Alec Mango Movies

Libyan leader Moummar Quaddafi financed this desert epic about a Libyan hero who helped his nation fend off an Italian invasion in 1929. Anthony Quinn stars as Omar Mukhtar, who organizes Libyan forces to hold off the encroaching Italian troops under General Rodolfo Graziana (Oliver Reed), who are trying to gain a foothold on Libyan soil under direct orders from the Italian dictator Mussolini (Rod Steiger). With the persistence of Mukhtar, the Libyans, battling the tanks and guns of the Italian army with their Bedouin troops on horseback, managed to hold off y the Italians for twenty years, until Mukhtar was finally captured and executed. ~ Paul Brenner, All Movie Guide

After declaring a holy war to rid the Sudan of Anglo-Egyptian rule in the 1880s, the fanatical Sudanese leader Muhammad Ahmad (Laurence Olivier) massacres a British-led force of 8,000 and marches on the strategic city of Khartoum at the confluence of the Blue Nile and the White Nile. The British government of Prime Minister William Ewart Gladstone (Ralph Richardson) then sends one of its greatest generals, Charles George Gordon (Charlton Heston), to Khartoum to make peace and save the city. Gordon had previously served with distinction in the Crimea, China, India and South Africa. Most important, he had also served as governor of the Sudan in the late 1870s at the request of the khedive of Egypt, instituting administrative reforms, reducing the slave trade and bolstering the economy. However, before Gordon reaches Khartoum with his aide, many of his former Sudanese friends defect to the Mahdi. Nevertheless, Gordon receives a rousing reception when he arrives in the city in February 1884. Heartened, he meets in the desert with the Mahdi to try to forge a peace agreement, but the Arab leader tells Gordon he is bent on taking Khartoum. What's more, he means to conquer other cities -- Cairo, Mecca, Baghdad and Constantinople -- to establish a vast empire under his leadership. Convinced that more war is inevitable, Gordon and the loyal Egyptian troops under his command prepare for battle. Meanwhile, in London, the Gladstone government is reluctant to dispatch troops to support the outnumbered Khartoum forces because colonial meddling has become bad politics. To forestall disaster, Gordon diverts the Nile to create a moat around Khartoum and leads a foray in which he steals cattle from the Mahdi's herd to supply the besieged city with food. But when the Nile recedes, the stage is set for the final battle that will decide the fate of Khartoum. ~ Mike Cummings, All Movie Guide

Hammer Studios followed up Evil of Frankenstein with this entertaining sequel, again starring Peter Cushing as the quintessential mad scientist obsessed with the reanimation of dead bodies and the creation of superhuman creatures. His latest project involves transferring the mind of a wrongly-executed man into the body of his lover (former Playboy centerfold Susan Denberg), whose own suicide left her horribly disfigured. After restoring her beauty, the Doctor performs the mind-transference, which comes off without a hitch... until the lust for revenge against his executioners begins to surface. He/she then pursues this vendetta by seducing and murdering those who wronged him. Hammer stalwart Terence Fisher directs this quirky entry with his usual flair -- aided considerably by a decent budget -- and spices things up with a fair share of titillation (courtesy of Ms. Denberg). ~ Cavett Binion, All Movie Guide

Filmed in Germany by American director John Huston, Freud is a sincerely felt but overly simplistic biopic of the pioneering psychotherapist. The brooding, introspective Montgomery Clift was a curious choice for the role of Sigmund Freud; at times he looks more off the beam than some of his patients (his comic-opera Viennese accent doesn't add to the credibility). The screenplay takes the shape of a detective mystery, attempting to link various crises in Freud's private and professional life with his theoretical conclusions, most often doing so within well-staged dream sequences. Less successful are the scenes with the poor unfortunates who come to Freud for help, notably an embarrassing sequence with a young man suffering from an Oedipus complex. Freud was at one point supposed to have been scripted by existentialist playwright Jean-Paul Sartre, who gave up after he realized that the subject would require a four- or five-hour film at the very least. ~ Hal Erickson, All Movie Guide

Robert Aldrich (Kiss Me Deadly) directed this cloak-and-dagger yarn (based on a bestseller by Leon Uris), filmed on sumptuous locations in Greece. Set in Athens in 1941, before the Nazis overran the country, Robert Mitchum plays American war correspondent Mike Morrison, who has come into the possession of a list of 16 Greek underground leaders that he agrees to deliver to British intelligence in London for a $20,000 fee. Trying to keep him from getting there is the local Gestapo chief Conrad Heisler (Stanley Baker) and fifth columnist Tassos (Theodore Bikel). Morrison also becomes involved with a group of Greek freedom fighters -- particularly the beautiful Eleftheria (Gia Scala). But then Morrison comes down from the mountains and back to Athens, where he finds himself trailed, not only by the Nazis, but by charming widow Lisa Kyriakides (Elisabeth Muller). ~ Paul Brenner, All Movie Guide

