Dorothy Malone Movies

Based on a true story (it says here), He's Not Your Son is another variation on the old "switched at birth" plot device. Donna Mills and Ken Howard play Kathy and Michael Saunders, who are forced to face the possibility that their new baby may not be their new baby. It's a possibility that the hospital made a mistake, and that the Saunders infant was switched with the newborn son of Holly and Ted Barnes (Ann Dusenberry, John James). The ramifications of this error result in emotional disaster for both couples. Twin babies Drew and Preston James play the child in question. Filmed on location in Dallas, the made-for-TV He's Not Your Son debuted October 3, 1984. ~ Hal Erickson, All Movie Guide

Condominium is a two-part, four-hour TV adaptation of the novel by John D. McDonald. The setting is a hastily constructed Florida high-rise, assembled at the least possible cost by its greedy owners. An oncoming hurricane threatens to topple the structure and its residents into the ocean. Various degrees of greed, lust, terror and concern are displayed by stars Steve Forrest, Dan Haggerty, Ralph Bellamy, Barbara Eden, Stuart Whitman, Jack Jones and Pamela Hensley. Produced for the syndicated "Operation Prime Time" series, Condominium was first made available to local stations on November 20, 1980. ~ Hal Erickson, All Movie Guide

Kim Basinger was best known as a model when she starred in the made-for-TV Katie: Portrait of a Centerfold. She plays a green-as-grass Texas teenager who wins a beauty contest. Armed with nothing more than delusions, Basinger heads to Hollywood to become a star. As given away by the film's title, Ms. Basinger ends up as posing au naturel. While it received surprisingly good review in 1978, Katie: Portrait of a Centerfold is no more artistically advanced than those Kroger Babb VD exploitation movies of the 1940s. ~ Hal Erickson, All Movie Guide

The cast of the popular old TV series Peyton Place reunite when Allison MacKenzie and Rodney Harrington are found dead. Other than that, and a decade's worth of gossip, nothing much has changed there. ~ Sandra Brennan, All Movie Guide

More ambitious and expensive than ABC's first "novel for television" miniseries QB VII, the eight-episode, 12-hour Rich Man, Poor Man was the one that truly put the genre on the map, its phenomenal success in the ratings making possible the even more spectacular Roots. Adapted from the mammoth novel by Irwin Shaw, the miniseries covers the years from WWII to the 1960s, detailing the vacillating fortunes of the immigrant Jordache brothers. "Rich Man" Rudy Jordache (Peter Strauss) is determined to use his hard-earned education -- and his inherent ruthlessness -- to carve out a business and political empire not unlike that enjoyed by Joseph P. Kennedy and his progeny. "Poor Man" Tom Jordache (Nick Nolte), a quick-fisted hothead, goes an entirely different route, first as a professional boxer, then as a functionary of the evil gangster chieftain Falconetti (William Smith). Naturally, both brothers become entangled in romance along the way, with Julie Prescott (Susan Blakely) ending up as Rudy's benighted spouse. Originally telecast on February 1, 2, 9, 16, 23, and March 1, 8, and 15 in 1976, Rich Man, Poor Man earned 20 Emmy nominations and led to a weekly sequel, Rich Man, Poor Man -- Book 2, in the fall of 1976 (this version necessitated a title change for the original, which was rebroadcast as Rich Man, Poor Man -- Book 1 in the spring of 1977). ~ Hal Erickson, All Movie Guide

Season Seven of Ironside begins as Chief Ironside (Raymond Burr) goes head-to-head with the staff of a smarmy gossip magazine that has held a grudge with the San Francisco police department ever since the "botched" investigation of a missing actor. Now the magazine is going after Ironside himself, threatening to tell all about the Chief's alleged romance with a notorious Madam (Dorothy Malone). Ironcially, Ironside soon finds himself having to protect the lives of the magazine's employees from a mysterious bomber. A key player in the proceedings is an elderly caretaker William Schallert who seems to know more than he's letting on. ~ Hal Erickson, All Movie Guide

Suspense builds around the investigation of a plane crash that caused 53 deaths in this dramatic adaption of Ernest K. Gann's novel. Authorities systematically eliminate probable causes, finally placing blame on the pilot, who was seen drinking before the flight. The airline's director of flight operations, Sam McBane (Glen Ford), knowing the pilot's excellent WW II record, refuses to accept the authorities' conclusions and begins his own investigation. With the help of the only survivor, a stewardess (Suzanne Pleshette), McBane re-creates the events leading to the crash in an attempt to discover the true cause. The character of the incriminated pilot, Captain Jack Savage (Rod Taylor), is revealed through a series of flashbacks, from a wartime army camp (with a cameo by Jane Russell) to the climactic moment of the thrilling crash. Milton Krasner's crisp cinematography earned him an Oscar nomination. ~ Lucinda Ramsey, All Movie Guide

