Fredric March

When Jimmy Price (Jim Brown) wins an upset victory for sheriff, he becomes the first black man ever to hold the job (or any elective office) in anyone's memory in his rural southern county. He also sets off an ominous rumblings as the entire county seems split apart by his presence -- Mayor Parks (Fredric March) offers him the support of his office, but many whites aren't prepared to accept a black man as sheriff, while most of the whites that can accept him aren't saying so too loudly; a lot of older black residents, remembering decades of Jim Crow laws that only lately disappeared, are more confused than encouraged by Price's victory, while younger, more radical black citizens like George Harvey (Bernie Casey) have little use for Price's straight-arrow personality; they expect him to show them favoritism, and when he doesn't, they suspect him of being an nothing but a white man in black skin. Even Price's own wife (Janet MacLachlan) wonders if the cost of his being sheriff is too high. He finds himself alone, walking a tightrope between all of the forces pulling at him, and then the whole situation threatens to explode when he arrests the good-for-nothing son (Bob Random) of a wealthy man from the next county, who has killed a child while driving drunk. Soon the local klavern of the Ku Klux Klan is planning a meeting, and a lynch mob seems to be gathering across the county line to break the prisoner loose and take care of the sheriff. Price finally gets some unexpected help from his embittered predecessor, John Little (George Kennedy) -- Little would like nothing more than to sulk over losing his longtime job, but with his wife's coaxing he realizes that he can't let Price fail without the risk of destroying everything he worked for years to build. ~ Bruce Eder, All Movie Guide

Adapted by Rod Serling from the best-selling novel by Fletcher Knebel and Charles Waldo Bailey II, Seven Days in May was allegedly inspired by the far-right ramblings of one General Edwin Walker. Burt Lancaster plays General James M. Scott, who, convinced that liberal President Jordan Lyman (Fredric March) is soft on America's enemies, plots a military takeover of the United States. Every effort made by President Lyman to find concrete evidence of General Scott's scheme is scuttled by political protocol, human error and accidental death. Ultimately, Lyman must rely upon the man who first uncovered the plot: Colonel "Jiggs" Casey (Kirk Douglas). John Frankenheimer's terse direction and Ellsworth Fredericks' stark black and white photography enhance the "docudrama" feel of Seven Days in May. ~ Hal Erickson, All Movie Guide

This slick hospital soap opera features Ben Gazzara as Dr. David Coleman, a young physician hired into the pathology department at a big hospital. The aging head of the department, Dr. Joseph Pearson (Fredric March), is insulted and treats the new hire as a rival. They battle over many medical issues. Coleman falls in love with a nurse, Cathy Hunt (Ina Balin), but she develops a tumor on her knee. Pearson says that it is malignant and orders her leg amputated. Coleman disagrees but must go along with the decision. Coleman then orders three blood tests on an expectant mother, Mrs. Alexander (Phyllis Love), because she has a rare blood condition. Pearson thinks that the tests are excessive and cancels the third test. When the baby is born seriously ill, Pearson is berated by Dr. Charles Dornberger (Eddie Albert), Alexander's personal physician, who then conducts a blood transfusion to save the baby's life. Pearson's future at the hospital becomes uncertain, at best. ~ Michael Betzold, All Movie Guide

Scripter Paddy Chayevsky altered his successful stageplay for this routine cinematic version of Middle of the Night, emphasizing the self-centered interests of the relatives and friends who surround Jerry Kingsley (Fredric March). Jerry is a widower, a lonely but successful clothing manufacturer who falls in love with Betty Preisser (Kim Novak), one of his employees. The employee-boss relationship is one hurdle the erstwhile couple have to overcome, another is the thirty-year difference in their ages, and the last is the attitudes of the couples' relatives -- each close relative (mother, daughter, sister) feels marginated by the relationship, left out in the cold, forgotten. These attitudes do not bode well for any future walk up the aisle. Director Delbert Mann is best known for his 1955, award-winning Marty. ~ Eleanor Mannikka, All Movie Guide

Distributed in the U.S. by Joseph Brenner Associates, Island of Allah is a stock-footage salad assembled by Richard Lyford. Drawing from several earlier sources, this semi-documentary attempts to trace the history of the Arab people. The dramatized sequences are never quite as impressive as the "straight" footage drawn from life. Fredric March's narration brings a soupcon of cohesiveness to the project. While it didn't receive much theatrical play, Island of Allah became a television perennial less than a year after its release. ~ Hal Erickson, All Movie Guide

