Joe Mantegna Movies

The first volley in the never-ending "Presley movie" blitzkrieg, the made-for-TV Elvis: The Movie stars Kurt Russell as the King, Season Hubley as Priscilla, Pat Hingle as Col. Parker, Shelley Winters as Elvis' mom, and Bing Russell (Kurt's real-life father) as Elvis' dad. The film recounts Presley's life from age ten to his 1969 Vegas comeback. Presley imitator Ronnie McDowell expertly dubs in Kurt Russell's renditions of "Love Me Tender," "Heartbreak Hotel," et al. When first telecast on February 11, 1979, the ratings for Elvis: The Movie went through the roof, even beating out a competing telecast of Gone With the Wind. ~ Hal Erickson, All Movie Guide

In this rather blatant "all-white" derivation of the Gene Wilder-Richard Pryor starrer Stir Crazy, Christopher Lemmon and Charles Rocket are cast as pair of dimwitted innocents who suddenly find themselves on the wrong side of the law. While promoting a zany get-rich-quick scheme, uptight suburbanite Eugene Griswold (Lemmon) and his eccentric inventor pal Stanley Flynn (Rocket) are hijacked by a pair of equally stupid jewel thieves. Wrongly accused and convicted of the heist, Eugene and Stanley get swept up in a prison break, spending the balance of the film on the lam and in disguise. Filmed in 1982 as the pilot for a unsold TV series, The Outlaws didn't see the light of day until ABC had to fill an unplugged 90-minute scheduling hole on July 9, 1984. ~ Hal Erickson, All Movie Guide

This slapstick farce features Dusty Bottoms (Chevy Chase), Lucky Day (Steve Martin), and Ned Nederlander (Martin Short), as three silent movie cowboy stars who get the axe from their Hollywood studio. Just at that opportune moment, a woman named Carmen (Patrice Martinez) asks them to come to her forgotten little town south of the border and do some work for her, for a tidy sum. The three "stooges" agree, thinking they are going to perform their singing cowboy routine, but instead Carmen wants them to get rid of the nasty El Guapo (Alfonso Arau) who is running roughshod over the good citizens of the town. Not the kind of heroes they appear to be in the movies, they have a difficult time helping out the distressed townsfolk. ~ Eleanor Mannikka, All Movie Guide

Adapting the themes of the 1948 film Mr. Blandings Builds his Dream House, this comedy stars Tom Hanks as Walter Fielding, who with his love Anna (Shelley Long) decides to buy a suburban New York home for next-to-nothing. Both Anna and Walter are willing to fix what ails the house and since they are both successful professionals, that should not be too difficult. Unfortunately, what ails the house might be terminal as the rest of the film chronicles the battle between the couple and the disintegrating structure. Construction workers come in to make matters either worse or better -- or both. ~ Eleanor Mannikka, All Movie Guide

In this film, based on a true story, convicted criminal Lee Umstetter (Nick Nolte) is sentenced to life in San Quentin prison, with no possibility of parole. Despairing at his interminable sentence, Lee spends his time reading and educating himself. When he writes and performs a play that attracts the notice of a film critic (Rita Taggart), she sets out on a quest to have him paroled. ~ Iotis Erlewine, All Movie Guide

In his directorial debut, Pulitzer Prize-winning playwright David Mamet creates a stylish cinematic puzzle of games within games, as con men are joined by a psychologist in creating the perfect caper. Dr. Margaret Ford (Lindsay Crouse), the writer of psychological self-help books, meets Mike (Joe Mantegna) as she attempts to help a patient who owes heavy gambling debts. When she herself is the victim of a con, she becomes intrigued by the psychological drama of the con game and joins in a complicated scam involving a suitcase of cash. Mamet directs his extremely complicated plot with skill and complete control until it is impossible to tell who is the con and who is the victim. The suspense builds to an amazing surprise ending which is both reasonable and believable but completely unpredictable. Crouse and Mantegna are outstanding as are all the supporting performances. Mamet and his cinematographer Juan Ruiz-Anchia create a visually stunning, compelling film that does justice to Mamet's superbly written screenplay ~ Linda Rasmussen, All Movie Guide

