George J. Manos Movies

Loosely based on a true story, this uneven romantic comedy depicts the unexpected way in which a winning lottery ticket unites a pair of strangers. Waitress Yvonne (Bridget Fonda) first meets police officer Charlie (Nicolas Cage) when he eats in her restaurant. Realizing that he doesn't have enough money to give her a tip, Charlie promises Yvonne to split any winnings from the lottery ticket he just bought. The skeptical Yvonne dismisses Charlie as just another cheapskate until he wins four million dollars and, much to Yvonne's surprise, decides to honor the agreement. His action becomes front page news and wins public acclaim, but it doesn't go over nearly so well with Charlie's wife Muriel (Rosie Perez), who has her own plans for the money. Muriel's shallow, greedy behavior disgusts Charlie, who finds himself spending more and more time with Yvonne, developing a friendship that threatens to blossom into something more. Jane Anderson's screenplay stresses the relationship between Charlie and Yvonne's characters over the situation's comic potential; this earnest tone will please romance fans but may disappoint viewers expecting the farcical comedy of writer/director Andrew Bergman's and Cage's previous effort, Honeymoon in Vegas. ~ Judd Blaise, Rovi

More than anything else, 13-year old New Jerseyite Josh (David Moscow) wants to be "big". That's the wish he makes at an odd-looking amusement pier fortunetelling machine. The next morning, Josh wakes up-only to discover that he's grown to manhood overnight! (At this point, the part is taken over by Tom Hanks). Still a 13-year-old mentally and emotionally, Josh decides to hide out in New York City until he can figure out what to do next. He lucks into a job with a major toy company run by kid-at-heart McMillan (Robert Loggia). By cannily bringing a child's eye view to McMillan's business, Josh rises to the top-and in process, he falls in love with fellow employee Susan (Elizabeth Perkins). But he's still a kid, and he'd like to go back to his own world and own body. Written by Gary Ross and Anne Spielberg, Big proved a crucial success for budding director Penny Marshall, who'd work harmoniously with Hanks again on the radically different A League of Their Own. The cinematography was by Barry Sonenfeld, who went on to become a director himself with The Addams Family. That Big was heavily reliant upon the input of Tom Hanks and Penny Marshall was proven by the failed attempt to turn the property into a Broadway musical. ~ Hal Erickson, Rovi

Milos Foreman's cinematic adaptation of E.L. Doctrow's sprawling pop-culture epic Ragtime follows a variety of characters whose lives intertwine during the earliest years of the 20th century. Brad Dourif plays the meek young brother in a wealthy family who ends up helping Coalhouse Walker Jr. (Howard E. Rollins) when the proud black man stands up to the racism that surrounds him with a criminal act that leads to a standoff with a police commissioner (James Cagney - making his return to the big screen after fifteen years away). Secondary characters include a street artist (Mandy Patinkin) who gets his foot in the door of the nascent film business, and a flighty young woman (Elizabeth McGovern) who inspires men who desire her to violence. Randy Newman composed the score, which included a song that earned him his first Oscar nomination. ~ Perry Seibert, Rovi

Opting for light entertainment after the critical satire of Shampoo (1975), producer-director-writer-star Warren Beatty remade the 1941 comic fantasy Here Comes Mr. Jordan. Dimly amiable L.A. Rams quarterback Joe Pendleton (Beatty) is prematurely called to Heaven by an over-eager escort (Buck Henry, who co-directed) after a traffic accident. When archangel Mr. Jordan (James Mason) discovers the error, he offers to return Joe to his body, only to find that it has been cremated. On the verge of playing in the Super Bowl, Joe demands a fit body rather than the old about-to-be-murdered industrialist Farnsworth he has been offered, but he reconsiders when he sees environmentalist Betty Logan (Julie Christie) in Farnsworth's house. Assuming Farnsworth's body while keeping his sweet self, Joe hires his beloved coach Max Corkle (Jack Warden) to get him in shape (after convincing Max who he really is), sets Farnsworth's business on an eco-friendly path, and romances Betty. Farnsworth's homicidal wife (Dyan Cannon) and secretary (Charles Grodin), however, are still determined to succeed in their plan to kill him. When Mr. Jordan finally finds the Super Bowl body Joe wanted, Joe has to trade his old self for the new life -- but will he remember his love for Betty? Heaven Can Wait offered contemporary yet old-fashioned escapism and tapped into the late-1970s vogue for nostalgic fun, becoming one of 1978's most popular summer movies after Grease. Updating the original while following its blueprint, Beatty and co-writer Elaine May switched Joe's sport and turned Joe into a man of his '70s moment, adoring Betty for her convictions and favoring "green" policies over corporate greed. Gently breathing life into a classic form, Heaven Can Wait found romantic innocence in a jaded time, and it went on to receive nine Oscar nominations, including Best Picture. ~ Lucia Bozzola, Rovi