Sophie Marceau Movies

With William Shakespeare now a hot commodity at the box office (and his body of work conveniently out of copyright), the usual trickle of film adaptations of the Bard's work is becoming a small flood, and director Michael Hoffman has assembled a cast of leading stage and screen actors for this whimsical film version of one of Shakespeare's most popular comedies. This interpretation of A Midsummer Night's Dream moves the action to Tuscany near the turn of the 20th century, as both mortals and enchanted creatures deal with romantic problems. Among the flesh-and-blood crowd, Duke Theseus (played by David Strathairn) is preparing for his wedding to Hippolyta (Sophie Marceau), while having to counsel Egeus (Bernard Hill), who has promised the hand of his daughter Hermia (Anna Friel) to Demetrius (Christian Bale). Hermia, however, wants to elope with her true love, Lysander (Dominic West), while her best friend Helena (Calista Flockhart) is mad about Demetrius. Meanwhile, fairies living in the forest are watching these romantic misadventures. Puck (Stanley Tucci) serves up love potions that mix and match the already confused lovers, while the Queen of Fairies, Titania (Michelle Pfeiffer), and her King, Oberon (Rupert Everett), have to deal with a group of hapless actors rehearsing a play in the forest -- one of whom, Bottom (Kevin Kline), has fallen under Puck's spell and becomes Titania's new lover. Will anyone end up with the person they really love? Who will get hurt riding their bicycles in the woods? Will Helena sit down and eat a square meal? Director Hoffman, a longtime Shakespeare buff, appeared as Lysander in a production of the play while a college student, and has since spearheaded a campaign to build a new $3 million theatre for his alma mater in Boise, ID. ~ Mark Deming, All Movie Guide

Leo Tolstoy's classic novel is brought to the screen once again in what was the first American-based production of this story to be filmed on location in Russia. Anna (Sophie Marceau) is married to Alexei (James Fox), but while their relationship is not outwardly unhappy, it's clear that neither has much enthusiasm for either their spouse or their marriage. While visiting her bother Stiva (Danny Huston), who is having marital problems of his own, Anna meets Count Vronsky (Sean Bean). An immediate mutual attraction arises between them, and soon Vronsky has left behind his mistress Kitty (Mia Kirshner) to pursue Anna. Anna is initially uncertain about her feelings, but she soon throws caution to the wind and embarks on a passionate affair with Vronsky. However, Anna's love for the Count is strong enough that Alexei becomes keenly aware of her indiscretion, and when she discovers that she is carrying Vronsky's child, Alexei offers her two options -- she can leave Vronsky, resume her marriage, and keep the baby, or stay with Vronsky and give up her unborn child. This was at least the tenth feature-length production of Anna Karenina to reach the screen, though one of the best known appeared under a different title -- Love, starring Gretta Garbo. ~ Mark Deming, All Movie Guide

The story of a vengeful ghost (which spawned both a popular silent thriller and a mid-'60s TV miniseries that drew record ratings in France) returns to the big screen in this adaptation of the story by Arthur Bernede. A collection of artifacts from an archeological dig in Egypt are brought to the famous Louvre museum in Paris, and while experts are using a laser scanning device to determine the age of a sarcophagus, a ghostly spirit escapes and makes its way into the museum's electrical system. Museum curator Faussier (Jean-Francois Balmer) brings in a noted Egyptologist, Glenda Spencer (Julie Christie), to examine the findings, and she announces that the mummy inside the coffin was actually the evil spirit Belphegor. Lisa (Sophie Marceau), who lives across the street from the museum, follows her runaway cat into the museum after closing time, where she is accidentally given a shock that sends the stray spirit into her body. Soon, Lisa is disguising herself as Belphegor and making off with the rare Egyptian treasures on display at the museum, convinced that they are rightfully hers. When "Belphegor" proves more than a match for the Louvre's security forces, renowned detective Verlac (Michel Serrault) is brought out of retirement to find out why the museum's Egyptian collection has been shrinking. Belphegor: Le Fantome Du Louvre enjoyed the distinction of being the first feature film to be shot in part inside the world-famous museum. ~ Mark Deming, All Movie Guide

