Angela Bassett Movies
A respected actress of the stage, screen, and television, Angela Bassett has been one of the few African-American actresses to break Hollywood's color boundary. She has specialized in playing strong women familiar with adversity and has worked in genres from "chick flick" (Waiting to Exhale) to sci-fi action (Strange Days) to biography (What's Love Got to Do with It?), the last of which featured her in a star-making performance as Tina Turner.Born in New York City on August 16, 1958, Bassett was raised in St. Petersburg, Florida by her mother. Growing up in a household where money was tight, she was taught determination and independence. These values were called into service after an eleventh grade Upward Bound trip to Washington, D.C., when Bassett saw James Earl Jones in a Kennedy Center production of Of Mice and Men. Deciding that acting was her calling, she became involved in a number of local productions in St. Petersburg. She continued to act at Yale University, where she earned a scholarship; after completing a B.A. in African-American studies, she also spent three years at the Yale School of Drama. One of Bassett's mentors at Yale was the drama school's dean, stage director Lloyd Richards, who was so impressed with her talent that he cast her in two of his productions, Ma Rainey's Black Bottom and Joe Turner's Come and Gone. Although she enjoyed relative success on the stage, Bassett, like other African-American actors, had a difficult time finding roles in television and film.
In 1986, Bassett made her screen debut in the cult favorite F/X. Following supporting roles in Kindergarten Cop (1990) and John Sayles' City of Hope (1991), she had her first significant screen role in John Singleton's acclaimed Boyz 'N the Hood, playing a struggling single mother. Two years later, after playing the wife of civil rights leader Malcolm X in Spike Lee's biopic and the Jackson Family matriarch in the made-for-TV The Jacksons: An American Dream, Bassett had her screen breakthrough as Tina Turner in What's Love Got to Do with It?, a performance that earned her a Best Actress Oscar nomination and a Golden Globe.
As her newfound status allowed her to expand her range of work, Bassett went on to star in a series of diverse films. In 1995, a foray into futuristic action in Strange Days was complemented by a lead in the successful women's ensemble drama Waiting to Exhale (based on the novel by Terry McMillan), in which Bassett starred alongside Whitney Houston, Lela Rochon, and Loretta Devine. In 1998, she starred as the title character in another McMillan adaptation, How Stella Got Her Groove Back, playing a divorcee whose discontent is ably assuaged by a hunky twenty-year-old (Taye Diggs). The following year, she had a supporting role in Music of the Heart and again tried her hand at action in Supernova, a sci-fi thriller. Starring in former Orson Welles collaborator and blacklisted director John Berry's critically panned swansong Boesman and Lena in 2000, Bassett (along with co-star Danny Glover) earned praise for their sensitive performances as a troubled South African couple striving to seek stability in the face of Apartheid.
Her career continued to evolve with a part in The Score in 2001. The next year she executive produced and starred in a biopic about civil rights figure Rosa Parks. She was part of the large ensemble John Sayles brought together for Sunshine State, and co-starred opposite Bernie Mac in the sports comedy Mr. 3000. In 2006 she played the mother in the spelling bee drama Akeelah and the Bee, and she continued to land parts in big-budget blockbusters such as Green Lantern and This Means War.
