Silvana Mangano Movies

Originally released as Riso Amaro, Bitter Rice was one of the landmark films of the postwar Italian neorealist movement. Silvana Mangano portrays one of hundreds of women toiling slavishly in the Po Valley rice fields. She is courted by two men: respectable Raf Vallone and no-good fugitive from justice Vittorio Gassman. Mangano chooses Gassman, a decision which brings disaster not only to her but to her co-workers. The rice-field scenes are realistic enough to pass muster as documentary footage, though they tend to be undercut in the English-language version by the amateurish dubbing. Critics were unanimous in their praise for Bitter Rice; their words were, however, ignored by the male fans who came to see the film solely on the strength of the now-famous production still of the buxom Silvana Mangano standing in the rice field wearing tight shorts and torn black stockings. ~ Hal Erickson, All Movie Guide

Barely seen in the US at the time of its release, the Italian Lure of the Sila (IL Lupo Della Sila) became a television mainstay in the 1960s. Vittorio Gassman plays a man whose life is ruined when he is accused of murder. Gassman's tragedy is broadcast throughout Italy, "glorified" in song and story. Forced to assume a new identity, Gassman's sister Silvana Magnano quietly plans her revenge. It's best to see Lure of the Sila in an uncut, subtitled version; the dialogue in the 72-minute English-dubbed version is downright puerile at times, totally unworthy of this compelling melodrama. ~ Hal Erickson, All Movie Guide

Amedeo Nazzari stars as Peppe Musolino, a good-natured woodcutter wrongly accused of murder. Sentenced to 20 years in prison, Musolino escapes to wreak vengeance upon the actual culprit. In the process, he develops a reputation as a bloodthirsty bandit, knocking off the witnesses who perjured themselves on behalf of the real murderer. Filmed on location in the Calabrian Hills, Il Briganto Musolino is nothing if not exciting, thanks to the directorial know-how of veteran helmsman Mario Camerini. The film served to introduce American audiences to formidable Italian leading lady Silvana Mangano. ~ Hal Erickson, All Movie Guide

Vittorio De Sica, Cesare Zavattini, and Giuseppe Marotta wrote this anthology of tales depicting various aspects of Neapolitan life, with the emphasis of poignancy and comedy: "The Racketeer" features Toto with a gangster as his unwanted house guest; "Pizza On Credit" gave Sophia Loren one of her first starring roles, as a wayward wife who loses her wedding ring; "The Gambler" stars De Sica in a hilarious performance as a compulsive gambler whose rich family won't give him money, so he's reduced to playing cards with the young son of his servant; "Theresa" features Silvana Mangano as a prostitute who discovers that a man really does have to be crazy to marry her. (Two other episodes were cut for the film's U.S. release.) ~ Nicole Gagne, All Movie Guide

An overbearing woman is determined to force her two kids to turn her struggling rice plantation into a success. Unfortunately, it is located on the Indochinese coast and is being threatened by rough seas; all that stands between the paddies and the ocean is a small seawall. More trouble comes in the form of a government agent who tries to get them to abandon the land. After falling in love with the beautiful daughter, the agent abandons his mission. But then her brother tires of his mother's constant harping and flees to Bangkok and this leads to more problems. Featuring an international cast, much of the film was shot on location in Thailand. ~ Sandra Brennan, All Movie Guide

Based on the Alexander Pushkin story The Captain's Daughter, Tempest is set in Russia during the reign of Catherine the Great. A Russian ensign named Peter Griniev (Geoffrey Horne), banished by Catherine (Viveca Lindfors) to a distant outpost, saves the life of Pugachov (Van Heflin), leader of a peasant uprising. Allowed to escape, Griniev tries to warn of the Pugachov's plans, but the Russian generals refuse to listen. When Griniev attempts to remove Pugachov's daughter (Silvano Mangano) from harm's way, he is accused of desertion. This time it is Pugachov's turn to rescue Griniev by convincing Catherine that the boy is innocent of treason. Tempest compensates for its overall dullness with a few brilliantly staged battle sequences. ~ Hal Erickson, All Movie Guide

