Rory Mallinson Movies

A fast-paced western with a romantic twist, this was one of the last films pairing director Budd Boetticher and popular cowboy hero Randolph Scott before Scott's retirement. John Hayes (Scott) left the Civil War behind him when he took on the job of managing the Overland Stage Lines out of a small Colorado town. Clay Putnam has not forgotten that the Confederacy lost and he plans on robbing Hayes' Overland Stage of one of its gold shipments from California to the North. He wants the gold to stay in the South to revive the Confederate cause. Meanwhile, his wife Norma (Virginia Mayo) complicates matters since she was Hayes' old flame, and Putnam's cronies want the gold for themselves. ~ Eleanor Mannikka, All Movie Guide

A bizarre western that at times veers dangerously close to outright burlesque, Shoot-Out at Medicine Bend concluded Randolph Scott's long-term contract with Warner Bros. and sat on the shelf for nearly two years before being dumped on the double-bill market in 1957. Scott and two fellow cavalry officers (Gordon Jones and a very young James Garner) have their clothes stolen while skinny-dipping. Offered new apparel by a group of Quakers (or are they Mormons? It is never made quite clear), the threesome go on to prevent James Craig from supplying the territory with faulty guns and ammo. Dani Crayne (the wife of actor David Janssen at the time) seductively warbles {&"Kiss Me Quick") and a young Angie Dickinson lends further femininity to the proceedings. Much of this is strangely watchable, but as a western Shoot-Out at Medicine Bend can never make up its mind whether to play it straight or for comedy. Not too surprisingly, director Richard L. Bare had gotten his start helming the studio's "Joe McDoakes" comedy shorts in the 1940s. A final paradox: There is nary a shoot-out in the entire film. ~ Hans J. Wollstein, All Movie Guide

After a dying outlaw confesses to a crime for which Jedd Ferris (Richard Crane) has been sentenced to jail, Bret (James Garner) sets upon the task of securing Jedd's release. Trouble is, Jedd's wife Martha (Joan Vohs) is coveted by a tough customer named Ben Maxwell (Richard Webb), who will stop at nothing to make certain that Jedd remains behind bars. The first Maverick episode directed by series "regular" Douglas Heyes, "The Long Hunt" is a particular treat for fans of 1950s TV science-fiction shows, inasmuch as Richard Webb, aka "Captain Midnight", is cast as the bitter enemy of Richard Crane, aka "Rocky Jones, Space Ranger." ~ Hal Erickson, All Movie Guide

While John Ford and Howard Hawks received all the critical plaudits, Lesley Selander quietly went about his business directing some of the best westerns of the 1950s. In Selander's Shotgun, deputy sheriff Clay (Sterling Hayden) embarks upon a long, vengeful journey to track down Thompson (Guy Prescott), the man responsible for his boss' murder. Packing a sawed-off, double-barrelled shotgun for this purpose, Clay also carries a rifle and sixgun for such "lesser" threats as marauding Indians. Rescuing half-breed Abby (Yvonne de Carlo) from certain death, Clay takes her along on his manhunt, and later the two travellers are joined by bounty hunter Reb (Zachary Scott), who intends to get to Thompson first to collect the reward on the fugitive's head. Naturally, a bitter romantic triangle arises involving Clay, Abby and Reb, but this is briefly set aside when Thompson is finally cornered. ~ Hal Erickson, All Movie Guide

Rodgers and Hammerstein's 1943 Broadway musical was considered revolutionary for a multitude of reasons, not least of which were the play's intricate integration of song and storyline, and the simplicity and austerity of its production design. The 1955 film version of Oklahoma! retains the songs (except for Lonely Room and It's a Scandal!, which are usually cut from most stage presentations anyway) and the story, but the simplicity is sacrificed to the spectacle of Technicolor, Todd-AO, and Stereophonic Sound. The story can be boiled down to a single sentence: a girl must decide between the two suitors who want to take her to a social. In her movie debut, 19-year-old Shirley Jones plays Laurie, an Oklahoma farm gal who is courted by boisterous cowboy Curley (Gordon MacRae) and by menacing, obsessive farm hand Jud Frye (Rod Steiger). Fearing that Jud will do something terrible to Curley, Laurie accepts Jud's invitation to the box social. But it's Curley who rescues Laurie from Jud's unwanted advances, and in so doing wins her hand. On the eve of their wedding, Laurie and Curley are menaced by the drunken Jud. During a fight with Curley, Jud falls on his own knife and is killed (this sudden-death motif was curiously commonplace in the Rodgers and Hammerstein ouevre). The local deputy insists that Curley be arrested and stand trial, but he is outvoted by Curley's friends, and the newlyweds are permitted to ride off on their honeymoon. Counterpointing the serious elements of the story is a comic subplot involving innocently promiscuous Ado Annie (Gloria Grahame), her erstwhile sweetheart Will Parker (Gene Nelson) and lascivious travelling salesman Ali Hakim (Eddie Albert). None of the Broadway cast of Oklahoma! was engaged for the film version, though Charlotte Greenwood is finally able to essay the role of Auntie Eller that had been written for her but she'd been unable to play back in 1943. The evergreen songs include Oh, What a Beautiful Mornin', Surrey with the Fringe on Top, People Will Say We're In Love, I Cain't Say No, and the rousing title song. Two versions of Oklahoma! currently exist: the Todd-AO version, filmed on 65-millimeter stock, and the simultaneously shot CinemaScope version, shipped out to the theaters not equipped for the wider-screen Todd-AO process. Both versions have been issued in "letterbox" form on laser disc, and the subtle differences in performance style and camera angles in each and every scene are quite fascinating. ~ Hal Erickson, All Movie Guide

