Silvana Mangano Movies

Oci Ciornie was an international co-production tailored for Marcello Mastroianni. It received good reviews in Italy and France, and Mastroianni was awarded "Best Actor" at the Cannes Film Festival. However, some in Russia felt that director Mikhalkov (who previously received wide acclaim for another Chekhov adaptation, (An Unfinished Piece for the Player Piano) tried too hard to cater to foreign tastes rather than to convey Chekhov's mood. So this film conveys more of a foreign idea what Chekhov is about rather than a Russian one. In the story, Romano (Marcello Mastroianni) is living the life of a "kept" man in that he is the penniless husband of a rich aristocratic woman who supports him. Whenever life at home becomes too difficult for him, he goes off to some spa or other for a "rest cure." In addition to resting, the clownish fellow flirts shamelessly with the women he finds at these resorts. During one of his restorative excursions, he meets a shy Russian woman named Anna, whom he is much taken with. When she leaves to return to her life at home, he resolves to follow her and woo her there. With a great deal of buffoonery and ingenuity (such as pretending to be a manufacturer of a special kind of glass), he gets a visa to travel into Russia. There, he finds her unhappily married to a minor official, and before he leaves for Europe he promises to return and marry her. When he gets back home, he finds that his aristocratic wife is experiencing a genuine crisis (her family has lost its money), and he soon forgets about Anna and his promises to her. ~ Clarke Fountain, All Movie Guide

This Italian romantic melodrama is distinguished by having in its soundtrack a well-performed aria by Maria Callas. It tells the story of the love between a mature older woman and an anguished younger man who eventually commits suicide. ~ Clarke Fountain, All Movie Guide

Based on a novel by Thomas Mann, Death in Venice stars Dirk Bogarde as a German composer who is terrified that he has lost all vestiges of humanity. While visiting Venice, Bogarde falls in love with a beautiful young boy (Bjorn Andresen). The relationship is ruined by Bogarde's obsession with the boy's youth and physical perfection; the composer realizes that the child represents an ideal that he can never match. The character played by Dirk Bogarde is evidently intended to be Gustav Mahler, whose haunting music is featured on the film's soundtrack. ~ Hal Erickson, All Movie Guide

The Decameron was the first of director Pier Paolo Pasolini's "trilogy of life." The film, based on the sexually supercharged tales of Boccaccio, is a patchwork of many of Pasolini's favorite themes. Pasolini himself plays the role of an aspiring fresco painter who is advised that his completed work will never be as satisfying as his dream of that work. The film is followed by Pasolini's The Canterbury Tales and The Arabian Nights. ~ Hal Erickson, All Movie Guide

This updated version of the Greek tragedy from Sophocles bears some slight resemblance to the original mythology. Edipo (Franco Citti) is abandoned by his father after the father receives an oracle telling him he will die at the hands of his own son. Raised by a childless couple, Edipo goes through a series of adventures before he marries his own mother. When they discover they are mother and son, Edipo blinds himself and his mother commits suicide. It's enough to give the audience a complex. ~ Dan Pavlides, All Movie Guide

Director Alessandro Blasetti used an all-star Italian cast for this satirical comedy that pokes fun at the selfishness of humans and uses one character to link a series of comic vignettes. ~ Dan Pavlides, All Movie Guide

Alberto Sordi co-stars with Silvia Mangano in this Dino DeLaurentiis comedy production gang-directed by Tinto Brass, Mauro Bolognini, and Luigi Comenichi. The sketches primarily deal with the endearing battles between husbands and wives, giving Sordi the chance to mug for the camera in the comic fashion that made him famous. ~ Dan Pavlides, All Movie Guide

For anyone not up on Italian history during World War II, this interesting docudrama about the eventual execution by the Nazis of Mussolini's son-in-law Count Ciano (Frank Wolf) will have a few gaps. The war is ending and the fascists have clearly lost, so in their last-ditch effort to lay the blame elsewhere they choose Galeazzo Ciano, their former Foreign Minister, as one of several "traitors" to the fascist cause. Neither Mussolini himself nor an offer of the Count's diaries have any effect on the Verona-based trial which condemned and executed several others as traitors. ~ Eleanor Mannikka, All Movie Guide

Once branded himself by the House Un-American Activities Committee, award-winning director Martin Ritt focuses on the cruel branding of five women in this standard wartime drama. Some of his better-known films (The Spy Who Came In from the Cold, Norma Rae) also deal with the question of social and ethical choices in the face of pressure. In this story, the savagery of the Yugoslav partisans as they fight off Nazi occupation forces is also vented on five women accused of Nazi sympathies because of their sexual association with one German officer. The women (played by Silvana Mangano, Vera Miles, Barbara Bel Geddes, Jeanne Moreau, and Carla Gravina) have their heads shaved in order to brand them as traitors. What the partisans did to the German officer (Steve Forrest) in revenge for sleeping with these women was much worse. Intermittently shocking, the film with its excess cruelty and hatreds stands as a good indictment against war and its causes. ~ Eleanor Mannikka, All Movie Guide

Based on the Alexander Pushkin story The Captain's Daughter, Tempest is set in Russia during the reign of Catherine the Great. A Russian ensign named Peter Griniev (Geoffrey Horne), banished by Catherine (Viveca Lindfors) to a distant outpost, saves the life of Pugachov (Van Heflin), leader of a peasant uprising. Allowed to escape, Griniev tries to warn of the Pugachov's plans, but the Russian generals refuse to listen. When Griniev attempts to remove Pugachov's daughter (Silvano Mangano) from harm's way, he is accused of desertion. This time it is Pugachov's turn to rescue Griniev by convincing Catherine that the boy is innocent of treason. Tempest compensates for its overall dullness with a few brilliantly staged battle sequences. ~ Hal Erickson, All Movie Guide

Uomini e Lupi was released outside of Italy as Men and Wolves. Pedro Armendariz and Yves Montand star as a pair of courageous wolf-hunters in the Abruzzi region of Italy. When Montand returns to his village with a dog instead of a wolf, he is branded a coward. He redeems himself by teaming with Armendariz' wife Sylvia Magnano to kill the wolf who claims the life of her husband. It's a simple story, imbued with powerful visual dynamics by Giuseppe De Santis. Especially impressive is the climax, staged during a blinding snowstorm (it's the real thing, too!) ~ Hal Erickson, All Movie Guide

Vittorio De Sica, Cesare Zavattini, and Giuseppe Marotta wrote this anthology of tales depicting various aspects of Neapolitan life, with the emphasis of poignancy and comedy: "The Racketeer" features Toto with a gangster as his unwanted house guest; "Pizza On Credit" gave Sophia Loren one of her first starring roles, as a wayward wife who loses her wedding ring; "The Gambler" stars De Sica in a hilarious performance as a compulsive gambler whose rich family won't give him money, so he's reduced to playing cards with the young son of his servant; "Theresa" features Silvana Mangano as a prostitute who discovers that a man really does have to be crazy to marry her. (Two other episodes were cut for the film's U.S. release.) ~ Nicole Gagne, All Movie Guide