Since 1997, Bassett has been married to actor Courtney B. Vance, whom she had known since their days at Yale. ~ Rebecca Flint Marx, Rovi
- 1998
In the years between 1791 and 1831, with the United States newly independent, the Enlightenment spirit of equality and freedom stood directly at odds with the demands of economic expediency. The invention of the cotton gin caused an insatiable demand for cheap labor and led to an ever more vocal proslavery constituency, but abolitionism was also beginning to catch on. Volume Three of WGBH's Africans in America series looks at this tempestuous era through the lives of the dynamic men and women who fought either to maintain or to revolutionize their way of life. The booming urban environment of Philadelphia is covered extensively, including the growth of a black middle class, Absalom Jones' and Richard Allen's Free African Society, the Yellow Fever epidemic, female activism, Benjamin Franklin's involvement with the Pennsylvania Abolition Society, and the proposal by some to create a free black homeland back in Africa. The slave revolt in Haiti and several organized rebellions in America are also discussed. ~ Sarah Welsh, Rovi
- 1998
Experience the frenzied decades leading up to the Civil War (1831-1865) and the bitter fight over slavery. This fourth and final volume of the Africans in America series revisits the famous lives and writings of Sojourner Truth, Frederick Douglass, Harriet Jacobs, Harriet Tubman, Dred Scott, and John Brown, as well as rediscovering some lost stories and historical figures. Judgment Day tells of the harsh realities of life on one Georgia plantation, Butler Island, through the eyes of a British actress and abolitionist who married the estate's owner and later published her journals condemning the squalid conditions there. The film also describes "the Weeping Time," Pierce Butler's unprecedented two-day auction of all of his "movable property"; the sale ripped apart slave families in order to pay off Butler's gambling debts and finance a trip to Europe. Slave narratives and life on the Underground Railroad are discussed, along with the West's growing identity and appeals for statehood -- events which fanned the flames of conflict between abolitionists, Northern racists, and slavery's apologists in the South. Eventually, of course, this discord broke out into civil war; this final volume of the series ends with an examination of the battles, political maneuvers, and reluctant righteousness that ultimately dealt slavery its fatal blows yet left an enduring legacy of mistrust and inequality. A landmark series; ideal for educational use. ~ Sarah Welsh, Rovi
- 1998
Volume Two of this landmark television series covers the period of 1750 to 1805, exploring the experience of second-generation slavery in the midst of revolution. Born in the tobacco fields and farms of North America rather than in Africa, the new generation's identity and sense of community was defined by the realities of life in the New World. Slaves bore biblical names, visited Christian churches, and, despite their subhuman status, developed an attachment to the only country they had ever known. This documentary tells their story (including figures such as Crispus Attucks), and it also tells the real stories of the revolutionary heroes you might have thought you knew: George Washington, Thomas Jefferson, and other writers of a Constitution that protected slavery. See how moral ambivalence, paradoxical philosophies, and broken promises of "freedom for all" impacted the lives of African-Americans and influenced the fate of the young United States. Features first-person narratives from Abigail Adams and Phyllis Wheatley, and a modern-day perspective from General Colin Powell. ~ Sarah Welsh, Rovi
- 1998
An historical event in itself, this ambitious documentary series from WGBH Boston reexamines the institutions and personal narratives behind America's heritage of slavery, disclosing and inviting viewers to face the undeniable truths they might not have learned in school, truths that still influence life in America. Volume One covers the period from 1450 to 1750: the origins of indentured servitude in Europe, the Portuguese search for gold in Africa and subsequent capture of African laborers, and the growth of the Caribbean and North American colonies. The title, The Terrible Transformation, refers to several concurrent transformations in America, including the slow, deliberate process in which indentured servants became slaves for life, the transformation of free colonies into slave states, and the loss of hope among Africans who began to realize that their children would inherit the scourge of slavery. Finally, this documentary covers the history of preexisting forms of "slavery" in Africa, the Middle Passage in which half of the human cargo perished, the bondage of European laborers in the New World, and the economic realities that fostered the slave system. Africans in America relies heavily on rare images and first-person accounts for its startling revelations and dramatic reenactments. It also features modern perspectives and interpretations by prominent cultural and academic figures, including John Edgar Wideman, Barry Unsworth, and Colin Powell. Ideal for educational use. ~ Sarah Welsh, Rovi
A young girl learns to believe in herself and value her intelligence in this critically-acclaimed, family-friendly drama. Akeelah Anderson (Keke Palmer) is an 11-year-old being raised by her mother, Tanya (Angela Bassett), who was left on her own after the death of her husband. While Akeelah is a very bright girl, she's hardly a star student and seems afraid of acting like a bookworm around her friends and classmates. However, Akeelah's teacher sees genuine potential in her student and encourages her to enter the school's spelling bee, convinced Akeelah has the brains and the talent to win. Akeelah applies herself and emerges victorious in the local competition, but discovers the going gets tougher when she goes to a statewide bee, studying for the regionals under the aegis of strict English teacher Dr. Larabee (Laurence Fishburne), who consents to act as her coach A college professor who was a spelling-bee champ as a child, Larabee is a stubborn taskmaster who questions Akeelah's ability and commitment, but in time he develops a respect for his pupil and helps her prove her talent as she climbs the ladder to the National Spelling Bee. Meanwhile, Tanya feels intimidated when she finds the contests are dominated by children from wealthy families and privileged backgrounds, and argues that the competition may not be in Akeelah's best interest, believing instead that homework should be the one and only priority in Akeelah's life. It soon becomes apparent that if Akeelah has any intention of entering the national spelling bee championships in Washington, D.C., she will not do so with Tanya's permission or blessing. This marks the first onscreen reunion of Bassett and Fishburne since their Academy Award-nommed performances as Ike Turner and Tina Turner in Brian Gibson's 1993 biopic, What's Love Got to Do with It.