After a break of more than 15 years, director Francis Ford Coppola and writer Mario Puzo returned to the well for this third and final story of the fictional Corleone crime family. Two decades have passed, and crime kingpin Michael Corleone (Al Pacino), now divorced from his wife Kay (Diane Keaton), has nearly succeeded in keeping his promise that his family would one day be "completely legitimate." A philanthropist devoted to public service, Michael is in the news as the recipient of a special award from the Pope for his good works, a controversial move given his checkered past. Determined to buy redemption, Michael and his lawyer B.J. (George Hamilton) are working on a complicated but legal deal to bail the Vatican out of looming financial troubles that will ultimately reap billions and put Michael on the world stage as a major financial player. However, trouble looms in several forms: The press is hostile to his intentions. Michael is in failing health and suffers a mild diabetic stroke. Stylish mob underling Joey Zaza (Joe Mantegna) is muscling into the Corleone turf. "The Commission" of Mafia families, represented by patriarch Altobello (Eli Wallach) doesn't want to let their cash cow Corleone out of the Mafia, though he has made a generous financial offer in exchange for his release from la cosa nostra. And then there's Vincent Mancini (Andy Garcia), the illegitimate and equally temperamental son of Michael's long-dead brother Sonny. Vincent desperately wants in to the family (both literally and figuratively), and at the urging of his sister Connie (Talia Shire), Michael welcomes the young man and allows him to adopt the Corleone name. However, a flirtatious attraction between Vincent and his cousin, Michael's naïve daughter Mary (Sofia Coppola) develops, and threatens to develop into a full-fledged romance and undo the godfather's future plans. ~ Karl Williams, All Movie Guide

The third film written and directed by playwright David Mamet, this combination of crime drama and character study stars several of Mamet's stock players. Joe Mantegna stars as Bobby Gold, a detective with a gift for negotiation who, along with his partner Tim Sullivan (William H. Macy), accidentally stumbles upon a crime scene -- the murder of an elderly Jewish woman in her corner store. When it turns out that the victim was politically well-connected and Jewish, Bobby's superiors assign him the case because he's also Jewish. The problem is that Bobby isn't very religious and he resents being taken off a higher profile drug investigation involving a dealer, Randolph (Ving Rhames). Bobby's also highly skeptical when the murdered woman's family claims that her death was not a simple robbery but an anti-Semitic hate crime. As he gets deeper into his case, however, Bobby discovers that a larger conspiracy may be afoot, and he begins to question his own ethnic roots. ~ Karl Williams, All Movie Guide

Ray (Ken Olin) is a young adult and has a girlfriend whom he lives with quite happily. However, the agreed-upon date of their marriage is coming up, and he's not quite sure he wants to make that kind of commitment. His buddies Dennis, Elliot, and Vinny have their own commitment problems. Dennis (Kevin Bacon) isn't sure he wants to stay away from his buddies long enough to get his music career going in Hollywood; Elliot (John Malkovich) knows that he's homosexual but thinks that being gay means fitting all sorts of ugly stereotypes -- stereotypes he is determined to avoid at all costs; and Vinny (Tony Spiridakis) commits himself all too frequently and often to the nearest desirable female. Meanwhile, cousin Al (Joe Mantegna) is in trouble with his wife, and only the intervention of a well-intentioned psychotic (Jamie Lee Curtis) can put him back on the right track. ~ Clarke Fountain, All Movie Guide

This 1991 episode of Saturday Night Live is hosted by Joe Mantegna and features musical guest Vanilla Ice. ~ Skyler Miller, All Movie Guide

A Depression-era inventor finds a way of revolutionizing manufacturing technology and then discovers that this invention has its dark side as well. ~ Tana Hobart, All Movie Guide