Matt Malloy Movies

In this satirical comedy, a hotly contested high school election becomes a metaphor for the current state of American politics. Jim McAllister (Matthew Broderick) is a popular and well-respected instructor at George Washington Carver High School in Omaha, Nebraska, but lately he's been unhappy in both his personal and professional life, and his anxieties finally come to a head with the school's student elections. Tracy Flick (Reese Witherspoon) is running for student body president, and she certainly seems like the sort of girl who would win a high school election -- she's pretty, popular and takes part in all the right extra-curricular activities. In fact, she seems so perfect she's running unopposed, which offends McAllister's sense of democracy (not to mention the fact he doesn't like her very much). So Jim intervenes and persuades Paul Metzler (Chris Klein) to run against Tracy. Paul is not terribly bright and is entirely unqualified to be student president, but as a star of the school's football team (before a leg injury sidelined him), he's popular enough to at least give Tracy a run for her money. Just as the race begins to heat up, a spanner is truly thrown into the works when Paul's sister, Tammy (Jessica Campbell) announces she's also running for office. Publicly, Tammy's platform is that the student elections are ultimately pointless and if she's elected, she'll eliminate them altogether. Privately, Tammy is out for revenge against her brother; it seems Tammy is experimenting with her sexuality, and a recent fling with a bisexual classmate named Lisa (Frankie Ingrassia) ended when Lisa dumped her to start going out with Paul. Based on the novel by Tom Perrotta, Election was directed by Alexander Payne, who won enthusiastic reviews for his debut feature, Citizen Ruth; Payne also co-wrote the screenplay with Jim Taylor. ~ Mark Deming, All Movie Guide

A struggling filmmaker trying to climb the show business ladder befriends an actor who's heading down the same ladder at a furious pace in this dark comedy. George (Jamie Kennedy), an aspiring writer who does temp work to make ends meet, longs to break into show business where he can get to know his favorite stars. One night, George is invited to a party and he meets Kyle Carey (Loren Dean), one of his favorite actors. Kyle's star has fallen quite a bit in recent months, but George doesn't seem to be aware of this, and he's thrilled to be spending time with a genuine celebrity, even if Kyle only seems to call when he needs help with something. As George spends his evenings with Kyle and his girlfriend Iona (Carmen Electra), a model, he's convinced he's found the fast track to a career in Hollywood, until Kyle calls him one night asking a rather unexpected favor -- he's been fired from his latest picture and doesn't have a place to stay, so can he move in for a while? Starstruck, which was produced under the title Starf*cker, also stars Bridgette Wilson, Spencer Garrett, Clarence Williams III, and Marlo Thomas. ~ Mark Deming, All Movie Guide

Boys is a coming-of-age tale about an addled prep school student who nurses a woman back to health after an accident and becomes involved in her cryptic past. John Baker Jr. (Lukas Haas) is a tormented high school senior outcast who's weary of his upper-crust boarding school life and dreads his future as a supermarket chain manager. When he finds Patty Vare (Winona Ryder) unconscious in a field after being thrown from a horse, Baker sees this as an opportunity to break out of his humdrum existence, and he smuggles her into the school to take care of her. The relationship blooms into a somewhat bizarre love affair, as John discovers that Patty is concealing a mysterious secret involving a missing baseball player and a stolen car. Although the film takes a little time to get started, what originates as an analysis of guarded youths making foolish judgments evolves into a celebration of adolescent insurrection. ~ Don Kaye, All Movie Guide

This is the second dramatic feature to be made in Imax 3-D. The plotline, of a Russian immigrant boy who has come to New York to search for his long missing relatives only provides a thin excuse to offer an unparalleled, spectacular show case of the Big Apple, past and present. The past images were created from an enormous assortment of old stereoscopic photographs that offer the audience a rare glimpse of the city's early history and the fascinating lives of those who lived there. The present images are presented from a wide variety of viewpoints as Thomas, the 11-year-old protagonist, rides the roller coasters of Coney Island, experiences his first subway ride, and imagines that he is a bird over Manhattan. ~ Sandra Brennan, All Movie Guide