~ Mark Deming, Rovi
~ Mark Deming, Rovi
- Starring:
- Laurence Fishburne, Angela Bassett, (more)
Despite its late start in January of 2005 after a hiatus of eight months, the fourth season of Alias more than made up for lost time with a plethora of trials, tribulations, jaw-dropping revelations, big-time betrayals, and near-death experiences for the series' secret-agent heroine, Sydney Bristow (Jennifer Garner). Reeling from the disillusionment and embarrassment of her demotion, Sydney quits the CIA flat; however, it turns out that this is part of a master plan hatched by new CIA director Hayden Chase (Angela Bassett) to arrange Sydney's membership in Authorized Personnel Only (APO), a top-top secret black-ops organization. Sydney's co-workers at APO include several longtime associates: her father, Jack (Victor Garber); her partner and sometime lover, Michael Vaughn (Michael Vartan); her steadfast previous partner Dixon (Carl Lumbly) -- and, much to our heroine's surprise, her duplicitous ex-chief, Sloane (Ron Rifkin), who has proven time and again that he can't be trusted. For her first APO assignment, Sydney is sent to Rio, where she has a fateful encounter with her latest adversary, Tamasaki (Rick Yune), a self-styled 21st century samurai. Previously a recurring character, Sydney's half-sister, Nadia Santos (Mía Maestro), becomes a full regular this season, the better to throw a monkey wrench into Sydney's volatile relationship with her father, Jack -- and to share with Jack a startling secret about Sydney's supposedly dead, supposedly traitorous mother. At the same time, Vaughn has a great deal of difficulty overcoming the treachery of his former wife, Lauren, and an equal amount of difficulty assimilating new and disturbing information about his own father. Major developments this season include a huge revival of interest in the Rambaldi code, which when broken may spell the doom of humankind; the surprising temporary recruitment of another of Sydney's longtime enemies, Julian Sark (David Anders), for a special APO mission; a grim prognostication that Sydney and Nadia are destined to duke it out to the death; and the resurrection of a long-presumed-dead central character, who will reveal anew to Sydney that she can never completely rely upon anyone or believe in anything, not even the evidence of her own eyes. Though the season ends with the good news that Sydney and Vaughn are engaged, any hopes for lasting happiness are dashed by still another shocking revelation -- and a spectacular car crash. ~ Hal Erickson, Rovi
- Starring:
- Jennifer Garner, Victor Garber, (more)
Angela Bassett and Danny Glover star in this gripping film adaptation of Athol Fugard's renowned play. Though written during the apex of apartheid and first staged in 1970, director John Berry downplays the work's historical background and strips the play of its poetic symbolism, lending the film a raw, universal quality. The film opens with stock footage of shantytowns being flattened by bulldozers followed by the two titular characters carrying what they can on their backs and heads. Recalling the tortured human bonds seen in such productions as Who's Afraid of Virgina Woolf? and Waiting for Godot, Boesman (Glover) and Lena (Bassett) are a couple united by pain and grief. Stopping at some god-forsaken roadside wasteland for the night, Lena spends much of the first half of the film heaping verbal abuse on her husband, while Boesman doggedly tries to jerry-rig some shelter to protect against the cold of the night. This dynamic changes went an elderly African tribesman shows up. Boesman scorns the old man, while Lena invites him to sit at their campfire. This film, which was screened at the 2000 Cannes Film Festival, was the last film that noted director John Berry made before his death on November 29, 1999. ~ Jonathan Crow, Rovi
- Starring:
- Angela Bassett, Danny Glover, (more)
