Lesley Manville

2007 
 
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The small town gossip, secrets, and romance of Mary Gaskells' popular series of novels comes to the small screen in this BBC drama series from director Simon Curtis. The year is 1842, and Cranford is a modest Cheshire market town on the verge of great change. The railway is reaching to Cranford from Manchester, and the locals fear that their town will soon be overrun with migrant workers and lawlessness. Spinster Deborah Jenkins Eileen Atkins) is the arbitrator of correctness about town, and as far as she and her demurring sister Matty (Judi Dench) are concerned there's never a dull moment in Cranford. Things begin to get especially interesting after handsome new doctor Frank Harrison (Simon Woods) arrives in town shocking the locals with his decidedly non-traditional methods of practicing medicine. Frank has a powerful effect on the ladies around town, but when Matty runs into an old flame at Lady Ludlow's garden party her thoughts drift back to the time when she was forced to give up the man she once loved with all her heart. No one is immune from the gossip that winds its way through the local circuits, and that gossip can almost always be traced back to the Jenkins sisters. When news emerges that the railroad is coming to town, everyone realizes that their tidy little universe is about to expand in ways that they could have never imagined. ~ Jason Buchanan, All Movie Guide

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Starring:
Judi DenchPhilip Glenister, (more)
2006 
 
Academy Award nominees Stockard Channing and Bob Hoskins co-headline the British romantic comedy Sparkle, the third outing by the critically-praised writing and directing team of Neil Hunter and Tom Hunsinger (Lawless Heart, Boyfriends). Neophyte Shaun Evans plays Sam Sparks, a young man who migrates from Liverpool to London proper with his single mother, Jill (Lesley Manville) - a chanteuse in local pubs. In need of a job, Sam makes the cut at a public relations boutique by sleeping with the sixty-something head of the agency, Sheila (Channing), then (in a Graduate-like twist) falls for a girl closer to his own age, Kate (Amanda Ryan) - only to discover with horror that she's Sheila's daughter. As the expected complications ensue, Vince (Hoskins), the sexagenarian who arranged Sam and Jill's apartment in London, nurtures a deep-seated passion for Jill and decides to make his feelings fully known to her. ~ Nathan Southern, All Movie Guide

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Starring:
Stockard ChanningShaun Evans, (more)
2006 
 
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A simple lie yields deadly consequences in writer/director Joe Ahearne's drama about two parents who lie about their religion to get their daughter into a high performing Catholic school. Ten year-old Lucy has just witnessed a deadly knife attack at school, and now her parents Stewart (Christopher Eccleston) and Alison (Susannah Harker) are desperate to ensure her safety. If they could only get Lucy into a respected Catholic school, Stewart and Alison could finally rest easy, but in order for that to happen they will have to lie about their religion. At first it seemed like a simple deception, but soon this little white lie will spiral into a deadly cycle of fraud, blackmail, and murder. In order to prepare for an intimidating interview with the school's tough principal (Lesley Manville), Stuart and Alison enlist the aid of a priest (David Warner) who's willing to verify their story and give young Lucy a quick lesson in Catholicism. But this crucial bit of help has a high price, and by the time Stewart discovers the priest's dark secret it may already be too late. ~ Jason Buchanan, All Movie Guide

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Starring:
Christopher EcclestonSusannah Harker, (more)
2004 
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Written and directed by Academy Award-nominee Mike Leigh and set in England during the 1950s, this movie revolves around Vera Drake (Imelda Staunton), whose unrelenting dedication to her family is well known throughout her blue-collar town. However, there are more people than her rapidly aging mother and ill neighbor who depend on Vera's care. Though abortion was illegal and, of course, widely frowned upon in the '50s, Vera sees women going through unwanted pregnancies the same as she would anyone else -- human beings deserving of treatment. With this in mind, she regularly induces miscarriages for those who need them, and her patients are consistently grateful for her gentleness and understanding. Unfortunately for Vera, the law doesn't see her as aiding those in need; they interpret the abortions as murder, as do most of the other people in her life. When Vera's activities are revealed, her family life and relationships with those around her -- including the ones she helped nurse back to health -- are put in jeopardy. Vera Drake also features performances from Jim Broadbent, Heather Craney, and Philip Davis. ~ Tracie Cooper, All Movie Guide

