Nancy Marchand Movies

To those viewers who thought that the surfeit of violence during the fourth season of HBO's The Sopranos would have expunged all mayhem from season five, we have but one thing to say: "Fuggetabouddit!" As usual, much of the trouble is sparked by the sort of domestic issues that in any other family but the Sopranos would be handled with calm and decorum. Now separated from wife Carmela (Edie Falco), suburbanite mob boss Tony Soprano (James Gandolfini) has begun to warm up to Adriana La Cerva (Drea de Matteo), little suspecting that she may soon become a stoolie for the Feds. Meanwhile, Carmela becomes involved with the guidance counselor for her son A.J. (Robert Iler), who seems poised to challenge his dad for family supremacy (though it may take a few years). As for Tony's extended family, his newly paroled cousin, Tony Blundetto (Steve Buscemi), proves to be yet another thorn in the side for Tony's nephew Christopher (Michael Imperioli), who already has enough problems trying to wean himself off a dangerous drug habit. Another of Tony's cousins, Johnny Sack (Vincent Curatola), hopes to take advantage of the death of Mafia don Carmine Lupertazzi to increase his own power base -- an attempt that Lupertazzi's son Little Carmine (Ray Abruzzo) fully intends to torpedo (in every sense of the word!), leading to a bloody turf war. And Tony's chief henchman Paulie Walnuts (Tony Sirico) is plagued by a mob functionary who has a bad habit of overstepping his bounds. This season's crop of 13 episodes comes to an end -- bada bing! -- with an unpleasant surprise for Tony Soprano, one that may force him into permanent exile. And as for the hapless Adriana La Cerva...is there any viewer in the U.S. who has not seen her (literally) terminal Sopranos appearance? ~ Hal Erickson, Rovi

New Jersey Mafia boss Tony Soprano (James Gandolfini) continues maintaining the facade of being a respectable suburban husband and father while operating a vast criminal organization from the confines of the Bada-Bing Club during Season Two of The Sopranos. Now that the treacherous Uncle Junior (Dominic Chianese) has been placed under arrest by the feds, and with his far-from-supportive mother Livia (Nancy Marchand, who died during this season) has been exiled to a nursing home, Tony thinks that his family problems are over. No such luck: Breezing in from Seattle is Tony's seriously disturbed, sexually promiscuous and thoroughly untrustworthy sister Janice (Aida Turturro), the closest thing that any mob family has had to a "black sheep". There's more trouble from the dangerously impulsive Richie Aprile (David Proval), older brother of Tony's predecessor Jackie Aprile Sr., who is resentful that a younger man has taken over the Aprile branch of the DeMeo crime organization. Richie also has a mad-on for Tony's trusted protégé Christopher (Michael Imperioli), whose own prestige within the mob continues to grow by leaps and bounds, especially after he engineers the family's elaborate "pump-and-dump" stock scam. Christopher himself has developed a close relationship with Adriana La Cerva (Drea de Matteo), and never mind that she is one of "Uncle" Tony's mistresses. Though the FBI agent within the family's ranks has been whacked, there is still someone feeding information to the feds. It breaks Tony's heart to discover that his trusted torpedo Big Pussy (Vincent Pastore) is the turncoat, but business is business, and Tony is obliged to stage-manage Big Pussy's demise during a now-famous boat trip. Nor is this the end of the intramural carnage: despite having become engaged to her former flame Richie Aprile, Tony's sister Janice settles a bitter argument with Richie in typical Soprano fashion. Result: No wedding, and no Richie. ~ Hal Erickson, Rovi

In this comedy, a man trying to turn away from a life of crime starts performing a little larceny in the interest of helping others. Tom Turner (Greg Kinnear) is a small-time con man who makes the mistake of trying to cheat a pair of undercover cops one night. Fortunately for Tom, his case is heard by a lenient judge who orders him to get a straight job and stay out of trouble; if he can stay employed for a year, his conviction will be wiped from the record. Tom is hired at the Post Office and assigned to the Dead Letter Office, where he and his co-workers Rebecca (Laurie Metcalf), Herman (Tim Conway), and Vladek (Hector Elizondo) try to figure out what to do with the sacks of mail addressed to Santa Claus, Elvis Presley, and God. Against orders, Tom opens one of the letters to God and is moved by the sad story of the woman who sent it. He decides to reply and accidentally mails her his pay check; but when he sees how happy the answer made the recipient, Tom and his co-workers start opening more letters and trying to answer a few prayers that would be within their reach -- which leads Tom back to the courthouse again. Director Garry Marshall has a small role as Preston Sweeney. ~ Mark Deming, Rovi

Best known for their historical epics that examine class and social issues in British life through a thick lens of tasteful production design and good manners, director James Ivory and producer Ismail Merchant set their sights on an American protagonist for a change with Jefferson in Paris. As the title suggests, Jefferson in Paris deals with the five years that Thomas Jefferson (Nick Nolte) spent as U.S. ambassador to France prior to the French Revolution; while Jefferson is sympathetic to the revolutionary forces in France, he's become well enough acquainted with the ruling aristocracy that he finds himself torn between the two sides of the issue. Jefferson, a recent widower, also becomes friends with Maria Cosway (Greta Scacchi), who is married to a foppish British artist; while it's obvious the two are in love, neither is in a position to do anything about their infatuation. And while Jefferson's daughter Patsy (Gwyneth Paltrow) loves her father, she's very upset with him when he sends her to a convent school. In this midst of this personal turmoil, Jefferson's younger daughter Polly (Estelle Eonnet) arrives in Paris, with her slave Sally Hemmings (Thandie Newton) in tow. Attractive and bright (if uneducated), Sally catches Jefferson's eye, and a friendship develops that grows into something deeper; in time, Sally becomes pregnant, and her family claims that Jefferson is the father. At the time Jefferson In Paris was released, the question of Sally Hemmings' relationship with Thomas Jefferson was a matter of lively historical debate; since then, genetic evidence has shown that, while Jefferson's paternity can't be proved beyond a doubt, it is likely that he did father children with Hemmings. ~ Mark Deming, Rovi