Director John Singleton's debut chronicles the trials and tribulations of three young African-American males growing up in South Central Los Angeles. When young Tre (Cuba Gooding Jr.), a bright underachiever, begins to show signs of trouble, his struggling professional mother (Angela Basset) sends him to live with his father (Lawrence Fishburne), a hard-nosed, no-nonsense disciplinarian. There he befriends Ricky (Morris Chestnut), a burgeoning football star, and Doughboy (Ice Cube, in a standout performance), a would-be gang banger. Over the years, each chooses his own path: Tre seems bound for college; Ricky is a blue-chip running back with his pick of schools; Doughboy is a dope dealer and bona fide gangster who drifts in and out of the county juvenile facility. All is well until, without warning, a rival gang chases down Tre and Ricky with tragic results. Doughboy immediately prepares for revenge, forcing Tre to decide whether to jeopardize his future and, perhaps, his life for the price of revenge and self-respect. Sometimes riveting, Boyz'N the Hood is not without its problems. The film tries to cram every single issue facing the black community into an hour and a half of screen time, making the film seem at times forced. The symbolism seems forced as well, and the film is often unbearably heavy-handed. Also, the characterization often relies on cardboard cut-outs; every white character in the film is a one-dimensional bigot, and the black police officer with whom Tre and his father deal is even worse than his Caucasian counterparts. Still, the unevenness of the film is redeemed by some moments of true brilliance. ~ Jeremy Beday, Rovi
- Starring:
- Cuba Gooding, Jr., Morris Chestnut, (more)
- 1990
Made for television, The Challenger is at once a tribute and a eulogy to the seven courageous souls who perished when the Challenger space shuttle exploded 73 seconds after liftoff on January 28, 1986. Though all of the crew members are given three-dimensional, balanced treatment, the one we all remember is schoolteacher Christa McAuliffe. As played by Karen Allen, McAuliffe is neither superwoman nor saint: just an average human being with an insatiable thirst to learn more about the universe around her. The other members of the ill-fated crew are Cmdr. Francis R. Scobee (Barry Bostwick), Captain Michael J. Smith (Brian Kerwin), Dr. Judith A. Resnik (Julie Fulton), Lt. Col. Ellison Onizuka (Keone Young), Dr. Ronald E. McNair (Joe Morton) and Gregory B. Jarvis (Richard Jenkins). Wisely, the film concentrates on the crew's training, ending before the tragic real-life denoument. Filmed on location at the Johnson Space Center, the 3-hour The Challenger was originally telecast February 25, 1990. ~ Hal Erickson, Rovi
- Starring:
- Karen Allen, Barry Bostwick, (more)
- 1991
- R
A city pulses with racial problems, political corruption, and small-time crime in this ambitious microcosm of urban life, written and directed by John Sayles. Nick Rinaldi (Vincent Spano), a lost soul usually high on drink and drugs, has spent his life in one New Jersey city, getting free rides from his connected father (Tony LoBianco) and hearing the locals talk of his brother's death in Vietnam. Searching for more control, Nick quits the cushy contractor's job provided by his Dad, feeling that major events are about to happen to him. That feeling proves accurate -- by film's end his life will change, as will the lives of many others. Nick is only the center of the movie's sprawling collection of people and plotlines; Sayles takes full advantage of this expansive landscape, as he often begins shooting one conversation, only to pull back and eavesdrop on another, in one smooth, intriguing shot. By listening in, we slowly learn about the citizens and their dilemmas, as the city's woes bubble to a narrative climax. Many of Sayles' regular players are on-screen (the movie features 52 roles), including Joe Morton as a frustrated councilman and David Strathairn as a disturbed street person. ~ Norm Schrager, Rovi
- Starring:
- Vincent Spano, Joe Morton, (more)
The search for life outside our solar system becomes a personal and spiritual quest for a young researcher. Ellie Arroway (Jodie Foster) is a scientist who lost her faith in God after her parents died when she was a child. However, Ellie has learned to develop a different sort of faith in the seemingly unknowable: working with a group that monitors radio waves from space, Ellie hopes that some day she will receive a coherent message from another world that will prove that there is a world beyond our own. Ellie's hard work is rewarded when her team picks up a signal that does not appear to be of earthly origin. Ellie decodes the message, which turns out to be plans for a space craft, which she takes as an invitation for a meeting with the aliens. Ellie and her fellow researchers soon run into interference from a White House scientific advisor, David Drumlin (Tom Skerritt), who cuts off their funding and tries to take credit for their achievements. However, Ellie receives moral support from Palmer Joss (Matthew McConaughey), a spiritual teacher who advises President Clinton and tries to persuade her to accept the existence of a higher power, and financial backing from S.R. Hadden (John Hurt), a multi-millionaire willing to fund her attempts to contact the source of the message. Contact was based on a novel by Carl Sagan, who advised director Robert Zemeckis during the film's production until his death in 1996. ~ Mark Deming, Rovi
