Edward Mallory Movies

The story of "red light bandit" Caryl Chessman, previously dramatized in the 1955 film Cell 2455, Death Row (based on Chessman's own book), was adapted for television as Kill Me If You Can. In a radical departure from his usual duties as MASH's Hawkeye Pierce, Alan Alda plays Chessman, who in 1948 was found guilty of robbery, kidnapping and sexual assault. Under the laws of the era, Chessman was sentenced to die in the gas chamber. But by studying the law and publishing four books on his plight, the brilliant (albeit still repugnant) Chessman managed to forestall his execution for 12 years. Though no effort is made in the film to make the sociopathic Chessman any better than he was, John Gay's script comes out squarely in opposition of capital punishment. Kill Me If You Can first aired on September 25, 1977. ~ Hal Erickson, All Movie Guide

During a family jaunt to the beach, Herman (Fred Gwynne) goes scuba diving with full regalia. No sooner has he submerged than Herman is scooped up by a net cast from a Russian submarine. The Soviet sailors are thrilled at their "catch", believing that they've at last found the Missing Link. But a gimlet-eyed commissar (Jan Arvan) is convinced that Herman is an American espionage agent and acts accordingly--thereby nearly bringing down the fall of the USSR some 24 years ahead of schedule! ~ Hal Erickson, All Movie Guide

After another of Marilyn's boyfriends runs away in horror upon seeing the monstrous Munsters, Grandpa Munster (Al Lewis) concludes that Marilyn (Beverly Owen) will never land a beau without his help. Dutifully, Grandpa repairs to his laboratory to cook up a love potion, which Lily (Yvonne DeCarlo) mixes with some oatmeal. As a result, everyone in the family finds himself or herself irresistable to the opposite sex--everyone, that is, except poor Marilyn! This episode of The Munsters is a black-and-white remake of the series' original color pilot, which featured actors other than series regulars Yvonne DeCarlo, Beverly Owen and Butch Patrick (Eddie Munster). ~ Hal Erickson, All Movie Guide

This sci-fi melodrama about housing construction in the murky deep sea is as clear as the muddied water itself. Enterprising individuals have decided that if humans are going to blow themselves sky-high at some point in the future then it might be a good idea to have an escape hatch down at the bottom of the ocean. And so a series of underwater living units are carefully created and tested until it seems like they are ready for residents to move in. What no one considers is that the sea floor and the sea itself may not be as stable as they first seem. ~ Eleanor Mannikka, All Movie Guide

This moody and controversial drama takes place in Depression-era New Orleans. Dove (Laurence Harvey) has traveled by bus from Texas to find his wayward lover Hallie (Capucine). He meets young Kitty Twist (Jane Fonda) as the two get off in the crescent city. Teresina (Anne Baxter) gives him a job at her small cafe. In his free time, Dove searches for Hallie and finds her at work as a prostitute in the Doll's House. Dove implores Hallie to return to him but she refuses. When the lecherous lesbian madame Jo (Barbara Stanwyck) discovers Dove's intentions towards Hallie, she has him beaten to a bloody pulp by her hired goons. He is found by Kitty, now a happy hooker at the Doll House, and is taken back to the cafe where the compassionate Teresina heals his physical and emotional wounds. The film taken from the novel by Nelson Algren is much tamer than the original text. The title track, sung by Brook Benton, was nominated for an Academy Award. The "black-cat stalking" opening and closing sequences (by designer Saul Bass) is a perfect little "film-within-a-film." This footage, with its superb lighting, framing, panning, and editing, should be appreciated by anyone who wants to know more about the art of cinematography. ~ Dan Pavlides, All Movie Guide

High-fashion diva Flavia Halliday (Marie Windsor) humiliates her husband Charles (John Conte) on network television by flatly refuting Charles' announcement that he has sold their firm's name to another company. For Charles, this is the last straw: He demands a divorce, but Flavia merely laughs at him. Subsequently, Flavia is poisoned, and as she dies in the arms of her companion Leona (Dorothy Neumann) she accuses Charles and his mistress Hope (Leslie Parrish) of killing her! Can Perry Mason (Raymond Burr) neutralize the power of a deathbed statement to clear Charles and Hope of murder? ~ Hal Erickson, All Movie Guide