Dorothy Malone Movies

Bearing very little relation to the 1937 Paramount musical of the same name, Artists and Models is a lavish, girl-filled vehicle for the popular team of Dean Martin and Jerry Lewis. Martin plays Rick Todd, a comic-book artist who is under fire from his publisher (Eddie Mayehoff), who complains that Rick's work isn't gory enough. Lewis plays Eugene Fullstack, Rick's roommate, who while asleep dreams up elaborate comic-book plots and garishly costumed superheroes. Eugene's nightmares help Rick become a success; meanwhile, our two heroes romance their luscious neighbors, artist Dorothy Malone and rambunctious model Shirley MacLaine (who during one song wrestles Eugene to the floor and sits on his chest!) Eugene's overworked imagination somehow attracts the attention of a group of Russian spies, who attempt to abduct Eugene during the annual Artists and Models Ball. Director Frank Tashlin uses Artists and Models as an excuse for some of the wildest sight-gags seen in a mid-1950s film. At one point, the director contrives to stuff a gag in Shirley MacLaine's mouth. Tashlin also exhibits his ongoing fascination with female breasts and legs by giving ample screen time to the natural attributes of co-stars Anita Ekberg and Eva Gabor. One of the best of the Martin/Lewis efforts, Artists and Models suffers only from being about 20 minutes too long. ~ Hal Erickson, All Movie Guide

This cold, stylish erotic-thriller grossed over $100 million at the box-office despite vigorous protests at its depiction of gays and women. The shocking opening sequence features a graphic sexual encounter involving a rock-star bound with a white Hermes scarf by an unidentified blond woman. Despite the fact that the scene ends with a bloody icepick murder (horrifyingly realized by makeup artist Rob Bottin), Hermes scarves quickly sold out at stores nationwide. This seeming paradox is at the heart of the film's appeal, as it mixes perverse sexuality and erotic bloodshed in a manner common to European thrillers (director Paul Verhoeven had done it himself in 1979's marvelous De Vierde Man) but mostly taboo in America. The plot concerns Catherine Tramell (Sharon Stone), a successful bisexual mystery writer who may also be a ruthless murderer. Everyone close to Catherine dies, and troubled policeman Nick Curran (Michael Douglas) must find out why. In the process, Nick becomes sexually involved with both Catherine and police psychiatrist Beth Gardner (Jeanne Tripplehorn), while the bodies begin piling up and Catherine turns the cat-and-mouse game around on Nick. Verhoeven and screenwriter Joe Eszterhas -- who was paid $3 million for the script -- keep the tension ratcheted up throughout, even during the frequent sex scenes, which carry a violent edge reminiscent of the Italian thrillers of Dario Argento. The film's most notorious scene, a police interrogation in which Catherine makes drooling idiots out of her captors by revealing that she is not wearing underwear, became a cultural touchstone and was widely imitated and parodied. Sharon Stone, meanwhile, was embarrassed to the point that she claimed Verhoeven had aimed lights on strategic locations without her knowledge. George Dzundza and Dorothy Malone co-star. ~ Robert Firsching, All Movie Guide

Professor Bob Cummings is an anthropologist who uses a telescope to study the mating habits of teenagers, namely Frankie Avalon and Annette Funicello. However, Cummings' secretary Dorothy Malone wishes that his boss would get his mind off bikinis and surfers. Meanwhile trouble brews when Eric Von Zipper (Harvey Lembeck) tries to abduct Annette. Watch for cameo appearances by Vincent Price and Elizabeth Montgomery. ~ Hal Erickson, All Movie Guide

Condominium is a two-part, four-hour TV adaptation of the novel by John D. McDonald. The setting is a hastily constructed Florida high-rise, assembled at the least possible cost by its greedy owners. An oncoming hurricane threatens to topple the structure and its residents into the ocean. Various degrees of greed, lust, terror and concern are displayed by stars Steve Forrest, Dan Haggerty, Ralph Bellamy, Barbara Eden, Stuart Whitman, Jack Jones and Pamela Hensley. Produced for the syndicated "Operation Prime Time" series, Condominium was first made available to local stations on November 20, 1980. ~ Hal Erickson, All Movie Guide

Five convicted outlaws, sentenced to hang, are recruited by a Confederate Army officer on what could easily be a suicide mission -- they're each given a full pardon in exchange for a quick ride through hostile Indian territory to Dawn Springs, Kansas, where their job is to stop a stagecoach coming in from California. The coach is carrying Stephen Jethro, the head of intelligence for the Confederacy in California, who has sold out to the Union, and $30,000 in gold that Jethro was to use for espionage work on behalf of the south -- their job is to bring Jethro in alive if possible, but to stop him from reaching Union territory, and to bring the gold back to the Confederacy. But the temptation of that gold weighs on all of these men -- Hale Clinton (Touch Connors) and Govern Sturgess (John Lund) seem destined to fight it out to the death -- and the presence of Dorothy Malone at the Dawn Springs relief station doesn't help matters. Before it's over, there will be multiple double-crosses, one important partial redemption, and an ever growing list of casualties. ~ Bruce Eder, All Movie Guide

