Hank Mann Movies
American comedian Hank Mann was a product of the turbulent tenement district of New York in the 1880s, where a kid had better learn to be handy with his fists or lose all his teeth by the age of 12. Putting his physical prowess to practical use, Mann became a circus acrobat, then headed westward for a job at Mack Sennett's Keystone studios. His junkyard-dog face was softened a bit by a huge paintbrush mustache, which emphasized his expressive, almost wistful eyes. Seldom a star comedian at Sennett, Mann quickly learned how to "catch flies" -- steal scenes, that is. In the most famous example of this, Mann played the foreman of a jury where Chester Conklin was on trial for his life; as Conklin energetically pleaded his case, Mann grabbed the audience's attention by silently yanking up his necktie in a hanging motion. Mann left Keystone for his own starring series at Fox, thence to a career as a character comic in feature films. He had the potential to be one of the top comedy stars of the era, but bad management and worse judgment left him broke by the late '20s. Mann was given a good break as Charlie Chaplin's contemptuous boxing opponent in City Lights (1931), and was provided with a meaty role as a house detective in the 1935 two-reeler Keystone Hotel, which reunited such former Sennett headliners as Ford Sterling, Ben Turpin, Chester Conklin and Marie Prevost. But Mann's talkie career consisted primarily of bit parts. He worked steadily in the films of Frank Capra, a friend from the silent days, and appeared prominently in two Three Stooge comedies, 1934's Men in Black (as a long-suffering janitor) and 1937's Goofs and Saddles (performing some bone-crushing pratfalls as a confused cattle rustler). Mann also showed up briefly in the two-reelers of such Columbia contractees as Andy Clyde, Buster Keaton and El Brendel. When jobs were scarce, Mann farmed out his services as a makeup artist, and also ran a small California malt shop. During the '50s, Hank Mann could always be relied upon for newspaper interviews about the good old days, and he was cast along with other silent comedy vets in such nostalgic feature films as Abbott and Costello Meet the Keystone Kops (1955) and Man of a Thousand Faces (1957). ~ Hal Erickson, All Movie Guide- 1923
Viola Dana stars in this rags-to-riches comedy-drama. She plays Martha Mason, who is such an underdog in her little home town that when she graduates from school, she doesn't get a diploma because there aren't enough to go around. Having inherited 2,000 dollars, Martha convinces her father (Bert Woodruff) to let her study art in New York City. Seven years pass, in which time she becomes a huge success and is surrounded by loads of admirers. One young man in particular wants to marry her, but her only thought is of going back home, to show up all the naysayers and to reunite with her childhood sweetheart, Ben Colwell (David Butler). She returns, only to find the place as dreary as before, and Colwell -- who has never taken her seriously -- engaged to Anne Paisley (Eva Novak), daughter of the town's most wealthy citizen (Alfred Allen). Colwell has become a lawyer playing dirty politics, and Martha hands this information over to a dying local newspaper in need of a scoop. This creates the "noise" referred to in the film's title, and Colwell is chased out of town. Martha, redeemed, returns to New York to accept the proposal of the city guy she left hanging. ~ Janiss Garza, All Movie Guide
- Starring:
- Viola Dana, David Butler, (more)
- 1924
In spite of the depressing, often tragic, circumstances in this drama, director Finis Fox somehow managed to add in comic relief featuring the likes of Hank Mann, Snitz Edwards, Cissy Fitzgerald, and Hugh Fay. Wall Street operator and all-around bad guy Morgan Wallace has his wife (Irene Rich) locked up in an insane asylum so that he can live the life of a carefree bachelor. He decides he wants to get his hands on the wife (Mae Busch) of a minister (Lucien Littlefield) and convinces her to join him for a yacht party. When the ship leaves port and the wife is forced to spend the night on board, she feels that she has been disgraced and leaves home so that her husband and child believe she has died. Fifteen years later, she gets her revenge on the man who wronged her by having him sent to prison for defrauding the government. When he is released, he is murdered by his own wife (proving that perhaps she was a little crazy after all). The son of the minister (Rex Lease), who joins the clergy himself, is instrumental in bringing his mother back to the family. In a coincidental note, Rex Lease studied for the ministry before becoming an actor. ~ Janiss Garza, All Movie Guide
