Paul Marco Movies
Paul Marco was a longtime Hollywood prop man and crew member, who achieved his greatest and most lingering fame as an actor in the movies of writer/director/producer Edward D. Wood, Jr. Born in Los Angeles, CA, in 1927 to Italian immigrant parents, he apparently got bitten by the acting bug early in life. Being raised in the film capital allowed him greater access to that field than any number of would-be performers from elsewhere in the country, and this ultimately paid off, at least in terms of getting him work. In 1944, at the age of 17 -- probably helped by the shortage of male bit-players due to the war -- Marco turned up in a small, unbilled part in the B musical Sweet and Low-Down. His next known screen appearance came eight years later, in the Monogram Pictures costume drama Hiawatha, starring a young Vince Edwards in the title role and directed by B-movie master Kurt Neumann. It was during this period that Marco became part of the circle of friends surrounding Criswell, a syndicated columnist who published predictions of the future, and who had lately moved into local television with his own show. According to some accounts, Marco was responsible for introducing Criswell to Edward D. Wood, Jr., a writer/producer/director of ultra-low-budget films; whoever introduced who to whom -- Criswell was later to become part of Wood's stock company of players -- but Marco was soon a member of Wood's coterie of regulars. In 1955, the aspiring actor got his first credited role -- and, indeed, his first major role, and his most enduring part, as Officer Kelton in Wood's Bride of the Monster, a feature film starring one-time horror film great Bela Lugosi. Marco's performance as the good-natured if slightly inept Kelton made him one of the more endearing supporting players in the movie (the most appealing qualities of which, as with most of Wood's movies, were its mistakes). The director apparently liked Marco's work sufficiently to cast him in the same role in his next movie, Plan 9 From Outer Space, with more dialogue thrown his way and more scenes. And Marco was once more back as Kelton in a third film, Night of the Ghouls (1959), which didn't get released until the mid-'80s, owing to Wood's inability to pay the laboratory bill. By the early '60s, he'd also turned up in small supporting roles in episodes of series such as The Donna Reed Show and 77 Sunset Strip and was working regularly as a property man in numerous lower budgeted Hollywood films. Marco still showed up as an actor as well on occasion, and in 2005, the year before his death, reprised the role of Kelton in Wayne Berwick and Ted Newsom's The Naked Monster, a spoof of horror movies that also featured such fixtures of 1950s shock cinema as John Agar, Robert Clarke, Robert Cornthwaite, John Harmon, and Jeanne Carmen. ~ Bruce Eder, Rovi
- 1995
- Add The Haunted World of Edward D. Wood Jr. to QueueAdd The Haunted World of Edward D. Wood Jr. to top of Queue
The strange life and the wonderfully awful films of 1950's Hollywood Z movie director Ed Wood are profiled in this documentary that was conceived of and researched several years before commercial-filmmaker Tim Burton made his feature film tribute. Actually, Wood does not appear much in this film. Rather, it centers on the lives and thoughts of his entourage and those who knew him. Among those interviewed are Wood's former lover and star of his earliest films, Dolores Fuller, whom he abruptly replaced in the middle of Bride of the Monster with actress Loretta King who is also interviewed. Also interviewed are Maila Nurmi (aka Vampira); Bela Lugosi, Jr., who believes Wood destroyed his troubled father's career; Rev. Dr. Lynn Lemon, the Baptist minister who backed Wood's most famous film Plan 9 from Outer Space in hopes that it would generate enough income to allow Lemon's church to produce religious films; Paul Marco, who played Kelton the Cop in several films, and actors Conrad Brooks and Lyle Talbot. ~ Sandra Brennan, Rovi