At a laboratory outside of a small village in the south of England, physicist Dr. Laird (Alec Mango), assisted by American scientist Gilbert Graham (Forrest Tucker), is performing a series of advanced experiments with magnetic fields -- dangerous experiments, using massive amounts of power in equipment which isn't designed to carry the load. An accident injures one of his assistants, and a request for a replacement to the Ministry of Defense brings Brigadier Cartwright (Windham Goldie) down to investigate, accompanied by a replacement for the injured man -- a woman computer expert, Michele Dupont (Gaby Andre), who helps to solve Laird's power problem, but not the larger risks inherent in his experiments. Cartwright is impressed when an interrupted experiment transforms several pieces of steel not in the test chamber into useless lumps of powder -- his report convinced the Deputy Defense Minister (Geoffrey Chater) to make Laird's project a top priority, and he sends a full security team, led by counter-espionage expert Jimmy Murray (Hugh Latimer), down to cover the laboratory. But it soon becomes clear that enemy agents are the least of the dangers manifesting themselves around Laird's project -- the hyper-magnetic fields that he has generated have been affecting the ionosphere, causing unnatural weather patterns, threatening ships at sea hundreds of miles away, and also weakening the magnetic layer that shields the surface of the earth from cosmic rays. The sudden burst of radiation from deep space causes brain damage in one man that turns him into into a homicidal maniac -- but it has also affected the insect life in the area, causing it to mutate. In the midst of this growing threat to the safety of the world, a mysterious Mr. Smith (Martin Benson) arrives in the village -- he's a well-spoken man with amazingly little knowledge of ordinary life, but a lot of awareness about magnetic fields and the work that Dr. Laird is doing. Murray is positive that he's a spy, but Gil and Michele decide that there's a lot less danger from him than from Dr. Laird, who has vowed to continue regardless of the risks. And even with Smith's warning, and Gil's and Michele's best efforts to alert the authorities and stop Laird, the forest adjacent to the town is soon swarming with gigantic beetles and other monsters. ~ Bruce Eder, All Movie Guide

Victor Mature stars in this European-based crime thriller. Mature is an FBI agent on the trail of a drug smuggling operation, following his quarry all over the Continent (with accompanying pretty pictures of Portugal, Spain, France etc.) The criminal mastermind (Trevor Howard) is something of a lunatic, who has already strangled Mature's sister to death just for the hell of it. Anita Ekberg plays Howard's luscious courier; as usual, her "acting" consists to breathing heavily in a low-cut dress. The title Pickup Alley was the invention of Columbia's New York office: The film's original British title was Interpol. ~ Hal Erickson, All Movie Guide

This filmed biography of Vincent Van Gogh was adapted by Norman Corwin from the best-selling novel by Irving Stone, which was in turn inspired by the written correspondence between Van Gogh and his brother Theo. Kirk Douglas plays the tormented genius, whose obsessive devotion to his art engulfs, consumes, and finally destroys him. James Donald costars as Theo Van Gogh, who provides financial and moral support to his brother from the time Vincent leaves his Holland home in 1878 to his death in Auvers in 1890. Anthony Quinn won an Oscar for his eight-minute turn as Van Gogh's fast friend and erstwhile rival Paul Gaugin. Nearly 200 of Van Gogh's original paintings were borrowed from private collections for brief display in the film: some are "recreated" before our eyes, as the artist stands before his easel, spattered with paint and with a look of white-hot intensity burned into his countenance. ~ Hal Erickson, All Movie Guide

Less than a month after the release of 20th Century-Fox's The Racers, Lippert Productions picked up the American distribution rights for the British A Race for Life. Richard Conte stars as Peter Wells, a onetime champion race-car driver whose career was interrupted by the war. Linking up with an Italian racing team, Wells hope to stage a comeback, while his wife Pat (Mari Aldon) wishes that he'd give up his dangerous profession. Pat finally walks out on her husband, but has a change of heart when he enters the prestigious Grand Prix. Much of A Race for Life is comprised of thrilling genuine race-car footage, culled from various English and European newsreels and documentaries. ~ Hal Erickson, All Movie Guide

In this remake of Jack Ahoy! (1934) a sailor is left alone on a South Sea island to guard supplies by the British Royal Navy. Unfortunately, they forget about him. A decade later he has become one of the native islanders. The trouble begins when the navy suddenly remembers and sends a ship to save him. Unfortunately, the man is happy and doesn't want to go back. He ends up staying and training navy jungle commandos for an assignment to recover a stolen submarine. The hapless sailor ends up captured himself. Fortunately, his native lover saves him and helps bring back the purloined submarine. ~ Sandra Brennan, All Movie Guide

In this British drama a veteran laborer rises above the turmoil of unionization to become the governor of Artista, an industrial island that finds itself further embroiled in a terrible fight over low pay and terrible working conditions. A strike ensues, but the new governor remembers what it feels like to be an abused working stiff and so refuses to call out troops to break the strike. He tries to use his experiences on both sides of the fence to mediate between the angry laborers, but it's to no avail and the governor must make a difficult decision. ~ Sandra Brennan, All Movie Guide