Matt Malloy Movies

Based on the 1969 short story Super-Toys Last All Summer Long, by Brian Aldiss, this science fiction fantasy bears similarities to Pinocchio (1940) and originated as a long-gestating project of director Stanley Kubrick that passed to his friend Steven Spielberg after Kubrick's death. Haley Joel Osment stars as David, a "mecha" or robot of the future, when the polar ice caps have melted and submerged many coastal cities, causing worldwide starvation and human dependence upon robotic assistance. The first mecha designed to experience love, David is the "son" of Henry (Sam Robards), an employee of the company that built the boy, and the grief-stricken Monica (Frances O'Connor). David is meant to replace the couple's hopelessly comatose son, but when their natural child recovers, David is abandoned and sets out to become "a real boy" worthy of his mother's affection. Along the way, David is mentored by a pleasure-providing mecha named Gigolo Joe (Jude Law) and a talking "super toy" bear named Teddy. His adventures take him to the Roman Circus-style "Flesh Fair," where mechas are destroyed for the amusement of humans; Rouge City, where Gigolo Joe narrowly avoids capture by police; and finally a submerged New York City, where David's creator, Professor Hobby (William Hurt) reveals the secrets of the boy's creation. Brendan Gleeson and narrator Ben Kingsley co-star in A.I., which was adapted from Kubrick's treatment by Spielberg, in his first crack at screenwriting since Close Encounters of the Third Kind (1977). ~ Karl Williams, All Movie Guide

Boys is a coming-of-age tale about an addled prep school student who nurses a woman back to health after an accident and becomes involved in her cryptic past. John Baker Jr. (Lukas Haas) is a tormented high school senior outcast who's weary of his upper-crust boarding school life and dreads his future as a supermarket chain manager. When he finds Patty Vare (Winona Ryder) unconscious in a field after being thrown from a horse, Baker sees this as an opportunity to break out of his humdrum existence, and he smuggles her into the school to take care of her. The relationship blooms into a somewhat bizarre love affair, as John discovers that Patty is concealing a mysterious secret involving a missing baseball player and a stolen car. Although the film takes a little time to get started, what originates as an analysis of guarded youths making foolish judgments evolves into a celebration of adolescent insurrection. ~ Don Kaye, All Movie Guide

Victor Mancini (Sam Rockwell) has got some problems -- when he's not at Sex Addicts Anonymous meetings hunting for women to bed, he masquerades as a choking victim in restaurants as a scheme to gather money from unsuspecting strangers, which he uses to keep his ailing mother (Anjelica Huston) in a high-end extended-care facility for her extreme dementia. But what happens when this messed up Colonial-era theme-park employee finds Mrs. Right in the guise of his mother's doctor -- and how can he give their relationship a try when she tells him he's the next coming of Jesus Christ? Based on Chuck Palahniuk's (Fight Club) pitch-black comedic novel, Choke is adapted and directed by David Mamet alumni Clark Gregg, whose career spans stage, screen, and TV work as well as a screenplay credit for Robert Zemeckis' 2000 thriller What Lies Beneath. ~ Jeremy Wheeler, All Movie Guide

Filmmaker Bo Webb makes his feature directorial debut with this hybrid horror film that combines elements of a heist thriller and a zombie flick. When a group of crooks hatch a plot to rob a bank, they encounter something none of them had planned for. The crew suddenly finds themselves trapped inside the bank while a throng of blood-lusting zombies surrounds the building in search of mortal flesh. Released straight to DVD, Dead Heist stars old-school rapper Big Daddy Kane. ~ Matthew Tobey, All Movie Guide