Mel Gibson, long-time heartthrob of the silver screen, came into his own as a director with Braveheart, an account of the life and times of medieval Scottish patriot William Wallace and, to a lesser degree, Robert the Bruce's struggle to unify his nation against its English oppressors. The story begins with young Wallace, whose father and brother have been killed fighting the English, being taken into the custody of his uncle, a nationalist and pre-Renaissance renaissance man. He returns twenty years later, a man educated both in the classics and in the art of war. There he finds his childhood sweetheart Murron (Catherine McCormack), and the two quickly fall in love. There are murmurs of revolt against the English throughout the village, but Wallace remains aloof, wishing simply to tend to his crops and live in peace. However, when his love is killed by English soldiers the day after their secret marriage (held secretly so as to prevent the local English lord from exercising the repulsive right of prima noctae, the privilege of sleeping with the bride on the first night of the marriage), he springs into action and single-handedly slays an entire platoon of foot soldiers. The other villagers join him in destroying the English garrison, and thus begins the revolt against the English in what will eventually become full-fledged war. Wallace eventually leads his fellow Scots in a series of bloody battles that prove a serious threat to English domination and, along the way, has a hushed affair with the Princess of Wales (the breathtaking Sophie Marceau) before his imminent demise. For his efforts, Gibson won the honor of Best Director from the Academy; the movie also took home statuettes for Best Picture, Cinematography, Makeup, and Sound Effects. ~ Jeremy Beday, All Movie Guide

This zany, French-language fish-out-of-water comedy concerns a married couple, Hugo (Dany Boon) and Ariane (Sophie Marceau), who attempt to escape from the doldrums of nuptial banality by exchanging professional lives. He takes up his wife's career as a door-to-door jewelry salesman, and she assumes control of a building rental company - leading to a predictably endless series of outrageous complications. ~ Nathan Southern, All Movie Guide

Not to be confused with the legendary D.A. Pennebaker documentary of the same name, this mindbending psychological drama from France stars Sophie Marceau (Police) as Jeanne, a fairly well adjusted wife, mother of two children and author, whose world gets turned upside down when she becomes aware of a calamitous transformation overtaking her own body. She quickly morphs into an Italian woman, also named Jeanne (Monica Bellucci); the latter's husband (like the first Jeanne's spouse) is named Teo (Thierry Neuvic). Understandably confounded and disoriented, Jeanne 1 sets out to solve the mystery of this metamorphosis by journeying to Jeanne 2's birthplace of Lecce, Italy. ~ Nathan Southern, All Movie Guide

A woman is torn by both romantic and maternal love in this period romantic drama set in the 1830s. Elisabeth (Sophie Marceau), a Swiss governess, is the beautiful daughter of a once-prosperous landowner who has fallen deeply into debt. Charles Godwin (Stephen Dillane) is a prominent British aristocrat whose wife has suffered a crippling accident; doomed to spend the rest of her life in a semi-comatose state, she cannot bear Charles the child he so desperately needs. So Charles strikes an agreement with Elisabeth; she will conceive a child with him and hand it over after it is born in exchange for him paying off her father's debts. Elisabeth and Charles set aside three nights to make a baby, and while the matter is supposed to be purely functional and not romantic, Elisabeth finds it difficult to feel that way at the end of the third evening. She is heartbroken when she has to give up the child, and her obsession with the daughter she gave away is reflected in her journals and sketchbooks. Seven years later, Elisabeth discovers the whereabouts of Charles and their daughter, Louisa (Dominique Belcourt); when she learns they need a governess, she is hired for the position by Charles's sister-in-law Constance (Lia Williams), who is unaware that Elisabeth is Louisa's birth mother. When Charles discovers that Elisabeth is the new governess, he is furious, but he eventually takes pity on her and allows her to stay with the child for one month. However, before long, Elisabeth's attraction to Charles resurfaces, and their clandestine romance forces a number difficult questions. Firelight marked the directorial debut of noted screenwriter William Nicholson. ~ Mark Deming, All Movie Guide