- Starring:
- Morgan Wallace, Irene Rich, (more)
- 1955
The best thing that can be said about Abbott and Costello Meet the Keystone Kops is that it's better than the team's previous outing Abbott and Costello Meet Dr. Jekyll and Mr. Hyde. Set in 1912, the film casts Bud Abbott and Lou Costello as a couple of New Yorkers who are swindled out of their life savings by a crooked lout (Fred Clark). Pursuing the villain to Hollywood, the boys discover that the double-dealer is now posing as an autocratic Russian film director. To put A&C out of the way, the crook and his partner in crime (Lynn Bari) hire the boys as stunt men, intending to kill them off at the first opportunity. But the comic duo save the day when they enlist the aid of the Keystone Kops in capturing the fleeing villain, who has absconded with the studio payroll. Pretty dull stuff for most of its 78 minutes, Abbott and Costello Meet the Keystone Kops finally comes to life during the climactic chase, which is every bit as funny and thrilling as anything put together in the silent era. Though the film is rife with anachronisms, a measure of authenticity is achieved by such silent-era guest stars as Mack Sennett (who gets to throw a pie at Costello), Heinie Conklin, Herold Goodwyn and Hank Mann. ~ Hal Erickson, All Movie Guide
- Starring:
- Bud Abbott, Lou Costello, (more)
- 1955
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Abbott and Costello Meet the Mummy is the last of the team's vehicles for Universal-International. Stranded in Egypt, Bud and Lou hire themselves out as travelling companions to archeologist Kurt Katch. Before long, Katch is murdered by a group of cultists, and a medallion, embossed with a map which leads to a sacred burial site, is accidentally swallowed by Costello. The boys become the unwilling pawns of the cultists, led by Richard Deacon, and a greedy adventuress, played by Marie Windsor. The last scene finds Costello being menaced by three mummies, two of them bogus. ~ Hal Erickson, All Movie Guide
- Starring:
- Bud Abbott, Lou Costello, (more)
- 1940
The title of this one-reel Our Gang comedy is explained when Gang member Carl "Alfalfa" Switzer comes face to face with his wealthy lookalike Cornelius (also played by Switzer). This fateful meeting provides a golden opportunity for both boys: By trading places with his double, Alfalfa will be able to weasel out of his yard work and live a life of luxury, while Cornelius will be able to escape the rigors of dancing lessons, baths, and the like, and briefly enjoy the benefits of being a "regular kid." But the consequences of the boys' identity-trading serves only to lend credence to the old saw "Stay in your own backyard." Originally released on January 20, 1940, Alfalfa's Double fails to live up to the promise of its premise. ~ Hal Erickson, All Movie Guide
- Starring:
- George "Spanky" McFarland, Carl "Alfalfa" Switzer, (more)
- 1931
In this screwball comedy, Annabelle Leigh (Jeanette MacDonald) happily spends the $5,000 sent her each month by her husband, whom she hasn't seen since eleven hours after they were married. She explains to friends that while in Montana, she was injured and cared for by a burly, bearded miner, Hefty Jack (Victor McLaglen), who later married her for the sake of appearances. Less than a day later, Annabelle fled back to New York; Hefty Jack struck it rich, and has been sending her money ever since. Now Annabelle finds herself in financial hot water and desperately turns for help to John Rawson, a newcomer to the city; Annabelle is unaware that he is the now-beardless Hefty Jack. ~ Bill Warren, All Movie Guide
- Starring:
- Victor McLaglen, Jeanette MacDonald, (more)
Arsenic and Old Lace is director Frank Capra's spin on the classic Joseph Kesselring stage comedy, which concerns the sweet old Brewster sisters (Josephine Hull, Jean Adair), beloved in their genteel Brooklyn neighborhood for their many charitable acts. One charity which the ladies don't advertise is their ongoing effort to permit lonely bachelors to die with smiles on their faces--by serving said bachelors elderberry wine spiked with arsenic. When the sisters' drama-critic nephew Mortimer (Cary Grant) stumbles onto their secret, he is understandably put out--especially since he has just married the lovely Elaine Harper (Priscilla Lane). Given the homicidal tendencies of his aunts, the sinister activities of his escaped-convict older brother Jonathan (Raymond Massey) and the disruptive behavior of younger brother Teddy (John Alexander)--who is convinced that he's really Theodore Roosevelt, and runs around the house yelling "CHAAAAARGGGE"--Mortimer isn't keen on starting a family with his new bride. "Insanity runs in my family," he explains. "It practically gallops." Further complications ensue when the murderous Jonathan Brewster arrives home, with his snivelling accomplice Dr. Einstein (Peter Lorre) in tow. When Jonathan learns that his darling aunts have killed twelve men, he is incensed--they're challenging his own record of murders. Though the movie rights for Arsenic and Old Lace were set up so that the film could not be released until 1944, director Capra shot the film quickly and inexpensively in 1941, so that his family could subsist on his $100,000 salary while he was serving in World War II. ~ Hal Erickson, All Movie Guide
- Starring:
- Cary Grant, Priscilla Lane, (more)
- 1940
When Our Gang member Mickey (Robert Blake) reads an article stating that one out of every four children born is Chinese, he begins to worry that his new baby brother will be Chinese as well. Spanky McFarland and the rest of the Gang put Mickey at ease by introducing him to the family of Spanky's new friend Lee Wong. Once he's learned that people are people no matter what their ethnic background, Mickey is mollified -- until he discovers that his much-anticipated "kid brother" is not only a girl, but twins to boot. Originally released on February 15, 1941, the one-reel Our Gang comedy Baby Blues might be regarded as patronizing and even offensive by contemporary viewers. ~ Hal Erickson, All Movie Guide
- Starring:
- George "Spanky" McFarland, Mickey Gubitosi, (more)
- 1926
This early William Wellman directorial effort stars George K. Arthur as the title character, an incredibly naïve farmhand named Peter Good. Spurned by Amy (Gertrude Olmstead), the girl he loves, Peter sets out to prove that he isn't a boob. He joins a posse hunting for a gang of bootleggers, and sure as shootin' he rounds up the bad guys single-handedly. The film's highlight is an elaborate production number set at a burlesque theater, where scores of contract starlets have their clothes removed with the help of wires and pulleys. Billed third in the cast is Joan Crawford, whom MGM was obviously preparing for bigger and better things. ~ Hal Erickson, All Movie Guide
- Starring:
- Gertrude Olmstead, George K. Arthur, (more)
- 1940
In his final Our Gang appearance, Tommy Bond essays his usual role as the Gang's eternal nemesis Butch. This time, Butch wins the heart of little Darla Hood, leaving heartbroken Carl "Alfalfa" Switzer to cry in his alphabet soup. Mistaking the boy's doldrums for indigestion, Alfalfa's dad (William Newell) prepares to give his son a good dose of Seidlitz Powder -- or, as Alfie calls it, "Settles-It" Powder. Later on, the kids pay a visit to Butch's jerry-built chemistry lab, where the young troublemaker is mixing up what he thinks is an explosive. Recognizing the mixture as Settles-It Powder, the crafty Alfalfa offers himself as Butch's guinea pig, "bravely" downing the concoction in hopes of impressing Darla. Alas, the powders haven't been properly combined, and before long a bloated Alfalfa is floating into the sky, while the rest of the gang frantically scurries to his rescue. Filmed in November of 1939, the one-reel Bubbling Troubles was held back from release until May 25, 1940. ~ Hal Erickson, All Movie Guide
- Starring:
- George "Spanky" McFarland, Carl "Alfalfa" Switzer, (more)
- 1942
Although Warner Bros. "officially" disbanded its B-picture unit in 1941, the studio continued to grind out lower-berth features for the next three years. One of these was Bullet Scars, which had the look of a 1930s gangster meller which somehow escaped filming at the time of its inception. Decked out with a lavish toupee, Regis Toomey stars as country doctor Steven Bishop, who is strongarmed into operating on wounded bank robber Joe Madison (Michael Ames) without reporting the wound to the cops. Coerced into assisting Bishop is trained nurse Nora (Adele Longmir), who happens to be Madison's sister. Falling in love with Dr. Bishop, Nora helps him sneak a message to the cops, and the result is a noisy climactic shootout (pieced together with a handful of new shots and stock footage from earlier Warners epics). Variety was understating the case when it described Bullet Scars as "a very unpleasant film." ~ Hal Erickson, All Movie Guide
- Starring:
- Regis Toomey, Adele Longmire, (more)
- 1941