This meticulous and unusually long cinemadaptation of Sloan Wilson's best-selling novel The Man in the Grey Flannel Suit stars Gregory Peck as an ex-army officer, pursuing a living as a TV writer in the postwar years. Hired by a major broadcasting network, Peck is assigned to write speeches for the network's president (Fredric March). Peck comes to realize that the president's success has come at the expense of personal happiness, and this leads Peck to ruminate on his own life. Extended flashbacks reveal that Peck had experienced a torrid wartime romance with Italian girl Marisa Pavan, a union that produced a child. Peck is torn between his responsibility to his illegitimate son and his current obligations towards his wife (Jennifer Jones), his children, and his employer. Among the many life-altering decisions made by Peck before the fade-out is his determination to seek out a job that will allow him to spend more time with his family, even if it means a severe cut in salary. The superb hand-picked supporting cast of The Man in the Grey Flannel Suit includes Ann Harding as March's wife, Keenan Wynn as the man who informs Peck that he'd fathered an Italian child, Henry Daniell as a detached executive, and an unbilled DeForrest Kelley as an army medic (who gets to say "He's dead, captain"!) ~ Hal Erickson, All Movie Guide

Cameron Hawley's novel Executive Suite appeared around the same time as two other tales of big-business intrigue, the 1954 film A Woman's World and the 1955 Rod Serling teleplay Patterns. Elements of all three properties inevitably overlap. In Executive Suite, a furniture-store executive dies suddenly, resulting in a power play between five of his vice presidents. Julia O. Tredway (Barbara Stanwyck), daughter of the company founder and mistress of the president, must choose between solid family man McDonald Walling (William Holden), blackmail-prone Josiah Walter Dudley (Paul Douglas), ruthless Loren Phineas Shaw (Fredric March), duplicitous George Nyle Caswell (Louis Calhern), and eternal corporate bridesmaid Frederick Y. Alderson (Walter Pidgeon). Only Walling, the most honest of the bunch, refuses to campaign for the presidential chair. Despite the presence of the A-list leads and of supporting actors Shelley Winters, Dean Jagger, and Nina Foch, Executive Suite is a true ensemble effort, with everyone carrying like weight onscreen. The property was later adapted into a TV series, which owed more to Dallas than it did to the Hawley novel. ~ Hal Erickson, All Movie Guide

This version of the Dickens classic appears in musical form. ~ John Bush, All Movie Guide

Elia Kazan directed this drama inspired by a true story. Karel Cernik (Fredric March) is the leader of a troupe of Czechoslovakian circus performers who have been plying their trade in Eastern Europe for years. When Czechoslovakia falls under Communist rule, the proud and independent Cernik finds that he is no longer free to operate his circus as he sees fit. Many of his performers are conscripted into military service, and his equipment and possessions are declared government property, though the state fails to maintain it properly, or even to give him access to the material to fix it himself. Finally, when Cernik's remaining performers are ordered to insert pro-Communist messages into their acts, he decides that he can take no more and begins making plans to escape to Bavaria during an upcoming tour. Cernik's plans hit a snag, however, when he learns that one of his performers is a spy for the Czech communists, working in collusion with government factotum Fesker (Adolphe Menjou). While politics are making a mess of his professional life, his daughter Tereza (Terry Moore) is complicating matters at home because of her romance with the handsome but unreliable lion tamer Joe Vosdek (Cameron Mitchell), much to the chagrin of both Karel and his wife Zama (Gloria Grahame). The Birnbach Circus troupe, along with a variety of other European carnival performers, appear as themselves in this film, lending the performances a keen authenticity. ~ Mark Deming, All Movie Guide

Narrated by Frederic March, this sublimely assembled documentary charts the life and works of Renaissance genius Michelangelo. The subject's story is told almost exclusively with examples of his art--which, given the visual nature of the project, is the wisest of all cinematic choices. The film was originally made in Switzerland in 1940, and released in a considerably longer version than its present 68 minutes. The material was picked up for US release ten years later, and re-edited by Robert Snyder. Titan: The Story of Michelangelo was the winner of the "Best Feature-Length Documentary" Academy Award. ~ Hal Erickson, All Movie Guide

Reverent to the point of tedium, Christopher Columbus stars Fredric March in the title role, and he's welcome to it. March's wife Florence Eldredge co-stars as Queen Isabella, who finances Columbus' expedition to find a westward route to India. After several reels devoted to table-top miniatures impersonating the Nina, the Pinta and the Santa Maria (punctuated by rumbles of mutiny--no, not "rumble rumble, mutiny mutiny") Columbus reaches the New World. Though obviously filmed on an extravagant budget (Technicolor was still a rare commodity in 1949), the British Christopher Columbus has less going for it than the 1939 Porky Pig cartoon Christopher Columbus Jr.. Filmgoers stayed away in droves, as they would when the movie industry "rediscovered" Columbus for a brace of disastrous multimillion-dollar films in 1992. ~ Hal Erickson, All Movie Guide

In this provocative drama, a stern hard-liner judge commits euthanasia to save his terminally ill wife from further suffering. He decides to kill her by driving the both of them off a cliff. He succeeds in ending her pain, but unfortunately he survives and ends up turning himself in with a full confession. Now it is up to his brilliant lawyer to defend him. He not only justifies the old judge's actions, he also proves that the wife took a fatal dose of poison before getting in the car; therefore she committed suicide. The judge is freed and returns to his courtroom where he oversees his cases with considerably more sympathy and understanding than he did before. ~ Sandra Brennan, All Movie Guide