Silvana Mangano Movies

Silvana Mangano portrays a fickle club chanteuse who must choose between the love of two men (Raf Vallone and Vittorio Gassman). She chooses neither, entering a convent for the sake of convenience. This overwrought drama was produced by Dino de Laurentiis, and reworked by five screenwriters including such respected names as Dino Risi and Franco Brusati, but comes up as a soggy soap-opera rather than an imposing star-vehicle. Nino Rota's fine score and the always watchable Mangano are its only saving graces. ~ Robert Firsching, All Movie Guide

An overbearing woman is determined to force her two kids to turn her struggling rice plantation into a success. Unfortunately, it is located on the Indochinese coast and is being threatened by rough seas; all that stands between the paddies and the ocean is a small seawall. More trouble comes in the form of a government agent who tries to get them to abandon the land. After falling in love with the beautiful daughter, the agent abandons his mission. But then her brother tires of his mother's constant harping and flees to Bangkok and this leads to more problems. Featuring an international cast, much of the film was shot on location in Thailand. ~ Sandra Brennan, All Movie Guide

Oci Ciornie was an international co-production tailored for Marcello Mastroianni. It received good reviews in Italy and France, and Mastroianni was awarded "Best Actor" at the Cannes Film Festival. However, some in Russia felt that director Mikhalkov (who previously received wide acclaim for another Chekhov adaptation, (An Unfinished Piece for the Player Piano) tried too hard to cater to foreign tastes rather than to convey Chekhov's mood. So this film conveys more of a foreign idea what Chekhov is about rather than a Russian one. In the story, Romano (Marcello Mastroianni) is living the life of a "kept" man in that he is the penniless husband of a rich aristocratic woman who supports him. Whenever life at home becomes too difficult for him, he goes off to some spa or other for a "rest cure." In addition to resting, the clownish fellow flirts shamelessly with the women he finds at these resorts. During one of his restorative excursions, he meets a shy Russian woman named Anna, whom he is much taken with. When she leaves to return to her life at home, he resolves to follow her and woo her there. With a great deal of buffoonery and ingenuity (such as pretending to be a manufacturer of a special kind of glass), he gets a visa to travel into Russia. There, he finds her unhappily married to a minor official, and before he leaves for Europe he promises to return and marry her. When he gets back home, he finds that his aristocratic wife is experiencing a genuine crisis (her family has lost its money), and he soon forgets about Anna and his promises to her. ~ Clarke Fountain, All Movie Guide

David Lynch wades through dark waters in his adaptation of Frank Herbert's cult science fiction novel. In condensing Herbert's rambling and complex book by eliminating characters and compacting events, Lynch succeeds in rendering the story incomprehensible to those unfamiliar with the novel and making the film look like a sketchy greatest hits collection of the book for Herbert fans. The story takes place in the year 10,191. The universe is governed through a system of feudal rule, presided over by Padishah Emperor Shaddam IV (José Ferrer), who appears to take his marching orders from something that resembles a talking vagina. In the kingdom are two rival houses -- the House of Atreides and the House of Harkonnen. Each house is trying to gain dominion over the universe, but that dominion can only be gained by the house that controls the Spice, a special substance that permits the folding of time. The Spice is only available on the desert world of Arrakis, or Dune. Shaddam, tired of the feuding between the two houses, permits the Atreides to take over the Spice production on Dune, while secretly working with the Harkonnens to launch a sneak attack on the Atreides and destroy them. The leader of the Atreides is Duke Leto (Jürgen Prochnow), who rules with the help of his concubine Jessica (Francesca Annis) and son Paul (Kyle MacLachlan). The rival Harkonnens are headed by the pus-oozing degenerate Baron Vladimir Harkonnen (Kenneth McMillan, in a thoroughly through-the-roof performance) and his two unsavory nephews, Rabban (Paul L. Smith) and Feyd (Sting). When his father is murdered by the Harkonnens, Paul escapes to Dune, where he is greeted by the Fremen (the desert dwellers on Dune who prepare the Spice) as the messiah foretold in Fremen legend. Paul assumes the mantle of messiah and leads the Fremen in a revolt that topples the balance of power in the universe. ~ Paul Brenner, All Movie Guide

An introverted American professor (Burt Lancaster) has retired to an Italian house, but finds his life interrupted when a decadent family moves upstairs. ~ John Bush, All Movie Guide

Amedeo Nazzari stars as Peppe Musolino, a good-natured woodcutter wrongly accused of murder. Sentenced to 20 years in prison, Musolino escapes to wreak vengeance upon the actual culprit. In the process, he develops a reputation as a bloodthirsty bandit, knocking off the witnesses who perjured themselves on behalf of the real murderer. Filmed on location in the Calabrian Hills, Il Briganto Musolino is nothing if not exciting, thanks to the directorial know-how of veteran helmsman Mario Camerini. The film served to introduce American audiences to formidable Italian leading lady Silvana Mangano. ~ Hal Erickson, All Movie Guide

Barely seen in the US at the time of its release, the Italian Lure of the Sila (IL Lupo Della Sila) became a television mainstay in the 1960s. Vittorio Gassman plays a man whose life is ruined when he is accused of murder. Gassman's tragedy is broadcast throughout Italy, "glorified" in song and story. Forced to assume a new identity, Gassman's sister Silvana Magnano quietly plans her revenge. It's best to see Lure of the Sila in an uncut, subtitled version; the dialogue in the 72-minute English-dubbed version is downright puerile at times, totally unworthy of this compelling melodrama. ~ Hal Erickson, All Movie Guide

Director Alessandro Blasetti used an all-star Italian cast for this satirical comedy that pokes fun at the selfishness of humans and uses one character to link a series of comic vignettes. ~ Dan Pavlides, All Movie Guide

Vittorio Gassman and Alberto Sordi don ill-fitting military uniforms in this anecdotal Italian service comedy. They play a couple of World War I soldiers, adept at sidestepping duty and responsibility, but courageous to the core when in a pinch. The film strives for the boisterous feel of What Price Glory, but at 118 minutes the material wears rather thin. Still, the reputation of director Mario Monicelli helped this uneven production win a Golden Lion award at the Venice Film Festival. Originally released in Italy in 1959 as La Grande Guerra, The Great War was distributed in the U.S. two years later. ~ Hal Erickson, All Movie Guide

This Dino De Laurentiis production from 1965 is actually an anthology of five different directors' work, each telling their own stories about witches. The five stories are "The Witch Burned Alive," "Civic Sense," "The Earth As Seen From The Moon," "The Girl From Sicily," and "A Night Like Any Other." Silvia Mangano appears in all five, with Clint Eastwood starring in the last featured vignette. Like many gang-directed projects, this film is also plagued by a lack of continuity and by the pretentiousness of the individual directors. ~ Dan Pavlides, All Movie Guide