A good wife's innocence is shattered when she learns that her wealthy husband is actually an amoral big-shot jewel thief. She learns this when he brazenly robs some of their vacationing friends. Naturally she wants to leave him, but he won't let her and makes her return to Chicago and stay quiet. He doesn't realize that a detective is in hot pursuit. Once in Chi-town, the thief abandons the wife and she gets a divorce. Unfortunately, she ends up accused of the latest heist. After good friends help to clear her, she meets the detective. Together they plot an ingenious revenge that culminates in the capture of the crook and a new chance at happiness. ~ Sandra Brennan, All Movie Guide
- Starring:
- Joan Perry, Roger Pryor, (more)
- 1936
Hopalong Cassidy's young sidekick, Johnny Nelson, is falsely accused of robbing the Bar 20 in this the fourth installment of the long-running Western series. Nelson (James Ellison) had left the ranch in high dudgeon over a perceived slight and fallen in with a gang headed by Shanghai (George Hayes) and Sam Porter (Al Bridge). Since the gang's aim is to rob the Bar 20, Johnny's sudden appearance is seen as a golden opportunity. The youngster is drugged and his easily identifiable neckerchief prominently displayed as the gang unsuccessfully attempts to rob the ranch safe, wounding owner Buck Peters (Howard H.Lang) in the process. When Hoppy (William Boyd) learns of Johnny's assumed culpability, he vows to bring the youngster to justice. Johnny, meanwhile, has managed to escape the gang and is holed up on a spread belonging to innocent Linda McHenry (Muriel Evans), who, unbeknownst to him, is Shanghai's daughter. He is found there by Porter who concocts a devilish plan to kill the boy and establish an alibi for himself at the same time. Luckily, Cassidy arrives to save his young friend in the nick of time and the gang is finally hunted down. Shanghai, who has decided to go straight, is shot in a struggle with Porter, but survives to clear Johnny of any wrongdoing in the attempted robbery. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- William "Hopalong" Boyd, James Ellison, (more)
- 1914
Charlie Chaplin's 12th film for the Keystone company was also his directorial debut, receiving co-directing credit with co-star, Mabel Normand. Chaplin plays a waiter in a seedy cabaret who is always in trouble with his boss, Edgar Kennedy, and at odds with another waiter, Chester Conklin. While walking his dachshund in a park during his lunch break, he rescues rich-girl Mabel from the clutches of a thief who has chased away her boyfriend, Harry McCoy. Charlie introduces himself as O.T. Axle, Ambassador from Greece, (the first of Chaplin's "impersonation" roles) and is brought home to meet her parents and receive their thanks, much to the chagrin of Mabel's boyfriend. He receives an invitation to return later for a garden party. The suspicious boyfriend follows Charlie back to work and discovers the truth. Back at work Charlie deals with a bullying customer, Mack Swain, by serving him a drink and knocking him out with a large mallet when Swain tilts his head back to drink. Later, at the garden party, Charlie misbehaves, getting drunk, flirting with Mabel and singing loudly along with the band. The boyfriend, watching from a distance is now determined to expose him. When Charlie takes his leave to return to work, Harry suggests that the party go slumming to the very cabaret at which Charlie works. When the upper-class guests arrive, they are treated like royalty by the workers and other patrons. When Charlie discovers them at his table he hides the apron he's wearing and sits down next to Mabel, pretending that he's another guest. When the boss scolds him for sitting down on the job, Charlie is exposed as a lowly waiter, much to the shock of Mabel and her father. A melee then ensues between Charlie and his pistol-wielding Boss, whom Charlie knocks out while Mabel hides under a table. Charlie protests his love for Mabel, but she responds with a final knockout blow. ~ Phil Posner, All Movie Guide
Charles Chaplin was deep into production of his silent City Lights when Hollywood was overwhelmed by the talkie revolution. After months of anguished contemplation, Chaplin decided to finish the film as it began--in silence, save for a musical score and an occasional sound effect. Once again cast as the Little Tramp, Chaplin makes the acquaintance of a blind flower girl (Virginia Cherrill), who through a series of coincidences has gotten the impression that the shabby tramp is a millionaire. A second storyline begins when the tramp rescues a genuine millionaire (Harry Myers) from committing suicide. When drunk, the millionaire expansively treats the tramp as a friend and equal; when sober, he doesn't even recognize him. The two plots come together when the tramp attempts to raise enough money for the blind girl to have an eye operation. Highlights include an extended boxing sequence pitting scrawny Chaplin against muscle-bound Hank Mann, and the poignant final scene in which the now-sighted flower girl sees her impoverished benefactor for the first time. Chaplin's decision to release the silent City Lights three years into the talkie era was partially vindicated when more than one critic singled out this "comedy in pantomime" as the best picture of 1931. ~ Hal Erickson, All Movie Guide