This episode of The Untouchables was intended as the pilot for a spinoff series starring Scott Brady as celebrated war correspondent and gonzo journalist Floyd Gibbons. When his fellow reporter Carleton Edmunds (Paul Langton) is murdered while investigating a illegal scrap-metal operation, Gibbons picks up where Edmunds left off. Though no one admires Gibbons more than Elliot Ness (Robert Stack), the Federal agent is anxious to prevent the dashing, eyepatch-wearing globetrotter from walking into a death trap during a climactic confrontation with villain-of-the-week John Brecker (Alan Baxter). Featured in the cast as Edmunds' widow is Dorothy Malone, with whom Robert Stack memorably costarred in the 1956 theatrical feature Written on the Wind. ~ Hal Erickson, All Movie Guide

Robert Stack and Dorothy Malone are Cliff and Laurie Henderson, a married couple on a vacation with their young daughter (Tammy Marihugh), taking their first sea voyage aboard the aging ocean liner Claridon. All is well for them, but not for the ship below decks, where a fire has broken out. The engine room crew, led by Chief Engineer Steven Pringle (Jack Kruschen) and 2nd Engineer Walsh (Edmond O'Brien) extinguish the blaze, but the ship's captain (George Sanders) refuses their request to shut down the boilers and check for further damage. Disaster follows as the boilers explode, taking Pringle with them and blasting a hole through to the upper decks and an opening to the sea that's not only too big to patch but allowing in too much water for the pumps to handle. Still, the Captain won't order the passengers to the lifeboats -- he hopes that the engine room crew under Walsh can hold the bulkhead and keep the ship afloat. Meanwhile, Cliff has to rescue his daughter from their wrecked stateroom, and must do what he can to help Laurie, who is trapped beneath a huge piece of steel bulkhead, while the ship slowly loses its battle with the sea. ~ Bruce Eder, All Movie Guide

Too Much, Too Soon was adapted from the warts-and-all autobiography of actress Diana Barrymore, the troubled daughter of "great profile" John Barrymore. As played by Dorothy Malone, Diana is a basically decent young lady who suffers mightily from lack of parental love. Her famous father, played with boozy bravado by Errol Flynn, is the soul of graciousness and affection when sober, but a human monster when drunk -- which is often. Her poetess mother, Michael Strange (Neva Patterson), is too preoccupied by her bitterness against Barrymore to pay much attention to Diana. Striking out on her own as an actress, Diana vainly seeks personal happiness with several husbands: actor Vincent Bryant (actually Bramwell Fletcher), played by Efrem Zimbalist Jr.; jealous, possessive tennis player John Howard (Ray Danton); and another actor, alcoholic Robert Wilcox (Ed Kemmer). Unable to find satisfaction in her work or her private life, Diana follows family "tradition" by turning to liquor; this leads to extended sanitarium stays and innumerable suicide attempts. It is suggested at the end of the film that she is on the road to recovery, thanks in part to her biographer Gerold Frank (Robert Ellenstein); the sad truth is that two years after the release of Too Much, Too Soon, Diana Barrymore killed herself at the age of 39. This filmed version of Diana's tragic life seldom rises above soap-opera level, save for Errol Flynn's knowing performance of his old friend and drinking companion John Barrymore. ~ Hal Erickson, All Movie Guide

William Faulkner's novel Pylon was optioned by Universal producer Albert Zugsmith, who used it as the source for his 1957 production The Tarnished Angels. Robert Stack is a disillusioned World War One ace eking out a living as a barnstorming pilot/parachutist during the early 1930s. New Orleans newspaperman Rock Hudson runs across Stack at a two-bit carnival. He becomes fascinated with Stack's fall from grace, and latches onto him. As he is drawn into Stack's iconoclastic, individualistic lifestyle, Hudson finds he is also drawn to the pilot's long-suffering wife, Dorothy Malone. Jack Carson is on hand as Stack's chief mechanic, whose anger over the pilot's abusive treatment of Malone explodes into tragedy. ~ Hal Erickson, All Movie Guide