Monique Mannen Movies

A new '90s expressiveness regarding homosexuality in movies is gently mined for laughs in this 1993 comedy that predates the similar but much more raw Chasing Amy and slightly more humorous Threesome. With her straight greasy hair, semi-paranoid outlook, and leather jacket she wears like a shield, Connie (Kelly Lynch) already seems a bit unhinged. Then her girlfriend, Ellen (Sherilyn Fenn), breaks up their relationship and Connie loses it. In her grief, she hits upon a bizarre plan: Why not hire male prostitute Joe (William Baldwin) to seduce Ellen, then break her heart? Wouldn't that make Ellen rush back into Connie's arms? Of course not. For one thing, Joe's life is complicated by his protective yet sinister pimp (Joe Pantoliano) and a thug who mistakenly believes Joe set him up for a prison sentence. And Joe and Ellen fall in love. Yet an odd, sibling-like friendship develops between Joe and Connie that steers them through the repercussions of Ellen's discovery of their deceit, the thug's attack on Joe, and Joe's desire to give up prostitution. By the story's end, they've lost Ellen, but they have one another, and have learned to step beyond the protective relationships they have lost. Three of Hearts solidified William Baldwin's ascent to leading-man status (along with brothers Stephen and Alec) after 1991's Backdraft. ~ Nick Sambides, Jr., All Movie Guide

Loosely based on the life and times of several R&B artists (The Dells, The Temptations, Frankie Lymon, Sam Cooke and others) The Five Heartbeats traces the rise and fall of a popular African-American 1950s singing aggregation. The story is told from the point of view of one of the "Heartbeats," played by Robert Townsend (who also co-produced, directed and co-wrote the script with Keenan Ivory Waynans). The film is an amalgam of anecdotes drawn from real-life experiences: the long struggle upward, the first rush of success, the dishonest record-company executives, the hard-nosed but nurturing managers, the sex, the drugs, the isolation and the precipitous downward slide. The film begins and ends in the 1990s, as the middle-aged "Duck" (Townsend) ruminates on the past and makes the best of the present. ~ Hal Erickson, All Movie Guide

Prince wrote, directed, and stars in this disastrous sequel to Purple Rain that equates differing musical styles with God, angels, faith, and the struggle between the spiritual and the earthy. Once again Prince is The Kid, still working his emotional damnedest to one-up Morris Day and his band, The Time. In this installment, the boys fight over the ownership of a nightclub called Glam Slam. Both are bequeathed half of the club in a will, and Morris and the Kid want to handle each of their halves differently. Morris treats his part of the club as a popular venue, playing music the public wants to hear, and it is a rousing success. The Kid, on the other hand, wants to bring spirituality into funk -- to make his point he even strikes a crucifixion pose. The result is a battle of the bands with The Time and The Kid jamming off of one another, battling for the souls of the two-drink minimum suckers. ~ Paul Brenner, All Movie Guide

When a movie star's ghost takes to haunting a writer's home on the beach, the two put their heads together to uncover the truth behind her suspicious demise. ~ Iotis Erlewine, All Movie Guide

Fraternity and sorority members clash with the other students at a historically black university in this politically charged musical, which marked the sophomore feature from director Spike Lee. Dap (Laurence Fishburne) is a politically conscious brother who leads anti-apartheid demonstrations and eschews the social climbing of the Greek system. But Half-Pint (Lee), his craven young cousin, is willing to endure any humiliation to join the manly Gamma fraternity. As Half-Pint tries unsuccessfully to impress the Gammas with his inept womanizing, Dap engages in philosophical debates with Rachel (Kyme), his girlfriend. Meanwhile, the light-skinned, straight-haired sisters of the Gamma Ray sorority battle it out in a beauty parlor with their darker-skinned, Afro-headed fellow co-eds. Eventually, Half-Pint gets the chance to join the frat, but only after a degrading episode with Jane (Tisha Campbell), the soon-to-be ex-girlfriend of his house president, causes Dap to lose all respect for him. Based in part on the director's experiences at Atlanta's Morehouse College, School Daze was also written and produced by Lee. Despite production numbers that included "Straight and Nappy", a dis-fest between the "wannabes" and "jigaboos" on campus, the biggest hit on the film's soundtrack was the go-go anthem "Da Butt", E.U.'s ode to shaking one's backside. Supporting players Kadeem Hardison and Jasmine Guy also co-starred on the TV comedy A Different World, another look at life on a primarily African-American campus. ~ Brian J. Dillard, All Movie Guide