- Starring:
- Charles Chaplin, Virginia Cherrill, (more)
- 1944
In this mystery, a detective and his secretary go on vacation and end up solving a murder. ~ Sandra Brennan, All Movie Guide
- Starring:
- Jane Wyman, Jerome Cowan, (more)
- 1923
After receiving excellent training through working alongside Maurice Tourneur, Clarence Brown became a full-fledged director in his own right with this sophisticated, independently made drama (although he had already really shown his mettle by taking over for an ill Tourneur on The Last of the Mohicans). After landing a job as a modiste for a fashionable Fifth Avenue shop, Marion Whitney (Rubye DeRemer), wins millionaire Peter Smith (House Peters). Marion finds that life with Smith isn't romantic enough for her, and she becomes easy prey for Crane Martin (Cyril Chadwick), a society hanger-on who makes a business out of seducing bored, wealthy wives and then blackmailing them. Before things get too far, Smith catches wind of Martin's scheme and orchestrates the situation to expose him for what he really is. Marion proves to be true to her husband after all and dumps the scoundrel. After this routine little picture, there was nowhere for Brown to go but up, and he went on to direct some of the silent era's most memorable films, including The Eagle with Rudolph Valentino and several of Greta Garbo's best films. He made the transition to sound films and had a long and memorable career at MGM. ~ Janiss Garza, All Movie Guide
- Starring:
- House Peters, Rubye DeRemer, (more)
- 1924
Claire Endicott (Norma Shearer) throws a wild party and her father (Charles Clary) walks in to find her flirting with the very married Milt Bisnet (Ward Crane). In an attempt to straighten her out, Endicott sends Claire to the Canadian northwoods, where his field engineer, Grimshaw (Jack Holt), is working. While fishing, Claire is swept over the rapids and Grimshaw tries to rescue her. Both of them wind up in a remote gorge, and Grimshaw goes about building a hut as a shelter. Although Grimshaw is strongly attracted to Claire, he turns her down when she offers to make love to him. An airplane finally rescues them, and when they return to New York, Claire finds herself named corespondent in the Bisnet divorce case. A scandal sheet prints a rumor that she is marrying Grimshaw to avoid the divorce scandal. As a result, Claire turns down Grimshaw's proposal, but he won't take no for an answer. ~ Janiss Garza, All Movie Guide
- Starring:
- Jack Holt, Norma Shearer, (more)
- 1928
Director Howard Hawks never attempted another Valentinoesque melodrama like Fazil. Beautiful Fabienne (Greta Nissen) is wooed and won by Arab sheik Fazil (Charles Farrell, who is a bit on the thin side for this role). He takes her off to his fabulous palace, where he holds her a virtual prisoner, refusing to let her see anyone else. Fabienne can't get over past loves -- nor can they get over her, as evidenced by their elaborate attempt to rescue her. Only when Fazil is mortally wounded by her rescuers does Fabienne realizes she's truly in love with him. She takes poison and dies by his side. ~ Hal Erickson, All Movie Guide
- Starring:
- Charles Farrell, Greta Nissen, (more)
- 1924
Track star Frank Merrill stars as Jack Melford in this hackneyed melodrama. Jack wins the track meet at the local college before being notified his father is on his deathbed. He arrives to find his father has died and left all his money to Dr. Delhi (Alphonse Martell), the shady physician who was treating him. Jack discovers the doctor uses hypnotism to victimize his patients and steal their money. He exposed the crook and gives the despicable doctor a dose of justice and revenge. Margaret Landis, Milford Morante, and May Sherman co-star with Otto Lederer and Kathleen Calhoun in this feature written specifically to highlight Merrill's athletic talents. ~ Dan Pavlides, All Movie Guide
- 1939