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Starring:
Imelda StauntonPhilip Davis, (more)
2004 
 
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A privileged middle-class girl raised in rural southern England gets a rude awakening to the world when a family move forces her to contend with the unseemly inhabitants of a northern mill town in director Brian Percival's adaptation of Elizabeth Gaskell's timeless love story. Margaret Hale (Daniela Denby-Ashe) is the daughter of a middle-class parson and a girl accustomed to decidedly refined company. When her family is uprooted and forced to move to the northern mill town of Milton, the prim and proper country girl is notably contemptuous of her new working class neighbors - and especially of charismatic mill owner John Thornton (Richard Armitage. ~ Jason Buchanan, All Movie Guide

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2002 
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After a rather decided departure with his 1999 homage to Gilbert and Sullivan, Topsy-Turvy, Mike Leigh returns to his usual form for All or Nothing, a melancholy look at the day-to-day lives of a dysfunctional lower-middle class British family called the Bassetts. Timothy Spall and Lesley Manville (familiar to fans of Leigh's previous films) star as Phil and Penny, a common-law husband and wife who toil their gloomy days away as a cab-driver and grocery-store cashier, respectively. When the couple come to realize the growing emptiness in their relationship, an unexpected emergency within their family brings them closer together and offers the possibility of reigniting the long-extinguished spark in their marriage. Hoping to repeat the Palm D'or win of Leigh's 1996 film Secrets and Lies, All or Nothing was screened in competition at the 2002 Cannes Film Festival. ~ Matthew Tobey, All Movie Guide

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Starring:
Timothy SpallLesley Manville, (more)
2001 
 
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In the summer of 1937, wealthy timber importer William Cazalet (Frederick Treves) and his wife, Kitty (Ursula Howells), host their children -- Hugh, Edward, Rupert, and Rachel -- and grandchildren for an extended holiday at William's idyllic Sussex estate. At dinner, William invites Rupert (Paul Rhys), a struggling artist, to join his other two sons, Hugh and Edward, in his thriving firm. Idealistic Rupert declines the offer. While attempting to justify his decision to his self-centered wife, Zoe (Joanna Page), whom he married after his first wife died, Rupert also must cope with his adolescent daughter's resentment of her stepmother. Meanwhile, rumors of war with Germany unsettle the family, and they monitor radio broadcasts closely. Hugh (Hugh Bonneville) knows well the perils of soldiery. In the Great War, he lost the use of his left hand and suffered a head injury that causes recurring headaches. His wife, Sybil (Anastasia Hille), worries about him, and he in turn worries about her, especially when her health mysteriously declines. Edward (Stephen Dillane), on the other hand, worries only about getting caught cheating on his wife, Villy (Lesley Manville), who is pregnant. His lustful behavior becomes truly detestable when he gropes his own daughter. His sister, spinster Rachel (Catherine Russell), is his opposite: reserved, always thinking of others. But a secret longing distresses her, and she vies with it in silence. Meanwhile, Villy, Zoe, and Edward's mistress all become pregnant; Sybil develops cancer; Rupert enlists when the Nazis go on the march; and a nephew comes to the Cazalet estate to escape his autocratic father. The war, familial conflict, and Sybil's illness test the family as never before. The final two hours of the six-hour saga reveal whether the Cazalets have the mettle to choose selflessness over self. ~ Mike Cummings, All Movie Guide

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Starring:
Hugh BonnevilleStephen Dillane, (more)
2001 
 
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In this made-for-TV period drama, Kevin Whately stars as David Bruce, who, in 1911, receives an important promotion at the gas company for which he works. Born and raised in a working-class family, David is proud to have risen to a more economically privileged status, and he and his wife move into a new home in Bedford Park, with David confirming their new status by hiring a maid for his wife. Jane (Emma Cunliffe), the family's new domestic, soon falls in love with David's son Harry (Jason Hughes), a medical student. Harry is equally attracted to Jane, but Jane insists they keep their romance a secret, as it could jeopardize her career with the Bruce family. After a gas explosion claims the life of a fellow employee, David soon finds himself out of favor at work, and the pressures to live up to his employer's expectations take a steep emotional toll on him. With his marriage falling apart, David becomes increasingly attracted to Jane, and in time he persuades her to have an affair with him, which she feels she is in no position to refuse. Racked with guilt over her betrayal of Harry, Jane is forced to break the news to David that she is with child; David responds with a plan to murder his sickly wife, while Harry is outraged to discover Jane isn't sure if the child was fathered by himself or his father. ~ Mark Deming, All Movie Guide