Once branded himself by the House Un-American Activities Committee, award-winning director Martin Ritt focuses on the cruel branding of five women in this standard wartime drama. Some of his better-known films (The Spy Who Came In from the Cold, Norma Rae) also deal with the question of social and ethical choices in the face of pressure. In this story, the savagery of the Yugoslav partisans as they fight off Nazi occupation forces is also vented on five women accused of Nazi sympathies because of their sexual association with one German officer. The women (played by Silvana Mangano, Vera Miles, Barbara Bel Geddes, Jeanne Moreau, and Carla Gravina) have their heads shaved in order to brand them as traitors. What the partisans did to the German officer (Steve Forrest) in revenge for sleeping with these women was much worse. Intermittently shocking, the film with its excess cruelty and hatreds stands as a good indictment against war and its causes. ~ Eleanor Mannikka, All Movie Guide

This 1962 Biblical epic was adapted by Christopher Fry from the novel by Pär Lagerkvist. Anthony Quinn stars as Barabbas, the thief who was pardoned in place of Jesus. For the rest of his life, the guilt-ridden criminal tries to justify his existence and to determine his place in the scheme of things. Along the way he encounters the self-righteous pomposity of Pontius Pilate (Arthur Kennedy), the stoning of Sara (Katy Jurado), the gladiatorial sadism of Torvald (Jack Palance), and the burning of Rome. The film's unbilled Christ is played by Roy Magnano, the brother of Quinn's second-billed costar Silvia Mangano. Watch for the genuine solar eclipse during the Crucifixion sequence, an effect that director Richard Fleischer spent several days preparing for. ~ Hal Erickson, All Movie Guide

The Flying Saucer is an irreverent satire of the worldwide fascination in space travel in the early 1960s. Alberto Sordi plays four roles in this slight tale of an invasion from Mars. The Martians decide to kidnap several "typical" Earthlings to help them understand our curious planet. The subjects are maddening enough to send the Martians hurtling off the planet as fast as their fat little pods will carry them. Flying Saucer gets off to a good start with a phony newsreel, wherein several interviewees offer the most fatuous opinions ever put on film; the rest of the film isn't able to match this opening, but there are isolated belly laughs along the way. ~ Hal Erickson, All Movie Guide

And Suddenly It's Murder! is a regulation Dino De Laurentiis concoction: Big stars, lavish production values, muddleheaded plot. Three Italian couples go on separate vacations to Monte Carlo. When they open their suitcases, a body tumbles out of one of the grips. The rest of the film is a macabre variation of La Ronde, with the body being transferred from room to room and the innocent being implicated along with the guilty. Among the discomfited tourists are Alberto Sordi, Vittorio Gassman, and Silvana Mangano. Originally released in Italy in 1959 as Crimen, And Suddenly It's Murder! didn't make it to the States until 1964; some English-language prints bear the title Criminals. ~ Hal Erickson, All Movie Guide

This Dino De Laurentiis production from 1965 is actually an anthology of five different directors' work, each telling their own stories about witches. The five stories are "The Witch Burned Alive," "Civic Sense," "The Earth As Seen From The Moon," "The Girl From Sicily," and "A Night Like Any Other." Silvia Mangano appears in all five, with Clint Eastwood starring in the last featured vignette. Like many gang-directed projects, this film is also plagued by a lack of continuity and by the pretentiousness of the individual directors. ~ Dan Pavlides, All Movie Guide

Terence Stamp is known only as "The Visitor" in Pier Paolo Pasolini's Teorema. The mysterious stranger insinuates himself into the home of a wealthy Italian family, where he exerts a curious, sensual spirituality over everyone in the household. He then proceeds to seduce everyone in the family (male and female) including the maid, which gives each person some sort of unique epiphany. Because he reveals so little about his innermost thoughts, "The Visitor" becomes all things to all people. What it boils down to is this: Is the enigmatic visitor Christ, or is he the Devil? Matching Terence Stamp's multi-textured performance every step of the way is Laura Betti as the family's maid; Betti, in fact, won the "Best Actress Award" at the 1968 Venice Film Festival. Director Pasolini adapted the screenplay of Teorema from his own novel. ~ Hal Erickson, All Movie Guide