the dairy industry hires former FBI agent Moe Rutherford (Michael Moriarty) to investigate the competition. With the assistance of deposed ice-cream magnate Chocolate Chip Charlie (Garrett Morris), Rutherford discovers that the substance is actually a sentient entity that takes over its victims' minds while eating away at their bodies from the inside. Meanwhile, young Jason (Scott Bloom) realizes that his family's strange behavior has something to do with the dessert product in their refrigerator that refuses to stay in its carton, and he launches a campaign to destroy the threatening confection. Soon Rutherford and Jason must team up with Nicole Kendall (Andrea Marcovicci), The Stuff's unwitting advertising mastermind, and Vietnam vet-turned-militia leader Colonel Spears (Paul Sorvino) to save America from its own sweet tooth. Sorvino and Moriarty would go on to co-star in NBC's hit police procedural, Law & Order. Icy-eyed As the World Turns hunk Brian Bloom appears alongside his brother, Scott Bloom. The Stuff's television connections also extend to cameos from Clara Peller, pitchwoman for the Wendy's "Where's the beef?" campaign, and Abe Vigoda of Barney Miller fame. Actresses Brooke Adams, Tammy Grimes, and Laurene Landon also appear in parodic commercials for the titular dessert. ~ Brian J. Dillard, All Movie Guide

In this espionage adventure, four beautiful aerobics instructors (government spies in disguise) try to stop villains from stealing the newest nuclear weapon. ~ Sandra Brennan, All Movie Guide

In this serio-comic made-for television adventure, an L.A. family gets more than it bargained for when it abandons the smog and hubbub for the peace of rural Oregon. Unfortunately, instead of finding a violence-free environment, they discover that they are surrounded by ultra-right-wing survivalists. ~ Sandra Brennan, All Movie Guide

Andrea Marcovicci returns as Emily, the hard-drinking, self-flagellating woman who cruelly jilted Louie (Danny DeVito) in the fourth-season episode "Louie's Fling." Receiving a phone call, Louie discovers that the caller is Emily, who is in the throes of alcoholic desperation. A vengeful Louie schemes to take advantage of Emily's vulnerability in order to get even with her -- but things don't exactly work out that way! ~ All Movie Guide

Oliver Stone's first directorial effort for a major studio (and his second horror film after the 1974 Seizure) came shortly after the phenomenal success of Midnight Express, which was based on Stone's Oscar-winning screenplay. The director turned to Mark Brandel's obscure thriller "The Lizard's Tail" as source material for what is essentially a silly psychosexual variant on low-budget horror films like The Crawling Hand. The title appendage belongs (for a while, anyway) to smug, conceited artist Joe Lansdale (Michael Caine), who owes his success to a popular comic strip featuring a macho, Conan-type hero. After Lansdale's drawing hand is sheared off in a grisly car accident, his career, dignity, self-control and even his sanity soon begin to abandon him as well. His tenuous relationship with his wife Anne (Andrea Marcovicci) falls apart as she takes steps to improve her own self-worth -- something she had never had the strength to do before the accident. Bitter and paranoid, Joe begins to lash out in anger at everyone around him ... and becomes convinced that his severed hand has come back, wandering in fields and dark alleys and squeezing the life out of everyone it comes in contact with. The question of whether the hand is real or merely a manifestation of Lansdale's rage is never answered, even in the film's "shock" coda. At any rate, it's impossible to take the film seriously -- the crawling-hand effects are laughably shoddy for a major studio production, reflecting none of the skills of effects wizard Carlo Rambaldi, and Caine's sweaty, pop-eyed histrionics are too goofy to be convincing. On the plus side, James Horner's score is remarkably chilling, contributing a great deal to a few effective suspense scenes -- but it belongs in a better film than this. ~ Cavett Binion, All Movie Guide

Mercedes McCambridge guest stars as blind, elderly Agatha Kimble, longtime friend of Thomas Magnum (Tom Selleck). Hired by Agatha to pay off the blackmailer who is victimizing her niece (and Magnum's former girlfriend) Amy Crane (Andrea Marcovicci), Magnum quickly becomes embroiled in a murder scheme. No sooner has this fact sunk in than Magnum realizes that there is far, far more to the case than anyone could have imagined. Tom Selleck and guest star Ted Danson, here cast as adversaries, would later reteam in the hit movie comedies Three Men and a Baby and Three Men and a Little Lady. ~ Hal Erickson, All Movie Guide

The fourth Airport film may be the silliest of them all, as George Kennedy returns, this time co-piloting with Alain Delon. The plane is on its way to the Moscow Olympics, has a bomb on board, and gets fired upon with missiles that necessitate flying upside-down. A look at the cast list resembles a bad episode of Fantasy Island, but it's always fun to see shameless touches like casting Mercedes McCambridge (Johnny Guitar) as the coach of the Soviet team. If you don't understand the significance of that choice, you may find this film more tedious than laughable, but fans of bad movies will have a field day, as Jimmie Walker, Charo, and -- oddly enough -- Bibi Andersson rub shoulders with high-altitude disaster. ~ Robert Firsching, All Movie Guide

A Vacation in Hell concerns four women and one man who are booked on a "dream vacation" at a tropical resort. All five become lost on a jungle island, forced to fend for themselves. An added peril: The jungle is not uninhabited. The dramatis personae consists of "love-starved" Andrea Marcovicci, "swinger" Priscilla Barnes, mother and daughter Barbara Feldon and Maureen McCormick, and musclebound Michael Brandon. While Brandon keeps most of his clothes on, at least two of the ladies don't, which should give you a good idea of the target audience for this made-for-TV programmer. ~ Hal Erickson, All Movie Guide

Andrea Marcovicci guest stars as Sandra Fleming, an intrepid -- and somewhat obnoxious -- newspaper reporter. Undercover cop Tony Baretta (Robert Blake) is none too happy when Sandra begins tagging along on his latest investigation. If she isn't careful, Sandra will botch Baretta's efforts to solve the attempted robbery of 500,000 dollars in syndicate money -- and probably get herself bumped off in the bargain. ~ Hal Erickson, All Movie Guide