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Starring:
Kevin Whately
2000 
 
Hot on the heels of the BBC's multipart 1999 adaptation of Charles Dickens' semiautobiographical novel David Copperfield came this American-financed version, prepared for the TNT cable network as part of the Hallmark Hall of Fame. Child actor Max Dolbey and adult performer Hugh Dancy share the role of David Copperfield who, after enduring a tempestuous youth at the hands of his cruel stepfather Murdstone (Anthony Andrews), manages to survive into adulthood with the help and support of such sympathetic figures as Aunt Betsy Trotwood (Sally Field), the eternally-in-debt Mr. Micawber (Michael Richards), and loyal old Dan Peggoty (Nigel Davenport). Even so, David's later years are none too serene, thanks in great part to antagonists like the wheedling, "'umble" Uriah Heep (Frank MacCusker), and to his own star-crossed romantic misadventures. At the time of its first telecast on December 10, 2000, this two-part adaptation of David Copperfield was criticized for the "stunt" casting of former Seinfeld regular Michael Richards as Micawber, who is transformed into a Kramer-esque slapstick figure; however, one must remember that not everyone was enamored of W.C. Fields' now-classic interpretation of the same character in the 1935 film version. David Copperfield was lensed on location in Ireland. ~ Hal Erickson, All Movie Guide

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1999 
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Noted for intimate character studies created in collaboration with his actors, director Mike Leigh makes a dramatic change of pace with this biography of comic opera composers W.S. Gilbert and Arthur Sullivan. Gilbert (Jim Broadbent) is an easily angered but otherwise emotionally remote lyricist who works in collaboration with composer Sullivan (Alan Corduner), a genial and fun-loving sort who feels unsatisfied writing light operettas and longs to work with more serious material. While Sullivan is having a creative crisis, Gilbert is facing a failing marriage to Lucy (Lesley Manville), who loves her husband even if he can't return her affections, and must deal with his ailing father (Charles Simon). When they suffer their first failure, both men are depressed, and Sullivan announces that he's giving up operetta for good. However, a visit to an exhibit of Japanese art sparks an idea in Gilbert, and soon he and Sullivan are hard at work on what will become one of their greatest successes, The Mikado. Much of the film is devoted to the staging of this classic, with Shirley Henderson, Dorothy Atkinson, Martin Savage, Timothy Spall, and Kevin McKidd as members of the operetta's cast. Jim Broadbent won Best Actor at the 1999 Venice Film Festival. ~ Mark Deming, All Movie Guide

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Starring:
Jim BroadbentAlan Corduner, (more)
1998 
 
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Helen Mirren played the title character in the two-part British miniseries Painted Lady. In the throes of poverty and drug abuse, Irish folk singer Maggie Sheridan (Mirren) pulled herself together when her wealthy and well-connected landlord was murdered and robbed of several valuable works of art. Posing as an art dealer, Maggie not only wreaked vengeance upon the thieves, but also had time left over for a torrid interracial romance. And, as a bonus, the heroine ended up a Countess, no less. Debuting over British television on December 7, 1997, Painted Lady made its American TV bow on April 26, 1998. ~ Hal Erickson, All Movie Guide

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Starring:
Helen MirrenFranco Nero, (more)
1998 
 