Richard Harris dodges bullets from stem to stern in this middling thriller, based on a novel by Alistair MacLean. The plot concerns high-sea hijinks aboard the Caribbean Star, a combination cargo ship and floating casino. In the midst of the high rollers and spinning roulette wheels appears Luis Carreras (John Vernon), an amoral mercenary who hijacks the ship. Taking his marching orders from a mysterious mastermind, he installs an atomic device mid-ship, holding both the passengers and the bomb hostage, hoping to exchange them for the gold bullion of an U.S. Treasury ship. All seems to be going according to Luis's plan until First Officer John Carter (Richard Harris), the attractive Susan Beresford (Ann Turkel), and Dr. Marston (Gordon Jackson) arrive to put a crimp in Luis's escapade. ~ Paul Brenner, All Movie Guide

Based on a true story (it says here), He's Not Your Son is another variation on the old "switched at birth" plot device. Donna Mills and Ken Howard play Kathy and Michael Saunders, who are forced to face the possibility that their new baby may not be their new baby. It's a possibility that the hospital made a mistake, and that the Saunders infant was switched with the newborn son of Holly and Ted Barnes (Ann Dusenberry, John James). The ramifications of this error result in emotional disaster for both couples. Twin babies Drew and Preston James play the child in question. Filmed on location in Dallas, the made-for-TV He's Not Your Son debuted October 3, 1984. ~ Hal Erickson, All Movie Guide

The West Coast's answer to Broadway's Stage Door Canteen, the Hollywood Canteen was created as a GI morale-booster by film stars Bette Davis and John Garfield. The Canteen was established so that Our Boys on leave in Tinseltown could have a good time with good food and good dancing -- and, as a bonus, rub shoulders with their favorite movie personalities, who functioned as waiters, chefs, busboys and dancing partners. Since the 1944 all-star flick Hollywood Canteen was produced by Warner Bros., it was only to be expected that the celebrities seen herein would consist mostly of Warner Bros. contract players. The frail plot concerns a soldier on medical leave (played by Robert Hutton) who falls in love with lovely leading lady Joan Leslie (played by Joan Leslie) while visiting the Canteen. Bette Davis and John Garfield are on hand to emcee the Canteen's variety acts, and to act as cupids for the Hutton/Leslie romance. The "supporting cast" includes the likes of The Andrews Sisters, Jack Benny, Joe E. Brown, Eddie Cantor, Sidney Greenstreet, Paul Henreid, Peter Lorre, Ida Lupino, Dennis Morgan, Roy Rogers, S.Z. Sakall, Barbara Stanwyck, and the Jimmy Dorsey and Carmen Cavallaro musical aggregations. Virtually everyone involved donated their salaries to the Canteen fund--even Jack Benny. As with most of these patriotic wartime star rallies, the results are a mixed bag: the best sequences include Benny's violin "duel" with Joseph Szigeti and Roy Rogers and the Sons of the Pioneers introducing Cole Porter's Don't Fence Me In. Hollywood Canteen won three Oscar nominations, more for its good intentions than its inherent excellence. Still, don't pass up the opportunity when this "movie star salad" shows up on cable TV. ~ Hal Erickson, All Movie Guide

The psychological makeup of a dangerous gunman is probed in Jack Slade. Beginning with his childhood, Slade (Mark Stevens) is shown to be extremely unbalanced; in fact, he kills his first man at age 13. Growing up in the West, Slade comes to the conclusion that his gun is his only friend. At first, he is regarded as a hero because he does his killings on the side of the law; eventually, however, his homicidal tendencies overwhelm him, and he shoots without discretion or even reason. It is a tribute to actor Mark Stevens that he is able to make this character fascinating, rather than totally repellant. The only fault that can be found in Jack Slade is its length; the film would be twice as effective if shorn by 15 minutes or so. ~ Hal Erickson, All Movie Guide

Kim Basinger was best known as a model when she starred in the made-for-TV Katie: Portrait of a Centerfold. She plays a green-as-grass Texas teenager who wins a beauty contest. Armed with nothing more than delusions, Basinger heads to Hollywood to become a star. As given away by the film's title, Ms. Basinger ends up as posing au naturel. While it received surprisingly good review in 1978, Katie: Portrait of a Centerfold is no more artistically advanced than those Kroger Babb VD exploitation movies of the 1940s. ~ Hal Erickson, All Movie Guide

Also known as Little Ladies of the Night, the story focuses on a teenager who runs away from home and finds herself in the sordid world of street-life prostitution. She gains help from a police officer, who is still connected to the underground since he formerly worked as a pimp. ~ John Bush, All Movie Guide