Christmas is just another day on the calendar for the acerbic Munch (Richard Belzer), especially when he is handed a case involving the murder of a man in a Santa Claus suit. Elsewhere, Lt. Russert (Isabella Hoffman) decides to get back into the hands-on aspects of detective work by joining Lewis (Clark Johnson) in his latest investigation -- only to discover that she has prior knowledge of the persons involved in the case. And as Felton (Daniel Baldwin) wearily prepares to spend his first Christmas without his wife and children, Bayliss (Kyle Secor) seeks out a friendly Yuletide game of Hearts -- at five dollars a hand. ~ Hal Erickson, Rovi

In the first episode of a two-part story (originally networkcast as a single hour-long installment), political consultant Johnny Dugan (Don Amendolia) talks Christine (Markie Post) into running for congress against the seemingly indomitable incumbent Louise Cahill (Nancy Marchand). Meanwhile, Mac (Charlie Robinson) screens his "artsy" video of Bull's wedding for the unimpressed courtroom staff. And Dan (John Larroquette) volunteers to serve as a sex surrogate. ~ Hal Erickson, Rovi

Brain Donors is a game attempt to redo the Marx Brothers' A Night at the Opera in a contemporary setting. John Turturro plays the "Groucho" character, a shifty lawyer (he's even given a Grouchoesque three-barrelled moniker). Bob Nelson is the "Harpo" counterpart, a puckish handyman. And Mel Smith completes the trio as a Chico-like cabbie. All three conspire to save a failing ballet company on behalf of dowager Nancy Marchand, who does a film-length impersonation of Margaret Dumont. At times, Pat Proft's script comes off more like a 3 Stooges short than a Marx Brothers romp, but that's not so bad. What hurts the film is its fluctuating pace, which shifts into neutral just when it should go into hyperdrive. Will Vinton's Claymation opening titles supply some of the film's biggest laughs. ~ Hal Erickson, All Movie Guide

We know we're in a 1988 film when we're invited to laugh at O.J. Simpson in an opening slapstick sequence. We can also pinpoint the year of production when hard-nosed cop Frank Drebin (Leslie Nielsen), during a scuffle with the world's leading dictators, wipes the wine-colored birthmark off the head of Soviet president Mikhail Gorbachev. Those wacky ZAZ boys -- David Zucker, Jim Abrahams, and Jerry Zucker -- serve up a feature-length spin-off of their cult favorite TV show Police Squad!. Seeking vengeance when his partner (Simpson) is shot full of holes by drug dealers, dead-pan and dead-brained Lt. Frank Drebin searches for the Mister Big behind it all. Drebin suspects above-reproach shipping magnate Vincent Ludwig (Ricardo Montalban), but he can't prove a thing. Bumped from the force by the mayor (Nancy Marchand), Drebin, with the unexpected assistance of Ludwig's ex-girlfriend (Priscilla Presley), manages to nab the bad guy at a baseball game, where Reggie Jackson has been programmed to assassinate Queen Elizabeth. MGM mogul Irving Thalberg once reportedly told the Marx Brothers, "You can't build jokes on top of jokes." The producers of Naked Gun prove otherwise; indeed, one could develop writer's cramp just listing the gags in the film's first 20 minutes. Naked Gun: From the Files of Police Squad was followed by two lesser but still hilarious sequels, Naked Gun 2 1/2: The Smell of Fear (1991) and Naked Gun 33 1/3: The Final Insult (1994). ~ Hal Erickson, Rovi

Director Bob Clark, whose previous cinematic endeavors ran the gamut from Porky's to A Christmas Story, called the shots on From the Hip. Fresh out of law school, Robin Weathers (Judd Nelson) is hired by a law firm not known for its ethics. Weathers' first client is a man who, up to trial time, was perfectly willing to cop a plea. Instead, the novice lawyer sharkishly secures a "not guilty" verdict--not to mention a public reputation as a live wire. His jealous older colleagues decide to get even with Weathers by assigning him a case that cannot possibly be won. Thus it is that Weathers is assigned to defend insufferable murder suspect Douglas Benoit (John Hurt), who refuses to cooperate with his attorney even though he's facing a death sentence. ~ Hal Erickson, Rovi

Nancy Marchand guest stars as the imperious mother of Diane's boyfriend Frasier Crane (Kelsey Grammer). Preparing to meet Mrs. Crane for the first time, Diane is understandably nervous and on her guard. Even so, she is hardly prepared for the moment in which the gimlet-eyed dowager threatens to kill Diane if she ever marries Frasier! (Fans of Kelsey Grammer's later series, please note: You won't see Frasier's dad [John Mahoney] in this episode.) ~ Hal Erickson, Rovi

Some sort of Bad Timing Award must surely be bestowed upon the otherwise worthwhile Golden Moment: An Olympic Love Story. David Keith stars as American athlete Wayne Robinson, whose main goal in life is to win the Olympic Decathlon. His dream is compromised when he falls in love with Soviet athlete Anya Andreyev (Stephanie Zimbalist), sparking an international cause celebre. First shown in two parts on May 25 and 26, 1980, Golden Moment was timed to coincide with the telecast of the 1980 Olympics--from which the United States had just withdrawn! Even with this working against it, the film performed reasonably well in the ratings, and also managed to pick up an Emmy nomination for best sound mixing. ~ Hal Erickson, Rovi