The first feature by Bill Brookfield, Milk is an offbeat British comedy about a family in mourning. The death of an 81-year-old woman sets the scene for this tale about family funerals and the difficulty of burying one's mother. Adrian is an unmarried, unworldly, and unstable dairy farmer dissatisfied with his life. He has had his share of youthful ambitions, but now all he is capable of doing is sloping after dairy cows. Between his filial duty to his bed-ridden cosmopolitan mother Lucy and his obligation to the dairy farm, he has never had a chance in life until his mother suddenly dies. Set in the Wiltshire countryside, the action begins when Adrian discovers her body and ends with its offbeat disposal 48 hours later. His first reaction is to execute his mother's pet parrot and confiscate her precious painting before his extended family swarms the dilapidated farmhouse to pillage her loot. They all want a piece of Lucy and they all have conflicting plans for the funeral. But Adrian intends to surprise them on both counts. The idea that a family member's death brings out the true nature of family dynamics is not a novelty in cinema, but Brookfield dabs the subject with local color, gently poking fun at the quarrels of people whose blood ties do not guarantee similarities of character. ~ Gönül Dönmez-Colin, All Movie Guide

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Starring:
James FleetPhyllida Law, (more)
1996 
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A family is forced to confront the personal issues they've been avoiding for years in this powerful, realistic drama. Cynthia (Brenda Blethyn) is a working-class British woman whose life has been a long series of painful disappointments. She's single with no romantic prospects and a dead-end job at a box factory. Her daughter Roxanne (Claire Rushbrook) works as a street sweeper and is chronically bitter. Cynthia helped raise her brother, Maurice (Timothy Spall), who is doing well as a photographer, but she rarely sees him and usually blames his wife, Monica (Phyllis Logan). One day, Cynthia receives a phone call from a woman named Hortense (Marianne Jean-Baptiste), who claims to be the daughter Cynthia put up for adoption years ago. Cynthia initially reacts with panic, but she agrees to meet Hortense and is surprised to discover that she's a successful and soft-spoken eye doctor -- and that she's black. Cynthia is soon convinced that Hortense is just who she claims to be, and they quickly form a friendship that gives Cynthia a new source of emotional strength. However, when Cynthia decides to introduce the family to her new "friend," it forces them to confront the lies and evasions that have kept them apart all these years. Largely improvised by director Mike Leigh and his cast, Secrets & Lies features standout work by Brenda Blethyn (who earned an Academy Award nomination as Best Actress), Marianne Jean-Baptiste (who was nominated as Best Supporting Actress), and Timothy Spall. ~ Mark Deming, All Movie Guide

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Starring:
Brenda BlethynMarianne Jean-Baptiste, (more)
1989 
PG 
In this early film, award-winning director Mike Leigh uses a loose, open-ended narrative structure to unsettle cinematic expectations and create a truly inventive and very honest film. High Hopes opens with the arrival of Wayne, a small-town lad in his twenties, in the London metropolis. Completely lost in the hustle and bustle, Wayne asks for directions from a cyclist named Cyril. Unable to assist him, Cyril brings Wayne to his house to examine a map and meet his long-time girlfriend, Shirley, also a working-class intellectual. After the opening credits roll, Wayne, equipped with directions, leaves and turns to wave goodbye to the helpful couple. Completely unexpectedly the camera stays with Cyril and Shirley, Wayne exits the film as a minor character, and the viewer's notions of what to expect from a narrative drama are completely shaken. Throughout, High Hopes' seemingly innocuous events turn out to be crucial incidents in the characters' lives. After this abrupt change of direction, Cyril and Shirley pay a visit to Cyril's aging mother, Mrs. Bender, and meet her neighbors, the vapid Boothe-Braines. In a parallel story, we meet Cyril's high-strung sister, Valerie, who perpetually neglects her mother as she herself is neglected by her wandering husband, Martin. The remainder of the film explores the dull, unfulfilled lives of the middle class and the wasteful and purposeless lives of the upper-middle class (the Boothe-Braines), and Cyril and Shirley's struggle to decide if they should bring a child into this mess of a world. As with his other films, Leigh did not work from a script in filming High Hopes, relying instead on the actors' improvisations which contribute to the lyrical, open-ended quality of the narrative. ~ Brian Whitener, All Movie Guide

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Starring:
Philip DavisRuth Sheen, (more)
1988 
 
