Claire Malis Movies

A transit engineer and his family must face the gargantuan task of moving from New Jersey to Boise, Idaho in this lively comedy starring Richard Pryor. It all begins after he gets a really great job out West. Unfortunately, his family is less than thrilled with the prospect. The furniture movers, who prove to be crooks, and their crazy neighbors conspire to make matters all the worse. ~ Sandra Brennan, All Movie Guide

'Night. Mother was adapted by Marsha Norman from her own harrowing Pulitzer Prize-winning play. Outwardly normal Sissy Spacek calmly informs her mother Anne Bancroft that she's about to commit suicide. Thus the stage is set for a war of nerves between the determined Spacek and the distraught Bancroft, who uses every emotional and psychological device at her disposal to stave off the inevitable. The film's tension grows not from its plot development--we know from the outset how it's going to end--but from whether or not we're going to learn all the reasons for Spacek's decision. She's an epileptic, an alcoholic, and supremely miserable, but she always holds a little something back, prompting the viewer to lean closer to the screen in hopes of ferreting out more answers. In the original play, the outcome was never predictable; perhaps understandably, there are many who prefer the staged 'Night Mother to the screen version. ~ Hal Erickson, All Movie Guide

Quincy (Jack Klugman) is an unwilling key player in an elaborate vengeance scheme concocted by arrogant paralegal Carl Norman (Jeff Pomerantz). After the 7-year-old granddaughter of law professor Henry Hillman (Lew Ayres) is kidnapped in broad daylight, Norman calmly walks into police headquarters and confesses to the crime, further demanding to be put on trial immediately. Using the flaws in the legal system to his advantage, Norman is supremely confident that he will not only be acquitted for the crime, but that he will be able to collect the ransom for the girl without running the risk of a future arrest--thanks to that all-too-familiar loophole known as "Double Jeopardy". ~ Hal Erickson, All Movie Guide

John Cassavetes wrote and directed this look at three middle-aged men thrown into a midlife crisis when one of their mutual friends dies. Harry (Ben Gazzara), Archie (Peter Falk) and Gus (John Cassavetes) attend the funeral of their buddy David Rowlands (Stuart Jackson); all three are starting to feel the pressures of their advancing years, while Harry is having serious problems with his marriage. After the funeral, the three men decide that they need to get away from it all for a while, and they spend the next two days getting drunk, shooting hoops, playing cards, sleeping on the subway, and pretending that they're teenagers again. After 48 hours of irresponsibility, Archie and Gus decide that fun is fun but it's time to go home. But when Harry goes back to his wife, they have a huge argument; Harry storms out and decides to fly to England, persuading Archie and Gus to tag along. They get dressed up, visit a casino, and pick up beautiful women, but while Archie and Gus, as before, look at this as a brief vacation from their lives as loyal husbands and fathers, Harry doesn't want to go home, even though he seems more troubled by his infidelity than do his two friends. Cassavetes' first directorial project after his critical breakthrough with Faces, featuring intense, largely improvised performances by two of his most consistent collaborators, Ben Gazzara and Peter Falk, Husbands was originally released in a cut running 154 minutes, but was trimmed to 138 minutes for general release. ~ Mark Deming, All Movie Guide