Night of the Ghouls (which was also known as Revenge of the Dead) was Edward D. Wood Jr.'s first attempt at making a horror film without any contribution, either in a true performance or through the presence of archival footage, from Bela Lugosi, who had died three years earlier. The plot, which was as confusing as most of Wood's scripts, seems to make it a sequel to Bride of the Monster and, to a lesser degree, Plan 9 From Outer Space, incorporating events and characters from both, including Paul Marco's portrayal of the ubiquitous Officer Kelton. (Indeed, some Wood scholars have referred to the three movies as a group as "the Kelton trilogy," since he is the only character to turn up essentially the same in all three films.) Duke Moore, who portrayed the detective lieutenant in Plan 9 From Outer Space, is back in this film, and now he seems to be identified as a specialist in bizarre and unusual cases, making him sort of Ed Wood's distant precursor to The X Files' agent Fox Mulder and The Night Stalker's Carl Kolchak. This time there are strange goings-on, including disappearances and ghostly apparitions, at a mysterious house in a remote part of town. It turns out that this is the same house (rebuilt) and the same locale where Bela Lugosi's mad scientist was creating zombies in Bride of the Monster, and that Tor Johnson's Lobo is still there, somewhat the worse for wear. Instead of a mad scientist, however, the man behind the mayhem is a phony mystic named Dr. Acula, played by ex-cowboy actor Kenne Duncan. None of it makes too much sense, as though anyone needs to be told that, knowing that this was an Ed Wood movie, but parts of it are fun in that unique way that Wood's movies can be -- the strange word usages and dialogue patterns, as well as odd characterizations, mismatched shots, and incomprehensible plot elements all weave their eerie spell on the viewer willing to absorb them. ~ Bruce Eder, Rovi
- Starring:
- Criswell, Kenne Duncan, (more)
With its incoherent plot, jaw-droppingly odd dialogue, inept acting, threadbare production design, and special effects so shoddy that they border on the surreal, Plan 9 From Outer Space has often been called the worst movie ever made. But it's an oddly endearing disaster; boasting genuine enthusiasm and undeniable charm, it is the work of people who loved movies and loved making them, even if they displayed little visible talent. In Plan 9, alien invaders attempt to conquer the world by raising the dead, starting with an old man dressed in a Dracula costume (Bela Lugosi, in a few minutes of left-over footage grafted into this film), his much-younger and well-proportioned wife (Maila "Vampira" Nurmi), and a remarkably overweight police officer (Tor Johnson). Often funny and consistently entertaining (if almost always for the wrong reasons), Plan 9 From Outer Space is an anti-masterpiece if there ever was one, and as Criswell so brilliantly puts it, "Can you PROVE it didn't happen?!?" Its legendary director Edward D. Wood Jr. was played by Johnny Depp in Tim Burton's 1994 biopic, Ed Wood. One of the DVD releases of Plan 9 From Outer Space includes the documentary Flying Saucers Over Hollywood: The Plan 9 Companion, an exhaustive and entertaining look at the making of the film that runs a half-hour longer than the feature to which it pays tribute! ~ Mark Deming, Rovi
- Starring:
- Bela Lugosi, Mona McKinnon, (more)
To most outside observers, Bride of the Monster probably seems like a ridiculously inept horror film, and in many ways it is just that. To connoisseurs of the work of director Edward D. Wood Jr., however, it is the biggest budgeted film in his entire output, made with the resources of a normal B-movie (as opposed to his usual totally emaciated finances) and the most easily accessible of his three horror films. Bela Lugosi, in his final complete performance, portrays Dr. Eric Vornoff, a renegade Eastern European scientist with a plan to create a race of atomic supermen, giants charged with radioactivity. The problem is that the hapless hunters and other passersby at Lake Marsh, where he has set up shop with his hulking, mute assistant Lobo (Tor Johnson), whom the pair waylay, keep dying when he straps them in and switches on his atomic ray machine (which is a not-at-all disguised photographic enlarger). A dozen victims later, reporter Janet Lawson (Loretta King) goes out to investigate the disappearances -- attributed to a monster -- and falls into Vornoff's hands, with her police detective fiance Dick Craig (Tony McCoy) hot on her trail, and a devious spy (George Becwar) from Vornoff's former nation also nosing his way around the swamp and the old house. Vornoff dresses Lawson in a wedding gown and plans to irradiate her but Lobo refuses to allow it, straps Vornoff into the machine, and turns him into a radioactive giant (and into stuntman Eddie Parker, totally unconvincing in his doubling for Lugosi). ~ Bruce Eder, Rovi
- Starring:
- Bela Lugosi, Tor Johnson, (more)