- Starring:
- Jodie Foster, Matthew McConaughey, (more)
Sent directly to video, the fourth installment in the Critters series picks up the action with Charlie (Don Keith Opper) about to destroy the last of the critter eggs. A holographic apparition warns him, however, that every species must be preserved by galactic law; the eggs are transported into deep space, and Charlie is accidentally carted along, beginning yet another freaky adventure. ~ John Bush, Rovi
- Starring:
- Don Opper, Paul Whitthorne, (more)
- 1985
Based on William Bayer's novel Switch, the made-for-TV Doubletake introduced Richard Crenna to his oft-played role of detective Frank Janek. As always, Janek is assigned to a particularly gruesome and profoundly puzzling murder case. A prim lady schoolteacher and a hooker are both killed on the same evening; their bodies are decapitated, and their heads are switched! The first installment of this two-part movie details the early stages of the investigation, as well as the growing relationship between Janek and photographer Caroline Wallace (Beverly D'Angelo), the daughter of a cop who'd died in a mob hit. Part two reveals the "dark side" of the case, exposing corruption in the highest police circles and implicating someone very close to Janek in the double murder. Doubletake was originally telecast on November 24 and 26, 1985, and has since been reissued as a single three-hour film. ~ Hal Erickson, Rovi
A man who simulates death for a living finds himself unwittingly tied into the real thing in this New York-based suspense drama. Special-effects man Rollie Tyler (Bryan Brown) makes his living simulating gory mayhem and photogenic violence for movies such as "I Dismember Mama." Tyler is given a chance to expand his professional horizons when he's approached by Lipton (Cliff De Young), who introduces himself as an FBI agent and makes an unusual proposal. Mob kingpin Nicholas DeFranco (Jerry Orbach) is willing to testify against his fellow gangsters, but the investigators are worried about his safety. Lipton wants Tyler to help him and his staff fake DeFranco's assassination; if everyone is convinced DeFranco is dead, people will be a lot less likely to look for him. Tyler grudgingly takes the assignment, and while he's able to realistically simulate DeFranco being shot in a crowded restaurant, after the "gag," he discovers that he's been double-crossed, and he's wanted for the murder of the man he just "shot." Tyler hides out with his girlfriend, Ellen (Diane Venora), but he realizes that whoever set him up wants him dead after she's killed by a bullet meant for him. With the help of fellow effects artist Andy (Martha Gehman), Tyler goes underground and tries to unravel the truth behind the Lipton murder. Meanwhile, police detective Leo McCarthy (Brian Dennehy) is convinced that something is not right when he's called to the scene of DeFranco's murder and is certain that the dead body is not the gangster. F/X was followed by a sequel, and later a short-lived TV series. ~ Mark Deming, Rovi
- Starring:
- Bryan Brown, Brian Dennehy, (more)
- 1990
- Add Family of Spies: The Walker Spy Ring, Part 1 to Queue Add Family of Spies: The Walker Spy Ring, Part 1 to top of Queue
The true story of American turncoat John Walker, Jr. is related blow-by-blow in this made-for-TV movie. Powers Boothe stars as Walker, a Navy petty officer who spends half of his career selling secrets to the Soviets. At first the soul of discretion, the hard-drinking, philandering Walker eventually becomes careless enough in his activities to arouse the suspicions of his in-the-dark wife Barbara (Lesley Ann Warren). With the skill and aplomb of the true sociopath, Walker also manages to convince his own son (Andrew Lowry) to join the "family business." The spy ring is ultimately smashed through the joint efforts of the FBI and Walker's embittered ex-wife. Based on the books Family of Spies by Pete Earley and I Pledge Allegiance by Howard Blum, Family of Spies: The Walker Spy Ring was originally telecast in two parts on February 4 and 6, 1990. ~ Hal Erickson, Rovi
- 1991