So how far would you go to win a beauty pageant? That's the burning question of Drop Dead Gorgeous, in which the citizens of Mount Rose, Minnesota gear up for the year's biggest event, the Sarah Rose Miss Teen Princess America Pageant, in which Becky Leeman (Denise Richards) and Amber Atkins (Kirsten Dunst) are the contestants to beat. Becky's mother Gladys (Kirstie Alley), a former beauty queen herself, has instilled in her daughter a drive to succeed at any cost. And Gladys will do anything to help Becky's chances of success. Amber's mother Annette (Ellen Barkin) is devoted to her daughter but drinks, smokes, and swears like a sailor. And while Amber is ambitious and a skilled beautician (a talent that she uses in her part-time job at the local mortuary), her view of the pageant is pragmatic: while boys can get sports scholarships, this pageant may be her only ticket out of town. However, Amber and the other contestants may have underestimated just how badly Becky wants to win -- or just how good she is with a gun. Drop Dead Gorgeous was directed by Michael Patrick Jann, a founding member of the sketch comedy group The State (who had their own series on MTV), and written by Lorna Williams, a veteran of the beauty pageant circuit who claims that nearly everything in the film is based on an actual incident. ~ Mark Deming, All Movie Guide

Director Gus Van Sant returned to the low-key style of his early independent efforts with this semi-improvised exploration of how violence makes its way into a typical American high school. Eric (Eric Deulen) and Alex (Alex Frost) are two close friends who are students in a well-to-do suburb of Portland, OR. Eric and Alex are at once ordinary and misfits; while they seem to be confined to the edges of the clique-oriented social strata of high school, little about their behavior draws attention to itself. Or at least not during a typical school day; on their own time, the two boys are fascinated by Nazi iconography, enjoy violent video games, tentatively explore homoerotic desires, and coolly begin to make plans for an armed ambush of the school, drawing up working diagrams of the lunch room during study hall and buying rifles over the Internet. Drawing an expected degree of controversy, Elephant had its world premiere when it was screened in competition at the 2003 Cannes Film Festival, where it won both Best Director for Van Sant and the Golden Palm award. ~ Mark Deming, All Movie Guide

Campbell Scott is both star and co-director of this elaborate (albeit economically produced) four-hour TV version of Shakespeare's immortal tragedy Hamlet, Prince of Denmark. The film is based on Scott's earlier theatrical production of the same play, with several of the same actors repeating their same roles. Updated to 1900 New York, the text remains substantially the same as it has always been: Hamlet (Scott), the "melancholy" Danish prince, discovers to his horror that his late father, the King, was murdered by his brother (and Hamlet's uncle) Claudius (Jamey Sheridan), who upon ascending to the throne, added insult to injury by wedding Hamlet's mother, Gertrude (Blair Brown). Though his desire for revenge is strong, Hamlet does not want any more bloodshed, and concocts an elaborate scheme to "catch the conscience" of Claudius and force him into a confession. Part of this scheme involves Hamlet's feigned descent into madness -- which, as interpreted by Scott, may not be as "feigned" as he thinks it is. Caught in the middle of this intrigue is Hamlet's lady love, Ophelia (Lisa Gay Hamilton), daughter of Claudius' chief consul, Polonius (played in the manner of a protocol-conscious Victorian diplomat by Roscoe Lee Browne). Some of the choices made by Scott in adapting Hamlet to the screen -- the turn-of-the-century setting; the utilization of black actors in the roles of Polonius, Ophelia, and Laertes (who is played by Roger Guenveur Smith); the casting of Byron Jennings to play both the Ghost of Hamlet's father and the Player King, who pretends to be the father -- were applauded by the critics. Other innovations, notably the use of slow jazz music throughout the action, and Hamlet's violent treatment of poor Ophelia during the "Get thee to a nunnery" scene, were not so enthusiastically received. Whatever the case, Scott does a remarkable job with a tiny budget and a slim 29-day shooting schedule. In addition to the actors' lilting interpretation of the Shakespearean dialogue and soliloquies, the film boasts a truly exciting climactic duel, shot in long takes without the use of stunt doubles. Initially produced for a theatrical release, this Hamlet made its American debut as a cable TV miniseries on the Odyssey Channel, beginning December 10, 2000. ~ Hal Erickson, All Movie Guide