A newly excavated skeleton forces Assistant D.A. Stone (Michael Moriarty) to reopen a murder case that he worked on years earlier. The wily "perpetrator" in the original case, Phillip Swann (Zeljko Ivanek), hopes to use the rediscovered remains to force a new trial. But as so often happens in Law & Order, what seems obvious at first is likely to change at a moment's notice. ~ Hal Erickson, All Movie Guide

Wind is set in the world of competitive yacht racing, where a young sailor (Matthew Modine) is intent on winning the America's Cup, as well as regaining the affections of his ex-girlfriend (Jennifer Grey). As the film opens, Modine chooses to race the America's Cup instead of staying with Grey. She leaves him and his team loses the race, leaving him devastated. Modine tracks Grey down, finding her with a new boyfriend, who happens to be an engineer. He persuades her and her new boyfriend to help him build a new yacht, which he plans on using in his pursuit to regain the America's Cup. ~ Stephen Thomas Erlewine, All Movie Guide

The discovery of a nude woman's body in a Manhattan elevator, six months after a similar discovery in another state, indicates that a serial killer is at large. The police manage to collar the killer, whereupon assistant D.A. Stone (Michael Moriarty) endeavors to have the accused stand trial in New York. But his efforts may be thwarted by the parents of the killer's previous victim, who intend to have the man tried in their own state -- where the death penalty is all but mandatory in such cases. ~ Hal Erickson, All Movie Guide

The unlikely relationship between a pregnant high school student and a brooding electronics repairman lies at the center of this droll comedy from writer-director Hal Hartley. Intelligent but unconventional, Maria (Adrienne Shelly) has more to worry about than her pregnancy, as her expectant state drives away her boyfriend and triggers a fatal heart attack in her father. Meanwhile, Matthew (Martin Donovan) has his own problems: an abusive father, a heightened sense of morality that prevents him from taking semi-lucrative television repair jobs, and a suicidal streak that causes him to carry around a potentially deadly grenade. The meeting of these troubled minds at first promises to be beneficial for both, but sours as they are forced to interact with each other's dysfunctional families. As in all of Hartley's pictures, the narrative is filtered through an amusingly detached sensibility that some may consider an acquired taste. ~ Judd Blaise, All Movie Guide

Although it took eight years for cult director Frank Henenlotter to revisit the twisted world of Duane Bradley (Kevin Van Hentenryck) and his basket-bound, mutant former Siamese twin Belial, this sequel picks up the plot mere moments after the original Basket Case ended, finding the psychically-linked brothers mangled but very much alive after the rather aggressive tiff that pitched them out a Bowery flophouse window. They manage to elude the authorities, escape the hospital (to avoid having to explain the dozen-or-so murders committed by gnarled, lumpy Belial), and eventually find sanctuary at the palatial home of Granny Ruth (jazz songbird Annie Ross), an eccentric activist who rallies the cause of "Unique Individuals" like Belial who have been ostracized by society for their horrific appearance and behavior. (Unique, indeed... Ruth's tenants run the gamut from a boy with 18-inch teeth to a woman who looks like a
hammerhead shark in a summer frock.) Although the pair soon grow quite accustomed to their new home, they are eventually forced to confront their murderous past, thanks to a tabloid reporter and a cynical cop, both of whom come to regret sticking their noses into places where such appendages tend to get bitten off. Henenlotter deserves credit for exploring new terrain in this interesting follow-up, but his reliance on outrageous makeup effects diminishes the effectiveness of the "Monsters Are People Too" theme -- it's hard to work up much empathy toward Ruth's charges, depicted as mute automatons by actors wearing 70 pounds of foam latex on their heads. Not that Henenlotter doesn't return to grotesque form now and then -- particularly for the most disgusting love scene on record and the effective shock ending, which paves the way for yet another sequel. ~ Cavett Binion, All Movie Guide

Filmmaker Bo Webb makes his feature directorial debut with this hybrid horror film that combines elements of a heist thriller and a zombie flick. When a group of crooks hatch a plot to rob a bank, they encounter something none of them had planned for. The crew suddenly finds themselves trapped inside the bank while a throng of blood-lusting zombies surrounds the building in search of mortal flesh. Released straight to DVD, Dead Heist stars old-school rapper Big Daddy Kane. ~ Matthew Tobey, All Movie Guide