The whole story is in the title of this made-for-TV heartstopper. Based on a true 1988 incident, the film details the breakout of a fire in a Los Angeles high-rise. The LA fire department does what it can, but their ladder equipment falls short of the 37-story requirement. Lee Majors, Lisa Hartman and Peter Scolari comprise the all-TV star cast of this Towering Inferno clone (which improves upon its role model): Majors is the LAFD supervisor, while Hartman and Scolari are the unlucky entrapped office workers. The focal point of Fire! Trapped on the 37th Floor is not the conflagration itself but the resourcefulness of the professional firefighters and the improvisational skill with which they utilize their equipment. ~ Hal Erickson, Rovi
- Starring:
- Lee Majors, Lisa Hartman, (more)
Danny Glover, Angela Bassett, Julia Stiles, and Samuel L. Jackson headline actor-turned-director Giancarlo Esposito's ensemble drama about a small southern town still haunted by a racially motivated murder that occurred there thirty years prior. Civil rights activist Peter Malcolm (Jackson) was at the peak of his popularity when he was ruthlessly gunned down in the streets of Gospel Hill. Thirty years later, no one has ever been accused of the crime, and Peter's brother John (Glover) has withdrawn from the community to ponder the full weight of his brother's unfulfilled mission in solitude. As John sinks ever deeper into a bottomless sea of despair, his wife Sarah (Bassett), an outspoken community activist, campaigns tirelessly against a ruthless band of developers seeking to transform Gospel Hill into a golfer's paradise. Realizing the futility of convincing her listless husband to help fight such an arduous battle, Sarah instead turns to newly arrived Gospel Hill schoolteacher Rosie (Stiles) for support. Later, as Rosie's budding romance with the son of Gospel Hill's notoriously bigoted sheriff thrusts her right into the middle of the town's long-running dispute, the developer's plan to pave over the past forces the locals to finally confront the ghosts that have haunted them for the past three decades. ~ Jason Buchanan, Rovi
- Starring:
- Angela Bassett, Giancarlo Esposito, (more)
A test pilot embraces his destiny as a cosmic superhero in Casino Royale director Martin Campbell's adaptation of the popular DC Comics series. Ever since he saw his fearless father perish in a tragic aviation mishap, all Hal Jordan (Ryan Reynolds) could think about was flying -- it was the only thing the brash, cocky, and irresponsible test pilot ever truly excelled at. Little did he realize he was destined for something much bigger. Somewhere out in space, a powerful force of evil known as Parallax is spreading fear and destruction; the only hope for defeating Parallax is the Green Lantern Corps, a group of intergalactic warriors powered by the force of will. When legendary Green Lantern Abin Sur (Temuera Morrison) is sent hurtling toward planet Earth after a deadly encounter with Parallax, his ring chooses Hal to continue the fight. The ring spirits our hero away to the Green Lantern's home planet of Oa for training. The first human ever to receive the honor of becoming a Green Lantern, Hal is viewed with scorn by the league's leader, Sinestro (Mark Strong), who trains him alongside the hulking Kilowog (voice of Michael Clarke Duncan). Later, on planet Earth, frail scientist Hector Hammond (Peter Sarsgaard) becomes infected with Parallax's evil while performing an autopsy on Abin Sur, and uses his newfound powers to stake claim on Carol Ferris (Blake Lively), Hal's lifelong friend and fellow test pilot. When Hal learns that Parallax plans to consume all life on Earth to gain the energy needed to conquer Oa, he begins looking inward for the courage to defeat the malevolent force and embrace his destiny as a super-powered peacekeeper. ~ Jason Buchanan, Rovi
- Starring:
- Ryan Reynolds, Blake Lively, (more)
- 1998
- R
- Add How Stella Got Her Groove Back to Queue Add How Stella Got Her Groove Back to top of Queue
Terry McMillan and Ron Bass wrote this screenplay based on McMillan's semi-autobiographical best-selling novel (over 2,000,000 copies in print before the release of this film). San Francisco stockbroker Stella (Angela Bassett), a 40-year-old divorcee, has a nice Marin County home and an 11-year-old son, Quincy (Michael J. Pagan). With Quincy off to see his dad, Stella and her best friend Delilah (Whoopi Goldberg) vacation in Jamaica, where she meets sexy, good-looking Winston Shakespeare (Taye Diggs). He's the man of her dreams in every way except one -- he's half her age. Even so, a romance develops. Grammy Award-winning songwriters Jimmy Jam and Terry Lewis supervised the film's music and produced the R&B-slanted soundtrack album. Shown at the 1998 Urbanworld Film Festival (NY). ~ Bhob Stewart, Rovi
