Evi Marandi Movies

An espionage saga as a secret agent tries to infiltrate a spy ring in the Middle East, this one holds no real surprises. ~ Tana Hobart, Rovi

Hunter of the Unknown was one of dozens of European-based spy pictures made available in America on the heels of the James Bond craze. The Sean Connery clone this time out is a personable actor by the name of George Ardisson. His mission is to locate an international hit man before a peace-threatening political assassination can be carried out. As indicated by the title, no one knows who the assassin is--or whether it's a he or she. This means that even toothsome leading lady Evi Marandi isn't above suspicion. ~ Hal Erickson, Rovi

This classic blend of science-fiction and horror belies its extremely low budget with buckets of atmosphere and some genuinely creepy setpieces. The story concerns the crews of two spaceships, who land on a foggy, seemingly deserted planet. What they don't know is that the planet was home to a race of vampiric aliens, who possess their minds, eventually rising from their strange, misty graves to seek human blood. Legendary director Mario Bava once again proves himself a master at atmospheric composition, using color, sound, and minimalistic sets in original and unnerving ways. Barry Sullivan stars with Angel Aranda and Brazilian actress Norma Bengell. The American version, running several minutes shorter than the original, was put together by Ib Melchior (The Angry Red Planet). ~ Robert Firsching, Rovi

Richard Quine directs George Axelrod's acerbic script (adapted from Julien Duvivier's La Fête à Henriette) in this romantic comedy that reunites William Holden and Audrey Hepburn for the first time since 1954's Sabrina. Holden plays Richard Benson, a Hollywood screenwriter being pressured by movie producer Alexander Meyerheimer (Noël Coward) to finish his script entitled "The Girl Who Stole the Eiffel Tower." Meyerheimer gives Richard a two-day ultimatum to complete his work, unaware that Richard has yet to even start on the script. In an effort to get moving on his project, Richard hires a live-in secretary, Gabrielle Simpson (Audrey Hepburn), to help him. Soon enough, the two fall in love and spend the time enacting various scenes from the unwritten screenplay as the time slips away and Richard's deadline looms. ~ Paul Brenner, Rovi

This penultimate film by director Michael Curtiz, perhaps best known for his 1942 Casablanca, is a verbose, routine religious drama on the life of St. Francis of Assisi. After quickly passing over St. Francis' early life as the son of a wealthy cloth merchant in Assisi, the story notes his talents in and out of battle. St. Francis hears the call to the cloth (in his hagiography, the call was repeated several times before he finally responded completely), and gives up all his worldly goods to dedicate himself to God. The main focus of attention is then on his relationship to Clare (Dolores Hart) a young aristocratic woman who was so taken with St. Francis that she left her family and became a nun. St. Francis by this time (1212 A.D.) had a well-established reputation for his vows of poverty, and aside from the dubious aspersions cast on his interest in Clare, the drama goes on to note miracles and other aspects of his life, up to and including his death on October 3, 1226. ~ Eleanor Mannikka, Rovi