Two frustrated young executives vent their pent-up rage via a childish prank and end up paying a price in this psychological black comedy, the feature-film debut of writer-director Neil LaBute. Former college buddies Chad (Aaron Eckhart) and Howard (Matt Malloy) are in their early 30s and work in the same company. One day the two encounter each other in the men's executive washroom and begin expressing their mutual frustration regarding their lack of rapid advancement at work and their most recent bad luck with women. In hopes of gaining revenge against the fairer sex and bolstering their battered egos, the two hatch a nasty scheme to be enacted over an upcoming six-week-long business trip: Find a vulnerable young woman to court, slather with affection, and then callously dump. They choose a lovely, hearing-impaired typist named Christine (Stacey Edwards), a woman who hasn't dated in many years. Not realizing that she is about to be the metaphorical mouse between a pair of hungry cats, she laps up the sudden attention, but in no time it becomes apparent that Chad is the man she prefers. When Howard discovers this, it creates escalating tension between the two men who begin playing more psychological games, not only with hapless Christine, but also with each other. ~ Sandra Brennan, All Movie Guide

The sixth-season opener of Law & Order finds detective Lennie Briscoe (Jerry Orbach) teamed with a new partner, Rey Curtis (Benjamin Bratt). For their first assignment together, Briscoe and Curtis try to piece together the last hours in the life of a murdered girl, using an ATM machine film to determine what happened to the victim between her classroom and her music lesson. The results of the investigation lead to a revenge killing -- which many observers regard as "justice." ~ Hal Erickson, All Movie Guide

The discovery of a nude woman's body in a Manhattan elevator, six months after a similar discovery in another state, indicates that a serial killer is at large. The police manage to collar the killer, whereupon assistant D.A. Stone (Michael Moriarty) endeavors to have the accused stand trial in New York. But his efforts may be thwarted by the parents of the killer's previous victim, who intend to have the man tried in their own state -- where the death penalty is all but mandatory in such cases. ~ Hal Erickson, All Movie Guide

Jennifer Jason Leigh offers an acclaimed performance as humorist Dorothy Parker, who together with such 1920s luminaries as Robert Benchley, Alexander Woollcott and George S. Kaufman, was a charter member of the legendary Algonquin Round Table. The story is related in flashback form, as Mrs. Parker, in Hollywood to cowrite the 1937 feature A Star is Born with her second husband Alan Campbell (Peter Gallagher), recalls her glory days as an Algonquinite. A great deal of attention is afforded Parker's vituperative bon mots, her alcoholism, her self-destructiveness, her suicide attempts, and her affairs with such literary contemporaries as Charles MacArthur (an uncharacteristically unsympathetic Matthew Broderick) and Robert E. Sherwood (Nick Cassavetes). The one person Parker truly seems to care about is humorist Robert Benchley (Campbell Scott), who prefers to keep their friendship platonic. Director Alan Rudolph attempts to convey the ambience of the 1920s by having dozens of that decade's luminaries appear in fleeting cameos, from Will Rogers (Keith Carradine) to Harpo Marx. Also featured in Mrs. Parker are Tom McGowan as the waspish Alexander Woollcott and Andrew McCarthy as Dorothy's near-invisible first husband, Eddie Parker. ~ Hal Erickson, All Movie Guide

Sipowicz (Dennis Franz), Costas (Sharon Lawrence), and Dornan (Richard Gant) close in on the murderer who framed Suarez -- and who is dying of leukemia. A case involving retired cops who appear to have gone bad results in friction between the squad, the Internal Affairs Bureau, and the FBI. Medavoy (Gordon Clapp) worries that he might get in trouble for accepting a gift of free Chinese food. And the still-grieving Diane (Kim Delaney) meets the wife of the man whose heart was donated to the late Bobby Simone. ~ Hal Erickson, All Movie Guide