The Firm, acclaimed British television director Alan Clarke's last feature film, deals with the football hooliganism that was such a serious problem in England during the 1980s. Gary Oldman stars as Bex, a real estate agent whose true passion is being the "top boy" of the Inter-City Crew, or ICC, from West Ham (based on the real-life Inter-City Firm). As the film opens, Bex is engaged in a football match while his car is being vandalized by rivals from Birmingham, led by Yeti (Mike Leigh regular Philip Davis, who also co-starred in Clarke's Scum). His mates urge Bex to seek violent revenge immediately, but he has other plans. Bex calls a meeting with the two other major "firms" in England and proposes that they band together for a trip to Germany to face off against Dutch hooligans at the European Cup. But his rivals balk because Bex insists on leading the new national firm. It's decided that whichever firm comes out on top in a round robin series of battles will lead them all to Germany. But Yeti continues to target Bex and his crew, and as the violence escalates, there's growing dissension in the ranks. Further complicating matters, Bex's wife, Sue (Lesley Manville, Oldman's one-time wife and another Leigh regular), takes a dim view of his violent "hobby," and their relationship takes another hit when their toddler son gets hold of Bex's beloved Stanley knife. The Firm's airing on the BBC created some controversy. Clarke went on to direct the influential experimental film Elephant before he died of cancer in 1990. ~ Josh Ralske, All Movie Guide

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Starring:
Gary Oldman
1987 
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Katherine (Jacqueline Bisset) is a photographer who lives in the exotic Greek islands with her sculptor husband Patrick (James Fox) in this comedy. The film lampoons tourists, contains beautiful scenery, and focuses on the relationship and eventual reconciliation of Katherine and Patrick. Side plots include a rebellious local involved in politics, an elderly Russian spy (Sebastian Shaw), and the search for an antique urn. Kenneth Branagh and Lesley Manville play British tourists and co-star with Irene Pappas, Robert Stephens, and Paris Tselios. ~ Dan Pavlides, All Movie Guide

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Starring:
Jacqueline BissetJames Fox, (more)
1985 
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This darkly haunting slightly fictionalized film is a retelling of the life and death of Ruth Ellis (Miranda Richardson), the last woman to be executed in England. Ellis, a divorcee and ex-prostitute works as a "hostess" in a tacky nightclub. There she meets and begins an obsessive love affair with upper-class David Blakely (Rupert Everett), who eventually discards her. Still obsessed and jealous because of David's upcoming marriage to a woman of his own class, Ellis murders him. Miranda Richardson, in a stark, knock-out performance is outstanding as the cold, calculating Ellis, unscrupulous in her use of everyone to get what she wants. Ian Holm, in an often-overlooked performance, is superb as the man who loves Ellis, supporting her and her teenage son, without ever gaining her love. He is her mainstay and the surrogate father to her teenage son, who Ellis has little time for. In his own, quiet way he is as obsessed as Ellis. The screenplay, adapted by Shelagh Delaney remains faithful to the true story, taking only minor dramatic license. Dance With a Stranger is an uncompromising look at obsessive love and its consequences on others. The story is made even more poignant because of the sad life and eventual suicide of Ellis' real son. ~ Linda Rasmussen, All Movie Guide

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Starring:
Miranda RichardsonRupert Everett, (more)
1980 
 
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Made for British television by filmmaker Mike Leigh, Grown Ups is a detailed slice-of-life drama about a married, working-class couple in Canterbury, England. The film begins with the young couple, Dick and Mandy, moving to a new, rather small home and becoming neighbors to Mr. Butcher, an abrasive, ill-humored man who they once had as a schoolteacher. This rather awkward living situation soon becomes even more uncomfortable, thanks to the near-constant presence of Mandy's older sister, Gloria. (Gloria is portrayed by Brenda Blethyn, who 17 years later would win recognition and an Oscar nomination for her work in Leigh's Secrets and Lies.) Gloria's eccentricity and desperate, child-like neediness leads her to become increasingly dependent on the young couple, showing up at all hours and rarely leaving. Her behavior grates on the already sour Dick and comes to test Mandy's patience as well. When Mandy's efforts to politely discourage her sister's visits prove fruitless, the extended family is forced into a painful, emotionally charged confrontation. Leigh purposefully alternates the film's more immediate dramatic elements with careful, real-time portraits of daily life, giving equal weight to both traumatic arguments and extended conversations about home decor and vacuum cleaners. ~ Judd Blaise, All Movie Guide

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