In this adventure Bomba the Jungle boy helps a Hollywood movie star search the dark, dangerous jungle for her missing husband. As they search, they encounter a man-eating leopard. ~ Sandra Brennan, All Movie Guide

Within its own modest limits, The Great Jesse James Raid is a well-crafted western. Willard Parker plays Jesse James, who when the film opens is seen comfortably settled into respectable retirement. At the instigation of the unscrupulous Bob Ford (Jim Bannon), Jesse leaves hearth and home behind to commit one last robbery. Somewhere in the deep recesses of a mine is $300,000 in hidden loot, and Jesse aims to get his mitts on it. Featured in the cast of The Great Jesse James Raid are Barbara Payton and Tom Neal, whose turbulent real-life romance resulted in a great deal of negative publicity. The film is stolen by Wallace Ford as a Scripture-quoting dynamiter; perhaps it is true, as one historian observed, that Ford was in more movies than anyone else in the 1930s, 1940s and 1950s. ~ Hal Erickson, All Movie Guide

Safari Drums was the ninth entry in Monogram's "Bomba the Jungle Boy" series. Johnny Sheffield once more stars as Bomba, while his usual director Ford Beebe calls the shots. The villain is an avaricious guide (Douglas Kennedy) who has murdered a famed geologist. The killer is a member of a film-making unit that has come to Africa to lens a documentary. His motivation for the murder was a fortune in diamonds. Bomba disposes of the baddie by summoning aid from his animal friends. Ironically, this same solution was used in the like-vintage Tarzan and the She-Devil -- and as everybody knows, Johnny Sheffield used to play "Boy" in the Tarzan pictures. ~ Hal Erickson, All Movie Guide

The Waco depicted in this film is a wide-open Texas frontier town, in desperate need of a strong authority figure to clean out the criminal element. The man needed is the man found: Matt Boone, played by Wild Bill Elliot. Though himself a fugitive from justice (he killed a man in self-defense), Boone takes his responsibilities as sheriff very seriously. Flying in the face of standard "good badman" movie cliches, Boone is often as brutal and ruthless as the desperadoes he comes up against. Waco was one more feather in the cap of cowboy star Bill Elliot, who appeared in some of the toughest -- and best -- medium-budget westerns of the 1950s. ~ Hal Erickson, All Movie Guide

Springfield Rifle was Gary Cooper's third western in a row, released not long after the classic High Noon. Cooper plays Union army officer Lex Kearney, who undertakes a covert investigation to find out why the North's supply of horses has suddenly diminished. Because of the top-secret nature of his mission, Kearney is forced to distance himself from everyone he knows, including his wife Erin (Phyllis Thaxter) and son Jamie (Michael Chapin). Heading to a remote cavalry post, he discovers that renegade soldiers have been stealing horses and selling them to the South. Someone at the post has been operating as the thieves' "inside man," and Lex, posing as a dishonorably discharged soldier, aims to ferret out the traitor. Had it not followed directly on the heels of the critical and financial success of High Noon, Springfield Rifle might have fared better with audiences and reviewers. ~ Hal Erickson, All Movie Guide

Man Behind the Gun is a standard-issue Randolph Scott western elevated by good performances and exciting action sequences. Scott plays Callicut, newly arrived in the bustling mid-19th century metropolis of Los Angeles. Outwardly just another soldier of fortune, Callicut is actually an undercover agent for the government, sent to LA to investigate a covert organization that hopes to make Southern California a separate state. When he finds the time, he romances schoolteacher Lora Roberts (Patrice Wymore), whose life he'd previously saved during a stagecoach holdup. Callicut's rival for Lora's attentions is Roy Giles (Philip Carey), a hotheaded Army captain who may be in on the secessionist movement. Once Callicut finds out who's behind the movement, all hell breaks loose. Robert Cabal makes a brief appearance in Man Behind the Gun as a supposedly harmless Latino who turns out to be firebrand desperado Joaquin Murietta. ~ Hal Erickson, All Movie Guide

Charles Starrett is back as The Durango Kid in Laramie Mountains. The villains this time are a group of white outlaws who disguise themselves as Indians to stage raids on various U.S. army posts. Their plan is to foment an all-out war for their own profit. Government agent Steve Holden (Starrett) intends to put a stop to the criminal's activities; when all else fails, he adopts the disguise of the Durango Kid to operate outside the Law. Jack (later Jock) Mahoney, who'd been playing supporting roles and performing stunts in previous Durango Kid outings, contributes a strong characterization in Laramie Mountains as Swift Eagle, a white man adopted by Indians. One of the heavies is played by Fred Sears, taking time out from his directorial duties on the Starrett series. ~ Hal Erickson, All Movie Guide