The second of three films based on the Wyatt Earp biography by Stuart N. Lake, Frontier Marshal stars Randolph Scott as Marshal Earp of Tombstone. Earp and his brothers enforce the law as much by reputation as by gunplay. Occasionally the marshal's efforts are complicated by his "friendly enemy" Doc Halliday (based on Doc Holliday and played by Cesar Romero), a consumptive gunslinger who runs the gambling activities in town. When a murderous outlaw (Joe Sawyer) invades Tombstone and kills Halliday, Earp is moved to action -- and the result is the gunfight at the O.K. Corral. A remake of the 1934 film of the same name, Frontier Marshal was itself remade by John Ford as My Darling Clementine (1946), with Henry Fonda as Earp and Victor Mature as Doc Holliday. ~ Hal Erickson, All Movie Guide
- Starring:
- Randolph Scott, Nancy Kelly, (more)
- 1934
Down on his luck in 1934, Erich Von Stroheim accepted a leading role in the Chesterfield Pictures cheapie Fugitive Road, making lemonade from a lemon by offering his services as "supervisor of military detail" (according to some sources, he also contributed to the script). Set during WW I, the film concerns a menage a trois at a border outpost. The players in this romantic triangle are Prussian Captain Oswald Von Traunsee (Von Stroheim), escaped American gunman Riker (Leslie Fenton) and Russo-Hungarian refugee Sonia (Wera Engels). Flying in the face of his "Man You Love to Hate" image, Von Stroheim surprisingly ends up the hero of the piece -- but not before nearly forcing his attentions on the cringing heroine. Unlike most Chesterfield pictures, the bulk of which were photographed by M. A. Anderson, Fugitive Road was atmospherically lensed by Ted McCord. ~ Hal Erickson, All Movie Guide
- Starring:
- Erich Von Stroheim, Vera Engels, (more)
- 1937
The Three Stooges actually play different characters here (or at least they have different names, different hairstyles, and different mustaches) -- Curly is Buffalo Bilious, Moe is Wild Bill Hiccup, and Larry is Just Plain Bill. They are General Muster's three best scouts, and now that the Indian problem is solved, he needs them to round up a gang of cattle rustlers. At first this sounds like bad news for General Muster and his men but, surprisingly, the boys are nearly halfway competent -- either that, or the rustlers are even more stupid than they are. Disguised as big gamblers from the West (sans mustaches and back to their usual hair), the Stooges head over to the Longhorn saloon, where they sit down to a card game with Longhorn Pete, the proprietor -- who's also the head of the rustlers. They've sent a note, via pigeon, asking for reinforcements, but the bird happens to be Pete's pet and their identities are uncovered. They escape in a wagon containing pots and pans which they toss out to stall their pursuers. There's also a monkey who terrorizes Curly. They wind up at a cabin where they shoot it out with the bad guys. When some bullets accidentally fall into a meat grinder Curly is using, it becomes a machine-gun-like device. The Stooges vanquish the rustlers and, as they are being congratulated, the monkey takes over the meat grinder and sends them off in a hail of bullets. Some shots from this picture would be recycled in 1954's Pals and Gals. ~ Janiss Garza, All Movie Guide
Hollywood Cavalcade was a fictionalized history of silent films and the growth of the movie industry. Don Ameche portrays a character based on equal portions of Mack Sennett and D. W. Griffith, while Alice Faye's silent star is an amalgam of Mabel Normand and Gloria Swanson. Ameche breaks into pictures with slapstick comedies, initiating the first "pie throwing" scene, with Buster Keaton the thrower and Alice Faye the throw-ee. Thanks to Ameche, Faye becomes a major comedy star, appearing in wild Keystone Kops chase comedies. But success goes to Ameche's head, and soon he's staging elaborate Intolerance-like historical spectacles. As Ameche's artistic aspirations climb, his relationship with the faithful Alice deteriorates. She finds solace with her young leading man (Alan Curtis) and becomes a top dramatic star. Having made and lost several fortunes, Ameche talks Alice into appearing in his "comeback" picture, but shortly before filming ends, she and her husband are in a serious auto accident. The husband is killed, and as Faye recuperates, Ameche agonizes over how he'll save his uncompleted masterpiece. He witnesses the premiere of Al Jolson's part-talking The Jazz Singer and decides to risk everything by scrapping his film and remaking it as a talkie. Faye, who's never really stopped loving Ameche, agrees to star in this new project. On a level of accuracy, Hollywood Cavalcade is for the birds, but it scores on its energetic performances and nostalgic appeal. As a bonus, several past movie greats appear in cameos: Al Jolson, Buster Keaton, Mack Sennett, Ben Turpin, Chester Conklin, Jimmy Finlayson, Hank Mann and even Rin Tin Tin Jr. ~ Hal Erickson, All Movie Guide
- Starring:
- Alice Faye, Don Ameche, (more)