- Starring:
- Angela Bassett, Taye Diggs, (more)
- 1990
In the Best Interest of the Child was not based on a true story. That's the official line adopted by producer Robert A. Papazian, even though the plot of this made-for-TV movie would seem to be inspired by the exploits of the real-life Dr. Elizabeth Morgan. True or no, there's plenty of conviction in this story of a young woman (Meg Tilly) who risks imprisonment for the sake of her daughter. Having learned that her ex-husband is molesting the child, Ms. Tilly "kidnaps" the girl and heads off to parts unknown. ~ Hal Erickson, Rovi
- Starring:
- Meg Tilly, Ed Begley, Jr., (more)
- 2002
Independent filmmakers are spotlighted in this anthology series, which concentrates on documentaries, but occasionally features artist profiles and offbeat fictional films. ~ Steve Donahue, Rovi
An uneven but entertaining blend of graphic horror and black comedy from John Landis, very much in the mode of the director's successful An American Werewolf in London. French actress Anne Parillaud -- star of Luc Besson's acclaimed thriller La Femme Nikita -- plays Marie, a lithe and lovely vampire with a conscience who will not take "innocent blood" and maintains a low profile by dining exclusively on criminals and lowlifes. She finds a virtual smorgasbord in Pittsburgh's criminal underworld, arriving in the thick of a bloody mob war sparked by ruthless kingpin Sal Macelli (Robert Loggia). After preying on one of Macelli's hoods (Chazz Palminteri), Marie fumbles her attack on the boss himself and he manages to escape, eventually transforming into a vampire himself. Macelli soon comes to appreciate his new superhuman condition and hatches a diabolical scheme to control the syndicates by turning his underlings into vampires -- including his beleaguered lawyer, Emmanuel Bergman (Don Rickles). Marie, faced with a new and powerful undead enemy, is forced to take matters into her own claws. To this end she enlists the reluctant aid (and eventual affection) of undercover cop Joe Gennaro (Anthony LaPaglia), whose cover has just been leaked to the press, making him a target for Macelli and his growing army of blood drinkers. Landis has crafted a dark and brooding film, pumped up with bouts of extreme gore and gangland violence -- but where American Werewolf's occasional comic touches helped to ground the story and give the "straight" horror scenes more punch, most attempts at humor here seem jarring and out of place. The film's highlights come from numerous horror in-jokes, including cameos from Sam Raimi, Clive Barker, Dario Argento and Linnea Quigley; Rickles' explosive death scene ranks among the weirdest in cinema history. ~ Cavett Binion, Rovi
- Starring:
- Anne Parillaud, Robert Loggia, (more)
Angela Bassett and Paula Patton headline this comedy about two vastly divergent African-American families who clash during a lavish weekend wedding at Martha's Vineyard. ~ Jason Buchanan, Rovi
- Starring:
- Angela Bassett, Paula Patton, (more)
Arnold Schwarzenegger sheds his action image in Ivan Reitman's police comedy Kindergarten Cop, where he plays an undercover cop teaching a class of hyperactive six-year-olds. As the film begins, John Kimble (Schwarzenegger) and his partner Phoebe O'Hara (Pamela Reed) are in pursuit of notorious drug dealer Cullen Crisp (Richard Tyson) and his scabrous mother Eleanor (Carroll Baker). John learns Cullen is searching for his ex-wife and his little boy, and Kimble plans to nail them when they find the former wife, who is believed to have $3 million of Cullen's drug profits. John and Phoebe follow the trail to Astoria, Oregon, where they believe Cullen's son is attending kindergarten. Although the child and his mother have changed names, John hopes they can pick up some clues. By coincidence, Phoebe used to be a schoolteacher and the school board permits her teach the kindergarten class, but Phoebe gets food poisoning and John is forced to teach the six-year-old whippersnappers himself. Along with lighthearted gags with the kids and the pursuit of the drug dealers, John has time for a little romance when he falls in love with one of the teachers (Penelope Ann Miller), who ends up surprising him with more than love. ~ Paul Brenner, Rovi
- Starring:
- Arnold Schwarzenegger, Penelope Ann Miller, (more)
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