Inspired by Fyodor Dostoyevsky's The Idiot and intended as "a homage to the great writer," this film is set in modern France rather than 19th century Russia. This is a story of Léon (Francis Huster), who has been recently released from a mental asylum and claims to be a descendant of a Hungarian prince. On his way from Hungary to France, he meets Mickey (Tchéky Karyo), a hood who has committed a successful bank robbery and plans to take brutal revenge on the brothers Venin for what they did to his girlfriend Mary (Sophie Marceau). Léon can hardly understand what Mickey is up to but he follows him everywhere and soon falls in love with Mary. This odd love triangle resolves in a tragic ending. The frantic pace of the film's action can be compared to that of a runaway, hell-bound train. The colors and sounds go out of control, and violence abounds -- all of which is intended to convey to a viewer the craziness of the time. ~ Yuri German, All Movie Guide

La Boum stars Sophie Marceau as a 13-year-old French girl, coping with domestic problems. Her parents, played by Claude Brasseur and Brigitte Fossey, are on the verge of a marital breakup. This is coupled by a traumatic move to Paris, and Marceau's problems in adjusting to her new surroundings and schoolmates. Though nothing new, La Boum is disarmingly diverting, a real audience pleaser (as proven by its huge international box-office take). Even as the film was making the American rounds, a sequel, La Boum 2, was in the editing stages. ~ Hal Erickson, All Movie Guide

Maverick auteur Andrzej Zulawski directs this flamboyant adaptation of classic French novel La Princesse de Cleves, complete with dirt bike races, hot sex, and naked hockey players. Talented Canadian photographer Clelia (Sophie Marceau) lands a financially lucrative job in Paris at a rumor-mongering tabloid called La Verite run by Rupert MacRoi (Michel Subor). Though she finds most of her coworkers to be disillusioned and perverse, she happens upon Cleve (Pascal Greggory), a bumbling middle-aged children's book publisher. Cleve is days away from marrying MacRoi's daughter to bolster his flagging publishing house. Nonetheless, Clelia and Cleve retire to his office to make love almost immediately upon meeting. Though MacRoi has already bought his company, Cleve breaks off his wedding plans and proposes to Clelia. Enter Nemo (Guillaume Canet), a sexy young photographer who promptly propositions her upon their first encounter. In spite of her ferocious sexual attract to Nemo, Clelia marries Cleve and resolutely keeps to her wedding vows in the face of her suitor's continued advances. Madame de la Fayette's novel, from which this film draws inspiration, has already been adapted twice: the 1961 version was directed by Jean Delannoy and starred Marina Vlady, and the 1999 take, entitled The Letter was directed by Manoel de Oliveira and featured Chiara Mastroianni. ~ Jonathan Crow, All Movie Guide

A mother and daughter find themselves dealing with surprisingly similar romantic difficulties in this light-hearted French comedy. Lola (Christa Theret) is a pretty fourteen-year-old girl living with her mother Anne (Sophie Marceau), who is divorced from Alain (Alexandre Astier), Lola's dad. Young Lola has been taking her first steps into teenage romance, and has been dating a boy from her class named Arthur (Felix Moati), but when she decides to break things off with him, the situation becomes tense after Lola starts seeing his close friend Mael (Jeremy Kapone). Meanwhile, as a typical child of divorce Lola likes to play her mother and father against each other for her own advantage, but what she doesn't know is that Anne and Alain have begun dating again on the sly. Written and directed by Lisa Azuelos, Lol features music from Supergrass, Blur, Keane and Junesex. ~ Mark Deming, All Movie Guide